She's learning her lines and talking points well. In a previous interview she described her part in the movie as getting design orders from the producers and she was to fetch the props and they instructed her how to set up the scenery. She appeared to be just the labor and not the creative talent. She also didn't mention the director as instructing her at all. Obviously, she has been corrected how to handle interviews -- by the producers. So, she's getting better at creating the illusion that the movie was a product of black creative efforts. It certainly doesn't appear that way based upon what I have seen so far. She was finally able to explain some of the creative process in this interview. This is the first time I've heard her articulate it. Even so, she uses "we" as describing the research and creative process. She's not taking much credit for the creation of Wakanda or the character development appearance. She isn't the lead in the set design. The director did an interview with a radio station (Hot 97?) and he stumbled through without a clue as to how he ended up being director and not able to answer how the talent and production staff was picked. You don't really believe that white and Jewish producers are going to put a hundreds of millions of dollars movie in the hands of these people, do you? These people who sound enthusiastic but have no clue how it was put together creatively. This chick and the director are tokens who are put out there to give the movie black credibility. She was picked to do interviews and told what to say. Titles don't matter. Pay and authority and your ability to get the next job matter. She obviously has some talent but in her previous interview she described her job as basically fetching what the producers wanted and placing it as they instructed. Grunt work rather than the creative work. BP and Wakanda is a white and Jewish creation. ALL the creative process is done by them and SOME of the grunt work was done by blacks. ALL the technically difficult work was done by whites. The director and production staff are put out there for optics and the blacks are eating it up. I think it's cool how whites and Jews are making billions from blacks who are eager to give it to them.
Is this how jealousy works? LMAO ... Unless you can convince me that you were there when this blockbuster was commissioned and been made, then your long essay is a waste of cut and paste. It doesn't mean shit, prove that you where on set then we can have a dialogue
All that's necessary is to watch and listen to the interviews of the director and set designer chick with objectivity and not as worshipful fawns. Also, compare their interviews to interviews with other blockbuster white and Jewish directors and production designers and you'll see the stark differences in how competent and knowledgeable they sound. Or, stay a fawn of the real creators and investors who are Jewish and white. I don't mind that they are making the money off blacks for a fictional story about an absolutely nonsense Wakanda. I also don't mind when people give their money to Jewish and white investor producers for any fantasy movie.
+Magnificent Golden Beast Interesting how you feel the need to put so much effort into trying to tear down the staff of this film. That says quite a lot about you, your motives and the life you must lead. Anyway who is familiar with the original comics as well as the runs over the years on the comics by African American writers such as Reginald Hudlin, Christopher Priest, Ta-Nehisi Coates, etc. and several other black writers who in fact developed much of the world of the Black Panther over the past two decades in the comics. IF you actually read them, you would know that. Stan Lee and Jack Kirby conceptualized a character in 1966, they did not write all the stories of the 80's and 90's that developed the character and the world he lived in further. You are speaking about things you obviously have little to no knowledge of, all in an effort to spread some bigoted point of view. For example, the X-Men were inspired in the 1960's by the numerous civil rights situations happening in the US at the time, and Stan Lee himself has said that the characters of Professor X and Magneto were inspired by Martin Luther King Jr and Malcolm X. You talk about Jewish and white investors? Well, literally ANY movie in all of HOLLYWOOD history has white investors and Jewish investors. There are also investors of various other ethnic origins as well? A big budget movie is financed by multiple sources from various ethnic groups at some point or another. So, what nonsensical point are you attempting to make? By the way, the billion plus dollars in revenue this movie has made has come from numerous international markets and ethnic groups. So, what is this nonsense you are talking about as far as "billions of dollars from Blacks?" This movie did well in Japan, in South Korea, in Brazil, in various countries around the world, so your ignorant nonsense doesn't really carry much weight when compared to actual facts.
David. I didn't say anything about what the movie is about or where the inspiration came from. I don't care. It's a fantasy movie like all sci-fi action movies -- it doesn't have to make sense it only needs some plot and action and graphics and people eat it up. My point was clearly stated but I'll make it bold. THE MOVIE WAS NOT DIRECTED BY THE GUY HELD OUT AS DIRECTOR AND THIS CHICK WAS NOT THE HEAD OF CREATING SETS OR ANYTHING ELSE. They were cogs or grunt work and had very little to do with the actual creative process. Have you watched any previous interviews with this chick or the "director" as I stated? You'll see -- if you listen objectively -- how little they know about the creative process and don't speak as if they were in charge of it. Don't you think the people who really did the creative work should be acknowledged rather than a scam on the audience. I think so. None of this really matters. What matters is who made the money and I'm sure the insiders know who to praise behind boardroom doors and it's the Jewish and White producers, investors and production staff. I find it strange that so many black people have been making a big deal that whites make money off them but with this movie, they have no objection.
4da. I was wondering when someone would pull the creative arts card. Sure, blacks have creatively used the technology whites invented to come up with some nice arts like songs. It's the whites who invented the electronic synthesizers and soundboards to make the music. It's like computers are invented by whites and then they create programs that make doing something creative so easy that even a toddler can use it. That doesn't mean the toddler is more intelligent or motivated than the white guy that invented the programming. Breakdancing?!? You equate rolling around on the floor with the invention of linoleum and hardwood floors? Without those you can't breakdance. You even need concrete, asphalt and cardboard if you want to do it on the street and those aren't African inventions. All those genre of arts you referenced were perfected by whites and Jews. As for the gutter urban dictionary, I can't say for sure, but I would bet none of the 7,000 billionaires use that language in their business or personal lives. Maybe Oprah.
![Summer Walker - Heart Of A Woman [Official Lyric Video]](http://i.ytimg.com/vi/SFddctbZzw8/mqdefault.jpg)
Oscar nomination for the sets
This women is too talented
She's learning her lines and talking points well. In a previous interview she described her part in the movie as getting design orders from the producers and she was to fetch the props and they instructed her how to set up the scenery. She appeared to be just the labor and not the creative talent. She also didn't mention the director as instructing her at all.
Obviously, she has been corrected how to handle interviews -- by the producers. So, she's getting better at creating the illusion that the movie was a product of black creative efforts. It certainly doesn't appear that way based upon what I have seen so far.
She was finally able to explain some of the creative process in this interview. This is the first time I've heard her articulate it. Even so, she uses "we" as describing the research and creative process. She's not taking much credit for the creation of Wakanda or the character development appearance. She isn't the lead in the set design.
The director did an interview with a radio station (Hot 97?) and he stumbled through without a clue as to how he ended up being director and not able to answer how the talent and production staff was picked.
You don't really believe that white and Jewish producers are going to put a hundreds of millions of dollars movie in the hands of these people, do you? These people who sound enthusiastic but have no clue how it was put together creatively. This chick and the director are tokens who are put out there to give the movie black credibility. She was picked to do interviews and told what to say. Titles don't matter. Pay and authority and your ability to get the next job matter. She obviously has some talent but in her previous interview she described her job as basically fetching what the producers wanted and placing it as they instructed. Grunt work rather than the creative work.
BP and Wakanda is a white and Jewish creation. ALL the creative process is done by them and SOME of the grunt work was done by blacks. ALL the technically difficult work was done by whites. The director and production staff are put out there for optics and the blacks are eating it up.
I think it's cool how whites and Jews are making billions from blacks who are eager to give it to them.
Is this how jealousy works? LMAO ... Unless you can convince me that you were there when this blockbuster was commissioned and been made, then your long essay is a waste of cut and paste. It doesn't mean shit, prove that you where on set then we can have a dialogue
All that's necessary is to watch and listen to the interviews of the director and set designer chick with objectivity and not as worshipful fawns. Also, compare their interviews to interviews with other blockbuster white and Jewish directors and production designers and you'll see the stark differences in how competent and knowledgeable they sound.
Or, stay a fawn of the real creators and investors who are Jewish and white. I don't mind that they are making the money off blacks for a fictional story about an absolutely nonsense Wakanda. I also don't mind when people give their money to Jewish and white investor producers for any fantasy movie.
+Magnificent Golden Beast Interesting how you feel the need to put so much effort into trying to tear down the staff of this film. That says quite a lot about you, your motives and the life you must lead.
Anyway who is familiar with the original comics as well as the runs over the years on the comics by African American writers such as Reginald Hudlin, Christopher Priest, Ta-Nehisi Coates, etc. and several other black writers who in fact developed much of the world of the Black Panther over the past two decades in the comics. IF you actually read them, you would know that.
Stan Lee and Jack Kirby conceptualized a character in 1966, they did not write all the stories of the 80's and 90's that developed the character and the world he lived in further. You are speaking about things you obviously have little to no knowledge of, all in an effort to spread some bigoted point of view. For example, the X-Men were inspired in the 1960's by the numerous civil rights situations happening in the US at the time, and Stan Lee himself has said that the characters of Professor X and Magneto were inspired by Martin Luther King Jr and Malcolm X.
You talk about Jewish and white investors? Well, literally ANY movie in all of HOLLYWOOD history has white investors and Jewish investors. There are also investors of various other ethnic origins as well? A big budget movie is financed by multiple sources from various ethnic groups at some point or another. So, what nonsensical point are you attempting to make?
By the way, the billion plus dollars in revenue this movie has made has come from numerous international markets and ethnic groups. So, what is this nonsense you are talking about as far as "billions of dollars from Blacks?" This movie did well in Japan, in South Korea, in Brazil, in various countries around the world, so your ignorant nonsense doesn't really carry much weight when compared to actual facts.
David. I didn't say anything about what the movie is about or where the inspiration came from. I don't care. It's a fantasy movie like all sci-fi action movies -- it doesn't have to make sense it only needs some plot and action and graphics and people eat it up.
My point was clearly stated but I'll make it bold. THE MOVIE WAS NOT DIRECTED BY THE GUY HELD OUT AS DIRECTOR AND THIS CHICK WAS NOT THE HEAD OF CREATING SETS OR ANYTHING ELSE. They were cogs or grunt work and had very little to do with the actual creative process.
Have you watched any previous interviews with this chick or the "director" as I stated? You'll see -- if you listen objectively -- how little they know about the creative process and don't speak as if they were in charge of it. Don't you think the people who really did the creative work should be acknowledged rather than a scam on the audience. I think so.
None of this really matters. What matters is who made the money and I'm sure the insiders know who to praise behind boardroom doors and it's the Jewish and White producers, investors and production staff.
I find it strange that so many black people have been making a big deal that whites make money off them but with this movie, they have no objection.
4da. I was wondering when someone would pull the creative arts card. Sure, blacks have creatively used the technology whites invented to come up with some nice arts like songs. It's the whites who invented the electronic synthesizers and soundboards to make the music. It's like computers are invented by whites and then they create programs that make doing something creative so easy that even a toddler can use it. That doesn't mean the toddler is more intelligent or motivated than the white guy that invented the programming.
Breakdancing?!? You equate rolling around on the floor with the invention of linoleum and hardwood floors? Without those you can't breakdance. You even need concrete, asphalt and cardboard if you want to do it on the street and those aren't African inventions.
All those genre of arts you referenced were perfected by whites and Jews. As for the gutter urban dictionary, I can't say for sure, but I would bet none of the 7,000 billionaires use that language in their business or personal lives. Maybe Oprah.