The HIDDEN CHORDS You Don't Know
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- Опубликовано: 26 сен 2024
- In this video we explore the world of Triads and how to combine them for new and fresh sounds.
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It never fails to astound me how many Sounds there are to be found in 12 lousy notes…
Lousy?
Yeah lousy notes...more like lousy comment from a lousy looking man
At the same time lawyers are pumping money on the 12 notes claiming that someone has used the same 12 notes as some other.
Yeah, you got it... I hate notes. Been a musician for 45 years and I think notes are lousy. And hey @poco loco ...you’re no treat yourself. Jesus. The average IQ in here is about 3.
AJ Nester lol i knew what you meant aj ignore the dickheads
5:30 Oh, yeah, E flat quartal over E augmented. With a C bass note. Just what I was thinking, took the words right out of my mouth.
What does that Quartal mean?
@@jasonfanclub4267 The C altered dominant scale is made of the following notes: C Db Eb Fb Gb Ab Bb. From what I understand, Eb quartal is the Db-Eb-Ab sus2 triad played in its first inversion, the Eb-Ab-Db voicing (which is made of two piled up fourths, hence the name "quartal").
Lmao I was feeling good about this video until I reached this point...
I think Paul's explanation is maybe a bit over complicated, and you can't really call it a Db chord in first inversion because the tonality of the chord depends on the bass note. An Eb 'quartal' over a C bass note is technically a Cm13. C - Eb - Db - Ab. Or you could call it an Ab11 in first inversion maybe. If you want to call it some kind of Db chord, then it's like DbM7sus2 in 3rd inversion. There are often a couple of correct answers and it's kind of subjective and, again, talking about what chord and inversion it is kind of over complicates it anyway. As far as what does Quartal mean in an of itself, it's just the root plus two perfect 4ths on top of that. Which...is really a 7th sus 4, eg. C - F - Bb (and also the first 3 notes of the opening Star Trek fanfare).
Quarta = fourth in musical theory (many continental schools use italian names, unlike anglofons). So, basically quartal chord is a chord you build not with thirds but with fourth. Just like that.
Have been doing this for years but never sat down and analysed it like this. Mainly because I heard it in Thomas Newman piano pieces and thought "Ooo, I like that" and just started fiddling around with the idea.
Was really enlightening as to why it works. Thank you Rick!
Rick Beato Is one of the most complete musicians I have come across. What to us is a mystery because we dwell in the 'known' or simplistic part of our musical understanding, this guy takes one note, one chord, one concept and connects it to a network of possibilities probabilities and eccentric combinations to come full circle with what's left to scratch of the leftovers, never satisfied with the conventional, like a musical mathematician, searching for the formula to make his Frankenpiano come alive, weather is chords or strings, He's more interested in the musical sense that dominates every instrument with the acute ability to see what others miss on the fly. My Father was an amazing musician at a Master's level and he used to tell me when I was 6 or 7 years old the day he came back from a concert in Los Angeles with a Child's version of a Louis Armstrong Trumpet he had bought for me to learn. At 8 years of age I tried the guitar just by guessing the notes on the fret & he"d look and comment: "You will never master that guitar or any instrument by guessing. Inspiration is our motor force, but Knowledge is our pilot and compass. You must learn the language first and then, you can talk to any instrument of your choice" I don't think Mr. Beato needs to label this video using the word "Hidden", not really, it is there in plain sight like ingredients in a recipe, just waiting to be combined & tasted. Get to know the language my Father use to say & then you can let the music come and talk to you. You'll understand... The rest is just practice. Music is simply a language we need to learn.
Wow, thanks!
Rick you video editing game is better. Not to mention the information is getting more concise. Keep up the great work.
Somehow in a weird way I understood everything you just said and I’m now very inspired to try some new things out.
What I love about your videos is that you are teaching us to expand our musical palette, to use more interesting chords than what we hear on the radio
I'm really reminded of the sparse music in Zelda: Breath of the Wild when I hear this, fantastic video Rick, Thank you!
Yes it's a special soundtrack
Yeees, The Lydian one
Same!
Warning: this channel will blow your mind. Thanks for this video Rick; extremely inspiring!
I have been playing nearly 30 years and have a very good knowledge of harmony. I have never thought of (or learned) the suspensions for each chord of the major scale ... THANKS RICK!!!!
"Just the most beautiful sound..."
Proceeds to play the most sinister piece of music I've ever heard :0
Smirked really hard when he did that. Someone should clip that and turn it into a meme.
This video just lit a fire under me. Finally not the same boring chords we hear all day. I am stoked to create now. Thanks Rick.
C Sus4 Triad is my dog's Name 🐶
what
Mine was named A# but then he got run over by a car and now we call him Bb
then he should be resolved always maybe :)
Mine is called Gsus
@@mikeross2809 it should be D(dog)b(flat) hahahaah
oh oh, Rick is Back! Your mischievous smile and satisfaction after playing a few of those triad pairs says it all; you're in it for the love of music, and that's still inspiring to me. Thank you
Totally renewed my perspective on chord construction. Thanks once again Rick! You are the man.
Thanks for giving me a better understanding on things, and making my love of music even stronger, love everything you do. ✌🏼❤️🤘🏼
What a wonderful, clear, fresh, mind stimulating, informative, provocative and again, "FRESH!" view and presentation of music practice (including just listening/hearing musical sound) and "theory" is Rick Beato's video on Hidden Chords. Seriously, it is fantastic.
I REALLY enjoyed it.
It demonstrates a higher version of teaching (a greater possibility or version) of how teaching/learning could ideally be, versus, how often it is not. Right?
Many versions of "teaching" make learning feel as a burden and provoke us learn primarily to avoid the consequences of not learning, most commonly in an Academic environment, but, also often, just in our own mind, provoking what we might call, "Learning Stress".
However, much more provoking is the inspiring of pure hunger, the lust, deep desire for learning. Do the readers agree?
Great job, Rick!
THANK YOU for sharing! (And, for being yourself and teaching from there).
NOTE : I put the word 'theory' in quotes, because, due to the term,"theory's" literal interpretation and traditionally established meaning, there is implication that it is a mental i.e. intellectual process that bore "the theory".
However, upon close inspection, it is obvious that what first occurred was emotional . . . a feeling, that our intellect "heard" and instantly deeply interpreted, some might say, in our heart of hearts"a meaning to the entire incident.
And, THEN and only after that, did "we", our intellect, figure it out.
So, upon hearing the musical sound, then experiencing the provoked feeling, followed by, the instinctual response, and then the verbal and finally intellectual aspects of our brain/being make spontaneous assessments and beliefs and reality regarding the occurrence.
In essence, first comes the perceived sensation from the sound of the chord (or note, etc), in our hearing center, then it "passes" to the intellect and then, that collection of information is "read" (heard internally) and then rest cascades into even further brain groupings and collectives and their functions and sensations they, too, produce.
We experience our entire experience and establish (spontaneously-instantly produce) our relationship with that sound and add meaning and significance to the collected relationships regarding both the single and collective musical sound.
Bottom line: Music first evokes an emotional feeling which produces more and more feelings, which eventually and naturally provoke WHY questions and HOW questions. Great, deep, valuable questions to ask ourselves, which will produce great strides forward for the individual that experiences and practices these inquiries.
I feel this video demonstrates this great teaching style.
I believe Rick Beato very clearly models a thought provoking and inspiring look at these deep, crucial and valuable music angles and perspectives as addressed in the "The HIDDEN CHORDS You Don't Know" video.
Rick, may your forthright, from the heart, honest, and dynamic (pro-active and energetic) way of teaching multiply and show up all around us.
Thank you.
Be well, be joyful and be prosperous in all ways, always.
Joseph A. Vargas Ph.D.
You miniature pieces of brilliance truly help seat the concept and tonality deep into the senses. You are a Sage to be able explain such intricate musical rules in layman’s terms.
Fantastic. I teach something similar and always called it triad stacking. The video illustrates it so well so quickly. I wish a lot more metal guys would look into this approach to arpeggios and creating more interesting sweeps / melodies.
For sure I will do it!
@@agustinboedo1611 It adds so much to your playing. Rick's lesson is a goldmine!
The Rick Beato Masterclass of Horror Film Music :)
Funny. Ya, it's late too, and now I can't sleep.
Yes. This kind of thing is perfect for that ominous moment in a movie right before something inconceivably horrific happens, and I love it. :)
yes...sounds very much like movie soundtrack stuff ;>
Rick's spooky eyes at 5:34, 8:03 crack me up! :-)
Lol. He's feeling the horror :D
this is the Rick beato i like. Really inspiring episode.thx.
You are awesome. Thanks to people like you. I am able to compose my own music witch I share on youtube. You are a true hero in my opinion. Thank rick!
I agree. Thank Rick Beato
Nice channel you have, Luuk Swinkels
You are awesome
@@test-hu5jy i check that out as well
Nice video, mr Beato. I learned a lot from you. Keep going
I'm finally starting to get a handle on music theory. Thank you for all of these types of videos.
Gorgeous complex sounds, Rick...so enlightening...your channel rocks!!! 💗💗💗
Shauna Marie Sings thanks Shauna!
I love your teaching style i wish i would have tried to learn alot earlier. I never tried playing until i was 32 im 36 now and your help has made me grow as a player faster then i ever dreamed. The way you present the material just clicks with me and i can use it on my guitar with just a few days of practice, i spent a whole year just flailing around in the dark tryin to read tab until i learned that most tabs are wrong anyway. Then i found your channel and ive never looked back your way over my head sometimes but i can still pick up enough to enjoy your lecture plus it keeps me on my toes constantly. Just wanted to say thank you for what you do.
@8:26 ...sounds so similar to a song I've started to compose...eerily similar!!! 💗💗💗
Why does all of your videos have your face plastered as the thumbnail?! 😳
I subed to you. Plz sub back. I am a composer as well
Fine I'll subscribe geesh😜
I like it. Went from 90's family or rom/com to horror, then a touch of Adam Neely in the outro. Very nice.
This stuff is why I subscribed Rick...mind blowing. Best of Beato right here
Thanks!
The parts where we're checking out EbQ|E+ with a C Bass not, etc.
Beautiful.
I'd want to hear an album of music based on these "hidden" chords.
THANK YOU for putting the keyboard below. I am highly visual and trying to follow what you're saying in older videos requies tons of rewinding, where here I can see it immediately! Please do this more in the future!
And here I thought any triad not built on thirds was illegal... thank you so much Rick for this video! You opened up a whole new world of music for us.
Really makes the construction, how you can use the these triads/chords clear and how to them and make them part of our “vocabulary”. Best part is that even I can understand it. Love your book by the way; makes learning music a joy. Thanks for sharing your knowledge and lifting music lovers up everywhere. Happy Easter to all!
After more than a year of getting all this musical wisdom from Rick on at least weekly basis I'm like: "Hi everybody I'm Rick Beato..." hit the like button :D Thank you, Rick!!!
I hit the like button on your comment as well:)
great sounds Rick!
Probably one of the most useful content on the internet. ❤️
There can't be anything more beautiful than music. Thanks for everything Rick
(G maj|Db lyd)/F sounded so gorgeous. Master Rick you never fail to broaden the horizons of thousands of musicians!
Your videos are a real treasure....i watch all of them...i am into harmony and i really appreciate all these informations u give ....congrats for your really good work.....!!!!....keep on...
Your chord terminology is superior and I'm adopting it. Well done, sir!
This hurt my brain in the best possible way. :) And you gotta love that 'check out how cool this sounds' grin. Top shelf stuff from the maestro, yet again. Thanks Rick.
That Csus4+Flyd/A has Danny Elfman's handprints all over it!
I m watching your channel and I like you. I dont understand one single word you are saying but I still enjoy the videos and the music.
whenever I feel hopeless with music I watch Rick Beato and that always make me feel better
You are an incredibly amazing encyclopedia of musical sounds. Real master. I do so enjoy your tremendously informative videos and get inspired to learn more. Thank you.
What an incredible service to our ears!
Wow one of the best videos of your channel, very useful
Those above/below the normal sus chords really do inspire me. Thank you!
Great video lesson!!!🙏🙏🙏
I've been stumbling around with this stuff for years. Thanks for shedding some light Rick!
I was really obsessed and flummoxed trying to figure out an acapella thing I heard someone singing yesterday, and I think it turned out to be Ab Ionian augmented. At first I was thinking it might be something with just a b2 and b6 but it didn't make sense that way. I'm wondering if she always sings the augmentation but it's just harder for me to parse out when she plays an instrument along with one or two other people playing drums and something else, or if she just only sings it that way when it's only her, to imply another part that would be filled in by another instrument. At some point I had to stop and get some other stuff done, but going back to see what I can find again here in a little bit. I really love that Ab Ionian Augmented. :)
Really enjoyed this video! I thought, "wait, what?" What a fun coincidence you did this kind of video today! Omigoodness!
6 years and 3 music degrees later... man I should let my 2nd and 3rd years watch this! Very well and sensically presented :)
Very cool vid. Those chords sound amazing. Very educational for me. Cheers
this is such a simple concept that creates such fantastic sounds. im amazed. can't wait to try it out.
It didn't matter what key you were playing in, it sounded like you were about to play the middle piece of South Side of the Sky by Yes
The HBO series, Band of Brothers, uses a very similar technique for the soundtrack. Love that tone of desperation woven into the chords!
ha ha! In 5:35 Rick's face is like: "let's get kinky baby..."
love it!
Some of your very best stuff Rick, inspiring!
In this wonderful video Rick shows how film composers create tension. excitement, horror, etc., in their film scores.
Lots of ideas from this video! Excited to work with it.
I have to say that I completely love that aeolian sound!
When doing polychords how do you know in what degree of the scale you are?? Thanks great video
Every example piece sounded like it should be in a movie soundtrack. The first one sounded like "sunrise" to me. Beautiful!
Very dark and yet melodic tunes,and yes never tried any spooky chords. Hahaha.Great teacher you are sir.!!!😎🎸
Mind expanding, Rick, thank you.
Again Rick you are a huge inspiration.
Fantastic, Rick, fantastic! I always loved chords and chord progressions, but this video openend my eyes. Thank You for that!
I’m feeling rather inverted now in appreciation of this beautiful lesson from Sir Rick
Haunting and rich sounding triad combos...great lesson!
10:00 Excuse me Rick but I believe that’s the He-Be-Ge-Be mode.
I found this video hard to follow since I kept turning around to see what's behind me.
Brilliant video. You’ve helped my songwriting and mixing so much over the years. Thank you.
I love that you finally go back to those first type of video, awesome
Ok but how do I do that in a guitar hahahhah great vid
Epic sounds from crazy keys... goosebumps. Thank you Rick
Your music theory videos over time are becoming more professorial as well as compositionally rich! Bravo!!!
Great explanation! sounds very cinematic, eerie and atmospheric.
Excellent lesson Rick, you're the best bro. Keep doing the hard work.
Hey Rick, working through the Beato book and wondering how you go about remembering all those different chord shapes? To you learn to figure them out as you go or did you memorize every one of those pages?
I don't know if this works for you but I got a lot better at remembering chord shapes when i started analyzing what every note in the chord is (3rd, 5th, 7th etc.)
Sounds like either film music or progressive jazz. Good job thanks.
Great topic. Love the show. I took hand written notes on this one.
Awesome - Great Lesson - Thanks!
such inpiration!!! So much more than buying another piece of gear!
such great way to organize the tones and bring out colours.
That aeolian example sound so much different from normal way to use aeolian (Am... F...)
Just did a few experiment, but I did not try to figure out from scales, just put 2 triad side by side and see what happens
Found a combination Floc + Dlyd
if i were just to figure out the same hexatonic, D E# F# G# A B I would not have recognized such way to (spreading out as 2 triads) to get this sound.
Immensely helpful, thank you!
And the editing and camera and lighting look so good!
far out man, some mind-expanding sounds there. But I was really hoping to find out where that train was headed, it sounded pretty ominous!
I remember using a sus4 chord for the first time without even knowing what it was at the time, that last chord in the sequence was supposed to be a major chord but I accidentally plays a sus4, then when I quickly realized what I'd done wrong I played the major chord, but then I thought "hey those two chords at the end sound good together, it kinda ties it all together" so it became part of the song. Now I often use inversions to keep chords from jumping up or down too much when they change.
You need to analyze some Keith Emerson
Brilliant as usual.Thank you and good Easter !
great music talk..!!!..thanx for making.!
Mind blown! Super stuff!
Much of what Rick teaches (chords and scales) were utilized and made popular in the '70s musical catalog of Dan Fogelberg. I wish Rick would do a tribute to Dan, his influence, study and brilliance. Fogelberg played almost every instument, (horns, strings, keyboards, percussion) on all of his early albums. Plus, he wrote in the same direction that Rick teaches. I'd love to hear Rick's feedback and breakdown of Fogelbergs' genious use of chords and scales in early Pop/Rock Music...
So brilliant, as always. Thank you for all that you do here. I can't wait to try these out. 🙏🏾
I would love a series of CDs of music that mixes bits of this in with other more accessible bits. A bit symphonic, a bit jazzy, a bit of rock but not completely either of those! I grew out of rock but I'm tired of only getting partial musical satisfaction from established genres. It would be great to hear some of these musical ideas in a form that's not limited to one genre. I love African rhythms but African artists often don't give you much chordal complexity. I love symphonic music but in the 21st century, there are other instruments that could be used (Mike Batt?) You get the idea! Jazz does the chordal/melodic development thing but I don't really like listening to the same screaming sax solo over and over on a record. Sound track albums are about as close as I've come to the idea of musical expression that isn't limited to standard category! You've got a nice RUclips audience now! In addition to your book, PLEASE! Try selling us some amazing new music!
The notation is similar to that used by Hermeto Pascoal in his Scores. Thank you
Rick 4all
Where did you find that clip at 10:38?? That's amazing!
Rick you really are the best! Thank you so much for these excellent videos! The way you demystify music theory is unmatched. Thank you!
tnx for that Rick. Ive been notating chords like that for a while, without knowing if was right/wrong or a good way
It makes sense to me on a keyboard, my guitar playing buddies not a clue
Really nice explained video. Great editing mixed in too. :)
i am confused. my ears understood everything you said, but my brains understood nothing. AWESOME
Love this one. What would help greatly is to continue to put the notes associates with these chords, for us still trying to get a handle on these chords. Thanks! Encore!!
Hello Rick! I know how to read notes on piano but when I get to guitar it's so confusing. Can you make video on how to read notes on guitar with some tips.Thank you
Takes a bit longer to learn, but it actually follows the same logic as on the piano. 1 fret = 1 key (half step). For example: if you play on the B string, the open string is called B and the first fret is a C. On the piano there is only one key separating the B and C, so its exactly the same on the guitar (1 fret separating the notes). On the piano the next key would be a C# (black key), on the guitar that would be the second fret. Once you get this, it will be easier to figure out what you are playing.
@@TSgitaar I seem to remember that guitar music (actual scores, not tabs) are transposed up an octave?
But no, I'm with the OP, how do you know which string to choose for a given note? It's obvious that each fret is a semitone, exactly like on a piano, but there's a real brain leap from thinking like a pianist to thinking like a guitarist (but not, from what I see, the other way round). Does my head in! Piano: pick a note, play. Guitar: pick a note, decide which string, find the note, use finger to press onto string, play. 🤨😄
@@bordershader Yes, you are correct. Its transposed up an octave.
I play a lot of classical music on the guitar and I only use scores. The truth is that most of the times you don't know where you are supposed to play the note (unless its notated on the score, and even then you are not obligated to follow that). For example if there is a melody that goes B-C-D, you can play it on the B string (open, first fret, third fret), or on the G string (fourth fret, fifth fret, seventh fret), or on the D string (ninth fret, tenth fret, twelfth fret), etc. Note that the number of frets between the notes is always the same, regardless of the string you play it on.
I think its part of the fun to work out the best fingerings. Once you do know the notes on the guitar, it will give you great freedom. But I do understand that its hard for pianists to think like a guitarist. It just takes a while to learn the fretboard.
Rick you done it again! Absolutely love the content and delivery.
Tell you what, it would be fantastic to sit in a good theatre listening to this type of music, perhaps with similarly screened atmospheric images.
What a sublime, soul soothing, heart nourishing experience that would be.
(Coming to a cinema near you) Yea!!
"the hidden chords you don't know". That wouild be close to all of them.