Reminds me very much of Van Gogh’s thick paint especially the very dark. Blue tree on the left . It has the feel of one of his midnight skies. Good fun exercise, thank you.
I just realized that being able to make risky decisions on the canvas and live with the consequences makes you stronger and braver in real life too. Thank you for helping me to understand this!
This is my absolute favorite demo I've seen of yours, so far, as it is how I long to paint! I will be watching this over and over! Thanks so much for your amazing instruction!
Thank you for the reminder of just having fun. I am always thinking everything has to be a masterpiece... which it never is. But taking risks and having fun is key. Also, taking something I see every day, but with an artist eye, making it a play of color, light, and shadow is a good approach.
Thank you Malcolm! This past week I've been stuck in a rut of sorts, and I've started and abandoned 6 paintings. I've just got to be brave, take risks, break through that mental barrier. Your work is inspirational and beautiful as always.
Beautiful work! I struggle with the need to get things just so. This looks like a much more enjoyable way to approach painting. I’m definitely giving this a go.
Thank you, Malcolm! I like to play like that and, as you know, I often change the ref-colors. I enjoyed your painting process very much - so colorful and full of joy!. One problem we, as beginners, often have, is that cast shadows and, especially, shadows in tree leaves do look a bit unnatural. It is difficult to choose right tones and shades and we sometimes use one and the same shade for shadows of objects with distinct color and tint. It would be great if you focus on the problem of shadow colors in one of your future videos. Thanks beforehand and happy painting!
Lovely Malcolm! Enjoyable once again. I would like to endorse Marina Shaduri's request about shadow colors. Shadow colors together with mixing darks still poses a lot of problems for me as well. I look forward to your next innovative demonstrations. Thanks again,
I can see the confidence in your paint strokes, each one is put down and stays. ! Love when you added those pinks at the end ..... I can’t paint THIS loose but I like yours 🌴Tallahassee, Florida
What I am learning from all your paintings is to look for the subtlety in the reference; to find the little changes of color/light that at first glance doesn't look different, then exaggerate that color in the portion of the picture. Now I just have to convince myself to 1) take the risk, and 2) not overwork the paint by seeking the details.
Very true - it can help to set aside time and mix colors. Like paint store swatches - just mix colors and see what you like. When painting time begins you have a few tricks up your sleeve to try out 😎
I've been painting a bit, but too detailed. It's hard to change habits, but I watch you and I think that you teach perfectly and I think I can do it. In addition, I am learning English and your pronunciation is clear, for which I thank you very much
Thank you Malcolm! Yes, this is what I want … to go for it and have fun 🤩 Watching this freed me up to try painting again a picture that had me in tears. The result is better, but can be pushed even more 🤷🏻♀️
Hey Malcolm, I too enjoyed this demo very much. The finished piece i like a lot. As You know I'm in your artist live class but living near the arctic circle where we are having yet another severe winter storm; our Fairbanks Airport is still closed today(12/27/21). So I am watching as many of your mix vids as possible. Learn something more on each so far. warm regards
So happy 😊 to have found you fellow s African, would love to know about you. Have a lot of nostalgia for my roots.I left SA 50 years ago to live in Israel. As for your channel I am super excited! Thank you 💗
Thank you very much! I will try this technique soon. I've been much into abstract art for 2 years. But suddenly i feel like trying impressionist art. I love this video. Thank you Malcolm for being a great teacher. Take care! Vatsala from Mauritius
Hi Malcom, I am looking to take your course. I started oils (work in watercolour and pastel) lately and the impressionist way speaks volume to me. I particularly enjoy the immediacy and unpredictability of the less mixing on the palette. This is also the way I work the other mediums. Thank you for the videos.
This painting is gorgeous, much more beautiful than the picture that inspired you! Thank you so much for this lesson, because now I will take risks using some boring pics I've taken. I expect to get a great result as you did. I needed this kind of encouragement.
Just discovered your channel and tried a small 8x6in in the way you paint, it turned out fab for a first try, will definately continue working this way for a while👍
What a fantastic landscape scene Malcolm. The thick brush strokes and harmony of colours create a superb painting outcome. I find keeping the same pattern of lights & darks, now to be easier, as I have starting introducing the completion of a Notan like you have suggested in other video tutorials (your free painting course). It has helped me already with this aspect quite a lot. Thank you so much for suggestions/guidance using this approach. However, I do have a separate question, I am using WMO Paints, sometimes I find it difficult to get the paint to go on thicker (on top of a blocked in layer). In your opinion is it better to try a different type of brush (using Synthetic brush like you suggested in a video for WMO paints) like say Bristle hog version? The synthetic sometimes I have noted, doesn't seem to want to keep it's shape when you attempt to layer thicker paint onto a painting with it. Like when I try to load it up with more pigment, the hairs almost just seem to want to splay out in a sideways direction. Or is it just I am using the synthetic brush incorrectly?
Thank you - regarding brushes, synthetic brushes do not handle thick oil paints well. Even with WMO paints it is better to use natural bristle in a good quality brush that keeps its shape. You can soften the paint a little with literally a few drops linseed oil. That should solve the problem.
@@MalcolmDewey thanks Malcolm for your guidance it is very much appreciated. I will give the bristle brushes a go, use a bit of oil to soften as you have suggested.
Loved that! Bless you, trees are my nemesis….. plus they can be boring in their sameness. But you have changed this for me. I love bright colours…. …. and you a so CALM❤️ Thank you, for helping me colour my world. … and for showing me how to paint trees while forgiving my errors . Yep, I’m impressed, and I’m a tough audience 🤡
I have been following all the usual advice for clean colour notes, even with thin layers underneath I never get clean notes of brighter colour on top with hard edges, it just always seems to mix at the edges, I tried angling, gently applying maybe I just have to go super thick with the paint. Although it doesn't look like like you are using a massive amount of paint
And unfortunately I have made two attempts at extreme loose painting and both ended by not walking away at the right time and messing them up! I lost my temper and smacked the canvas after the second one. One danger of taking risks when you are relatively new is it can affect confidence, I noticed I did a less loose painting just 2 days ago that I was extremely happy with but then a couple of bad exercises and all is forgotten. I've found oils to be a lot more difficult technically than I first thought, I thought coming from watercolour that at last I can make mistakes and change as I go, just place the colour exactly where I want it, but damn it blending, mixing, detail, getting the right edges, even just laying out the paint over bigger areas can be quite challenging.
All the issues you describe are quite common and will resolve with practice a lot quicker than you may feel right now. A tip that helps transition to oils is to paint your first layer in acrylics. All the main shapes. Then go ano the dy arylic with your oils to complete the painting. You can keep the process if you like it or gradually more into only oils. May oil painters worked this way.
@@MalcolmDewey Thanks Malcolm that's good to hear. I will consider acrylics when I'm buying supplies, I do have a preference for the most direct method of painting, quite similar to your demos / studies where you just do things directly and discover the painting as you as you go. One thing about doing things in a vacuum is your travails may feel out of proportion when they are just rites of passage.
Everything you say here fits in with my understanding of how painting should be approached. I can feel the resulting freshness and the solution it provides for the problem of dead spaces. However I am concerned with how you ensure that your values remain precise in the absence of underpainting and a monochrome notan study. Maybe I am trapped between two approaches where detailed preparatory studies can produce correct paintings which are unexciting or exciting paintings which ignore a huge body of precious and useful knowledge in painting. i can tell when I watch you at work that you have done it for years so the knowledge about correct values is something you have at the level of your spinal cord. What would you say about that?
It is good to do notan studies to get familiar with value mass shapes. I have done those for this scene before. I will seldom do a detailed underpainting or drawing as that keeps me thinking about lines instead of shapes. Try painting outdoors to break habits that keep you overvworking a scene. You will learn to see the values and paint them too.
Thank you Malcolm, another wonderful demo! My own paintings are slowly becoming looser and less constrained thanks to your videos. I can see that your techniques work wonderfully on a small canvas but is it possible to use a large canvas and still have that loose feel?
Yes it is, but it takes a real mind shift as far as how much paint you use and brushwork. Ideally you use a very big brush and tubes of paint. Some artists use painting knives more. You could start with acrylics for big shapes then paint over in oils when the acrylics are dry. This saves time and may save costs too. Discipline and a free spirit come together 😄
I always wonder since I started in (water mixable) oil, are most oil painters brushes stiff, you know like when you leave to them to dry and they dont really move much. Is that how you use them generally? You seem to be using a lot of thick strokes and maybe due to editing it doesn't seem that you are necessarily cleaning your brush, so big thick paint is building up on the brush. Is this accurate?
I habitually wipe the brush with every every two to three strokes. Seldom wash with spirits as solvents have not place in the pigment, but wipe off the brush often.
I'm wondering why the canvas is taped to the table if it's not standing upright, and then what do you do with the edges when it's done? I suppose that's at the end, but it seems what you would do with paper instead of a canvas.
Reminds me very much of Van Gogh’s thick paint especially the very dark. Blue tree on the left . It has the feel of one of his midnight skies. Good fun exercise, thank you.
Wow, thank you. Yes fun to try.
I just realized that being able to make risky decisions on the canvas and live with the consequences makes you stronger and braver in real life too. Thank you for helping me to understand this!
My pleasure, thank you
This is my absolute favorite demo I've seen of yours, so far, as it is how I long to paint! I will be watching this over and over! Thanks so much for your amazing instruction!
Thank you!
Thank you for the reminder of just having fun. I am always thinking everything has to be a masterpiece... which it never is. But taking risks and having fun is key. Also, taking something I see every day, but with an artist eye, making it a play of color, light, and shadow is a good approach.
Absolutely!!
Thank you Malcolm! This past week I've been stuck in a rut of sorts, and I've started and abandoned 6 paintings. I've just got to be brave, take risks, break through that mental barrier. Your work is inspirational and beautiful as always.
Thank you very much - go for it!
Thank you so much Dear Malcolm.....you're fantastic Artist! Good luck & keep up with your teachings!
Thank you 😊
This was excellent and it was so helpful to see the original photo inspiration and how easily you did your own "thing". Thank you.
Glad you enjoyed it, thank you
Beautiful work! I struggle with the need to get things just so. This looks like a much more enjoyable way to approach painting. I’m definitely giving this a go.
Thank you! Cheers!
Thank you for sharing how you develop you painting and how you play with color. This one is particularly lovely.
Thank you Stacey
Thank you, Malcolm! I like to play like that and, as you know, I often change the ref-colors. I enjoyed your painting process very much - so colorful and full of joy!. One problem we, as beginners, often have, is that cast shadows and, especially, shadows in tree leaves do look a bit unnatural. It is difficult to choose right tones and shades and we sometimes use one and the same shade for shadows of objects with distinct color and tint. It would be great if you focus on the problem of shadow colors in one of your future videos. Thanks beforehand and happy painting!
Thanks Marina, yes that is a good suggestion 💯
Your statement-paint for yourself…sooo important!
Yes 💯
It is great fun and pleasure watching you painting . One brush stroke after the other and there it comes a beautiful landscape.
Thank you Eva!
Lovely Malcolm! Enjoyable once again. I would like to endorse Marina Shaduri's request about shadow colors. Shadow colors together with mixing darks still poses a lot of problems for me as well. I look forward to your next innovative demonstrations. Thanks again,
Will do - Maybe the next live class will help too.
All you create is absolutely amazing, Malcolm. ❤
You are very kind, thatnk you.
What a lovely painting. The “jucy” colours are fabulous. I love your spontaneity- I’m trying to do this but it’s tough!!
I can see the confidence in your paint strokes, each one is put down and stays. ! Love when you added those pinks at the end ..... I can’t paint THIS loose but I like yours 🌴Tallahassee, Florida
Thank you so much!
That moment you took the tape off….I could replay that all day!
😊 the best part!
Your talking your thought process throughout the painting has really helped me.
Thanks Greg, I'm glad make sense 😀
I love this painting, what a fantastic video. I am inspired and running off to paint!!!!! Thank you Malcolm.
Wonderful!
Thank you Malcolm. Beautiful, with pleasing colors.
Many thanks!
You created something sooooo beautiful out of such a boring subject. INCREDIBLE!!! THANKS.
Thank you so much!
Nice to prioritize the freedom of PLAY over product. Nice demo.
Thank you for this educational and entertaining tour of the expressionist. I will spend some pleasant hours looking up these artists
.
Thank you Sabine!
Lovely……so fresh and colourful..🎉
Thank you!
What I am learning from all your paintings is to look for the subtlety in the reference; to find the little changes of color/light that at first glance doesn't look different, then exaggerate that color in the portion of the picture. Now I just have to convince myself to 1) take the risk, and 2) not overwork the paint by seeking the details.
Very true - it can help to set aside time and mix colors. Like paint store swatches - just mix colors and see what you like. When painting time begins you have a few tricks up your sleeve to try out 😎
Thank you. I needed both these loosen up videos and will try this very soon!
Wonderful!
What a beauty. Your lessons and demos never fail to inspire.
Thank you 😊
I really enjoyed the colors that you chose and the risks you took, they really paid off. Thanks for the encouragement to take a leap 🙏🏼
Excellent, thank you
When the painting looks better than the reference 😍😍😍
💯😀
Love this Malcom! Thank you!
My pleasure!
Brilliant,love everything about this piece of art. Thank you for this helpful lesson!
Thank you 😊
This is just gorgeous! Thank-you for the lesson!
Glad you liked it! Thank you
I love these colours- so beautiful combination - thanks🥰
Thank you Inga, nice of you to say that.
Enjoyed the loose and spontaneous brushwork as well as the varied colors. Thank you again for sharing.
Glad you enjoyed it!
I absolutely loved this demonstration ❤
Thank you 😊
What a gorgeous painting! Beautiful and free.
Thank you! 😊
Great demonstration. Thank you so much.
You are so welcome!
Beautiful painting, excellent teaching and encouragement to be brave enough to take risks. Thank you!
It's a pleasure!
I enjoy watching your videos so much. I’m looking forward to more on oil painting. Thank you so much.
You are so welcome!
It’s really relaxing to watch and listen to your calming voice.
I love your approach on simple brush work creating a beautiful painting. Thank you
It's a pleasure, thank you
Fabulous video, very encouraging!❤️
Excellent, thank you Olga
I've been painting a bit, but too detailed. It's hard to change habits, but I watch you and I think that you teach perfectly and I think I can do it. In addition, I am learning English and your pronunciation is clear, for which I thank you very much
You are so welcome!
It is beautiful. You are an amazing painter. "Something out of nothing", you say!
Thank you so much 😀
so refreshing and enjoyable. I love your videos !
Thank you Joy
You are an alchemist! This has inspired me to go a bit more wild with colour!
Go for it 💯
Very nice! Thank you!
Very good lesson. Very productive for me.
Glad you liked it! Thank you
This was absolutely delicious painting!
Thank you!
Thanku Malcolm , wonderful learning😂
Thank you Malcolm! Yes, this is what I want … to go for it and have fun 🤩 Watching this freed me up to try painting again a picture that had me in tears. The result is better, but can be pushed even more 🤷🏻♀️
Have fun Miriam. thanks
Hey Malcolm, I too enjoyed this demo very much. The finished piece i like a lot. As You know I'm in your artist live class but living near the arctic circle where we are having yet another severe winter storm; our Fairbanks Airport is still closed today(12/27/21). So I am watching as many of your mix vids as possible. Learn something more on each so far. warm regards
Thank you, keep up the good work 🙌
I love watching you paint
Thank you!
I love it, I even love your palette! It the vibrant colours. Can’t wait to try it with mine
Hope you enjoy it!
Thanks for this one…..absolutely enjoyed……will give it a try 😀
Thank you Moira
Wow, just beautiful and so informative! Thankyou!
Thank you!
Absolutely loved it! Thank you, Malcolm!❤
You're so welcome Nataly
So happy 😊 to have found you fellow s African, would love to know about you. Have a lot of nostalgia for my roots.I left SA 50 years ago to live in Israel. As for your channel I am super excited! Thank you 💗
Ah I hope you enjoy the 🇿🇦 scenes. 😊
Magnifique resultat je vais aussitot vous ecouter et enfin prendre des risques merci merci pour vos conseils !
Thank you!
So beautiful !
Thank you!!
This is beautiful and made me think of Vincent (V.G) because the colours absolutely glow!
Ah, you made my day!
Beautiful. Thank you
Thank you too!
Thank you very much! I will try this technique soon. I've been much into abstract art for 2 years. But suddenly i feel like trying impressionist art. I love this video. Thank you Malcolm for being a great teacher. Take care!
Vatsala from Mauritius
Wonderful!
Thanks, Malcolm!☺Hi from Ottawa! 🍁
Welcome!
Thanks Malcolm! I love the thought of taking greater risks with my painting. No more sticking to blues and greens!!
If the values are right you can use any color you want. Imagine that 🎨
@@MalcolmDewey wow! That's quite a thought!!!!
Hi Malcom, I am looking to take your course. I started oils (work in watercolour and pastel) lately and the impressionist way speaks volume to me. I particularly enjoy the immediacy and unpredictability of the less mixing on the palette. This is also the way I work the other mediums. Thank you for the videos.
You are welcome, you will certainly enjoy oil painting and it's versatility.
@@MalcolmDewey Thank you for prompt answer. And oh I am also attracted by the nonuse of medium. I go back to your video :)
And I like too your 'malcomy' way of explaining :)
I love it!!!!
It is beautiful. Thank you for the inspiration. I love risk taking in painting.
Thank you, glad you enjoyed it.
@@MalcolmDewey You are welcome!
You have helped me so much! Thank you!
Its a pleasure!
Loved this yummy painting! Very inspiring to help me on the loosening up process. Thank you for being such a good teacher!
You are so welcome!
This painting is gorgeous, much more beautiful than the picture that inspired you! Thank you so much for this lesson, because now I will take risks using some boring pics I've taken. I expect to get a great result as you did. I needed this kind of encouragement.
Thank you so much 😀
Great lesson !
Thank you
Just discovered your channel and tried a small 8x6in in the way you paint, it turned out fab for a first try, will definately continue working this way for a while👍
Awesome! Thank you!
What a fantastic landscape scene Malcolm. The thick brush strokes and harmony of colours create a superb painting outcome. I find keeping the same pattern of lights & darks, now to be easier, as I have starting introducing the completion of a Notan like you have suggested in other video tutorials (your free painting course). It has helped me already with this aspect quite a lot. Thank you so much for suggestions/guidance using this approach.
However, I do have a separate question, I am using WMO Paints, sometimes I find it difficult to get the paint to go on thicker (on top of a blocked in layer).
In your opinion is it better to try a different type of brush (using Synthetic brush like you suggested in a video for WMO paints) like say Bristle hog version? The synthetic sometimes I have noted, doesn't seem to want to keep it's shape when you attempt to layer thicker paint onto a painting with it. Like when I try to load it up with more pigment, the hairs almost just seem to want to splay out in a sideways direction. Or is it just I am using the synthetic brush incorrectly?
Thank you - regarding brushes, synthetic brushes do not handle thick oil paints well. Even with WMO paints it is better to use natural bristle in a good quality brush that keeps its shape. You can soften the paint a little with literally a few drops linseed oil. That should solve the problem.
@@MalcolmDewey thanks Malcolm for your guidance it is very much appreciated. I will give the bristle brushes a go, use a bit of oil to soften as you have suggested.
This looks like fun and I can feel the risk at the same time.
Thanks Lee, now you are reaching for more paint 😇
Loved that! Bless you, trees are my nemesis….. plus they can be boring in their sameness.
But you have changed this for me.
I love bright colours….
…. and you a so CALM❤️
Thank you, for helping me colour my
world. … and for showing me how to paint trees while forgiving my errors .
Yep, I’m impressed, and I’m a tough audience 🤡
That is kind of you - thank you!
@@MalcolmDewey thank you for your acknowledgment 👌🌈
Thank you! I'm trying to start painting more loosely, which is hard since I'm a bit of a perfectionist lol. Your work inspires me :)
Enjoy it!
Thanks Malcolm, Inspirational as always.
Much appreciated. thank you
Beautiful 😻
Thank you! 😊
I have been following all the usual advice for clean colour notes, even with thin layers underneath I never get clean notes of brighter colour on top with hard edges, it just always seems to mix at the edges, I tried angling, gently applying maybe I just have to go super thick with the paint. Although it doesn't look like like you are using a massive amount of paint
And unfortunately I have made two attempts at extreme loose painting and both ended by not walking away at the right time and messing them up! I lost my temper and smacked the canvas after the second one. One danger of taking risks when you are relatively new is it can affect confidence, I noticed I did a less loose painting just 2 days ago that I was extremely happy with but then a couple of bad exercises and all is forgotten.
I've found oils to be a lot more difficult technically than I first thought, I thought coming from watercolour that at last I can make mistakes and change as I go, just place the colour exactly where I want it, but damn it blending, mixing, detail, getting the right edges, even just laying out the paint over bigger areas can be quite challenging.
All the issues you describe are quite common and will resolve with practice a lot quicker than you may feel right now. A tip that helps transition to oils is to paint your first layer in acrylics. All the main shapes. Then go ano the dy arylic with your oils to complete the painting. You can keep the process if you like it or gradually more into only oils. May oil painters worked this way.
@@MalcolmDewey Thanks Malcolm that's good to hear. I will consider acrylics when I'm buying supplies, I do have a preference for the most direct method of painting, quite similar to your demos / studies where you just do things directly and discover the painting as you as you go. One thing about doing things in a vacuum is your travails may feel out of proportion when they are just rites of passage.
@@callmedeno Well said!
Found this very helpful!
Thank you 😊
One of your best!
Thank you!
Wow...great painting 🖌️ Waynesville, North Carolina, USA
Thank you!
Great video, fantastic artist, excellent teacher
Wow, thank you
Very interesting approach. Very important also, to be able to 'let it go'. A risk with not much at stake, as you say, and a lot of fun. Thank you! 😄
It's a pleasure
Очень красиво!!!!👍👍👍👍
Love this
Thank you!
WOW
love your painting
Thank you!
Thank you very much!
You're welcome!
I am very inspired by this. Will have to try this risk-taking more :)
Thank you
Thank u , very nice demo
Would u talk 2us about high key Vs low key paintings ...pls
Try this video: ruclips.net/video/R7PKTA4LJWo/видео.html
I’ve enjoyed this a lot! Thank you 🙂 great way to bring in the fun in painting.
Thank you, glad you enjoyed it!
So interesting! Thank you for sharing :)
Thank you. 😊
Everything you say here fits in with my understanding of how painting should be approached. I can feel the resulting freshness and the solution it provides for the problem of dead spaces. However I am concerned with how you ensure that your values remain precise in the absence of underpainting and a monochrome notan study. Maybe I am trapped between two approaches where detailed preparatory studies can produce correct paintings which are unexciting or exciting paintings which ignore a huge body of precious and useful knowledge in painting. i can tell when I watch you at work that you have done it for years so the knowledge about correct values is something you have at the level of your spinal cord. What would you say about that?
It is good to do notan studies to get familiar with value mass shapes. I have done those for this scene before. I will seldom do a detailed underpainting or drawing as that keeps me thinking about lines instead of shapes. Try painting outdoors to break habits that keep you overvworking a scene. You will learn to see the values and paint them too.
Beautiful
Thank you!
Taking risks is my biggest obstacle
Thank you Malcolm, another wonderful demo! My own paintings are slowly becoming looser and less constrained thanks to your videos. I can see that your techniques work wonderfully on a small canvas but is it possible to use a large canvas and still have that loose feel?
Yes it is, but it takes a real mind shift as far as how much paint you use and brushwork. Ideally you use a very big brush and tubes of paint. Some artists use painting knives more. You could start with acrylics for big shapes then paint over in oils when the acrylics are dry. This saves time and may save costs too. Discipline and a free spirit come together 😄
I find your videos very helpful. Thank you
Thank you for watching!
I always wonder since I started in (water mixable) oil, are most oil painters brushes stiff, you know like when you leave to them to dry and they dont really move much. Is that how you use them generally? You seem to be using a lot of thick strokes and maybe due to editing it doesn't seem that you are necessarily cleaning your brush, so big thick paint is building up on the brush. Is this accurate?
I habitually wipe the brush with every every two to three strokes. Seldom wash with spirits as solvents have not place in the pigment, but wipe off the brush often.
I'm wondering why the canvas is taped to the table if it's not standing upright, and then what do you do with the edges when it's done? I suppose that's at the end, but it seems what you would do with paper instead of a canvas.
It is paper for oils. The edges can be trimmed or covered by a frame.
@@MalcolmDewey Thanks that is a great idea. I am really enjoying your videos and love your painting style!