Johannes Brahms - Piano Trio No. 1 in B Major, Op. 8
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- Опубликовано: 26 июн 2024
- Johannes Brahms - Piano Trio No. 1 in B Major, Op. 8 (1853-1854, revised 1889)
Performed by:
Alessandro Taverna, piano
Clara-Jumi Kang, violin
Jian Wang, cello
Movement One: Allegro con brio - 0:00
Movement Two: Scherzo. Allegro molto - 15:50
Movement Three: Adagio - 22:37
Movement Four: Finale. Allegro - 30:56
Source of Audio (with performance information) - • Video 
Видеоклипы
![Brahms: Horn Trio Op.40 [Melnikov, Faust, van der Zwart] (Period instruments)](/img/1.gif)
Everyone who puts the score and music together, you are a gift to the world!!!!!! Thank you 🙏
Thank you for making me feel special 😇
Aye! Credit where it’d due goes a long way to healing the ills of the world 🌍
The opening theme is heaven.....
Pure, alluvial Brahms, huh? Gorgeous.
@@prototropo He has a tendency of doing that, huh? This opening, the beginning of the second piano concerto, the first few measures of the G Major Violin Sonata ❤❤
My mom brought me into this world listening to this, this is such a beautiful piece
This piece makes me thinks all is right with the world
All too often, sound engineers mistake the instruments most forward on the stage to be more important . My University tv crew had to readjust settings when I had equal instrumental guests. Their first challenge was Schubert's great, "The Trout"...I was performing on piano, and when I had to readjust everything, they were thankful. It was the first programming of concert instruments at UNCG.
Brahms...what clarity of themes harmony all is meant to be heard. This is not classicism...but genius. His piano accompaniment is unique never the same. His development is themes interwoven. He never annoys you. High energy expressivity....a genius....Brahms..
Brahms did not write "accompaniments ". The piano is a independent partner.
One of my favorite pieces of music ever. Thanks for sharing with the score synced to the recording
The intro theme is beautiful
the most beautiful - the whole is is pleasantly engaging, with the intro theme being the most beautiful
The first time I heard this work was live at the Wigmore Hall more years ago than I care to remember. The artistes were all young but I cannot recall the name of the group. This has been my favourite Brahma Piano Trio ever since.
Thank you for posting the score so we can follow and fully appreciate the complexity of this wonderful composition.
Thanks for providing the score. This work absolutely requires it.
The cellist is an artist. Go Wang Go!!
My first listen thought this was a Late-Brahms work; imagine my surprise upon seeing that it was Op. 8! Only later when I saw that it was revised in 1889 did things make more sense.
This is the revised 1889 version.
yeah but what about piano sonatas like 3rd sonata op. 5? insane work, extremely motivictly coherent and expressively deep and mature... no idea how Brahms wrote it while being 19, without revisiting it after years
@@piotrzuchowski6884 I do not dispute that; it's just that there are textures, and a certain sense of "autumnal" restraint/"stillness", that Brahms uses in his late works that doesn't appear (or is not as pronounced) as in his earlier works (or really anyone else's works at all). Overall, Brahm's earlier works feel more "free-spirited", and I think his late works have a more "mysterious" or "ambiguous" quality. May be interesting to compare this work with its previous incarnation: ruclips.net/video/EFAPyJjQz04/видео.html&ab_channel=lecahierdupianiste.
@@piotrzuchowski6884 The early sonatas are great for sure, but they are nevertheless different from the later works.
You're right that it's an early work but it's also a late work. Brahms wrote opus 8, then revisited it (he did this with a lot of his work and God help us if he'd had his way he would have destroyed a lot of his most brilliant compositions). He sort of kept the first movement, altered the second, made enormous changes to the third and pretty much tossed the last movement and rewrote it altogether. I first played this piece when I was a teenager (I'm a cellist) and was in a trance for days. I have a love affair with Brahms' chamber music. When all the other girls had crushes on celebrities and rock bands, I was fantasizing going back in time and playing his cello sonatas for him before he wrote them. On the other hand, my love of Brahms has lasted past the craziness of youth and I must say that there is nothing like love after the hormones subside.
They're all great, but that violinist!! Never heard of her but she is a vibrant performer for sure.
I only care about the piano the others are just background noise
She's Korean-German violinist Clara Jumi Kang. You should definitely check out her performances on youtube
Thank you very much for posting this. Such a masterpiece and great to see the score along with it!
There's true fire in your performance! Bravi!
This performance is amazing, incredibly musical and fresh! Bravo!
Love the scherzo ❤
Magnificent...enjoyed it !
the Scherzo is addictive
I. Allegro Con Brio- (B Major)
II. Scherzo: Molto Allegro- (B Minor, Ending in B Major)
III. Adagio (B Major)
IV. Allegro (B Minor)
Johannes B. est le brillant reflet d'une époque, c'est un astéroïde fantôme qui revient jeter son dévolu sur l'art sonore. Une onde prodigieuse chargée de paradoxes d'où s'échappent l'obscurantisme la féérie et l'irrationnel, facteurs hypnotiques défiant les âmes vulnérables en quête d'absolu. Son architecture musicale est un court tunnel qui mène à la lumière 🤗💥
A beautiful song in the serie Mudanzas al cielo!!!!
Excelso trío de una fuerza arrebatadora y una melancolía subyugadora, te acaricia con esa mágica melancolía.
Fuerza arrebatadora... Precisamente! Es imposible encontrar una descripción mejor. No había podido dar con las palabras exactas sino hasta ahora!
Love it, such "awkward" writing, makes it sound really human
that's such a perfect description! that's how I always viewed his music and glad to see someone else "gets it" too.
@@GreenTea4 Yes, I first thought about it after reading a comment on a similar quartet style piece by a lesser known composer; because one comment said it was as good as Brahms. The uploader replied and said that wasn't true, it was indeed very good but not near Brahms. I agreed the piece was incredibly good and was confused why Brahms would be rated higher. So I listened to this piece and realized why, it's the imperfections that make Brahms great. Starting the measure on the wrong beats, weird transitions, melodies which don't fit or in other ways feel "clumsy". It kind of reminds me of hearing a story, the other composer is like reading a Wikipedia article and Brahms is like having your friend retell their experience. They speak somewhat badly, they forgot some parts and phrase some things badly, but they include jokes and tell things from their perspective, which makes it special.
Also, Brahms usually feels more "genuine", some composers include the craziest most romantic, most epic codas with like 12 B7 chords in a row in FFF to resolve to their E major chord. Meanwhile here Brahms is just like: "here are my naked emotions, take them or leave them"
@@kallehed6330 yes and yes!
also can you tell me who was the other lesser known composer?
@@GreenTea4 maybe, it was about a month ago, so I don't remember, but I will update if I find it!
@@kallehed6330 I bet it was my comment on Hendrik Witte's Quartet 😁
I am proud to eat crow on that comment all this time later!
I am nine years old and my piano teacher has a quartet and we played this song. I did piano and violin viola cello were the quartet. I memorized this music. I love it so much. I hope you do too. ❤
J'écoute souvent en travaillant. mais là c'est encore plus intéressant de s'apercevoir des petites fautes de notes qui m’oblige à mieux écouter. Réécoutez l'entrée du piano du 2e mouvement! merci pour ce genre d’enregistrement qui fait retomber sur terre.
Piano trio - nah, not for me.
Brahms - OK, maybe give it a try.
Scherzo - amazing!
Thank you for the education.
I love the piano mishap at 15:55 it turned the chord major for a bit and it sounds so good i can't tell if it was intended or not
I think the person just hit the wrong note
Obra maestra!!!
Do you know that sometimes the score disappears and there is only black for a few pages? Can this be fixed? Thank you, I love the recording. For example, at 23 minutes in the 3rd movement.
🇧🇷 Belíssima melodia 🎶🎶 🪷🪷🪷
One of only a few significant works in the key of B major.
Yes. Underrated key. Chopin has three of the most beautiful nocturnes in it
@@thinkOfMeAsAClassicalMusicianTchaikovsky’s Swan Lake is ended in B major.
15:52何度でも聴ける
I came here after watching "MOVE TO HEAVEN". GURU used to listen this.
Beethoven-Brahms-Bruckner
Marvelous Bs
A tensão emocional na clave em sol mostra todo o seu amor pela Clara Schumann. Da ânsia de querer vê-la, com a tranquilidade de ser visto, somente por ela.
a talented pupil of Beethoven
0:02, 2:54
내 최애 트리오.... 전악장 다 거를 게 없음... 너무 좋아
ㅇㅈ~
오늘 이 레파투어로 공연했었어요
4악장
@@superblockkim4129 이 너무 조아요
This has to be the first time I have ever heard a major key piece end in the parallel minor. Usually I hear the opposite, a minor key piece ending in the parallel major. It's an interesting twist to put on the piece, a minor key Finale to a major key piece.
Mendelssohn’s Italian symphony also starts in the major and ends in the minor.
jdj830 I didn’t know that, haven’t heard that symphony before.
@@caterscarrots3407 Schubert’s Impromptu Op. 90 No. 2 and Brahms’ Rhapsody Op. 119 No. 4 are another few examples of pieces ending in the parallel minor.
Brahms does this with his 3rd Symphony too
@@GreenTea4 No he doesn’t.
The cellist handled their mistake at 4:31 pretty smoothly haha
I actually liked "the mistake" better than the actual thing haha
@Constantinos Aspris oh, you're right
@Constantinos Aspris For sure it was a mistake. Multiplied by 2. The pianist had to play broader to fix that.
Not a mistake, it's a genuine interpretive connection between the notes, simply using a passing note. The notes create a real divide between them without that passing note, and I feel it doesn't quite fit without it. Just my opinion.
That wasn’t a mistake lmao….
2악장👍
Little bit of a rhythm mess up in the violin at 32:27
若き日のブラームスによる、瑞々しい名作。
32:10 34:08 35:12
9:04
4:14 9:45
33:35
Score goes dark from 23:32 to 24:32.
Ah yes, that's an issue I only noticed about a month after I uploaded this video. Unfortunately there's nothing I can do to fix it without remaking the entire video.
13:32
At the end of the second movement (Scherzo), the cello was too loud in the final chord, which is meant to be played "ppp". Otherwise, this was brilliant! Oh, except for D# note, as noted by Nakato.
In 15:55, oof
Yo guys!!! What bar is the second idee fixe???!!!!
no idea man
1:11
I played this
So did I, for amother student's
Graduate recital...thank goodness we were all great sight readers...extra rehearsals would have used our solo performance time.
It's me or the Score goes away in the third mov?
The key of B Major is really hard to read lol, especially Tenor clef with 5 sharps. :/
Good performance but I wish engineers did a better job in mixing the recording - piano at times is completely covered by strings even when playing main theme while they play secondary voices.
Thank you so much for your observation. It is still a constant irritation to us pianists.
What an unfortunate D# in the opening measures of II.
Lmao
Interesting Brahms who was such a purist about form writes a trio in B major but decides to do the final movement in B minor. Probably got annoyed with the key signature
He wasn't the purist of form at this stage of his career. I'd say by the time of the opus 23 Handel variations does he become more strict with form.
2악장 처음 피아노 왜저럼..?? 저거 틀린거 맞죠?
2악장 처음 피아노 왜저럼..?? 저거 틀린거 맞죠? ?
@@duncanrichardson2167 못 갖춘 마디 빼고 4마디부터 8마디까지 피아노 부분이요
@@kateliufan I regret that I cannot read your presumed non-western language. I find it very interesting that western music is appreciated in non-western cultures.
ㅋㅋㅋㅋ진짜 음도 틀리고 리듬까지 살짝 절기까지.... 라이브 레코딩이라서 실전의 실수가 그대로ㅜ
@@user-6189 ㅇㅎㅇㅎ ㅠㅠㅠㅠㅠ 전 또 분명 제가 생각하는 게 맞는데 잘 못 알고있나 했어요.... ㅋㅋㅋ
Piano hits wrong note D# instead of D at the beginning of scherzo, turning minor cord into major!! WTF!!
I'm well aware of this. This is a live recording, so not all of the notes are perfect.
@@invertedninthchord yh every one makes mistakes and it is ok because it is about the music
@@invertedninthchord eh! don't listen to her. It was a marvelous performance of a great work.
dude 💀💀💀
The pianist played the whole piece and this is all you have to say? Yes, people make mistakes especially on live, so what? You never make mistakes in playing? Why did you feel the need to write "WTF"? I don't think that made you any more superior or perfect in music. We need to find value in ourselves and others by being appreciative of intrinsic values, not by stepping on each other.
the opening theme is basic a casual choral melody, with a basic and casual harmonization, and basic accompaigment. It is easy to imitate. I don´t get how many people overrrate it. Probably they have to practice a lot for the university and would be sad for them to realize it is not that huge inspiration?
It's not always about how complex you make it...
And i find the harmonization absolutely tasteful and yet simple, just what it takes to make it expressive and luscious.
This opening sounds divine to me, one of my personal favorite to be honest.
Nice performance but not good together at many places... maybe without rehearsal.... and the pianist is definitely nervous but cause of live its ok
Not real impressed by the loss of the score in 24th minute - in the adagio.
I made this video years ago when I was much less experienced making these videos; watch this more recent version instead (and with a higher quality performance!): ruclips.net/video/HWuyrUf4jWI/видео.html
8:47
9:02