I'll see you in my dreams And then I'll hold you in my dreams Someone took you right out of my arms Still I feel the thrill of your charms Lips that once were mine Tender eyes that shine They will light my way tonight I'll see you in my dreams Yes I will... see you in my dreams You know I'll... hold you in my dreams I know that... someone took you right out of my arms But... still I feel the thrill of your charms I dream of... lips that once were mine And those... tender eyes that shine I know... they'll light my way tonight When I... see you in my dreams Yes they will... light my way tonight Because I'll... see you in my dreams
Listening over the Manouche repertoire again, I realise that I prefer the earlier and simpler pieces like this to the later (more flashy/challenging?) repertoire. I play other instruments (not guitar) but I am studying Manouche repertoire on my recently acquired acoustic bass guitar. Seems that in the early repertoire bassists often play in 2s. Is that the norm? Logically, much of the later repertoire requires 4 to a bar. I see that some diehard jazz/swing bassists play 4 in virtually every situation. So who is playing more authentically for the early Manouche style?
@@guitareimprovisation sorry to be overly pedantic here but, I would say it's B full diminished, B Diminished does not include a diminished seventh while B full diminished does.
@@zackarylefebvre9059 yeah, that is a little pedantic. So far as I can see, only in classical music circles is there a distinction made. I can still remember my old maestro muttering about dimished triads vs diminished 7ths. Since many sequences are written with scant consideration for the bassline anyway, a diminished chord may have to be inverted or renamed. Maybe your part says Bdim, but the banjo has Fdim. I find that on piano it's safer to go for all four notes, and reasonable stretched, though it's amazing how well music can work with bits missing.
@@Zoco101 yeah, I'd agree, always better to play a diminished chord instead of a full diminished contrarily to the other way around. All things considered it's always better to be overly pedantic at the start of your theoretical journey, the student can later choose what to play and say all on their own, but the important part remains that he can assimilate clear and precise information while it's most trivial to do so.
Wretched, uptempo bouncy treatment of a song that was intended as a slow, romantic ballad. Why not turn "Ave Maria" into a comical cartoon theme while you're at it? AWFUL.
It can be annoying when a favourite song is altered far from the version you love, but sometimes it works well. As it happens I think this tempo works well for this song, within the swing style.
Merci Martin!
This is very cool indeed, thanks!
excellent tempo de training, merci Martin !!
Awesome bass track, Thanks . . . .
That's got that old ragtime feel to it.... nice groove! Good work
Beautiful tempo! Thanks Martin!
I'll see you in my dreams
And then I'll hold you in my dreams
Someone took you right out of my arms
Still I feel the thrill of your charms
Lips that once were mine
Tender eyes that shine
They will light my way tonight
I'll see you in my dreams
Yes I will... see you in my dreams
You know I'll... hold you in my dreams
I know that... someone took you right out of my arms
But... still I feel the thrill of your charms
I dream of... lips that once were mine
And those... tender eyes that shine
I know... they'll light my way tonight
When I... see you in my dreams
Yes they will... light my way tonight
Because I'll... see you in my dreams
Listening over the Manouche repertoire again, I realise that I prefer the earlier and simpler pieces like this to the later (more flashy/challenging?) repertoire.
I play other instruments (not guitar) but I am studying Manouche repertoire on my recently acquired acoustic bass guitar. Seems that in the early repertoire bassists often play in 2s. Is that the norm? Logically, much of the later repertoire requires 4 to a bar. I see that some diehard jazz/swing bassists play 4 in virtually every situation. So who is playing more authentically for the early Manouche style?
That's a good question, and I don't have the answer. I really like the 2 feel on the bass for gypsy jazz, as you can hear on my backing tracks :-)
What do the parentheses mean?
Can you include the Verse?
what's the chord B with an icon similar to degree?
It's B diminished
@@guitareimprovisation thanks
@@guitareimprovisation sorry to be overly pedantic here but, I would say it's B full diminished, B Diminished does not include a diminished seventh while B full diminished does.
@@zackarylefebvre9059 yeah, that is a little pedantic. So far as I can see, only in classical music circles is there a distinction made. I can still remember my old maestro muttering about dimished triads vs diminished 7ths. Since many sequences are written with scant consideration for the bassline anyway, a diminished chord may have to be inverted or renamed. Maybe your part says Bdim, but the banjo has Fdim. I find that on piano it's safer to go for all four notes, and reasonable stretched, though it's amazing how well music can work with bits missing.
@@Zoco101 yeah, I'd agree, always better to play a diminished chord instead of a full diminished contrarily to the other way around. All things considered it's always better to be overly pedantic at the start of your theoretical journey, the student can later choose what to play and say all on their own, but the important part remains that he can assimilate clear and precise information while it's most trivial to do so.
Is the key Fmaj ?
Yes !
@@guitareimprovisation thank you very much. What does the bracket represent in E7? And what chords are being played in the % parts?
@@adambernmusic2922 thank you soo much. Your help is very much appreciated 🙏
Lam ça passe aussi non ?
@@pratikkoirala5816 bracket = not obliged to play
% = same as before
Wretched, uptempo bouncy treatment of a song that was intended as a slow, romantic ballad. Why not turn "Ave Maria" into a comical cartoon theme while you're at it? AWFUL.
ooh you really !! i think that django reinhardt, should have listen your complain
It can be annoying when a favourite song is altered far from the version you love, but sometimes it works well. As it happens I think this tempo works well for this song, within the swing style.
Original recording of "I'll See You In My Dreams": ruclips.net/video/e-80qy6ioH4/видео.html
The original was even faster and bouncier.