Pentatonic Passions: the emotions of modal music - Andrew Lawrence-King

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  • Опубликовано: 29 ноя 2024

Комментарии • 11

  • @Phil-mh9ci
    @Phil-mh9ci 3 года назад

    Tkx a lot for this session !!!

  • @hannahbrockow
    @hannahbrockow 4 года назад +1

    This is one of the best hours I've ever spent!!! Thank you so much to the HHSI and to Andrew.
    I've resolved to spend more contemplative time with these gapped scales - and with other scales. There is so much power in working in this fundamental way!

    • @historicalharp
      @historicalharp  4 года назад

      Delighted to read this, Hannah. Thank you. We also thought it a really great presentation that we were anxious to share.

  • @saltyone12
    @saltyone12 4 года назад +2

    Sooo wonderful to learn from you all!

    • @historicalharp
      @historicalharp  4 года назад

      Thank you for giving us such great feedback. Much appreciated!

  • @Alittlepillowcompanyhome
    @Alittlepillowcompanyhome 3 года назад

    This was so fascinating! I’ve never really understood modes before but this has opened it all up for me. Thank you so much for sharing it!!

    • @historicalharp
      @historicalharp  2 года назад

      Glad it was helpful! Thanks for watching it.

  • @historicalharp
    @historicalharp  4 года назад

    This is an event of our Scoil na gCláirseach-Festival of Early Irish Harp 2020 COVID-19 alternative. We have a favour to ask: would you be so kind as to give us some feedback? We would be hugely grateful. Here’s the short questionnaire: forms.gle/j43jBXVLo47cmXsp9 Thanks so much if you can respond to it.

  • @historicalharp
    @historicalharp  4 года назад

    If you have been enjoying our youtube Scoil 2020 alternative videos, you can support the work of The Historical Harp Society of Ireland by donating any amount here: irishharp.org/join.htm No problem of course if that’s not possible for you in a very difficult year for so many people; we understand that very well.

  • @ulmenholz29
    @ulmenholz29 3 года назад

    That last mode centered around B is the Thaat (Scale) of Raag Malkauns in Indian Classical Music, a Raag believed to have supernatural powers. Some superstitious musicians even believe it can attract evil spirits.(Source: The Raga Guide, Nimbus). Maybe that is why there is no Irish tune to it.