you'd make it sound even more gospel-ey by playing it as C E7/B A- to provide some chromatic bass movement, which is ESSENTIAL for gospel. All you did here was a secondary dominant, which is helpful for gospel, but is featured in many genres, esp jazz. If you really wanna spice it up, add the tritone substitute of E7 -> Bb7. So: C E7/B Bb7 A- or if you're feeling frisky C E7/B Bb7alt A-
What does “alt” mean, Im learning English musical terms, Im from Mexico, I understand most of them thanks to my college music which is a Berklee Global Partner but, Im trying to get the most of your comment, just talked about melodic bass in my ear training class today!, greetings from Mexico City
Mentioned “Melodic Bass” because of the fact that you mentioned it as Chromatic Bass, by intuition they have to be very much similar ideas, we study part of the “Melodic Bass” concept as being the use of chord inversions for example to generate a much pleasant movement between progressions, as I understand your example tries to imply
@@DiegoSanchez-mi6nl "Altered Dominant" is a kinda loose definition. A simple definition is to just to augment the 5, and play a sharp 9. (eg, C7alt = C7#5#9 = C, E, G#, Bb, D#). At least, that's what i did for years. I think a more accurate definition is to select tones from the 7th mode of the Melodic Minor Ascending scale, with the root based off the diminished second. (i hope that's the proper terminology there). Just ignore the fancy lexical terms. All you do is select tones from the melodic minor scale with the scale root being one semitone up from your desired chord root. For example, C7alt is all the notes of C# melodic minor ascending = C#, D#, E, F#, G#, A#, B#. But you start it on the 7th mode, so for C7alt = B#, C#, D#, E, F#, G#, A# = C, Db, Eb, E, Gb, G#, Bb. I chose that last spelling to emphasize the number system: 1, b2/b9, b3, 3, b5, #5, b7. Anyways, the technique i use is to just choose a proper voicing using several of those notes. So far, this has worked well for me, but there may be a better approach. Often, i will play an alt chord like this: 1, 3, #5, #9, b13 or in C: C, E, G#, D#, Bb. You get a nice stacking of 5ths in the last three notes. The best part of this definition is the scale you now have to use over the chord. Just go a semitone up, And play melodic minor ascending. Easy enough to remember in an instant. Alt chords of course are used for their mysterious qualities, and can add a ton of tension to your harmony. Go and try the example i mentioned in my original comment. I'm self taught, so there's probably an even more accurate definition, but this will get you most of the way there. Hope that helps.
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
@@KNIGHTJUMPSprimary dominant chords come from the fifth degree of a any given diatonic key. So the structure of a diatonic key has seven chords the I-ii-iii-IV-V-vi-vii the 1-4 and 5 chords are major the 2-3-6 are minor chords and the 7 is diminished. The thing is about the dominant chord even though it is derived from the 5th degree of the scale its is not a diatonic chord due to the the flat 7 so if you are in the key of c the 5 chord will be g major G-B-D but if you add F to the chord G-B-D-F the diatonic five chord turn into a dominant chord which is actually a non diatonic chord borrowed from another key. The function or purpose of the dominant chord is to signal musically that its time to return back to the tonic or one chord. That is it basic use but the dominant chord can be used in other functions as well but that’s a different topic hope this helps.
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
i hope you realize that you blaspheme God with that omg saying ya'll had better pray for truth and for you're spiritual eyes to be opened and for help from Jesus and ya'll had better repent most of you believers blaspheme God on a daily basis without even realizing it because of how spiritually blind deceived and lost most of you believers are ya'll had better get to praying or ya'll isn't going to heaven ya'll on you're ways to hell i hope ya'll know and realize that crystals are apart of witchcraft you isn't a real christian if you wear and or associate yourself with such things ya'll had better repent and pray to Jesus Christ for truth and help from Him before it is too late Jesus never taught and never preached and He never promised us that we would somehow be once saved always saved and Jesus never taught never preached and never promised us to be saved by belief alone without any conditions that go with that belief in Him john 3:16 doesn't prove that we don't have anything else that we required to do especially if ya'll actually pay attention to everything else Jesus taught and preached and what Jesus actually promised not just john 3:16 Jesus straight up debunks and preached against that easy grace false gospel if only you foolish believers would actually pay attention to everything Jesus said and says not just a few bible verses you blind fools would realize that Jesus never promised us that we would be saved by belief alone in Him without any other requirements Jesus never promised such a thing like most of believers foolishly believe yourself to be saved just simply by going by john 3:16 john 3:16 isn't the only thing that Jesus taught and preached and it isn't Jesus's only requirement to be allowed into His Kingdom of heaven and Jesus most definitely never promised us that we would be once saved always saved most of you believers believe in lies that the real Jesus Christ never taught and never preached and never promised us ya'll better be praying
i've been in church my entire life, have witness and watched multiple great and wonderfully talented and anointed piano players riff like nothing, and none of them could break it down for me like that
The E7 is what’s called a secondary dominant, in this example, V7 of vi … The 6th note of the C-scale is A … Using that A to start a new (secondary) scale, the 5th note (as a 7th chord) is E7 … This is standard in college level theory. I’ve been writing clever sound-a-like songs for my piano students for nearly 25 of my 35 years teaching. One of my songs is a gospel tune I call, “The Grapefruit Gospel”. While it has the typical elements of gospel, I didn’t analyze it when I wrote it. I just wrote it by ear. Eventually I did analyze it, and noticed secondary dominants all over it! College courses don’t typically present all the uses of the secondary dominant, so kudos to you Lisa for making your viewers aware of a great one!😀👍🎹
Instead of using an E7, we can also use a Bdim. It will have the same tritone and a similar tension, and the bass will move back linearly. It sounds good too.
Yeah @James Michael you might be thinking of Bb7. The tritone of B dim (B D F) is B and F while the tritone of E7 is G# and D. The tritone of Bb7 is Ab and D, which is sonically identical to G# and D of E7. What makes the movement E7/Bb7 to Am so strong is the G#/Ab resolving up to A and the D down to C. B dim only has a B and D in common with E7... but if you look at E7b9 (E G# B D F), which functions the exact same way, then you would have that B-F tritone
I do love this trick! Thank you, Lisa. Here in South America we call the notes: do re mi fa sol la si. It's latin. These names of the notes were created by the Italian Monk Guido D'Arezzo (995-1050).😊. Btw, all the movements of a song are written in Italian: alegro, alegreto, pianissimo, etc...
Also try using the diminished triad a semitone below your minor. It contains most of the notes found in the secondary dominant and provides an interesting variation on the standard secondary dominant to minor...
Cool trick! Just realized, this progression is the underpinning for the opening of Ray LaMontagne's "You Are the Best Thing". That's what makes that song sound kinda "gospelly"
watch the full lesson and learn more here: ruclips.net/video/6rA7M5hC_K0/видео.html
U gave me full energy to play piano
Thank you so much.. Please how can i connect with you
@@minthangzouyt5952 this is also for our church
Ok if you insist "we're playing " there I said it now what. Again ok "we're playing see" a miner is that Coal or like Gold and Silver Miner
@@alfredromero4784 ummm what?
I've said this time and time again. Lisa you are the best! I don't know you do it to teach with such ease and simplicity. I thank you so much!
"I'm gonna be travelling to A Minor" why is the police outside?
😂
Why is Drake outside?
Sincere laughs hahahahaha
Pleasw get your like 😅😅😅😅😅😅
Lol 😂
you'd make it sound even more gospel-ey by playing it as
C E7/B A-
to provide some chromatic bass movement, which is ESSENTIAL for gospel. All you did here was a secondary dominant, which is helpful for gospel, but is featured in many genres, esp jazz.
If you really wanna spice it up, add the tritone substitute of E7 -> Bb7. So:
C E7/B Bb7 A-
or if you're feeling frisky
C E7/B Bb7alt A-
What does “alt” mean, Im learning English musical terms, Im from Mexico, I understand most of them thanks to my college music which is a Berklee Global Partner but, Im trying to get the most of your comment, just talked about melodic bass in my ear training class today!, greetings from Mexico City
Mentioned “Melodic Bass” because of the fact that you mentioned it as Chromatic Bass, by intuition they have to be very much similar ideas, we study part of the “Melodic Bass” concept as being the use of chord inversions for example to generate a much pleasant movement between progressions, as I understand your example tries to imply
@@DiegoSanchez-mi6nl "Altered Dominant" is a kinda loose definition.
A simple definition is to just to augment the 5, and play a sharp 9. (eg, C7alt = C7#5#9 = C, E, G#, Bb, D#). At least, that's what i did for years.
I think a more accurate definition is to select tones from the 7th mode of the Melodic Minor Ascending scale, with the root based off the diminished second. (i hope that's the proper terminology there). Just ignore the fancy lexical terms. All you do is select tones from the melodic minor scale with the scale root being one semitone up from your desired chord root. For example, C7alt is all the notes of C# melodic minor ascending = C#, D#, E, F#, G#, A#, B#. But you start it on the 7th mode, so for C7alt = B#, C#, D#, E, F#, G#, A# = C, Db, Eb, E, Gb, G#, Bb. I chose that last spelling to emphasize the number system: 1, b2/b9, b3, 3, b5, #5, b7.
Anyways, the technique i use is to just choose a proper voicing using several of those notes. So far, this has worked well for me, but there may be a better approach. Often, i will play an alt chord like this: 1, 3, #5, #9, b13 or in C: C, E, G#, D#, Bb. You get a nice stacking of 5ths in the last three notes.
The best part of this definition is the scale you now have to use over the chord. Just go a semitone up, And play melodic minor ascending. Easy enough to remember in an instant.
Alt chords of course are used for their mysterious qualities, and can add a ton of tension to your harmony. Go and try the example i mentioned in my original comment.
I'm self taught, so there's probably an even more accurate definition, but this will get you most of the way there. Hope that helps.
I also love using the diminished B7 in the transition
The term for this function is Secondary Dominant, and it’s used in nearly every western genre
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
@@neanea5899Amen🙏🏾
Can you explain primary dominate?
@@KNIGHTJUMPSprimary dominant chords come from the fifth degree of a any given diatonic key. So the structure of a diatonic key has seven chords the I-ii-iii-IV-V-vi-vii the 1-4 and 5 chords are major the 2-3-6 are minor chords and the 7 is diminished. The thing is about the dominant chord even though it is derived from the 5th degree of the scale its is not a diatonic chord due to the the flat 7 so if you are in the key of c the 5 chord will be g major G-B-D but if you add F to the chord G-B-D-F the diatonic five chord turn into a dominant chord which is actually a non diatonic chord borrowed from another key. The function or purpose of the dominant chord is to signal musically that its time to return back to the tonic or one chord. That is it basic use but the dominant chord can be used in other functions as well but that’s a different topic hope this helps.
@@Rexbrett1 Ty
This piano teacher is a very good choice for beginners and intermediates.
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
@@neanea5899what are you doing with your life?
@@neanea5899 ok
Omg you explain things that instinctively i’ve been doing for years, since i’m self taught, and it’s so fascinating!!!
Self taught for 2 years now and learn new things all the time it's an amazing experience every time I sit at my chair and just play.
Jesus loves you, but all have sinned and fallen short of the glory of God, and He is coming back soon, so please repent of your sins and follow Christ today. Biblical prophecy is coming true. Jesus Christ, the Only Son of the Living God
That’s awesome I’m self taught too! Her videos are God sent🙏🏽😆
i hope you realize that you blaspheme God with that omg saying ya'll had better pray for truth and for you're spiritual eyes to be opened and for help from Jesus and ya'll had better repent
most of you believers blaspheme God on a daily basis without even realizing it because of how spiritually blind deceived and lost most of you believers are
ya'll had better get to praying or ya'll isn't going to heaven ya'll on you're ways to hell
i hope ya'll know and realize that crystals are apart of witchcraft you isn't a real christian if you wear and or associate yourself with such things
ya'll had better repent and pray to Jesus Christ for truth and help from Him before it is too late
Jesus never taught and never preached and He never promised us that we would somehow be once saved always saved and Jesus never taught never preached and never promised us to be saved by belief alone without any conditions that go with that belief in Him
john 3:16 doesn't prove that we don't have anything else that we required to do especially if ya'll actually pay attention to everything else Jesus taught and preached and what Jesus actually promised not just john 3:16
Jesus straight up debunks and preached against that easy grace false gospel
if only you foolish believers would actually pay attention to everything Jesus said and says not just a few bible verses you blind fools would realize that
Jesus never promised us that we would be saved by belief alone in Him without any other requirements Jesus never promised such a thing like most of believers foolishly believe yourself to be saved just simply by going by john 3:16
john 3:16 isn't the only thing that Jesus taught and preached and it isn't Jesus's only requirement to be allowed into His Kingdom of heaven
and Jesus most definitely never promised us that we would be once saved always saved
most of you believers believe in lies that the real Jesus Christ never taught and never preached and never promised us
ya'll better be praying
I agree 100percent
Father God loves you so! John 3:16✝️
This is scratching the surface of secondary dominants. So much more to uncover!!
You’re a great teacher
Beautiful! Both the chords and you!
Psalm 34:18-22
The Lord is close to the brokenhearted
and saves those who are crushed in spirit.
Wonderful, I adore videos like this
Such little gold nuggets in 1 min shorts! Lisa you're a great teacher!
Greatest piano teacher on the planet❤️
❤️❤️❤️❤️
very true!
Agreed
mam cyntia pwede ka mg turo ng lpiano c neri name ko
Eh
Too cool!
Thank you!!! So many videos are too complex and long. This makes me feel like I can actually learn improv. You are a good teacher!
Lisa is lovely. Lovely is an unusual quality.
This person's energy is great.
i've been in church my entire life, have witness and watched multiple great and wonderfully talented and anointed piano players riff like nothing, and none of them could break it down for me like that
Honestly, every time she hit the Dom 7th i got goosebumps. A very effective way to make a song more special / memorable 🤩
Secondary dominant
This lady's hair is super ace 💜
super wha????
If I would rate your teachings in percentage, I would give you 101% You're the best Lisa👌
She is very beautiful lady ❤️
❤❤❤❤❤❤
I also hear All you need is love ..
Beautiful. I will try this technique in church this week by God's Grace. Awesome ❤
super
Thank you so much for also covering that kind of style!!!!!!!
you are very welcome!!!
Jesus! I loved this trick! Thank you!!🙏 ❤
Thanks
Thanks my Piano Teacher 🙏
She is amazing
Nice
Thanks, Lisa!
I love how you teach... Gracias
MORE like this please !!!! It's so beautifuuul
Girl you pretty as hell
Please say Hi to me
When you see it😢
Girl you pretty as hell
Say Hi to me when you see this 😢
The E7 is what’s called a secondary dominant, in this example, V7 of vi … The 6th note of the C-scale is A … Using that A to start a new (secondary) scale, the 5th note (as a 7th chord) is E7 …
This is standard in college level theory.
I’ve been writing clever sound-a-like songs for my piano students for nearly 25 of my 35 years teaching. One of my songs is a gospel tune I call, “The Grapefruit Gospel”. While it has the typical elements of gospel, I didn’t analyze it when I wrote it. I just wrote it by ear.
Eventually I did analyze it, and noticed secondary dominants all over it!
College courses don’t typically present all the uses of the secondary dominant, so kudos to you Lisa for making your viewers aware of a great one!😀👍🎹
More please 😊😊😊
Instead of using an E7, we can also use a Bdim. It will have the same tritone and a similar tension, and the bass will move back linearly. It sounds good too.
B flat 7 also
@@prezmoment tritone sub ;)
@@samuelbeltrami5647 Bdim13b5 doubt half-tone whole-tone Phrygian-hyperMixolydian sub.
Yeah @James Michael you might be thinking of Bb7. The tritone of B dim (B D F) is B and F while the tritone of E7 is G# and D. The tritone of Bb7 is Ab and D, which is sonically identical to G# and D of E7. What makes the movement E7/Bb7 to Am so strong is the G#/Ab resolving up to A and the D down to C.
B dim only has a B and D in common with E7... but if you look at E7b9 (E G# B D F), which functions the exact same way, then you would have that B-F tritone
@@lifebreath77 wait....what? 🤔😊
Psalm 34
The righteous person may have many troubles,
but the Lord delivers him from them all;
I like it
Lovely
Blessings and Thank You
Youre amazing!🎉🎉
Yes plz
Superb. I am very lazy, but I got up and tried this immediately and it's great. Thank you very much.
nice glad it inspired a bit!!
Very nice
😢 I don't even know where to begin to understand chord progressions like this. I hope i can have this kind of knowledge one day.
Cool
can you do a full video explaining that please ❤
I respect and admire your work.
Thank you so much 😀
Secondary dominant chords are a life saver when your in a rut or need some change. This is very slimmed down for the concept but still very cool
one of my favs
@@PianoteOfficial can you make a longer tutorial about this concept in the future? i would really appreciate it.
She is so cheerful with her fountain of knowledge that it excites me to learn everything she says
Secondry dominant
That sounds pretty cool 👍
Psalm 34
Evil will slay the wicked;
the foes of the righteous will be condemned.
This is amazing!!
Very cool
yes. 2 years have passed. I bought an instrument and I am at the beginning of learning to play😮😮😊😊😊❤
Wooooo that was brilliant! Thanks for sharing
Superb trick.
thanks for watching!
genius
Wow, Such Confidence!!❤
Incredibly beautiful and talented piano teacher. Love it.
You and me we had a bow 🎶
Love this channel.
Thank you for a easy to remember formula to enhance my playing.
I do love this trick! Thank you, Lisa. Here in South America we call the notes: do re mi fa sol la si. It's latin. These names of the notes were created by the Italian Monk Guido D'Arezzo (995-1050).😊. Btw, all the movements of a song are written in Italian: alegro, alegreto, pianissimo, etc...
Thx i love it
Please more videos like that
I need more of this! I can actually understand this! Thank you!
Thankyou Sister 🙏🙏
Wow! That’s pretty awesome! Thanks! 👍🏼❤️
Wow thats brilliant..sounds amazing
Fantastic tip !
Thank you Lisa!❤️🔥
Awesome ❤️
That’s awesome!! Thank you!! 💜
Love it. So simple and you explain it well.
Awesome wow
Thank you! Cheers!
Love watching these videos! Awesome person 😍
😂❤❤ I really appreciate it
Also try using the diminished triad a semitone below your minor. It contains most of the notes found in the secondary dominant and provides an interesting variation on the standard secondary dominant to minor...
Good old V/vi
Love it
What a cool trick. Thanks!
Very cool
Cool trick, thank you!
f*cking amazing
Good one 👍
Sounds good
Love the fifths
Thank you so much!👍
Cool trick! Just realized, this progression is the underpinning for the opening of Ray LaMontagne's "You Are the Best Thing". That's what makes that song sound kinda "gospelly"
Extended Dominants
this is so useful, I'm not even a gospel pianist but I'll use it! Thanks❤
I just love her energy
thanks for your consistency all these year
You are so lively