Macbeth - Part 2 | Folger Theatre and Two River Theater Company
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- Опубликовано: 11 сен 2024
- Watch Part 2 of Folger Theatre and Two River Theater Company's "Macbeth," co-directed by Teller and Aaron Posner (Act 3, scene 6 - Act 5, scene 8).
Watch Part 1: • Macbeth - Part 1 | Fol... .
Catch Teller and Aaron Posner’s "The Tempest" at Round House Theatre, in collaboration with Folger Theatre, beginning November 23. Learn more at www.folger.edu....
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Macbeth: Ian Merrill Peakes
Lady Macbeth: Kate Eastwood Norris
Macduff: Cody Nickell
Banquo, Messenger: Paul Morella
Weird Sister, Doctor, Murderer, Porter: Eric Hissom
Weird Sister, Murderer | Mentieth: Cleo House, Jr.
Weird Sister, Caithness: Andrew Zox
Duncan, Old Siward: Dan Olmstead
Malcolm: Scott Kerns
Donalbain, Seyton: Peter Vance
Lennox: Evander Duck, Jr.
Ross: Noel Vélez
Sergeant, Young Siward: Jeremy Brown
Angus: Joe Isenberg
Lady Macduff, Gentlewoman: Karen Peakes
Fleance: Benjamin Schiffbauer
Young Macduff: Ben Cook
Percussionist: John Kilkenny
House Manager: Amy Carr
CREATIVE TEAM
Co-Conceivers and Directors: Teller and Aaron Posner
Magic Design: Teller
Scenic Design: Daniel Conway
Costume Design: Devon Painter
Lighting Design: Thom Weaver
Sound Design: Karin Graybash
Mask and Effects Design: Frank Ippolito
Composer: Kenny Wollesen
Magic Consultant: Matthew Holtzclaw
Fight Director: Dale Anthony Girard
Properties Master: Jessica Parks
Dramaturgs: Michele Osherow, Miriam Weisfeld
Assistant Director: Jeremy Skidmore
Assistant Scenic Designers: Jeremy Foil, Sean Urbantke, Deborah Wheatley
Assistant Costume Designer: Katie Miles
Fight Captain: Joe Isenberg
Cutler: David Baker
Production Stage Manager: Kate Olden
TWO RIVER THEATER COMPANY
Executive Producer: Robert M. Rechnitz
Associate Producer: Joan Rechnitz
Artistic Director: Aaron Posner
Associate Artistic Director: KJ Sanchez
Managing Director: Guy Gsell
Director of Production: Andrew Martini
Assistant Production Manager: Liz Olson
Artistic Associate/ Casting Director: Liz Green
Director of Communications: Jayme Powers
Community Relations Manager: Brian Holland
Box Office Manager: Brian J Sellers
Assistant Stage Manager: Angela Hesterman
Technical Assistants: Jason Marsh,Tom Meyer
Master Carpenter: Duane Noch
Carpenters: Wayne Emley, Gerald Larkin, Quinn Stone, Rob Wedemeyer
Scenic Artists: Lea Anello, Neil Prince, Jennifer Wood
Metal Artisan: Brian Snyder
Lighting and Sound Supervisor: Dan Montano
Electricians: Brian Burdick, Anthony Callichio, Jason Cawley, Emma Fretz, Tom Prendergast, Rob Stawicki, Emily Watts
Mask/ Effects Assistants: Ryan Neff, Michelle Brooks, Dillon Markey, Ezekiel Zabrowski, Michael Hansen
Costume Construction: Rusty Aubrey, Cindy Capraro, Sunny Corrano, Michael Hansen, Katie Miles, Amy Ritchings, Jordan Smiley
Sword belt construction: Dana Nestrick
FOLGER THEATRE
Artistic Producer: Janet Alexander Griffin
Associate Artistic Producer: Beth Emelson
General Manager: Giuseppe DeBartolo
Production Manager/TD: Charles Flye
Audience Services Coordinator: Sarah Farmer
House Managers: Kathleen Anderson, Elizabeth Delahanty, Megan Fowler, Michael Mowery, Valeka Nicols, Joel Santner
Box Office Manager: Stephanie DeMouche
Assistant Box Office Manager: Hillary Williams
Box Office Assistants: Kristin Allard, Emi Ayala, Michelle Brummitt, Alorie Clark, Maia DeSanti, Allison Fory Hall, John LaBombard, Tiernan Madorno, Shirley Serotsky
Public Programs Assistant: Sarah Wilson, MaryAnn Jones
Casting/General Management
Assistant: Tricia Homer
Head of External Relations: Garland Scott
Marketing Manager: Tim Swoape
Communications Associate: Amy Arden
Assistant Technical Director: Kate Lucibella
Assistant Stage Manager: Miriam Yoder
Production Assistants: Jennifer Renee Cole, Danielle B. Rose
Wardrobe: Amy Carr, Ren LaDassor
Show Deck Construction: Bella Faccia
Set Installation: Jason Marsh, Duane Noch, Lea Anello, TSA, Inc.
Scenic Artist: Molly Allen
Master Electrician: Amber Meade
Electricians: Brian Allard, Andrew Cissna, Sarah Peterson, Kate Lucibella
Light Board Operator: Sarah Peterson
Sound Consultant: Brian Keating
Sound Board Operator: Miguel Hermann
Understudies: Jeremy Brown, Joe Isenberg, Jason Lott, Cody Nickell, Helen Pafumi, Brian Reimer, Tom Pentacost, Shane Wallis, Andrew Zox.
CARAGOL WELLS PRODUCTIONS
Director: Leo Eaton
Executive Producer: Pamela Caragol Wells
Producer: David Konschnik
Editor: Barbara Burst
Associate Producer/Assistant Director: Nicole Vinnola
Director of Photography: Gary Grieg
Cameras: Jim Ball, Rich Confalone, Gary Grieg, Sheila Smith, Brett Wiley
Sound: Paul Rusnak, Rob Peterson, Rodrigo Salvacierra
Line Producer: Marjolaine Souquet
Audience Coordinator: Wendy Wolf
Gaffer: Bob Waybright, Louise Hernon
Assistant Camera: Wayne Arnold
Assistant Editor: Brannon Shiflett
Grip: Anthony Smith
Production Assistants: Chase Pletts, Andrew Congdon
Post Production: MVI Post
SAG-AFTRA
Stage Directors and Choreographer Society
United Scenic Artists, Local USA 829
The weird sisters need to drop an album immediately
For real
Agreed
That'd be fire 🔥
Honestly could watch an entire play just about the Weird Sisters ngl
How am I literally able to vibe to the Weird Sisters chanting?
fr its a bop
Sound and looks like Slipknot
ikr like when does the album drop
Because its a vibe, my dear Remus icon! Who WOULDNT want to chant and do witchy stuff all day?
Bro the Weird Sisters are straight jamming, when they gonna tour?
Macbeth: You can’t kill me, you man born of woman!
Macduff: Jokes on you, I was a C Section baby!
Absolutely breathtaking effects, the blood appearing on Lady Macbeth despite having clean hands legitimately gave me chills. Such a good visual representation of what a hallucination feels like.
This whole production was incredible! From the acting to the lights sound and stage, it was all really high quality. I'm extremely grateful this was made available online and for free at that. Thanks to the numerous talented artists it takes to pull something like this off! You all deserve to be famous and very well paid!
WELL I DONT TOTALLY AGREE WITH YOU IN A FEW ASPECTS MY TAKE OVERALL IS THEY SEEM A LITTLE TO YOUNG OF A CAST TO BE CAST IN THE SCOTTISH PLAY 🤔🤌🇬🇧🧐
0:55 The weird sisters are seriously dropping some bangers
Legitimately one of the *best* productions of this play that I have ever seen. Bravo!
Incredible! And a minor, but important, detail I liked was the earthy thumps and thuds of the furniture and the doors. Everything was solid and believable as a castle. Top marks to the costumiers, too.
46:40 It was at this moment Macbeth knew........he fucked up
I was laughing, jamming, and scared the entire play, the weird sisters were the jamming part, all of the comments I read have mostly been about them dropping fire bars.
1:13 spittin bars!
Jaw dropping. Magnificent. The absolute best. Acting, directing, magic. Thank you!
The sisters need a record deal immediately
The hell is Lady Macbeth's deal? How'd she go from a scary man eater to a terrified basket case so quickly?
She goes insane from the aftermath of the murder - her conscience can't handle it, and she loses sleep from re-enacting the murder while sleepwalking every single night.
She forces herself at the beginning to be more vicious. She pushes past her kindness and forces herself to be evil in order to be the encouraging factor Macbeth needed to accomplish the murder. Guilt of what she's done, tension from bottled up emotions and keeping appearances, worry about the decaying mental health of her husband, growing concern from having to kill more and more to protect their secret, fear of getting caught, it all crashed down on her like a tidal wave. Eventually, her walls eroded and she went vulnerable. She started hallucinating, losing herself in the sea of anxiety.
She wasn't so much a scary man eater as she was playing a part, putting on a mask in order to be what Macbeth needed her to be. All the pain was still there, just hidden behind curtains. Slowly, it starts to break free until she's overcome by it.
@@cd-rom8220 god bless your soul for breaking that down
@@cd-rom8220 well said. I think Shakespeare wants us to see ourselves in her to some extent, that every one of us could go down that dark path with just a few strides in that direction, rather than seeing her as some outlandish crazy beast.
Great performance.. Great Job on the Malcom scene.. and kudos to young Macduff!!
Well, that was one of the funnier Macbeths I have seen ;)
MY TAKE IS THAT THEY SEEM TO BE A BIT TOO YOUNG TO CARRY ON THE ROLES THEY HAVE IN THE SCOTTISH PLAY 🤔🤌🇬🇧🧐
Main character
Macbeth < weird sisters
John Williams’ got some competition; I thought his version of “Double Double Toil In Trouble” was the best interpretation, this was equally catchy.
Lady Macbeth...was fantastic!
I have literally been looking for a video of this production since high school when I heard the Weird Sisters drop the hottest track of all time. ty FolgerLibrary
Porter *tells everyone they're going to hell, pisses on stage, refuses to elaborate* absolute chad
I DID NOT KNOW *THE* TELLER HELPED WITH THE MAGIC?????
This was awesome! Thank you so much for putting this online.
Loved this production.
What an incredible production and performance!
This was awesome! Thank you so much for putting this online
What an incredible production and performance!
Gloriously gruesome .
Wow! Thank you
Thank you for making this available
What did I say about multitasking?
Why the heck would Ross tell Macduff his family was well and then not a minute later tell him they're dead 🙄🤔
2:25 hey i needed that
Absolutely fantastic.
The emotional portrayal of the Macbeths, now separated, was I think successfully carried over from the first half, with particular note on how the news of Lady Macbeth's death changes Macbeth (not evident in dumber productions).
Most pleasingly was the inclusion of two key speeches (perversely omitted in other productions) of Lady Macduff (mrs-wren-against-the-owl) and Malcolm's dialogue with Macduff about how vicious and vile Kings tend to be.
The strong theme of the play, that male valour is as much a myth as female cowardice, to the extent that the reality is more likely a reversal, is almost embedded in this worthy performance/production, but it does cut a few relevant speeches.
In finishing, I would like to praise some of the acting, stagecraft, design and basically leaning-into-it that has made this the most satisfactory Macbeth for me since I first saw the play and was wowed by it.
YOU HAVE VERY POOR TASTE 🤌🧐🇬🇧
Wonderful performance
Thank you mrs mitchell!! :)
Before the Sanderson Sistahs there were the Weird Sisters!
This Folgers Part 2 video begins at Act 3, Scene 6, for anyone wondering! 😊
26:00 Act V begins with the sleepwalking scene.
Love the witches song ❤❤
An excellent production, thank you. I have seen several versions of the Scottish play but I have to say, this is the best I have seen. Thanks again
NO WAY ARE YOU MAD 😯🙄😂🤌🤔🇬🇧
When Teller appears
Weird sisters new album when?
Act 4, Scene 2 9:22 ruclips.net/video/GLc3w-yp3wk/видео.html
Act 4, Scene 3; 14:00 ruclips.net/video/GLc3w-yp3wk/видео.html
Act 5, Scene 1 26:00; ruclips.net/video/GLc3w-yp3wk/видео.html
Act 5, Scene 2 30:47; ruclips.net/video/GLc3w-yp3wk/видео.html
I gotta watch this for homework, I hate this class so much
The Weird sisters = Slipknot
All I can say is, I HATE school
I feel ya
What stage is this?
hey girlies ;)
what's the nursery rhyme at 13:40? I need it for hw
"Hush little baby don't say a word"
36:10 coviddddddddddddddddd no spit
22:18
The weird Sisters have masters???:-O:-OWhat exactly are firstlings?? Of course Malcolm was born of a woman.:-O I like the word Fancies.:-):-D
31:00
im just here because my english teacher wants me to study this satan stuff
Awesome teacher 😉
I passed my test
@@rainy9693 that's awesome!
Terrible play, terrible acting. I wanna cry. NEVER WATCH
THANK YOU I THOUGHT I WAS BUGGING 🤔🤌🇬🇧
god this was boring
Speak for yourself
Banquo is the worst actor ever