Europa Galante - CORELLI - CONCERTO GROSSO OP 6 N 11- September 2019
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- Опубликовано: 28 авг 2024
- September 2019 - Festival Estella (Spain)
Europa Galante plays Corelli's Concerto Grosso Op.6 n.11
Fabio Biondi - violin and conductor
Fabio Ravasi - violin
Andrea Rognoni - violin
Stefano Marcocchi - viola
Alessandro Andriani - Cello
Patxi Montero - violone
Giangiacomo Pinardi - theorbo
Paola Poncet - harpsichord
Gracias. Maestro Fabio Biondi y a toda Europa Galante. En estos días oscuros de sufrimiento para todos solo he podido seguir adelante gracias a la memoria de la música de Europa Galante. Mi pensamiento y esperanza se aferran día a día al maravilloso concepto teórico de las cuatro estaciones cuando el concierto de Nantes. A la magia del Rv 281. Al redescubrimiento de Marais en Todas las mañanas del mundo. O al duo con el Maestro Ogrintchuk en el concierto para oboe y violín de Bach. Mientras en espera de la respuesta a la prueba del Covid19 está memoria me retiene a la vida. Una vida que no es viable sin ustedes. Mis mejores sentimientos de salud y bienestar para Europa Gañante desde Ciudad de México.
Su majestad el Concerto Grosso ! Maravilla barroca de Arcangelo Corelli , el concertino y el ripieno . Gracias por este portal a Europa Galante y al maestro Fabio Biondi . Saludos desde Chile !
Yes their own channel! I can't think baroque violin without biondi. He defines it.
Fabio plays Corelli so well. His tone is always gorgeous.
isn't it absolute power of Corelli that all orchestras on Earth have performed his concerto grossi?
una maravilla, gracias
Meraviglia
Alessandro Andriani - Cello, un Crack !!!!
For someone like Corelli, who used to direct his concerti grossi with more than 100 instruments, having just 7 might have seemed unusual....indeed.
Corelli’s orchestra in Rome was certainly larger than many today realise, and you’re right to point this out; we know this from payment accounts for the players, and from reports from visitors like Georg Muffat and Giovanni Mario Crescimbeni who recorded their experiences.
My understanding was that the norm was 30 to 40 players, rising to 70 to 80 for special occasions; it is even alleged that it reached 150 by one account.
These concerti grossi were popular all over Europe and were still being published and played in England for example right up to the end of the 18th century where they sat alongside the equally popular Handel works; they have stood the test of time and are performed regularly today to the delight of both musicians and listeners, indeed parts of Opus 6 No 8 have made it into the soundtrack of the film Master and Commander.