Orchestrate Devilish Bitonality [Quick Tips]
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- Опубликовано: 21 мар 2024
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omg so cool, thanks, i really love that one short you did about doubling when you show the different uses from different films,.
thanks for this! great ideas and tips!
i always enjoy your walkthrough videos. thank you for sharing!
This is so helpful! Thanks for making these videos!
Fantastic, more of this thought process anytime
These videos are gold.
Why are there so little views on this? You need more on something as good as this.
To be fair, the video is only 3 hours old at the time of this writing.
I didn't get notification that this was uploaded. Maybe same for others.
Great material
Not quite as bitonal as you might think, since the most altered B dominant chord is a mode of the C melodic minor scale.
B C D Eb F G A = (as a B chord) root b9 #9 3 #11 #5 dom 7.
Depends how you use it of course...
So good
Hello! Thank you for the great videos! Can i ask you to make video how do you do mastering of your tracks! Thank you , appreciate any help !
It's remind me some Luigi's Mansion songs! Haha! Great job, again and again..! 😁
Would love to hear you talk about that theremin a bit more! I can’t seem to find a way to get to that sound in Logic
Try the Soundiron Theremin!
I will, thanks for the tip!@@ZachHeyde
Another banger. I prefer longer format but short and sweet is always nice too. I see you've added Infinite Brass to your template. How are you liking it?
Thank you! Infinite Brass is awesome for exposed lines and bendy brass 🙂
Very fascinating, it reminds me of Angry Birds/Mario Bros :]
I'm thinking Angry Birds Epic!, the style really matches.
Given the C in the bass, is that a B/C or is it a C dim Maj7? The only difference is whether you spell it C-D#-F#-B or C-Eb-Gb-B. Same “notes” on the keyboard. The diminished analysis is arguably more traditional. It might even make a difference to how the brass tune it if they’re thinking harmonically rather than going by ear. Of course, if the mockup is the master, you can call it anything you like.
Polytonality in titles in most of the time a scam...
Macbride would be quite proud of this harmony:)
That's sweet to say, man 😭❤️
This comment only applies for working with live harpists, but harp pedals tune every individual letter note name across the entire harp's range either flat, natural, or sharp. For example, tuning all C's sharp, all D's natural, all E's flat, etc. So, harps only have 7 of the 12 chromatic notes available at any one time. I could be wrong, but this might make the octatonic run impossible unless the harpist can change the pedals partway through, since an octatonic run requires 8 different pitches. But in virtual orchestration we don't have this limitation, so have at it! :)
Good point! But I believe I skipped a note to fix that issue (haven't checked back but it's what I usually do). So something like C, Db, E, F#, G, A, Bb would work in that situation. Good observation!
hey zach i have a question, whjat kind of plugins do u use for orchestral sounds? best regards
Heya - gear list is in the description!
Sounds sooo much like Disgaea!
😄 'Promosm'