@@agustincarmonaorganist Wow, that's amazing. That's great work. But I do have one question. Why did you raise the transition from the second bar to the third bar in the second voice an octave higher? (A flat to G) It's just that in the original, the voice goes down, if I remember correctly. Did you raise it up because it's easier to play that way? It's exactly the same at 1:58.
@@agustincarmonaorganist I got it. Thank you for the work you've done. It's all done to a high standard. I would like to thank you especially for recording Recordare, it's my favorite part and you did a great job with the arrangement. And in accordance with Süßmeyer's version, thank God.
This is really a treasure, thank you so much for creating this!
It is a pleasure to be able to help. Thank you
3:56 esto es la quintaesencia, no es de este universo, fenomenal.
Es una verdadera obra maestra!
@@agustincarmonaorganist Lo apruebo.
La música de Mozart es un intermedio para compreender una pequeña porción de la esencia de Dios.
Hm. Who wrote the organ part?
@@maksorto Hi, I write the organ parts, and record manuals and pedals separately.
@@agustincarmonaorganist Wow, that's amazing. That's great work. But I do have one question. Why did you raise the transition from the second bar to the third bar in the second voice an octave higher? (A flat to G) It's just that in the original, the voice goes down, if I remember correctly. Did you raise it up because it's easier to play that way? It's exactly the same at 1:58.
@@maksorto That's exactly why I did it. It can be played much better and it's also a matter of personal preference.
@@agustincarmonaorganist I got it. Thank you for the work you've done. It's all done to a high standard. I would like to thank you especially for recording Recordare, it's my favorite part and you did a great job with the arrangement. And in accordance with Süßmeyer's version, thank God.
@@maksorto Thanks to you and your comments, it is and will always be a pleasure to share ideas. Thank you.