Mikko you are great educator! Loved the way you played the solo over simple backing track which contrasted how different it sounded. Then you showed some pedal ideas to use over the tune--cool. You broke down AND analyzed the solo phrase by phrase, and explained how learning from people who are at a higher level can help bring up our own. Thank you
I’m sure you’ve seen it but the duet with Metheny from the Unity Band album is pretty spectacular...at least it’s on the DVD version. Thank you for this.
Interesting lesson, thanks Mikko. Many fragments of solo are really cool and inspiring....! For example, at 14:52, that phrase over C7alt....I's based on mixing a E diminished triad with an Eb major triad, so the key of that hip sound comes from mixing different triads... Of course these triads are both present into the half-diminished scale of C, but also in the 3th mode of Ab harmonic major (C frigian b4), so the same elements may be thought in terms of different scales/modes, I think...
@@Mikkokosmos your explanation at @20:33 is interesting - it explains what makes the great ones great. Good job man! I also enjoyed your pronunciation of the word "IN-TER-NET" @3:04
Also: 1st chorus what C(Great fan of his playing)Chris Potter is playing over the B dim sounds also strongly like a musical quote of "You don't know what love is" I just finished my first chorus, of course, altered some chords on Autumn Leaves also It walks even into the bridge quite parallel, and my 1st bar is your 2nd bar...
Hi Mikko, Thanks again! I am going to play a trick on my piano teacher tomorrow: (I did already change my Joy Spring theme and adapted to Autumn leaves(this is a new teacher who's putting a lot of emphasis on my technique etc, that's why he wanted me to play and adapt his special chord voicings etc, to this tune, and I was also permitted to adopt those to simple tunes like All the things, etc) But he wanted me to play single-line a solo on Autumn Leaves My first chorus I did come up with a solo pretty bases on GMC(Generic Modality Compression) as you did show in lesson 68. The 2nd chorus I did as I said a Joy spring adaptation to autumn leaves changes and for the 3rd chorus I definitely going to try this Chris Potter solo over Autumn Leaves there are also alike changes happening so let's see how it goes...
Hi Mikko, I was wondering maybe you were interested in a Great Dutch Guitar Player, Wim Overgaauw, I played with one of his students Joey Fokking, (he was specialized in George Benson style) I like this solo enormously each time I hear it so much speaking power, dynamically so interesting phrases, Great Timefeel etc great storytelling, Maybe you could once do a video about this style...YOu could hear in his playing also the improvisational aspect, although the disciplne is of course hearable...
Mikko you are great educator! Loved the way you played the solo over simple backing track which contrasted how different it sounded. Then you showed some pedal ideas to use over the tune--cool. You broke down AND analyzed the solo phrase by phrase, and explained how learning from people who are at a higher level can help bring up our own. Thank you
Glad you liked it 😀
I am pretty amazed by the fact that it totally make sense over the backing track too ! I thought they were reharmonizing a lot but I guess they didn't
Fascinating!
Such a great piece of music, thanks for diving in to it with some good insights.
Good job!!
I’m sure you’ve seen it but the duet with Metheny from the Unity Band album is pretty spectacular...at least it’s on the DVD version. Thank you for this.
I actually haven't seen it. Gonna see if I can find it.
@@Mikkokosmos It's on the DVD called, "THE UNITY SESSIONS" Amazing improvisation.
Thanks again for these lessons/insights.
@@Mikkokosmos The tune was Cherokee and not All the Things...my bad. Still amazing.
Interesting lesson, thanks Mikko. Many fragments of solo are really cool and inspiring....! For example, at 14:52, that phrase over C7alt....I's based on mixing a E diminished triad with an Eb major triad, so the key of that hip sound comes from mixing different triads... Of course these triads are both present into the half-diminished scale of C, but also in the 3th mode of Ab harmonic major (C frigian b4), so the same elements may be thought in terms of different scales/modes, I think...
Holy @#$% mikko how am I just finding this - this is heavy!
Yup I'm taking over the Internet 😎😎😎 hope you're doing well, Ben
@@Mikkokosmos your explanation at @20:33 is interesting - it explains what makes the great ones great. Good job man! I also enjoyed your pronunciation of the word "IN-TER-NET" @3:04
Also: 1st chorus what C(Great fan of his playing)Chris Potter is playing over the B dim sounds also strongly like a musical quote of "You don't know what love is" I just finished my first chorus, of course, altered some chords on Autumn Leaves also It walks even into the bridge quite parallel, and my 1st bar is your 2nd bar...
Hi Mikko, Thanks again! I am going to play a trick on my piano teacher tomorrow: (I did already change my Joy Spring theme and adapted to Autumn leaves(this is a new teacher who's putting a lot of emphasis on my technique etc, that's why he wanted me to play and adapt his special chord voicings etc, to this tune, and I was also permitted to adopt those to simple tunes like All the things, etc) But he wanted me to play single-line a solo on Autumn Leaves My first chorus I did come up with a solo pretty bases on GMC(Generic Modality Compression) as you did show in lesson 68. The 2nd chorus I did as I said a Joy spring adaptation to autumn leaves changes and for the 3rd chorus I definitely going to try this Chris Potter solo over Autumn Leaves there are also alike changes happening so let's see how it goes...
Line that starts around 5:00 sounds like a line in on my own from Les Mis
Loving the Tintin
All in french !!!! :-D Did you see the Tintin's mug ? Hi from Paris / France
Hi Mikko, I was wondering maybe you were interested in a Great Dutch Guitar Player, Wim Overgaauw, I played with one of his students Joey Fokking, (he was specialized in George Benson style) I like this solo enormously each time I hear it so much speaking power, dynamically so interesting phrases, Great Timefeel etc great storytelling, Maybe you could once do a video about this style...YOu could hear in his playing also the improvisational aspect, although the disciplne is of course hearable...
what is the software called you used to transcribe and where can I find it? thanks for your lessons
ruclips.net/video/8ujO2WD6Oj0/видео.html
How much more helpful it would have been to see the transcription chart clearly. Instead we see you....
It's available on my Patreon page for patrons 🙂 /cheers