When you write that kind of thing you need to assume. Classical music is THE elitism in music. There are some things that can be improved in my opinion. Not very original harmonically and melodically.
@@verlytoma4057 Yes, I understand that classical music is the highest form of music to exist. Subjectively, there are a lot of things that can be improved on. But my point here is that he wrote something he likes. To write something by heart is more important than to write by the rules.
@@Musique_Splat yeah, you can compose whatever you want but in the end there is a quality standard and, as a professional musician and composer, I can’t pass by without saying nothing. I don’t want that everybody, when thinking about elitistic music, thinks about this music. Only time can tell us the quality of something. But I wouldn’t see this as something to be remembered. At the end, I can’t say that the music of this video is not good. It’s professional. But, there are a lot of things to say about the quality of the inspiration, the fenomenologie and the texture of the writing. Plus, another discussion about the musical language used that is very non original. Like, there is nothing new and interesting and in the other hand, very far from the style it wanted to imitate. It’s not contemporary and it’s not quite close from the quality of Rachmaninov or Poulenc.
Fantastic. I find E minor and E major to be right at home for me when playing piano. I started a one movement piano concerto back in 2019 in E minor. It's "done", just not orchestrated. It was to be premiered at the Sao Paolo Contemporary Composers Festival back in 2020. The shutdowns and lockdowns really affected me and I lost a lot of drive and enthusiasm to complete. Videos like yours over these past 2 years have given me inspiration to revisit and finally finish my work.
I can definitely hear the rach inspirations, this is extremely beautiful! As a bassonist I'm also especially glad you gave all parts some nuance to them! Overall this concerto is amazing!
I'm weirded out by the ridiculous number of harsh elitists comments on this piece. I think that this is fantastic! I can tell you put a lot of work into this piece and that you have added to you've learned a lot about composition and orchestration in the progress. To me, this means so much more than whether or not someone liked or disliked my particular composing style or musical tastes. So, keep composing and ignore the haters! 🙂🙂
there's a large difference between being an elitist, and not sitting back when someone with no experience sullies the art by pretending that literally anyone can do it, no matter the actual skill or experience. he sould be improving his craft, writing simple songs. not whole concertos. He simply can't.
@@Whatismusic123 I just want to be supportive and give constructive criticism where possible. Classical music isn't an exclusive club for people with a proper music education. If anything, I don't understand how an ambitious beginner composition made on MuseScore and posted on RUclips could possibly "sully the arts." It reminds me of Milton Babbitt's idea from "Who Cares if You Listen?" that separates "serious music" from the public. This kind of attitude has caused the slow death of classical music that we all know and love. 🙄🙄 If we want to see the arts continue to the next generation, it's going to happen with education and fostering a good attitude around classical music, even if that means they're not going to understand everything because classical music is so complex and fascinating. But I agree that when a composer is starting out it is much more advantageous to produce quantity over quality. The more pieces you make at a small scale the more mistakes you'll make but the more you'll learn. Plus it allows you to experiment with new time sigs, polyrhythms, and stuff. Anyhow, I don't mean this to sound contrary, I just want the composer to keep composing and learning!
@@etc.-1912 you really think the reason classical music has died is because it's too elitist? Really? The reason it has died is because there hasn't been even a single even remotely competent composer since the death of scriabin. It's a race to the bottom. Music education is now a cult. And everyone can write a piano concerto on their first year of composition. Producing quantity over quality is exactly the problem. They never actually learn, they just write tons of garbage, and continue writing garbage until they've died of old age. They develop bad habits by writing garbage, they never have a clear understanding of what is good, and people like you fester those beliefs with blind praise more harsh than any blind hate that has been said.
@@Whatismusic123 You're right: I don't think it died because people are elitist. Realistically, it is dying because people don't listen to it as much as they used to. Orchestras cease to exist because people stop coming to their concerts. And in order for them to continue to exist, they will need to work on retention of their audience by whatever means. And in order for the pursuit of a music education to be viable, there need to be jobs for students when they leave college. Right now for classical composers, the most common job that they have is to get a job teaching music, and in this sense, you are absolutely right that this pattern has slowly turned contemporary classical music into the academic, inaccessible, and bizarre beast that it is today. I think Milton Babbitt said what he said because as a product of academia, his audience was other academics. So, I can see why you would call it a "cult," but I don't think the problem started there. Regardless of the cause, even if there were a formidable composer, it would matter very little unless they could build and maintain an audience. Craft is important, but at the end of the day, music is made to be listened to. And people don't seem to like Scriabin as much as people did in the early 20th century, which is sad because he's one of my favorite composers. 🥲🥲 What's your favorite piece by Scriabin? Mines probably Scriabin Sonata Number 5, his first and third symphony, and his Poem of Ecstasy. Personally, the way he pioneered extended harmony, dissonance, and tritone relationships has always fascinated me, and the continued pursuit of it's use in tertian, quartal, and quintal harmony and non-traditional cadences has been a recurrent pattern of pursuit in my own compositions and study. Here's a video that explains my stance on classical music better than me, and I'm sure you can find someone there who's smarter than me too. 😂😂 ruclips.net/video/7XDhoBaIj4g/видео.html
@@Whatismusic123as a professional high school pianist I assure you that your statement is false. How can you say anyone can do it? He spent a lot of time for this piece and you can t ask for perfection but this concerto is very well written and you can see that he made His documentation before writing this concerto. Even if it does not has a story and is empty,the armonies are well made and there are some nice melodies inside the concerto. All the orchestration is magnificent considering this is made on MuseScore. So with all my respect before trashtalking go and make by yourself a piece like this. Have a nice day.
Wow! I am impressed! This piece has a modern taste, and at the same time, it has a deep respect for those sweet traditions of Romantic piano concerti. Had I not seen the publication date, I would have assumed that it was an envelope-pushing British or American composer from the 1930s. Please continue writing! The orchestration sounds rich - all hail the Musescore development team! The orchestration at 06:58-07:22 is mind-blowing! There are so may little souvenirs, and easter eggs in the text: 03:40 - a nod to Tchaikovsky, 05:23 to Moszkowski, 06:29 to Chopin 06:34 to Rach 2... This work is quite refreshing, and I am so happy that piano concerti are still written!
Bravo, Maestro! I genuinely do not know where to start. I'm someone who absolutely adores big, romantic, and moving concertos; Rachmaninoff, Tchaikovsky, and Prokofiev are always on loop at home. You really created something that, at least to me, is a perfect piece of music. It's extremely moving, the themes are beautiful, and the nuances are very well balanced. I was almost bawling my eyes out at the end; this is one of the most moving pieces of music I've listened to in a while. Please never stop creating music; you got a gift from God.
Lovely Piano Concerto! It reminds me of someone who's trying to find peace, but ends up destroying it eitherway, so encapsulent of human nature. Also it reminds me of the structure of Rachmaninoff's Piano Concerto No. 3 Mvt. 1; repeating the first theme near the end, combined with his Piano Concerto No. 2 Mvt. 1, with the last few measures. Last parts were also reminiscent of Liszt's Transcendental Etudes btw. :) Thank you for helping us convince that classical music today is still great! Good job! Kudos to the composer!
I see some hate in this comment section but I thought it was amazing, and I’ve been composing for almost 7 years so I do have a little experience lol. My favorite part was the solo section with the French horn and strings, along with the cadenza! Amazing work!!!!
Amazing! Completely and fenomenal Job. I really liked all the passage and expositions of romanticism and contemporaneous visions of impressive technical music
is no one gonna talk about the part at 11:33? It just sounds so mystical and then going right into the coda after is absolutely amazing. very nice work
First time on your channel Nick. Nice job with the orchestration of this concerto. Really... you put a lot of work and thought into it... you MUST continue being YOU... don't let anything deter you from that. I see far more positive comments here than negative but still... keep writing my friend. You got my LIKE & SUBSCRIBE! FYI - As a fellow composer I love writing in tonality. I would go as far as to say I like to let the music drift in & out of tonalities... sometimes letting in wander far far into the eclectic realm. You got a lot of inventiveness brother. Keep 'em coming!
Absolutelly astonishing! This is such a great piano concerto, the harmonies, structure and form - all perfect, pleasant, passionate and emotional! Am also a composer, but i compose only for solo piano, I want to compose a piano concerto too and I can learn from this piece a lot! Your instrumentation is awesome!
After hearing that, I understand every thing... Every atom, every particle, every beings, every abstract concepts... It all makes sense now that I listened to an incredible piece by Nick Wooden. Maybe I go too far but I've rarely listened to such excellent music. Thank you, continue like this
A few things. Violins cannot have slurs written over when there is tremelo. When writing pizz, dont put staccato on it, pizz already creates a staccato effect. Im not sure why 2nd theme is introduced in E major. Im not sure about this choice of instruments either. the brass especially, and if you are writing in pairs which is what i assume, then you have to clearly state that and reflect it in the rest of the orchestra. Overall this is on the better side of compositions. Good job!
For the staccato on the pizz I’m assuming it’s just so the software plays the right thing cause sometimes I have to put things like that or a fermata over a rest or something depending on what software I use, so it does the right thing.
@@violinwritten oh yea I forgot it’s on musescore so you can do that, cause I stopped using musescore bc I didn’t like the sound fonts even the ones that I downloaded and I wasn’t able to think of anything to compose until I switched to staffpad. On staffpad you can’t make it invisible to my knowledge same with noteflight but i don’t remember if you can on noteflight
HOW BRO. IM LITERALLY SITTING HERE LIKE GOING CRAZY. I’ve also started composing on musescore and putting it on yt, and I’m just astonished by the work you have done. I know exactly what it takes to make something like this, and for that you have my entire respect. For the first time I was actually blown away by one of these musescore videos, and I couldn’t be happier since I do really want to see new talented composers like you. Thank you for the amazing music, and I hope you never let go of this journey.
Hence I haven't written one. I am studying music as much as I can, and rehearsing my pieces with musicians to gain enough experience to hopefully write one someday. I have looked at your channel however and I will also tell you that you are a composer of worthy note. Thank you for putting your music up for all of us to see! @@Whatismusic123
I mean... This is Fkin marvelous.... Beautiful. I turned it on rn and said to myself, that it is not worse than any work of old masters. I would believe if someone would said to me that, f. eg. Tchaikovsky wrote this. Keep playing
Such a beautiful piece, i love it. The versatility and expressiveness is all there. It sounds like if Rach was American haha. When you get this premiered i'd love to hear the recording
Beautiful work! I happened to stumble across this piece today and had a great time listening to it. I love the motifs you chose and worked on, as well as the way you embedded the piano in the orchestra sound. There are only a few passages I'd like to comment on for instrumentation, like the trumpet part in measure 15. Having the trumpet play in such a high register makes her stand out quite a lot and keeps it from mixing with other instruments too well, not too mention that playing softly in that register is quite challenging even for seasoned players. The clarinet would make a good replacement there (or you might even give the trumpet a rest for that bar as the flutes and oboes double the part anyway). The flute part in measure 128 is pretty much the exact opposite, as in the low register the flute has trouble projecting, so replacing (or even doubling) the flute with the oboe there would help make it stand out more. (Compare it to 219 where the high register carries the flute sound way better.) Can't wait to hear more from the concerto!
A Japanese person passing by was doing the same thing. Hello. I'm also uploading a piano concerto as an original composition, although I can't play any instruments. It's really difficult to have a full orchestra. It was very easy to listen to, and the piano had a very pleasant sound as well. 2nd movement, 3rd movement. . . I look forward to listening to the sequel. Thank you.
Damn. I really love the ending where you clearly quoted the three-note figure from Rachmanninoff. Apart from being a nicely written concerto, such an Easter egg provides even greater enjoyment :)))
Actually I believe there are many more references to Rachmaninov ! For instance the section from 7:29 , a lyric theme played over 4-notes arpeggios, then doubled by woodwinds, that looks like the theme in the 1st mvt from Rach 3, then reused in the Finale of the Concerto !
This is a lovely work, I enjoyed it a lot, well done. I got some touches of the Warsaw concerto every now and then, was this an influence in your writing? Also I hear some Rach influences. It held my attention from beginning to end, not an easy thing to do these days. Do you have a physical piano? I ask because in my own work I have my piano hooked up to my notation software and I get the software to play the piano, then record the audio directly from the piano and mix it together with the orchestra. That way, you get an "almost" live piano sound which I think would add much to your audio, but nonetheless, a really nice piece.
i just checked this out and it appears i have been plagiarized D: i finished writing this movement in like october of last year and posted it on musescore then, but decided to upload it here in january. it looks like it got taken by someone else and uploaded here? this is kind of freaky ngl...
@@choppin1810 oh... did you find the video? i never thought that guy would've plagiarized someone, he seems like a nice guy and a good composer, but hes only written for piano so, ive made comments on his channel about this, hopefully he responds
@@karrotkake ya it's kind of strange, i watched some of their videos and found a couple other piano pieces that were taken from others on musescore so i guess i am not the only one?
@@choppin1810 i think he had the concerto viewable to only those with the link or something before, cause it was in his "original composition playlist" for a while, before he release it publicly, and he even posted a preview before releasing the whole thing. i hope this can get solved soon
Omfg!!! I really would like to watch this concert in live! I hope you have the chance of working with a real orchestra and a concert pianist, 'cause u made something so emotional and great, everybody should have see it! Congrats, excellent work.
Right Nick I like the concerto. Great rachmaninoff styling to your composition. My only critique is that from the cadenza to the end doesn’t work for me. I feel it’s an anticlimax after already building up so nicely. Just my view. The cadenza doesn’t work at all for me. And we need those main Melodies with piano and full orchestra again as a climax.
Thank you so much for this beautiful piece! I only have a couple of criticisms, which I hope you don't mind me sharing. Firstly, I think the motif (sol fa sol re) is repeated too much for my liking. I know it's the main subject but I would have liked to have heard more motifs or themes. A concerto's first movement should have at least two main themes, no? Secondly, I think way too much of the piece is in e minor. You have that part in e major at 4:00 which I'm presuming is the second subject (?) but there isn't much modulation, in fact most of the piece in e minor. Even in the cadenza you did not modulate, or perhaps there were only very brief passing modulations. The cadenza is not just a place for pianists to show off their virtuosity, it is also a way for pianists to show off their counterpoint and skills at modulation. Modulating to a distant key is a great way to show off, as well as having a small fughetta or canon. I didn't even know if there was a development section it certainly didn't sound like there was. Even if this was not composed in sonata form modulation is essential if you do not want the listener's ears to tire of hearing the same motifs over and over again. Aside from that, you have a great grasp of orchestration, piano writing, melody, dynamics, and there is lots of variation and contrast! I like how you pass the melody around between the different instruments, and the piano does not dominate the piece. So many youtube composers are too formulaic in their writing, perhaps due to laziness and the ability to copy and paste, but you seem to avoid this evil. Keep at it and don't be discouraged!
Very reminiscent of Chopin's 1st concerto-wonderfully written pianistic filigree! See the rachmaninoff influence with the 2nd concerto-esque figure in the 2nd theme.
let the complainers complain, shall they come with something better! Very nice effort! I have only one thing which I stumbled upon, the total Tacet of the orchestra at m. 30 sounds somehow strange. I even don't know the exact reason, but perhaps it would be better to let the orchestra continue for a bit, "peter out".
Beautiful piece! I noticed that the main theme sounds like Realm of Tranquil Eternity. It is the same key and rhythm, even similar tempo. If you have not heard it, it might be really cool to hear the same theme developed in a different way. ruclips.net/video/1xMRU4D9ODc/видео.htmlsi=l9buPxqciNPe_jOZ
I am disgusted by the elitism in this comment section. This concerto sounds great! Keep up the great work!
When you write that kind of thing you need to assume. Classical music is THE elitism in music. There are some things that can be improved in my opinion. Not very original harmonically and melodically.
@@verlytoma4057 Yes, I understand that classical music is the highest form of music to exist. Subjectively, there are a lot of things that can be improved on. But my point here is that he wrote something he likes. To write something by heart is more important than to write by the rules.
@@Musique_Splat yeah, you can compose whatever you want but in the end there is a quality standard and, as a professional musician and composer, I can’t pass by without saying nothing. I don’t want that everybody, when thinking about elitistic music, thinks about this music. Only time can tell us the quality of something. But I wouldn’t see this as something to be remembered.
At the end, I can’t say that the music of this video is not good. It’s professional. But, there are a lot of things to say about the quality of the inspiration, the fenomenologie and the texture of the writing. Plus, another discussion about the musical language used that is very non original. Like, there is nothing new and interesting and in the other hand, very far from the style it wanted to imitate. It’s not contemporary and it’s not quite close from the quality of Rachmaninov or Poulenc.
the section starting at bar 49 just sent me to another plane, this is such a moving piece
It strongly reminds me of Scriabin piano concerto, 1st part. You totally should check it out if you're into that type of dramatical tuttis
Fantastic. I find E minor and E major to be right at home for me when playing piano. I started a one movement piano concerto back in 2019 in E minor. It's "done", just not orchestrated. It was to be premiered at the Sao Paolo Contemporary Composers Festival back in 2020. The shutdowns and lockdowns really affected me and I lost a lot of drive and enthusiasm to complete. Videos like yours over these past 2 years have given me inspiration to revisit and finally finish my work.
I can definitely hear the rach inspirations, this is extremely beautiful! As a bassonist I'm also especially glad you gave all parts some nuance to them! Overall this concerto is amazing!
Magnificent. One of the very few original pieces worth listening to.
Best piano concerto i've heard from someone on youtube! Absolutely fantastic composition!
learn something about music and piano literature first, than comment, ok? 😂
@@fluegelspieleryou first lmao
lol
@@fluegelspielershut up and let people enjoy whatever they want
I'm weirded out by the ridiculous number of harsh elitists comments on this piece. I think that this is fantastic! I can tell you put a lot of work into this piece and that you have added to you've learned a lot about composition and orchestration in the progress. To me, this means so much more than whether or not someone liked or disliked my particular composing style or musical tastes. So, keep composing and ignore the haters! 🙂🙂
there's a large difference between being an elitist, and not sitting back when someone with no experience sullies the art by pretending that literally anyone can do it, no matter the actual skill or experience.
he sould be improving his craft, writing simple songs. not whole concertos. He simply can't.
@@Whatismusic123 I just want to be supportive and give constructive criticism where possible. Classical music isn't an exclusive club for people with a proper music education. If anything, I don't understand how an ambitious beginner composition made on MuseScore and posted on RUclips could possibly "sully the arts." It reminds me of Milton Babbitt's idea from "Who Cares if You Listen?" that separates "serious music" from the public. This kind of attitude has caused the slow death of classical music that we all know and love. 🙄🙄 If we want to see the arts continue to the next generation, it's going to happen with education and fostering a good attitude around classical music, even if that means they're not going to understand everything because classical music is so complex and fascinating. But I agree that when a composer is starting out it is much more advantageous to produce quantity over quality. The more pieces you make at a small scale the more mistakes you'll make but the more you'll learn. Plus it allows you to experiment with new time sigs, polyrhythms, and stuff. Anyhow, I don't mean this to sound contrary, I just want the composer to keep composing and learning!
@@etc.-1912 you really think the reason classical music has died is because it's too elitist? Really?
The reason it has died is because there hasn't been even a single even remotely competent composer since the death of scriabin. It's a race to the bottom. Music education is now a cult. And everyone can write a piano concerto on their first year of composition.
Producing quantity over quality is exactly the problem. They never actually learn, they just write tons of garbage, and continue writing garbage until they've died of old age. They develop bad habits by writing garbage, they never have a clear understanding of what is good, and people like you fester those beliefs with blind praise more harsh than any blind hate that has been said.
@@Whatismusic123 You're right: I don't think it died because people are elitist. Realistically, it is dying because people don't listen to it as much as they used to. Orchestras cease to exist because people stop coming to their concerts. And in order for them to continue to exist, they will need to work on retention of their audience by whatever means. And in order for the pursuit of a music education to be viable, there need to be jobs for students when they leave college. Right now for classical composers, the most common job that they have is to get a job teaching music, and in this sense, you are absolutely right that this pattern has slowly turned contemporary classical music into the academic, inaccessible, and bizarre beast that it is today. I think Milton Babbitt said what he said because as a product of academia, his audience was other academics. So, I can see why you would call it a "cult," but I don't think the problem started there. Regardless of the cause, even if there were a formidable composer, it would matter very little unless they could build and maintain an audience. Craft is important, but at the end of the day, music is made to be listened to. And people don't seem to like Scriabin as much as people did in the early 20th century, which is sad because he's one of my favorite composers. 🥲🥲 What's your favorite piece by Scriabin? Mines probably Scriabin Sonata Number 5, his first and third symphony, and his Poem of Ecstasy. Personally, the way he pioneered extended harmony, dissonance, and tritone relationships has always fascinated me, and the continued pursuit of it's use in tertian, quartal, and quintal harmony and non-traditional cadences has been a recurrent pattern of pursuit in my own compositions and study.
Here's a video that explains my stance on classical music better than me, and I'm sure you can find someone there who's smarter than me too. 😂😂 ruclips.net/video/7XDhoBaIj4g/видео.html
@@Whatismusic123as a professional high school pianist I assure you that your statement is false. How can you say anyone can do it? He spent a lot of time for this piece and you can t ask for perfection but this concerto is very well written and you can see that he made His documentation before writing this concerto. Even if it does not has a story and is empty,the armonies are well made and there are some nice melodies inside the concerto. All the orchestration is magnificent considering this is made on MuseScore. So with all my respect before trashtalking go and make by yourself a piece like this. Have a nice day.
I couldn't stop until the end, you've really done an amazing work and need much more visibility ! Congratulations :)
Wow! I am impressed! This piece has a modern taste, and at the same time, it has a deep respect for those sweet traditions of Romantic piano concerti. Had I not seen the publication date, I would have assumed that it was an envelope-pushing British or American composer from the 1930s. Please continue writing! The orchestration sounds rich - all hail the Musescore development team!
The orchestration at 06:58-07:22 is mind-blowing!
There are so may little souvenirs, and easter eggs in the text: 03:40 - a nod to Tchaikovsky, 05:23 to Moszkowski, 06:29 to Chopin 06:34 to Rach 2... This work is quite refreshing, and I am so happy that piano concerti are still written!
Bravo, Maestro! I genuinely do not know where to start. I'm someone who absolutely adores big, romantic, and moving concertos; Rachmaninoff, Tchaikovsky, and Prokofiev are always on loop at home. You really created something that, at least to me, is a perfect piece of music. It's extremely moving, the themes are beautiful, and the nuances are very well balanced. I was almost bawling my eyes out at the end; this is one of the most moving pieces of music I've listened to in a while.
Please never stop creating music; you got a gift from God.
Lovely Piano Concerto!
It reminds me of someone who's trying to find peace, but ends up destroying it eitherway, so encapsulent of human nature.
Also it reminds me of the structure of Rachmaninoff's Piano Concerto No. 3 Mvt. 1; repeating the first theme near the end, combined with his Piano Concerto No. 2 Mvt. 1, with the last few measures. Last parts were also reminiscent of Liszt's Transcendental Etudes btw. :)
Thank you for helping us convince that classical music today is still great!
Good job! Kudos to the composer!
I see some hate in this comment section but I thought it was amazing, and I’ve been composing for almost 7 years so I do have a little experience lol. My favorite part was the solo section with the French horn and strings, along with the cadenza! Amazing work!!!!
This is awesome. I woke up today hearing it in my perfect pitch ears. Imma learn it. It’s so brilliant.
The candenza is just perfect
Amazing! Completely and fenomenal Job. I really liked all the passage and expositions of romanticism and contemporaneous visions of impressive technical music
I often come to hear your piece and start crying...
is no one gonna talk about the part at 11:33? It just sounds so mystical and then going right into the coda after is absolutely amazing. very nice work
Wow that's amazing!!! I hope for you there will be a real performance of it, I'll be very happy to perform it in the future.
this brought me to tears this is so utterly beautiful and the melodies are comparable to Rach I am so impressed. This is true romanticism!!
gosh this would be awesome to listen to in person
First time on your channel Nick. Nice job with the orchestration of this concerto. Really... you put a lot of work and thought into it... you MUST continue being YOU... don't let anything deter you from that. I see far more positive comments here than negative but still... keep writing my friend. You got my LIKE & SUBSCRIBE! FYI - As a fellow composer I love writing in tonality. I would go as far as to say I like to let the music drift in & out of tonalities... sometimes letting in wander far far into the eclectic realm. You got a lot of inventiveness brother. Keep 'em coming!
Not sure why the comments section is a wardrobe but I think it’s a really good composition 😮 exited to see your next piece!
Absolutelly astonishing! This is such a great piano concerto, the harmonies, structure and form - all perfect, pleasant, passionate and emotional! Am also a composer, but i compose only for solo piano, I want to compose a piano concerto too and I can learn from this piece a lot! Your instrumentation is awesome!
This is really good !!!!!
Is the music out ?? I would love to learn this piece..
you did a FANTASTIC JOB !!!!!
Nice rhythms and motives!! Amazing
Very nice. I compose tonal music and always appreciates when someone else takes the time and effort to do so with skill. I really like yours.
This is absolutely insane!
After hearing that, I understand every thing... Every atom, every particle, every beings, every abstract concepts... It all makes sense now that I listened to an incredible piece by Nick Wooden. Maybe I go too far but I've rarely listened to such excellent music. Thank you, continue like this
This is Great! I hope to one day be able to write something like this.
Sounds like a nice blend between schwarenka and Rachmaninov. Love it
7:00 eargasm, brilliant!
it's incredible
Absolutely fantastic work! I enjoyed every minute of it.
A few things. Violins cannot have slurs written over when there is tremelo. When writing pizz, dont put staccato on it, pizz already creates a staccato effect. Im not sure why 2nd theme is introduced in E major. Im not sure about this choice of instruments either. the brass especially, and if you are writing in pairs which is what i assume, then you have to clearly state that and reflect it in the rest of the orchestra. Overall this is on the better side of compositions. Good job!
the brass instruments are normal for an orchestral work? its just horns trumpets and trombone?
@@wooloolooo074 usually its 4 horn 2 trumpets and 3 trombones and 1 tuba for the style in which this piece is in
For the staccato on the pizz I’m assuming it’s just so the software plays the right thing cause sometimes I have to put things like that or a fermata over a rest or something depending on what software I use, so it does the right thing.
@@invinciblehorizon4599 i agree but in the final score you can do ctrl+v to hide it so you dont see staccato and hear it
@@violinwritten oh yea I forgot it’s on musescore so you can do that, cause I stopped using musescore bc I didn’t like the sound fonts even the ones that I downloaded and I wasn’t able to think of anything to compose until I switched to staffpad. On staffpad you can’t make it invisible to my knowledge same with noteflight but i don’t remember if you can on noteflight
Not sure if this was on purpose but I appreciate the Mili reference in 10:02, Amazing composition btw
HOW BRO. IM LITERALLY SITTING HERE LIKE GOING CRAZY. I’ve also started composing on musescore and putting it on yt, and I’m just astonished by the work you have done. I know exactly what it takes to make something like this, and for that you have my entire respect. For the first time I was actually blown away by one of these musescore videos, and I couldn’t be happier since I do really want to see new talented composers like you. Thank you for the amazing music, and I hope you never let go of this journey.
you don't know what it takes to write an actual, competent concerto, that is very clear.
Hence I haven't written one. I am studying music as much as I can, and rehearsing my pieces with musicians to gain enough experience to hopefully write one someday. I have looked at your channel however and I will also tell you that you are a composer of worthy note. Thank you for putting your music up for all of us to see!
@@Whatismusic123
This sounds really cool, great work man!
well done sir, i hope one day your composition gets played by a real orchestra
Man you need to consider doing it live , i think the program didn't do it well. its great stuff and would def sound a lot better live
An amazing work! I personally would give solo in 121 bar to clarinet, considder trying it. Overall a great piece
Really interesting and beautiful ! I'm very impatient to discover the other movements ! Congratulations and thanks for sharing !
This is one of my favorite concertos, and I think it rivals the greats in term of quality
I mean... This is Fkin marvelous.... Beautiful. I turned it on rn and said to myself, that it is not worse than any work of old masters. I would believe if someone would said to me that, f. eg. Tchaikovsky wrote this.
Keep playing
How can I compose like u this is so good
That’s an extremely chopinesque piano entrance lmao
Beautiful and somewhat impressive :-)
7:52 melts my heart
Such a beautiful piece, i love it. The versatility and expressiveness is all there. It sounds like if Rach was American haha. When you get this premiered i'd love to hear the recording
11:32 takes me to another world
Literal goosebumps
I hope your pieces gets played live one day !
I couldn't stop listening! This is a gorgeous composition!! I assume Movements 2 and 3 are out there, or at least are coming up!?!?
Beautiful work! I happened to stumble across this piece today and had a great time listening to it. I love the motifs you chose and worked on, as well as the way you embedded the piano in the orchestra sound.
There are only a few passages I'd like to comment on for instrumentation, like the trumpet part in measure 15. Having the trumpet play in such a high register makes her stand out quite a lot and keeps it from mixing with other instruments too well, not too mention that playing softly in that register is quite challenging even for seasoned players. The clarinet would make a good replacement there (or you might even give the trumpet a rest for that bar as the flutes and oboes double the part anyway).
The flute part in measure 128 is pretty much the exact opposite, as in the low register the flute has trouble projecting, so replacing (or even doubling) the flute with the oboe there would help make it stand out more. (Compare it to 219 where the high register carries the flute sound way better.)
Can't wait to hear more from the concerto!
A Japanese person passing by was doing the same thing. Hello.
I'm also uploading a piano concerto as an original composition, although I can't play any instruments. It's really difficult to have a full orchestra.
It was very easy to listen to, and the piano had a very pleasant sound as well.
2nd movement, 3rd movement. . . I look forward to listening to the sequel. Thank you.
Damn. I really love the ending where you clearly quoted the three-note figure from Rachmanninoff. Apart from being a nicely written concerto, such an Easter egg provides even greater enjoyment :)))
Actually I believe there are many more references to Rachmaninov ! For instance the section from 7:29 , a lyric theme played over 4-notes arpeggios, then doubled by woodwinds, that looks like the theme in the 1st mvt from Rach 3, then reused in the Finale of the Concerto !
Not to mention the dissonant chords 6:37 which is an obvious reference to the introduction of Rach 2…
Bravo
Amazing job, congratulations ! Are you studying composition ?
Hello, are you a musician or studyng composition? Your work is amazing bro
Cadenza😍😍😍😍
This is a lovely work, I enjoyed it a lot, well done. I got some touches of the Warsaw concerto every now and then, was this an influence in your writing? Also I hear some Rach influences. It held my attention from beginning to end, not an easy thing to do these days. Do you have a physical piano? I ask because in my own work I have my piano hooked up to my notation software and I get the software to play the piano, then record the audio directly from the piano and mix it together with the orchestra. That way, you get an "almost" live piano sound which I think would add much to your audio, but nonetheless, a really nice piece.
uh sorry, this exact concerto has been submitted as an original composition by a guy named "draks dragon". are you him on an alt account or something?
i just checked this out and it appears i have been plagiarized D: i finished writing this movement in like october of last year and posted it on musescore then, but decided to upload it here in january. it looks like it got taken by someone else and uploaded here? this is kind of freaky ngl...
@@choppin1810 oh... did you find the video? i never thought that guy would've plagiarized someone, he seems like a nice guy and a good composer, but hes only written for piano so, ive made comments on his channel about this, hopefully he responds
@@karrotkake ya it's kind of strange, i watched some of their videos and found a couple other piano pieces that were taken from others on musescore so i guess i am not the only one?
@@choppin1810 yeah that is strange, maybe we should report his channel
@@choppin1810 i think he had the concerto viewable to only those with the link or something before, cause it was in his "original composition playlist" for a while, before he release it publicly, and he even posted a preview before releasing the whole thing. i hope this can get solved soon
amazing
Very nice work! Reminds me a bit of Gerald Finzi. Crazy how good some people are at composing..
Opening of schubert unfinished symphony, inverted, followed by Warsaw concerto, transposed 😂
bruh insufferable
the brainrot
We are in 2024!...
Fantastic!!!!!!!
Incredible work! I hope you get a premiere of this soon, any orchestra would be lucky to do it!
I wish I could compose like that…
What composer would you like the most having the skills of? I would love to compose like Joplin
@@hdnshdnsmf1855Rachmaninov, Scriabin or Liszt
Wow, So cool.. Your Piano concerto even Better and longer than mine :)
Really impressive work like always
Wow
this comment section sucks but aside from that great work
excelent Concerto.... big LIKE !!!
what software did you use to create this may I ask?
What a lovely concerto !
May I ask what score software you are using?
I believe it is Musescore - It’s such an amazing piece of software and is free too - I recommend checking it out 😀
Omfg!!! I really would like to watch this concert in live! I hope you have the chance of working with a real orchestra and a concert pianist, 'cause u made something so emotional and great, everybody should have see it! Congrats, excellent work.
Waiting for the seco d movement
Beautiful work! ❤
Right Nick I like the concerto. Great rachmaninoff styling to your composition. My only critique is that from the cadenza to the end doesn’t work for me. I feel it’s an anticlimax after already building up so nicely. Just my view. The cadenza doesn’t work at all for me. And we need those main Melodies with piano and full orchestra again as a climax.
I felt like I'm hearing a sweet combination between Chopin Shubert lizst Brhams
Great work
Thank you so much for this beautiful piece! I only have a couple of criticisms, which I hope you don't mind me sharing. Firstly, I think the motif (sol fa sol re) is repeated too much for my liking. I know it's the main subject but I would have liked to have heard more motifs or themes. A concerto's first movement should have at least two main themes, no? Secondly, I think way too much of the piece is in e minor. You have that part in e major at 4:00 which I'm presuming is the second subject (?) but there isn't much modulation, in fact most of the piece in e minor. Even in the cadenza you did not modulate, or perhaps there were only very brief passing modulations. The cadenza is not just a place for pianists to show off their virtuosity, it is also a way for pianists to show off their counterpoint and skills at modulation. Modulating to a distant key is a great way to show off, as well as having a small fughetta or canon. I didn't even know if there was a development section it certainly didn't sound like there was. Even if this was not composed in sonata form modulation is essential if you do not want the listener's ears to tire of hearing the same motifs over and over again.
Aside from that, you have a great grasp of orchestration, piano writing, melody, dynamics, and there is lots of variation and contrast! I like how you pass the melody around between the different instruments, and the piano does not dominate the piece. So many youtube composers are too formulaic in their writing, perhaps due to laziness and the ability to copy and paste, but you seem to avoid this evil. Keep at it and don't be discouraged!
Very reminiscent of Chopin's 1st concerto-wonderfully written pianistic filigree!
See the rachmaninoff influence with the 2nd concerto-esque figure in the 2nd theme.
太厲害了！！！
Bravooo!!!👏👏👏👏👏💐💐💐💐💐
Fantastic!
Wow really good
Interesting! Good orchestration
Impressive
That's so good omg.
let the complainers complain, shall they come with something better! Very nice effort! I have only one thing which I stumbled upon, the total Tacet of the orchestra at m. 30 sounds somehow strange. I even don't know the exact reason, but perhaps it would be better to let the orchestra continue for a bit, "peter out".
Homage to Rachmaninoff. I love it
7:22-8:28 is super beautiful, but from 7:58 especially
3:58 me gusto mucho esa parte y el piano de la obra pero no me gusto mucho la orquestación
Very inspired by Rachmaninoff, I see! 👍
There is no point in burying piano virtuosity in a loud “tutti” phrase
Hi ! I really want to play the cadanza do you have a PDF of this ?
BRO MAKES RACHMANINOV JEALEOUS 🗣️🗣️🗣️🔥🔥🔥🔥
Beautiful piece! I noticed that the main theme sounds like Realm of Tranquil Eternity. It is the same key and rhythm, even similar tempo. If you have not heard it, it might be really cool to hear the same theme developed in a different way. ruclips.net/video/1xMRU4D9ODc/видео.htmlsi=l9buPxqciNPe_jOZ
改為鋼琴獨奏比較好