Tracking on a Large-format Console | Workflow Explained
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- Опубликовано: 26 июл 2024
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In this video, Sweetwater‘s Mitch Gallagher and recording engineer Rob Russell give us an explanation of tracking using a large-format console, slightly different from your standard DAW workflow yet offering plentiful benefits not achievable otherwise. Check it out!
After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! 👉 imp.i114863.net/jW7nzM
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Even if you’re working primarily in the box, understanding analog console workflow can lead to better and more efficient tracking. Plus, consoles are just a lot of fun! Who knows, there may be one in your future. Shop recording consoles today at Sweetwater 👉 imp.i114863.net/rnKzGj
I know this is totally unrelated, but any chance you all can do a video on what is all needed and how to setup a full Dante system. I've been on the fence about it for years but literally have seen zero detailed setup videos nor videos on what's all needed.
the counsel is impressed
All your presenters are great, some real talented people there. Don't want to detract from anyone else but the conversations with Mitch Gallagher and Rob Russell are *so good*.
thank you so much for talking about what I always considered to be the most important tool in recording and mixing. the console. I am a analog console user and will continue to be a analog console user.
Thank you for this video. Arrived to the conclusion that I really want to tie a console to my work flow, and this video was very helpful for confirming my reasons for wanting to get setup that way. Also, I think that thing behind them is now on my shopping list... In time, In time... Thank you Sweetwater for be such a genuine pillar in the music community!
🙌🙌
Magnifico.
ok ok ok, i know this video is about audio consoles, but all I notice was HOW BEAUTIFUL THE VIDEO IS, LIKE HOLY MOLEY IS THIS 8K? Was this video shot on a Sony Alpha 1 camera? im just so impressed
In my opinion...the Black Magic Pocket 6K/4K is one of the best "value for money" prosumer video camera you are going to get on the market today. Plenty of Hollywood productions have listed it as their Backup Cameras on more dangerous scenes...ie car crashes stunts, etc. Too bad it doesn't really have a true "photo" mode. It just captures screenshots from videos as "pictures". But if you are looking for good video quality at a good price...
Sonys are great...but depending on the model, it doesn't necessarily specialize in video. Its probably better if you are looking for an all around camera tho...honestly having great lighting/audio helps...I feel like quite a handful of cameras can capture quality videos nowadays. Streaming is another story...since different camera codecs can be harder to stream...so even though the recording looks great...the stream looks bad... I don't know...too many variables...but hope this helps!
@@DJUwU i just gotta know what they used! BMPC? Sony? GH6? cmon sweetwater, tell us!
Hey, Greg! We used BlackMagic Pocket 6kpros and Canon C200s. Thanks for the interest!
What’s the difference between the “small fader” and an aux send?
Imagine two consoles side by side:
The first one receives signals from mic- and line-level sources and feeds a recorder from the outputs of its channel strips and buses, with levels controlled by faders.
The second one receives signals from the recorder and provides monitoring through its channels and groups into a stereo (or whatever) bus. Levels again are controlled by faders.
Older _split console_ designs were built to resemble two separate consoles, with recording channels grouped on one side of the desk and the monitoring channels on the other.
On a so-called _inline console,_ the record and monitor paths are contained in the same channel strip and each path has its own fader.
Some (most?) inline consoles allow the operator to swap the function of a channel's faders (and other functions) between the record and monitor paths, individually or en masse.
An aux send, by contrast, is point in the signal path chosen to tap the signal and send a copy elsewhere, usually for parallel processing or to a headphone mix.
As i understood it, the "small fader" is pre-DAW and not a send (which could be either before or after the small fader). The large fader is post-daw and therefore after the small fader.
Hi Andrew, great question! Large-format, in-line consoles are where you will find small faders. There are a number of uses for them, but generally speaking, they are used to feed your recording inputs for your DAW, while the large faders are used for your mixing applications after recording. In well thought out consoles like the SSL Origin, the small faders can even be routed to give you more mixing channels during mixdown. Aux sends are designed to tap either the Large or Small fader path to send to an Aux bus that is separate from the main stereo bus, generally used for FX units like reverb or delay. There are a ton of ways you can use these to your advantage and if you would like to chat in depth, give me a ring!
Drake Sobehrad, Sweetwater Sales Engineer, (800) 222-4700 ext. 3271, drake_sobehrad@sweetwater.com
I need some serious councelling after watching this video
Re-upload
Audient 4816?