Mi abuelo le enseñó a mi padre a escuchar música clásica y él a mí. Karajan és y será siempre nuestro Director de Orquesta favorito y un verdadero Maestro en éste arte. Gracias por compartir éstos maravillosos videos que traen para mí bellísimos recuerdos de mi padre y abuelo.
The recordings that was made in the late 60s, 70s(special) and 80s (specially on Deutche Grammophone) with Karajan I assume became very spesial concerning suspect of the norm of the BFO. Mr. Karajan was a Legend( and he knew it), with him it was also Legends in the orchestra(wich is not so common today), it was a very special time with Karajan, as a woodwind player we all have heard about Karl Leister, Lothar Koch etc.
@@maxcohen13 Much better than seeing those boring BBC-Style images on every single solo in the orchestra. But it works only when on the podium something interesting is happening. And here the best possible happens...
No sé exactamente, pero precisamente esa fue la gota que derramó el vaso, cuando Karajan intentó meter a Sabine Meyer y la orquesta se opuso, ahí empezó el fin de su relación con los Berliner. Sólo sé que las primeras mujeres entraron a la orquesta en la era de Abbado.
Steve Pillemann I think its live, but in he was not happy with the recording, he usuellste played some parts again in a Studio. He was the creator of the live recordings, but please correct me of I am wrong! +Berliner Philharmoniker
Steve Pillemann it was recorded under studio conditions in the Philharmonie in Berlin. The audience is not real , they were made of paper. Only the Berlin Philharmonic is playing live on the stage of the Philharmonie hall....
Because it is. The "paper people" were just used for the heavily edited Beethoven 9 Karajan recorded in 1969. This one here was a live performance. Just camera shots to instrumental solos (like the Horn sections here) or shots over Karajans right shoulder were done playback after the original performance.
These should be video recordings of rehearsals for a planned performance, in front of an invited audience. User Hector Berlioz below claims that audience is paper. He is wrong. Karajan did that ridiculous thing, as far as I know, only once: in his video recording for Beethoven's 9th from late 1960's. This is real audience.
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
What an orchestration! Never tired listening this symphony!!
Niemand repräsentiert Russland in seinem Inneren Wesenskern so wahrhaftig wie Tschaikowsky!Ich liebe ihn und Karajan!
One of the best small parts of a musical masterpiece I have ever heard. 1:41
Beautiful. You'd never think it was such an old recording.
Mi abuelo le enseñó a mi padre a escuchar música clásica y él a mí. Karajan és y será siempre nuestro Director de Orquesta favorito y un verdadero Maestro en éste arte. Gracias por compartir éstos maravillosos videos que traen para mí bellísimos recuerdos de mi padre y abuelo.
Anyone wanna talk about his fantastic hair ? (And his god damn talents if you want too)
Probably the best hair ever
The recordings that was made in the late 60s, 70s(special) and 80s (specially on Deutche Grammophone) with Karajan I assume became very spesial concerning suspect of the norm of the BFO. Mr. Karajan was a Legend( and he knew it), with him it was also Legends in the orchestra(wich is not so common today), it was a very special time with Karajan, as a woodwind player we all have heard about Karl Leister, Lothar Koch etc.
Amazing!! Sounds like perfection. I’d love to hear the whole symphony.
What an inspiration
Amazing !!!
ultimate beautiful karajan BPO period !!!!!
Keep the Karajan recordings coming!
Alex Sahag
One of the best recordings but a shame they took down the full free version.
I love this symphony!
So much power
Very wonderful and magnificent!
カラヤンのチャイコフスキー何度聴いてもいいね
Many Thanks!
Priceless
You only need to listen to a Karajan/Berlin recording for a few seconds and you know it's them, blind. Almost every time. Those strings...
Drew Barnard whats different with the strings? I hear ppl talk about legato but I don't see it yet can u help?
amazing powerful
Power!
Amazing 😀😀😀
Great playing from the 1970s BPIO
Herbert von Karajan, film director, editor, conductor -- front and centre as usual.
That's why it's so good.
@@maxcohen13 Much better than seeing those boring BBC-Style images on every single solo in the orchestra. But it works only when on the podium something interesting is happening. And here the best possible happens...
great camera work
The days of tradition and virtuosity.
Hermoso video de la Epoca Karajan! La orquesta está formada sólo por hombres. Cuándo se integró a la primera mujer?🎶🌷
No sé exactamente, pero precisamente esa fue la gota que derramó el vaso, cuando Karajan intentó meter a Sabine Meyer y la orquesta se opuso, ahí empezó el fin de su relación con los Berliner. Sólo sé que las primeras mujeres entraron a la orquesta en la era de Abbado.
☀️💫🌟🧚♂️🧚♂️🧚♂️🧚♂️🧚♂️
6 oboes???!!!!!
Natheniel Becken Ridiculous, it's scored for double woodwinds, no wonder the sound is so intransparent...
A
was this recorded live or in a studio?
Steve Pillemann I think its live, but in he was not happy with the recording, he usuellste played some parts again in a Studio. He was the creator of the live recordings, but please correct me of I am wrong! +Berliner Philharmoniker
Steve Pillemann it was recorded under studio conditions in the Philharmonie in Berlin. The audience is not real , they were made of paper. Only the Berlin Philharmonic is playing live on the stage of the Philharmonie hall....
+Ben Legebeke I could swear I saw the paper moving
Because it is. The "paper people" were just used for the heavily edited Beethoven 9 Karajan recorded in 1969. This one here was a live performance. Just camera shots to instrumental solos (like the Horn sections here) or shots over Karajans right shoulder were done playback after the original performance.
These should be video recordings of rehearsals for a planned performance, in front of an invited audience. User Hector Berlioz below claims that audience is paper. He is wrong. Karajan did that ridiculous thing, as far as I know, only once: in his video recording for Beethoven's 9th from late 1960's. This is real audience.
was this recorded live or in a studio?
It's live, you can actually see the audience moving haha
@Mauryq No, it's real. Only in the registration of Beethoven's 9 is fake