As a Brazilian living in the US I love your presentations of Brazilian songs. I found that your method of improvisation starting from scales, moving to arpeggios and then to more complex motifs can and should be used in all songs. Thanks for the guidance!
Thank you! That is so helpful. I did not know the scales that with with the chords. And it's nice to have the transcription of your solo. Do youtwrite it out first or improvise it and then write it out?
hi, this is excellent, real quick question, where are you catching your breath in the scales exorcise? with a note on every quaver it's mad tryna get a breath in without being late on the next note. cheers
I use circular breathing 😉anyway you can breath when you want, just don't play notes and breath instead. I wrote all the scales without rests just to show them all 😉
As a Brazilian living in the US I love your presentations of Brazilian songs. I found that your method of improvisation starting from scales, moving to arpeggios and then to more complex motifs can and should be used in all songs. Thanks for the guidance!
Thank you very much!
Excellent as usual, thank you for all you're doing for us!
Thank you very much!
Grazie mille dello spartito! Bravissimo Michele Gori, tanti auguri di buon anno nuovo.
grazie, tanti auguri anche a te!
Grazie mille per questa excellente lezzione, siete veramente molto didattico!
Grazie mille! Excellent italien 😃
Muchas gracias Maestro !!! Muy útil, funcional y efectiva esta guia de trabajo !!!
Thank you very much!
That's great! Thank you
Thank you!
Maravillosa clase 🎉 excelente metodología
Thank you very much!
Thank you! That is so helpful. I did not know the scales that with with the chords. And it's nice to have the transcription of your solo. Do youtwrite it out first or improvise it and then write it out?
Thank you! I improvise and then write out 😉
hi, this is excellent, real quick question, where are you catching your breath in the scales exorcise? with a note on every quaver it's mad tryna get a breath in without being late on the next note. cheers
I use circular breathing 😉anyway you can breath when you want, just don't play notes and breath instead. I wrote all the scales without rests just to show them all 😉
Michele video utilissimo grazie! Una curiosità, ma perché su G7 si usa l'11#? Non dovrebbe essere solo un modo misolidio?
Personalmente uso spesso l'11# sugli accordi di settima che non risolvono sul loro primo grado 😉