As a dress history nerd: did you notice how many teeny weeny buttons he has on his cape??? That’s a hell of a lot of work to cut, finish and sew, and one of the ways rich demonstrated their status in years gone by. I just think it’s neat and awesome that the artist drew them in.
Thanks for pointing this out! This also reinforces the need for hot and cold running servants because having to do up those buttons would be a relatively time consuming activity. Hence the need for a servant to do so. Just observin’.
The clothes in this picture have a lot more meaning than just some buttons: Judging by the hat and the robes, the sitter is a high ranking catholic priest, probably a cardinal. So yeah, he's rich!
I found it interesting when you said that this would be worn, like a locket. This makes me feel like this painting is like a 1600s wallet photo. Awesome transformation!
I guess even way back then they liked to show people pictures of their families. Imagine working the grain mill and the other peasant you're working with turns to you and says, "Wouldst thou like to view paintings of mine children?"
Hi Julian, I recently started as an apprentice in my dream field of art restoration in St. Louis. I'm learning how to do what you do and im so extremely thrilled. We recently had a large tin button (about 6 in diameter) very similar to this and it was so incredibly cool to work with. Currently im doing framing and needlepoint blocking to start but soon i will be able to start restoring frames for regilding and cleaning paintings. Thank you for being my initial inspiration into this field.
I'm Bavarian and when you said the name my jaw dropped because I was already wondering where I recognised that face from! For such a tiny painting, the artist got his face down insanely well.
Julian, you once said in a video something to the effect of “I don’t want to be a writer”. I wish I could remember which video and your exact words. However, the words you have chosen to speak in this video and all your others are carefully chosen, thoughtful, analytical, creative, descriptive, knowledgeable, humorous and interesting. The way you string those words together is elegant and compelling. You are, in fact, a writer…and a damn fine one.
Exactly. He's an amazing writer. I even paused the video when the Surfshark part began to write a comment because the way he shifted into "commercial mode" was impeccable. bravo, Julian.
While I am not a realist painter I do paint miniatures and place them in settings for wearing. Don't worry, it never went away. might not be as prevalent as once was but never was gone.
I agree wholeheartedly with Julian. It would be great if there were “painting necklaces” that people wore now. I know I would wear one! Thanks for sharing another great video with us Julian😊
I love how this channel has taken on something like an old PBS show vibe. I'd like to ask: how do you maintain your back and neck health when you spend so much time bent over working? I have been a professional seamstress, and I have to quit because of the pain.
For me as a materials scientist it would be extremely interesting if at some point in the future you devoted a video to the science behind all the restoration processes from the substrate prep to the solvents and resins used during restoration.
This being a Baumgartner video, and after reading the description, I expected a small canvas. Totally wasn't expecting something that I would have mistaken for a soap dish. 😶 Let's be thankful that I'm not the restoration expert here. 😅 Great content as always!
I have discovered over the course of a binge-catchup of the past three videos this evening that the cat LOVES Baumgartner restoration! He rarely watches more than a few minutes of anything, but he has been fascinated for the past hour and a half. He especially loves the intro!
This tiny portrait is now in my top 5 favorite restorations of yours--exquisite detail in a scale that is unforgiving of the smallest mistake. Plus, I don't believe I've ever seen you restore a piece painted on copper. Lovely restoration that brought every detail to life: the bright red of the row of buttons, the ash blonde hair starting to gray, the blue/gray of the eyes. Would love to know the provenance of this piece and how the owner acquired it.
Before getting hooked on this channel, I naively thought a painting was paint on canvas in a frame.........I never thought about art or paintings that much so it certainly never occurred to me that a painting could be done on wood, the back of some glass, or any thing else beside canvas. I am just always blown away with what Julian can do & how he approaches ever job with care & precision. I hope someday I'm half as good at my job as Julian is.
My favorite painting ever was one an aunt did when I was a kid, way back in the 70s. She took off her bathroom door, set it on an easel next to the open bathroom door, and painted her bathroom at noon. Then she hung the door back up, is was so good people would walk into it if they weren't paying close attention and noticed it wasn't actually 3D. Sadly it burned in a house fire, it was a nice bathroom. I would have loved to use it for a closet door or something to be funny. I tried recreating it, but I am not the artist she was, sadly.
When I first moved into my house I found a small pastel painting of a fishing cove in the attic which was covered in dust and dirt. So with some cotton swabs and warm soapy water I was Baumgartner for an hour. It now hangs outside my bathroom 😁
Agree 100%. Julian's videos are like comfort food, chicken soup for the soul, ASMR-like and soothing, just watching a master craftsman bring damaged art back to life.
I would recommend DW (Deutsche Welle) and NHK world for some more global news, in English and much more documentaries of artisanal work in case either helps too
I was electrified when I heard "Wartenberg". This is a small town nearby Erding, near Munich where I'm living. I asked Google, what else? Bishop Franz Wilhelm von Wartenberg came out of the Wittelsbach family, the princely family of Bayern. In his time he seemed to be famous. A lot of pictures par example copperplates which maybe the model for this medaillon can be found and of course his history. Like always Julian Baumgartner did his outstanding work with describing what he is doing and why, always with his mostly hidden sense of humor. I look out for the next astonishing restoration. Fortunately for us viewers and fortunately or unfortunately for the pictures and their owners his work will never be done.
I couldnt imagine how the paint layer could possibly be stabilized. To see it so masterfully executed was a real treat. The end result was so impressive!
I had to pause your video and google that portrayed Gentleman. It was the part where you revealed his nose that shocked me. I always wondered where my strange shaped nose comes from. I was born and raised in Regensburg, like many generations before in my family. Regensburg in Bavaria, where this Gentleman has been a bishop. This can't be a coincidence.
During your retouching, I noticed that his shirt is missing a button. When he sat down to be painted, the shirt he was wearing was missing a whole button right smack in the middle and incredibly noticeable. And it wasn't something lost over time, that area remained mostly intact. He was always missing a button and I CANT UNSEE IT. It's driving me crazy!
It could be a cloak- the buttons stopping where they do would leave plenty of give in the fabric for the wearer to move their arms when eating, drinking, riding, etc. while keeping the cloak as a whole in place on the shoulders. People getting their portrait done (like you would when picture day came along in school) were dressing their best, so I doubt they'd wear anything that was missing buttons. Especially not someone as influential and powerful as a Bishop. Even if they had, I imagine a portrait artist would just correct the wardrobe malfunction by painting on the missing button. So they don't risk pissing off their patron- the person providing them with housing, food, clothing, and all their art materials.
It is not missing a button, it never had a button there. The buttons on many rennaisance and early modern clothes were large in number and small in size, and placed in various sets according to the whims of the owner, there is no rule to say buttons must be evenly spaced. The buttons on this cassock are simply in sets of four, you can make out the end of the 2nd set if you look at the bottom of the painting.
Whenever I'm watching these videos I like to imagine how impressed and happy the painters would be if they knew how much care and professionalism went into preserving their art. Things they would never even have thought of, and the beautiful results would blow their minds.
Stunning as always! I agree that bring back paintings as amulets would be a neat idea. I. have a friend who repurposed an old pocket watch where the time piece was beyond repair into a necklace and added a small painting to it; it was distinct, unique, and quite beautiful.
I actually have come to think of him as a mortician, like an uncle of mine. Giving dignity and beauty back to people and places long gone, so those of us who never met them in life can remember them. He gives people long forgotten a little glimpse of immortality, in a way. As the saying goes- A good man will do good for his friends and neighbors. A great man will do good for strangers.
I'm surprised by the size of your brush. I'd've expected it to be like one single hair at this scale of painting, but it was, what? Like 5 hairs? :-D Thanks for sharing!
Excellent exposition and videography, as always. I wonder for whom this painting was made? A parishioner? A fan? The church? Or is this a 1600s "selfie?" In any event, wonderful watch and enjoy!
I've heard of things similar to this given out from Priests to altar boys when they come of age, and move on to attend their own church. In times of temptation or stress, or simple loneliness they could gaze at it, holding it in their hands, like "What would you do? Help me think here!" sort of energy. Being a bishop, and likely quite wealthy, it makes it more likely I would think.
I would think that this was one of the hardest to restore due to the size and copper backing. I thought the reverse glass painting was the hardest! beautiful job!
Your videos never cease to make me smile :) I´m always so happy to see art, rescued and restored like this - someone spent hours, if not days on painting those paintings, so seeing it handled with such care and respect is very reassuring.
22:15 wow, that color matching blew this layman away. amazed i am. quite wonderful to have revealed the many and finely honed skills, not to mention the knowledge of materials/chemistry being applied. a genuine 'eye opener' every time.
I'm utterly surprised that he was able to restore anything from that work of art given the state it was in. Kudos, Julian. Nice job that was well done.
this reminds me of a video from the V&A i watched a while ago, about conserving miniatures, which i found enormously interesting. thank you for the effort you put into keeping your content fresh and always introducing new things to us!
My wife paints miniatures on oval pottery discs. I roll out the clay. We trim them and bisque fire them... they all sell and go to new homes! Great video here!
Among many other skills, restorer must be a chemist: the right solvents, the right adhesives, the right oxidation remover. And then to use the right methods and techniques with the right tools.
Thank you not just small you have to understand painted copper Another knowledge level Also thoughts of how you see and look at art is always worth talking about Thank you
Speaking of wearing a painting locket around your neck, Lover's Eye was one of em. You'd have the painting of your lover's eye in a locket or jewelry. Honestly that's so sweet, it definitely needs to be brung back.
The amount of detail in this absolutely miniscule painting is incredible. There are shadows on the freaking buttons!! Whoever painted this must have been very talented.
Wow! The difference between before and after is so huge. The whole face of the sitter changed and he's so radiant now. That proves that even the smallest thing can pack a giant punch. ;)
A tiny labour of a patrons' love for this work worth preserving at near any cost, truly. I have read about a few miniturist who looked with some favor on this substrate for painting these elaborate creations of great beauty. All done in an age where materials were often mated to supports that were not only quite fragile, but flexible as well. Lovely bit of preservation for a tiny trinket of a long dead person of note. My thanks and regards to your craft.
To think ,that’s how we would have carried around photo’s all those years ago.They we’re expensive too. Now we have mobile phones with hundreds of photos on and videos.Times have changed.But there’s something nice having a small miniature like this ..Beautifully restored Julian 🥰
At first I didn't get the "Intimacy" part but then I realized that's because we are seeing it from a camera. Having it on the palms of your hand must give you closeness and familiarity.
Miniature paintings like this were kept as keepsakes, or were made in memorial, and even of important important people of the time. Also the material they were painted on varied such as porcelain, wood, metal, or even more exotic materials like ivory. Silhouette cameos were also painted in miniature on miniature portraits. This is a fantastic restoration!
Julian, this is absolutely fascinating! Thank you for calming my mind with your soothing voice, and meticulous actions in restoring this beauty. Have a great day!
And one of the the best part (for us) is when we re-play the ending at 0.25 speed, so that we can see the before and after transformation in Slo-Mo. What eye-candy. What mind-candy.
As annoying as ads are in a video the smooth segues to the sponsors is very nice. I catch myself watching the sponsor info instead of moving on. Also, I’ve been thinking on a way to add color to a coated card stock project I’m working with and Julian’s techniques gave me the answer. After testing the idea I found it was a perfect. I love watching the magic of revealing beautiful paintings.
Okay, I'm not a scholar of art, so I wouldn't have mistaken that large piece for an actual painting. To my eye, it just looks like the outside of a painter's van. But that's fine, to each their own. The little one, on the other hand, tiny though it is, or perhaps because it's tiny, is a master work. And if it took a great skill to paint it in the first place, it took a great skill to repair and conserve it.
ye I looked at the big canvas and was like "huh is this a place where he tests his paints and colours, cleans his brushes on or something" totally didn't think it was a painting
There's a lot of abstract art I like and there is some I really don't - there are just some painting styles where there seems to be no craft to it. People often say Pollock had no craft, but if you look at the rhythmic nature of his pieces, you can see the skill in them. As for that one, though, when Julian said "you could drive a truck through it and there would be enough else going on you won't notice any slight flaws in the restoration", my thought was really, well, slap some masking tape on the back, throw some housepaint on the front to cover any major losses, and who could tell? (Yes, of course there's more detail to to the actual painting than that, and of course everyone has their own tastes, but ...)
Another amazing video. Each one of you video isn’t just restorations but the history a painting might have. Thank you look forward to each and every one of these.
So is the small spotted discoloration on the face just surface grime that just can’t be removed do to needing a more concentrated solvent that could potentially effect the paint layer?
Good Morning! Julian, Glad me so much your art exposure performance at copper painting restore over two hundreds antique. Amazing! You was explaining us " RUclips viewers " detailed explanations of the restoration process of two hundred year old painting. I appreciate so much your value time and I learn from your restorer techniques and valuable knowledge and destiny as a artist. Enjoy,
Hola, si la pintura fue hecha en el siglo XVII sobre cobre es de esperarse un proceso de envejecimiento y oxidación de los colores, recuerde que antes del siglo XIX los colores eran totalmente artesanales y de variados orígenes. Saludos!
@@dzeintra6230 Si, efectivamente, puede haber decoloraciones o cambios tonales según el origen de los colores usados. En México, en el siglo XIX se pintaba sobre cobre para obras privadas y para exvotos, muy conocidos porque se hacían para dar gracias a la virgen de Guadalupe por los milagros concedidos. Saludos!
Well done! After you started to clean it I said - the guy has hair! Later, he has blue gray eyes. I had hoped you would find an engraving on the back, but no such luck. So cool!
Thank You Julian....I certainly did NOT "dismiss" this video!!!... Julian you did all of your work without any magnifying lenses what so ever? Oh yea, your still a young dude with very sharp eyes!!!! I remember those days (I think, ha). ... Sooo now we all have to be patient and wait 7 or 14 days until our next "fix" from your WONDERFUL show......... TM
I was so intently watching you clean that tiny thing, I found myself saying out loud to the sitter, ‘ oh there you are!’ when he was revealed. Well done Julian, lots of different techniques, very interesting. Thank you.
Just a question: why did you put on the varnish AFTER retouching the painting? Usually you retouch it after using the varnish for most of your work, so why did you do it the other way?
the first layer of "varnish" he uses before retouching isnt actually the final varnish, moreso a layer that helps him to figure out what the final colors would look like with the varnish, im guessing he didn't use it due to the "canvas" being copper, maybe it is not suited for it?
How did you feel when you first saw this piece, Julian? Excited? Intimidated? I was anxious with no idea how you were going to go about saving that flaking paint. I was still nervous throughout until it was stabilised, but the payoff was awesome. Always enjoy hearing about what you're doing at each stage and why.
The "big isn't better, it's just better" quote reminds me of the paintings "who's afraid of red, yellow and blue" By Barnett Newman. It's a series of four painting which are huge and are red, yellow and blue. And apparently quite a few people are afraid of red, yellow and blue because two of the paintings were vandalised. Who's afraid of red, yellow and blue III being the main one people would think of when hearing of the paintings.
@greg Thorne and @steve Kunze, I think the point is that the fact that the painting is bigger, it makes it more impactfull and, because of that, better. It is not necessarily technically or artistically better, but the size affects the effect it has on the public. I felt that in the Louvre. I went to see the Mona Lisa but it was too crowded and I had a baby so I figured that a quick glance from across the room would be enough. Then, I turned around and I saw the magnificent and huge "The Wedding Feast at Canaa" by Veronese and I was in awe. Bigger was, in fact, way better. It was amazing. I remember looking around and seeing everyone struggling to see Mona Lisa and missing that amazing painting in the same room. I even shared a look with some stranger that smiled to me, thinking exactly the same.
Curious as to how many times you have worked on paintings on odd materials like copper or other metals. My first thought was someone painted over a tintype, but it is obviously much, much older then that process.
When he pulled the painting out of his pocket, he looked so proud of himself I laughed.
He was like "I bet you werent expecting * pulls painting out * THIS SMALL"
@@countesscrows Imagine the impact then that it might've had when the original owner produced it!
Me too, it was amazing.
I was proud right by him xD
I'm 100% sure it was never in his pocket, it was a magic trick he played on us
I honestly thought he was going to come up with an awesome segue into a sponsor with that cheeky grin
As a dress history nerd: did you notice how many teeny weeny buttons he has on his cape??? That’s a hell of a lot of work to cut, finish and sew, and one of the ways rich demonstrated their status in years gone by. I just think it’s neat and awesome that the artist drew them in.
Omg I love you for pointing this out, I also love dress history and wasn't even paying attention to the attire!!
You don't need all those button to know he was rich. The painting alone does that. Poor people would never be painted.
Thanks for pointing this out! This also reinforces the need for hot and cold running servants because having to do up those buttons would be a relatively time consuming activity. Hence the need for a servant to do so. Just observin’.
The clothes in this picture have a lot more meaning than just some buttons: Judging by the hat and the robes, the sitter is a high ranking catholic priest, probably a cardinal. So yeah, he's rich!
@@johnny_eth yeah, totally. But the number of buttons is just one more way the rich flaunted their status.
I found it interesting when you said that this would be worn, like a locket. This makes me feel like this painting is like a 1600s wallet photo. Awesome transformation!
I guess even way back then they liked to show people pictures of their families. Imagine working the grain mill and the other peasant you're working with turns to you and says, "Wouldst thou like to view paintings of mine children?"
Wallets were invented in the 1600s. Cameras were invented in the 1800s. So no they didn't carry around photos.
@@mircat28 No, they carried around paintings like these.
Are we sure this wasn't early Fleer trading cards? Did you check the back for his stats?
That’s basically exactly what these were!
This whole video for Julian to say "It's not the size that matters; it's what you do with it."
Your experience on the profile pic fits your comment well xD
and the asexual flag makes it even funnier
@@ms10089 what's funny about that?
@@ДанилаЛимонов-ж3е She has an asexual flag in the background of her picture
@@telegnazatlqm3972 still don't get the humour
I don't know why, but seeing Julian work on that small painting on a small heating pad made me smile. 😃 It sums up this episode nicely.
when Julian took out the tiny 'hot table' i nearly died. why are tiny things so cute? i was like 'Tiny hot table for tiny painting!'
Next video: Julian restores a painting done on a grain of rice 😳
Lol. Won't be surprised.
Look at the little pie cutter for the fill in lol I thought awww whittle pie cutter hahaha
What is this? A hot table for ANTS!?!? 🤣
He should totally do a collab with Tiny Kitchen! She needs new art in her backgrounds anyway.
Hi Julian,
I recently started as an apprentice in my dream field of art restoration in St. Louis. I'm learning how to do what you do and im so extremely thrilled. We recently had a large tin button (about 6 in diameter) very similar to this and it was so incredibly cool to work with. Currently im doing framing and needlepoint blocking to start but soon i will be able to start restoring frames for regilding and cleaning paintings. Thank you for being my initial inspiration into this field.
That's so awesome! I wish you tons of cool and interesting challenges in your new career.
So cool!
Good luck in your new career 🥰🖼️
Congrats on getting an apprenticeship in the field of your dreams!
Msy you have many many happy years ahead of you.
I'm Bavarian and when you said the name my jaw dropped because I was already wondering where I recognised that face from! For such a tiny painting, the artist got his face down insanely well.
8:05 for those that didn't write it down on first viewing.
Da sieht man mal, wie weit Dinge wandern. Habe in Amerika schon Medaillen aus Altötting gesehen.
@@reniasva Ich komme aus Kastl XD
Nice to meet some Germans from the same area here
@@fabra1122 10Km entfernt? Lol!
Grüße aus dem Norden in den Süden
I can't imagine the degree of job satisfaction you must get seeing the smile on your clients' faces when you return their art.
Most restorationists have a large list of insurance adjusting and salvage companies as clients. They are looking for $, no smiles involved.
@@7531monkey one day someone will still smile at his work.
Julian, you once said in a video something to the effect of “I don’t want to be a writer”. I wish I could remember which video and your exact words. However, the words you have chosen to speak in this video and all your others are carefully chosen, thoughtful, analytical, creative, descriptive, knowledgeable, humorous and interesting. The way you string those words together is elegant and compelling. You are, in fact, a writer…and a damn fine one.
Exactly. He's an amazing writer. I even paused the video when the Surfshark part began to write a comment because the way he shifted into "commercial mode" was impeccable. bravo, Julian.
@@micaelaferreira8337 He is the master of segue! I've never seen anyone else do it more seamlessly.
It’s the “Vows” video isn’t it?
That was the Vows video :)
One often meets his destiny on the road he takes to avoid it or something idk
While I am not a realist painter I do paint miniatures and place them in settings for wearing. Don't worry, it never went away. might not be as prevalent as once was but never was gone.
what kind of miniatures?
Can you link us to your website if you have one?
We're curious!
I agree wholeheartedly with Julian. It would be great if there were “painting necklaces” that people wore now. I know I would wear one! Thanks for sharing another great video with us Julian😊
"Make it so, number one."
I am actually considering painting some smol paintings and seeling them on my etsy 👀 I really love small formats
I encourage this.
There are I came across an artist that painted miniatures on sterling silver lockets
I love how this channel has taken on something like an old PBS show vibe. I'd like to ask: how do you maintain your back and neck health when you spend so much time bent over working? I have been a professional seamstress, and I have to quit because of the pain.
The squee of joy I let out when he pulled that little painting out of his pocket... it's like a chihuahua next to a great dane
For me as a materials scientist it would be extremely interesting if at some point in the future you devoted a video to the science behind all the restoration processes from the substrate prep to the solvents and resins used during restoration.
Julian - "... while 150 degrees isn't terribly hot..."
Me, a european using Celsius and not at first realizing he meant Fahrenheit: I'm sorry what?
oh I didn't realise he meant fahrenheit till you mentioned it now?!!
@@maddieb2002 I literally had to pause and process what he said 😂
150 °C would rather be used for baking cakes. 🤣
God bless the imperial system of measurement just the US and Liberia.
I had to go google the conversion into Celsius so I could understand how "hot" it was/wasn't lol xD
Julian will be solely responsible for bringing back feckless.
Added: 10:42 Julian admits to immortality.
I wondered if anyone would catch that.
This being a Baumgartner video, and after reading the description, I expected a small canvas. Totally wasn't expecting something that I would have mistaken for a soap dish. 😶 Let's be thankful that I'm not the restoration expert here. 😅 Great content as always!
A copper soap dish ? I think that would look quite a mess quite rapidly :x
I have discovered over the course of a binge-catchup of the past three videos this evening that the cat LOVES Baumgartner restoration! He rarely watches more than a few minutes of anything, but he has been fascinated for the past hour and a half. He especially loves the intro!
This tiny portrait is now in my top 5 favorite restorations of yours--exquisite detail in a scale that is unforgiving of the smallest mistake. Plus, I don't believe I've ever seen you restore a piece painted on copper. Lovely restoration that brought every detail to life: the bright red of the row of buttons, the ash blonde hair starting to gray, the blue/gray of the eyes. Would love to know the provenance of this piece and how the owner acquired it.
Before getting hooked on this channel, I naively thought a painting was paint on canvas in a frame.........I never thought about art or paintings that much so it certainly never occurred to me that a painting could be done on wood, the back of some glass, or any thing else beside canvas. I am just always blown away with what Julian can do & how he approaches ever job with care & precision. I hope someday I'm half as good at my job as Julian is.
My favorite painting ever was one an aunt did when I was a kid, way back in the 70s. She took off her bathroom door, set it on an easel next to the open bathroom door, and painted her bathroom at noon. Then she hung the door back up, is was so good people would walk into it if they weren't paying close attention and noticed it wasn't actually 3D. Sadly it burned in a house fire, it was a nice bathroom. I would have loved to use it for a closet door or something to be funny. I tried recreating it, but I am not the artist she was, sadly.
When I first moved into my house I found a small pastel painting of a fishing cove in the attic which was covered in dust and dirt. So with some cotton swabs and warm soapy water I was Baumgartner for an hour. It now hangs outside my bathroom 😁
This was balm to my soul after the horrific stories on the news today.
Agree 100%. Julian's videos are like comfort food, chicken soup for the soul, ASMR-like and soothing, just watching a master craftsman bring damaged art back to life.
I would recommend DW (Deutsche Welle) and NHK world for some more global news, in English and much more documentaries of artisanal work in case either helps too
I was electrified when I heard "Wartenberg". This is a small town nearby Erding, near Munich where I'm living. I asked Google, what else? Bishop Franz Wilhelm von Wartenberg came out of the Wittelsbach family, the princely family of Bayern. In his time he seemed to be famous. A lot of pictures par example copperplates which maybe the model for this medaillon can be found and of course his history. Like always Julian Baumgartner did his outstanding work with describing what he is doing and why, always with his mostly hidden sense of humor. I look out for the next astonishing restoration. Fortunately for us viewers and fortunately or unfortunately for the pictures and their owners his work will never be done.
I couldnt imagine how the paint layer could possibly be stabilized. To see it so masterfully executed was a real treat. The end result was so impressive!
I had to pause your video and google that portrayed Gentleman. It was the part where you revealed his nose that shocked me. I always wondered where my strange shaped nose comes from. I was born and raised in Regensburg, like many generations before in my family. Regensburg in Bavaria, where this Gentleman has been a bishop. This can't be a coincidence.
During your retouching, I noticed that his shirt is missing a button. When he sat down to be painted, the shirt he was wearing was missing a whole button right smack in the middle and incredibly noticeable. And it wasn't something lost over time, that area remained mostly intact. He was always missing a button and I CANT UNSEE IT. It's driving me crazy!
It could be a cloak- the buttons stopping where they do would leave plenty of give in the fabric for the wearer to move their arms when eating, drinking, riding, etc. while keeping the cloak as a whole in place on the shoulders. People getting their portrait done (like you would when picture day came along in school) were dressing their best, so I doubt they'd wear anything that was missing buttons. Especially not someone as influential and powerful as a Bishop. Even if they had, I imagine a portrait artist would just correct the wardrobe malfunction by painting on the missing button. So they don't risk pissing off their patron- the person providing them with housing, food, clothing, and all their art materials.
@@MissingmyBabbu the button is missing between two other buttons
It is not missing a button, it never had a button there. The buttons on many rennaisance and early modern clothes were large in number and small in size, and placed in various sets according to the whims of the owner, there is no rule to say buttons must be evenly spaced. The buttons on this cassock are simply in sets of four, you can make out the end of the 2nd set if you look at the bottom of the painting.
Ever thought about using precision q-tips? I ran into them at nail salons, and they've been great for car detailing work.
It was great seeing a different format and medium than the normal canvas. Thank-you for demonstrating a range of techniques.
Whenever I'm watching these videos I like to imagine how impressed and happy the painters would be if they knew how much care and professionalism went into preserving their art. Things they would never even have thought of, and the beautiful results would blow their minds.
Stunning as always! I agree that bring back paintings as amulets would be a neat idea. I. have a friend who repurposed an old pocket watch where the time piece was beyond repair into a necklace and added a small painting to it; it was distinct, unique, and quite beautiful.
He pulled that painting out and I WHEEZED 😂 art doesn’t always lend itself to humour but he really makes it happen
This Gentleman is not only a fantastic restorer but he is also an artist, an inspiration.
Thank you for so many beautiful videos.
I actually have come to think of him as a mortician, like an uncle of mine. Giving dignity and beauty back to people and places long gone, so those of us who never met them in life can remember them. He gives people long forgotten a little glimpse of immortality, in a way. As the saying goes- A good man will do good for his friends and neighbors. A great man will do good for strangers.
I'm surprised by the size of your brush. I'd've expected it to be like one single hair at this scale of painting, but it was, what? Like 5 hairs? :-D Thanks for sharing!
Excellent exposition and videography, as always. I wonder for whom this painting was made? A parishioner? A fan? The church? Or is this a 1600s "selfie?" In any event, wonderful watch and enjoy!
I've heard of things similar to this given out from Priests to altar boys when they come of age, and move on to attend their own church. In times of temptation or stress, or simple loneliness they could gaze at it, holding it in their hands, like "What would you do? Help me think here!" sort of energy. Being a bishop, and likely quite wealthy, it makes it more likely I would think.
How lovely to see the painting come to life, the sitter shift back into focus. Thank you.
Such incredible details on such a small painting. Awesome.
I would think that this was one of the hardest to restore due to the size and copper backing. I thought the reverse glass painting was the hardest! beautiful job!
Who ever does the graphic design for these videos is GREAT
"Expressionist? EXPRESSIONIST??" Degas cries as I hold him back by the elbows.
Your videos never cease to make me smile :) I´m always so happy to see art, rescued and restored like this - someone spent hours, if not days on painting those paintings, so seeing it handled with such care and respect is very reassuring.
22:15 wow, that color matching blew this layman away. amazed i am.
quite wonderful to have revealed the many and finely honed skills, not to mention the knowledge of materials/chemistry being applied.
a genuine 'eye opener' every time.
I'm utterly surprised that he was able to restore anything from that work of art given the state it was in. Kudos, Julian. Nice job that was well done.
this reminds me of a video from the V&A i watched a while ago, about conserving miniatures, which i found enormously interesting. thank you for the effort you put into keeping your content fresh and always introducing new things to us!
Have you a link to this, if it is available online? Thanks if you can help!
Oh Boy! Another big boi painting!
Edit: I was TRICKED! 😭
😂😂 This is a perfect comment 👌
My wife paints miniatures on oval pottery discs. I roll out the clay. We trim them and bisque fire them... they all sell and go to new homes! Great video here!
Among many other skills, restorer must be a chemist: the right solvents, the right adhesives, the right oxidation remover. And then to use the right methods and techniques with the right tools.
I think this is one of the best restorations of yours that I have seen. Beautiful
Thank you not just small you have to understand painted copper
Another knowledge level
Also thoughts of how you see and look at art is always worth talking about
Thank you
Speaking of wearing a painting locket around your neck, Lover's Eye was one of em. You'd have the painting of your lover's eye in a locket or jewelry. Honestly that's so sweet, it definitely needs to be brung back.
I'm going to start painting as small as possible from now on just to mess with future conservators like Julian
Bonus points if you apply a thick layer polyurethane that’s just about removable but only after 500 hours of careful scraping.
She said she wanted to mess with them, not make them regret ever being born ;) @@EternalShadow1667
The amount of detail in this absolutely miniscule painting is incredible. There are shadows on the freaking buttons!! Whoever painted this must have been very talented.
Wow! The difference between before and after is so huge. The whole face of the sitter changed and he's so radiant now. That proves that even the smallest thing can pack a giant punch. ;)
It's always good to see honest craftsmanship.
I’ve only ever seen these portraits-on-copper when they’re in great condition... It’s so neat to watch one being restored!
A tiny labour of a patrons' love for this work worth preserving at near any cost, truly. I have read about a few miniturist who looked with some favor on this substrate for painting these elaborate creations of great beauty. All done in an age where materials were often mated to supports that were not only quite fragile, but flexible as well. Lovely bit of preservation for a tiny trinket of a long dead person of note. My thanks and regards to your craft.
I loved this episode! We usually know somewhat what to expect with paintings on canvas! But this one was new and exciting!
To think ,that’s how we would have carried around photo’s all those years ago.They we’re expensive too. Now we have mobile phones with hundreds of photos on and videos.Times have changed.But there’s something nice having a small miniature like this ..Beautifully restored Julian 🥰
Tiniest painting we’ve seen Julian restore, but still a large amount of shade being thrown!!! 😈
Awesome job!!! ❤️❤️❤️👍🏻👍🏻👍🏻
Oh gosh, the painting on the back at minute 10:01 looked GORGEOUS!!!
I think the scale thing comes originally from Rothko. To paraphrase, a small painting is a novel and a huge painting is an emotional experience.🧡
That's perfect. Absolutely perfect description.
At first I didn't get the "Intimacy" part but then I realized that's because we are seeing it from a camera.
Having it on the palms of your hand must give you closeness and familiarity.
I was not expecting such a brilliant recovery from such a small painting, thank you for the video.
Miniature paintings like this were kept as keepsakes, or were made in memorial, and even of important important people of the time. Also the material they were painted on varied such as porcelain, wood, metal, or even more exotic materials like ivory. Silhouette cameos were also painted in miniature on miniature portraits. This is a fantastic restoration!
Just got off of night shift, perfect timing to lull me to sleep:)
Just about to get off too, guess I should wait to get home before I start it 🤔 that or watch while I'm driving 😂
@@pribilovian4709 I know you're very likely joking, but please don't watch a video while driving.
@@sgtleobella appreciate man, and yes, I was joking, I cant stand seeing ppl on their phones while driving
@@pribilovian4709 I figured you were, but felt compelled to comment just in case haha
What a beautiful result for a lovely little painting. And the same care & dedication is put into it as a painting 8'x8'. Thanks, Julian.
Looking him up, this had to be painted after 1661: that was the year he was made a Cardinal.
Julian, this is absolutely fascinating! Thank you for calming my mind with your soothing voice, and meticulous actions in restoring this beauty. Have a great day!
And one of the the best part (for us) is when we re-play the ending at 0.25 speed, so that we can see the before and after transformation in Slo-Mo. What eye-candy. What mind-candy.
WOW! I am always amazed at what an artist you are. Such a talent. As always, love watching your process, and the incredible finished art.
As annoying as ads are in a video the smooth segues to the sponsors is very nice. I catch myself watching the sponsor info instead of moving on. Also, I’ve been thinking on a way to add color to a coated card stock project I’m working with and Julian’s techniques gave me the answer. After testing the idea I found it was a perfect. I love watching the magic of revealing beautiful paintings.
I could honestly watch you do this forever. It's interesting, relaxing and so wholesome. You are kind of my safe place online :)
I love watching you work and restore the paintings. It is amazing to me what you can do. Please never stop making these videos.
Okay, I'm not a scholar of art, so I wouldn't have mistaken that large piece for an actual painting. To my eye, it just looks like the outside of a painter's van. But that's fine, to each their own.
The little one, on the other hand, tiny though it is, or perhaps because it's tiny, is a master work. And if it took a great skill to paint it in the first place, it took a great skill to repair and conserve it.
ye I looked at the big canvas and was like "huh is this a place where he tests his paints and colours, cleans his brushes on or something" totally didn't think it was a painting
There's a lot of abstract art I like and there is some I really don't - there are just some painting styles where there seems to be no craft to it. People often say Pollock had no craft, but if you look at the rhythmic nature of his pieces, you can see the skill in them. As for that one, though, when Julian said "you could drive a truck through it and there would be enough else going on you won't notice any slight flaws in the restoration", my thought was really, well, slap some masking tape on the back, throw some housepaint on the front to cover any major losses, and who could tell? (Yes, of course there's more detail to to the actual painting than that, and of course everyone has their own tastes, but ...)
Another amazing video. Each one of you video isn’t just restorations but the history a painting might have. Thank you look forward to each and every one of these.
Just remarkable at every stage.
YES, A MINIATURE! Finally!
Nobody:
Julian: a b s o l u t e l y c r i t i c a l
Miniature portrait artists were in a different class of artistry all together, look at all those tiny details. Wow! Mind blown
I thought that thing behind him was a mat he used to stop paint getting on the floor lmao
My god -- i used to watch this channel a couple years ago and this is the first i've seen in a while. These are practically MOVIES now
IKR
So is the small spotted discoloration on the face just surface grime that just can’t be removed do to needing a more concentrated solvent that could potentially effect the paint layer?
I scrolled way too far to find this
@@skyfiter99 I respect the commitment xD
Wow, so cute. Love seeing those details emerge; he has hair!
After seeing Julian's so many work I feel like I can predict what he is going to do next.
Good Morning! Julian, Glad me so much your art exposure performance at copper painting restore over two hundreds antique. Amazing! You was explaining us " RUclips viewers " detailed explanations of the restoration process of two hundred year old painting. I appreciate so much your value time and I learn from your restorer techniques and valuable knowledge and destiny as a artist. Enjoy,
Is there any reason, why the portrait still looks kind of "dirty"? Thank you for the video, was a great one! :)
Hola, si la pintura fue hecha en el siglo XVII sobre cobre es de esperarse un proceso de envejecimiento y oxidación de los colores, recuerde que antes del siglo XIX los colores eran totalmente artesanales y de variados orígenes. Saludos!
@@abelalemanara6504 very sorry, I'm not fluent in what I think is Spanish. Still thank you for your reply! :)
Abel says according to Google translate essentially, blame it being very old and paint oxidisation to occur, causing discolouration.
@@dzeintra6230 Si, efectivamente, puede haber decoloraciones o cambios tonales según el origen de los colores usados. En México, en el siglo XIX se pintaba sobre cobre para obras privadas y para exvotos, muy conocidos porque se hacían para dar gracias a la virgen de Guadalupe por los milagros concedidos. Saludos!
@@FlynnIsAlive que lindo, ya tienes una razón para conocer mi idioma y yo el tuyo. Nice day!
Well done! After you started to clean it I said - the guy has hair! Later, he has blue gray eyes. I had hoped you would find an engraving on the back, but no such luck. So cool!
18:11 that phone ringing and the barely perceptible sigh... too funny. Can't get a moment of peace eh Julian?
Thank You Julian....I certainly did NOT "dismiss" this video!!!... Julian you did all of your work without any magnifying lenses what so ever? Oh yea, your still a young dude with very sharp eyes!!!! I remember those days (I think, ha). ... Sooo now we all have to be patient and wait 7 or 14 days until our next "fix" from your WONDERFUL show......... TM
How did they made the paint to stick on the copper in the first place ? What kind of product they were using at this time ?
I was so intently watching you clean that tiny thing, I found myself saying out loud to the sitter, ‘ oh there you are!’ when he was revealed. Well done Julian, lots of different techniques, very interesting. Thank you.
Just a question: why did you put on the varnish AFTER retouching the painting? Usually you retouch it after using the varnish for most of your work, so why did you do it the other way?
I wondered about that too. Hopefully he sees your question and replies.
came to the comments exactly for this! was wondering why no isolation layer 🤖
the first layer of "varnish" he uses before retouching isnt actually the final varnish, moreso a layer that helps him to figure out what the final colors would look like with the varnish, im guessing he didn't use it due to the "canvas" being copper, maybe it is not suited for it?
being able to see the centerline/point on the back is super cool!
How did you feel when you first saw this piece, Julian? Excited? Intimidated? I was anxious with no idea how you were going to go about saving that flaking paint. I was still nervous throughout until it was stabilised, but the payoff was awesome. Always enjoy hearing about what you're doing at each stage and why.
The "big isn't better, it's just better" quote reminds me of the paintings "who's afraid of red, yellow and blue" By Barnett Newman. It's a series of four painting which are huge and are red, yellow and blue. And apparently quite a few people are afraid of red, yellow and blue because two of the paintings were vandalised. Who's afraid of red, yellow and blue III being the main one people would think of when hearing of the paintings.
Big isn't better it's just better... hmmmmm profound
Apparently Julian has spoken to my wife. 😂
I still don't get this saying. I could understand "Big isn't better, it's just bigger", but I don't understand it the way he says it.
I think it was supposed to be bigger but got missed in the edit?
@greg Thorne and @steve Kunze, I think the point is that the fact that the painting is bigger, it makes it more impactfull and, because of that, better. It is not necessarily technically or artistically better, but the size affects the effect it has on the public. I felt that in the Louvre. I went to see the Mona Lisa but it was too crowded and I had a baby so I figured that a quick glance from across the room would be enough. Then, I turned around and I saw the magnificent and huge "The Wedding Feast at Canaa" by Veronese and I was in awe. Bigger was, in fact, way better. It was amazing. I remember looking around and seeing everyone struggling to see Mona Lisa and missing that amazing painting in the same room. I even shared a look with some stranger that smiled to me, thinking exactly the same.
@@gregthorne4292 Bigger isn't better, it's just big, makes more sense to me.
The final reveal is always my favorite. Very nice job on such a tiny piece!
I see what you did there Julian. 6 months later.
Magnificent conservation. This portrait has so much tiny details and I love the way you show the difference at the end. Breathtaking!
Curious as to how many times you have worked on paintings on odd materials like copper or other metals. My first thought was someone painted over a tintype, but it is obviously much, much older then that process.
I love watching the dirt and varnish disappear and seeing the art appear from underneath.❤️