EXTRACT | DON GIOVANNI 'Finch'han dal vino' - Royal Opera House
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- Опубликовано: 5 июл 2018
- Don Giovanni (Mariusz Kwiecień) organises a party, during which he sings his 'Champagne aria'. This aria is one of the shortest of Mozart's operas, lasting just two minutes but it is key to understanding his character, namely; his taste for the festivities, his desire to seduce and his inexhaustible energy.
Streamed live on OperaVision on 12 July 2018 at 20:00 CET and for 1 month: bit.ly/DonGiovanniEN
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Liszt: write that down! WRITE THAT DOWN! *WRITE THAT DOWN!*
Sickening production with great singing.
😊 excellent performance
well done , amazing performance
Oooh wow
Jesus my eyes
Superbe chanteur que nous ne verrons plus sur scène hélas !
Pourquoi s’il vous plaît ? Merci.
@@ericlafoudrenoire1113 parce que, au cours d'une représentation, il a chuté durement sur le dos et s'est fait très mal ! Deux opérations du dos et, malgré cela, un handicap pour continuer à chanter sur scène ! Il abandonne alors son métier de chanteur à 47 ans seulement et il est nommé Directeur Artistique en Pologne, son pays natal, à l'Opéra de Wocalw !
@@rosy3385 Merci. Dommage.
@@rosy3385 zut , le gâchi
@@leticiamartin-penasco95 un énorme gâchis à cause d'une mise en scène mal ficelée !!! Nous perdons un baryton de grande valeur vocale et un comédien hors pair : Belle soirée ❤
Don't know what that projection was supposed to do. Might have been better for the last scene when Giovanni is dragged down to hell. What's with the tempo? So fast that Marius is gasping for breath, no time for any nuance at that breakneck speed. Shame on Mark Minowski for taking it that fast.
Seems like a pretty normal speed to me…?
@@mollyholly3547 this is not the original tempo. Anything faster depends on the singer if he cant do it, the director should put aside his ego and play what the singer can sing.
Superb singing, but the moving, kaleidoscope effect is ridiculous in effect and distracts from the singing, and that's a sin.
It's definitely a sin... Took soo much away... My question is just: why? The si ger along standing there line not giving a f#&€ would make so much moreee out of the scene... Props for your comment a d for the unload
I agree. It wasn't necessary.
They just used this choreography for a showing of Don Giovanni in the LA opera. Overall the show was very nice and the rotating set does fit the farcical and intrigue nature of Don Giovanni, but the projection overlays in generally seem weird, over-the-top, and out of place -- agreed.