Hello again, I just happened to se this. Emboushyre is very personal and the teacher must not interfere to much unless it it just hopeless. My little question is: How do you look on / german , american, french and english type of emoboushyres? I have the whole of my carrere always experimented vith different types. I find that when playing the german setup you use one type and with the french another
@@joachimakerlind4453 Hi Joachim! Yes absolutely right. Every mouth and jaw us different. Mh yes possible that it‘s necessary to switch around a little bit. That‘s why i don‘t like big material changes, since I always end up changing everything in the end and messing up my embouchure. But you‘re right… my embouchure works slightly different with my clarinet than if I played a buffet clarinet in this video. Thanks for pointing this out
![[Back to Basics] How and Why of Forming a Great Clarinet Embouchure](http://i.ytimg.com/vi/bP71VODlBIc/mqdefault.jpg)
![[Back to Basics] How and Why of Forming a Great Clarinet Embouchure](/img/tr.png)
Get my FREE mini-video-masterclass on articulation on the clarinet here: clarinet-masterclass.com/get-my-free-masterclass-on-articulation/
Hello again,
I just happened to se this.
Emboushyre is very personal and the teacher must not interfere to much unless it it just hopeless.
My little question is:
How do you look on / german , american, french and english type of emoboushyres? I have the whole of my carrere always experimented vith different types. I find that when playing the german setup you use one type and with the french another
@@joachimakerlind4453 Hi Joachim! Yes absolutely right. Every mouth and jaw us different.
Mh yes possible that it‘s necessary to switch around a little bit. That‘s why i don‘t like big material changes, since I always end up changing everything in the end and messing up my embouchure. But you‘re right… my embouchure works slightly different with my clarinet than if I played a buffet clarinet in this video. Thanks for pointing this out