That came outta nowhere when I saw them lol I was like “Alright what song are they gonna do next?” like it was gonna be normal. Once that opening chord was played I immediately jumped in the moshpit that spontaneously appeared in front of me
@@oldmatevb totally agree. James had a vision for what he wanted his guitar tone to sound like. Bob Rock is a Master of sonics and sound, and was able to help James get the tone that he had in his head onto the album.
James Eaton yea I agree I mean James tone has been monstrous since master, but justice had (IMO) more brutal tone then the black album. I really think bob just helped with creative direction asking James if he would want to try that riff with another guitar ect stuff like that James layered what like 8 something guitar tracks on sad but true that’s incredible. I think the production of that black album has a a lot to do with it aswell just booming
@@james_d_eaton James and Lars said they listened to the intro to "Dr Feelgood" and and they wanted that big, crushing sound, Bob Rock really brought out everything from them during the album, its still one of the best sounding records ever made
@@oldmatevb No it wasn't. James isn't an engineer, and a recorded tone is more than just dialing in the controls on an amp. The tone on this album was a blend of Mesa and Marshall amps slaved to each other and then processed with a mixing desk after careful mic positions on the cabinet. Bob Rock was absolutely the guy who made this happen.
I once got close to this TICCNES by layering 10 tracks with 2 amplifiers and 2 cabinets. It sounded amazing but it takes a lot of time and patience to do.
You people do realize this is about 4 to 5 tracks put together at the same time? :P You will never get this sound out of one guitar. You need 4 different recordings playing at the same time (multiplying one track over and over doesn't work you have to record it 4 times) .
HLM MM Nope, 29 in a song. I think it was To Live is to Die, which has rhythm guitar, Kirk's leads, James' lead, acoustic guitar, and clean electric. It would add up.
@@kristianbalusik8872 Check and see if you can raise your gain try to use the heavy gate it's on 94 I think we have the same amp probably the same presets
No i don't think so. Tony Iommi has a style of his own and I won't think this riff will get near it. He does wish to write Kashmir by Led Zeppelin, which again is kinda downtuned to D, even though its DADGAD.
It’s actually a whole bunch of overdubs using a few different amps and a baritone guitar. Underneath the main guitar, there’s a baritone track that’s tuned down a full octave which is what gives it that super heavy low tonality🤘🏻🤘🏻🤘🏻🤘🏻
This was one of the more confusing songs to play when I was just starting out. Usually Metallica songs will follow some sort of pattern in the verses as they do the opening of the song, but this one was all over the place. Which is why it's one of my favorites to play.
Dan 2c plus compared to justice, yes theres more mids, but still, 1k is scooped to hell here, and 500 is there to keep the chug, thats why it still sounds middy
Infinity my point. They scooped the hell out of the 750 and 500 on justice and MoP. Is just just a more forward pressing sound. So callete la puta boca
following the time, only master of puppets is heavier than so far so good so what. Rest is pop music compared to megadeth. I love metallica, even more than megadeth. But there is no fucking way their are heavier than megadeth.
You can almost hear James letting some unwanted noise through at times, especially during the verse riff. Maybe that just contributes to the "more human" quality present in the black album like Lars mentioned on A Year and a Half in the Life.
Luukeksi FrozenHillbillyEurotrash Could be. You never know how many other times this was layered after the left/right/center tracks. I still don't know whether this was played on the Mark IV or the IIC+. So friggin' heavy. \m/
Hey (hey), I'm your life I'm the one who takes you there Hey (hey), I'm your life I'm the one who cares They (they), they betray I'm your only true friend now They (they), they'll betray I'm forever there I'm your dream, make you real I'm your eyes when you must steal I'm your pain when you can't feel Sad but true I'm your dream, mind astray I'm your eyes while you're away I'm your pain while you repay You know it's sad but true Sad but true You (you), you're my mask You're my cover, my shelter You (you), you're my mask You're the one who's blamed Do (do), do my work Do my dirty work, scapegoat Do (do), do my deeds For you're the one who's shamed I'm your dream, make you real I'm your eyes when you must steal I'm your pain when you can't feel Sad but true I'm your dream, mind astray I'm your eyes while you're away I'm your pain while you repay You know it's sad but true Sad but true I'm your dream, I'm your eyes I'm your pain I'm your dream (I'm your dream) I'm your eyes (I'm your eyes) I'm your pain (I'm your pain) You know it's sad but true Hate (hate), I'm your hate I'm your hate when you want love Pay (pay), pay the price Pay for nothing's fair Hey (hey), I'm your life I'm the one who took you there Hey (hey), I'm your life And I no longer care I'm your dream, make you real I'm your eyes when you must steal I'm your pain when you can't feel Sad but true I'm your truth, telling lies I'm your reasoned alibis I'm inside, open your eyes I'm you Sad but true
1:21 sounds hauntingly good and it sounds so powerful and then 2:01 sounds so impactful and heavy asf and that’s what i love about the entire song and album
@@chrisdawson6156 depends on what album we’re talking about. if we’re talking about the black album, it’s gotta be of wolf and man or don’t tread on me orrr the god that failed. 👍
straightupballin3 The picture shows James because he does the rhythm of the song which is most of the song. (James' rhythm goes on in the background of the solos but that's in another track)
***** Is it? I was under the impression that until Load, the only guitars Kirk recorded were the solos. While he contributed in the making of riffs too, all the guitars in studio was recorded by James, except for the solos.
Kirk didn't play any rhythm tracks at all. But maybe you mean like his actual tone he likes for himself, I stand corrected. Kirk likes a lot less gain on shit, treble kinda high.
Yooo I just heard something never heard before - nothin crazy but on the greatest part at 1:42 there is a slight slide down to the final open power chord from around the 12th low E string give or take.
Came here for 1 thing: rhythm guitar @chorus. I love Kirk’s part there, but I wanted to hear clearly what James was doing in the pre-chorus, “I’m your dream...” that’s the most complicated part to hear in the mix.
You guys arguing over the layers/dubs/tracks: Rhythms are at most quad tracked, usually just a right, then a left. And there is absolutely a possibility to have 29 tracks of guitar in a song. In many of my Pro Tools' sessions, I have over 120 tracks of different instruments/vocals so 29 wouldn't be unheard of for guitars for a guitar-oriented band such as Metallica. If you, as a band, want to do things really well and hone your sound, there is NO way to just plug in and get your tones through one sound/amp/take, you have to multi-track....
Bill Batenborough Hmm. I would guess that maybe those single string rhythm patterns that Metallica does are probably layers upon layers, but things get super mushy, even when played very tightly, when quad tracking full on barre chords. Again though, I'm thinking maybe tracks like .....And Justice for All may have had lots of takes because it's more of a single string rhythm progression.
Jason Ragland i get what ur saying, but theres like no bar chords in any of mettalica's sound, its all power chords and such, i have a 12 tracked thing as a guitar demo ive done and it sounds great, the trick is for the individual guitar track to have not so much bass, so that when all the frequencies add up theres just the right amount at the end, thats what gives the mush
This is literally what Avenged Sevenfold now do in all their newer songs, jus a bunch of sad but true’s nd devil’s dances ripoffs. I like Avenged older material but come on u gotta admit its kinda obvious
What? They only did 1 song similar to them (This Means War) Sounds like you don't know what your talking about. 1 song is not "all" their newer songs. Idiot Have you even heard their newer songs off The Stage? Sounds nothing like this
![Tee Grizzley - Blow for Blow (feat. J. Cole) [Official Video]](http://i.ytimg.com/vi/wNLN5xsx5dc/mqdefault.jpg)
CHUUUUUG CHUG CHUG WANANANANA CHUUUUG CHUG CHUG WANANANANAN
Fuckin train up in here!
lol exactly!
Missing one "na"...
THAT'S FUNNY
BUT TRUE
EXCELLENT tone!
Do you want HEAVY?! 'Tallica gives you HEAVY BABY!!
That came outta nowhere when I saw them lol I was like “Alright what song are they gonna do next?” like it was gonna be normal. Once that opening chord was played I immediately jumped in the moshpit that spontaneously appeared in front of me
Stunning cunts, no Cunning stunts lol love this comment 😎😎
Metallica=simple and heavy
Megadeth=complex and heavy
Choose your destiny
@Actually Cyborg Noodle is a Bae I do like both bands. I'm just pointing the most impressive characteristics of them
Geraldo Rodriguew And Justice is pretty complex
Literally the heaviest G chord ever
D chord
+Ezra Dendy At the beginning its a G
Nvm I was thinking of after the pause.
meshuggah did did it heavier and they tuned up :P
Fredegunde Stratton g
this shit is the definition of " heavy shit "
So heavy this could cure cancer.
J Stone Pretty sure It'd crush the patient too
Painkiller too
@@aydenbredenkamp9499 oof
This could give cancer TO cancer.
Or bend the horizon
My ears came
EETFUK Mine too
The power of dual rectifier dude!
Viggo Forsberg Not a dual rectifier. Mostly a Mark ii c+.
Probably a combo between Mark 2 and 4. And didn't the Rectifier series come out like 2 years after this album did?
Kevin, I thought they used Triaxis and 2:90, aka Vernon Reid, Petrucci (early and late)? Either way, that tone is sick!
Damn I wish the rythm chorus guitar was included :(((
It’s in the vocal track and the uploaded forgot/didn’t do it
Damn! That guitar tone is monster! I'm not sure why Bob Rock gets so much hate. The guy brought a new focus on tone, and sonics to Metallica.
It was James that brought the tone to Metallica
@@oldmatevb totally agree. James had a vision for what he wanted his guitar tone to sound like. Bob Rock is a Master of sonics and sound, and was able to help James get the tone that he had in his head onto the album.
James Eaton yea I agree I mean James tone has been monstrous since master, but justice had (IMO) more brutal tone then the black album. I really think bob just helped with creative direction asking James if he would want to try that riff with another guitar ect stuff like that James layered what like 8 something guitar tracks on sad but true that’s incredible. I think the production of that black album has a a lot to do with it aswell just booming
@@james_d_eaton James and Lars said they listened to the intro to "Dr Feelgood" and and they wanted that big, crushing sound, Bob Rock really brought out everything from them during the album, its still one of the best sounding records ever made
@@oldmatevb No it wasn't. James isn't an engineer, and a recorded tone is more than just dialing in the controls on an amp. The tone on this album was a blend of Mesa and Marshall amps slaved to each other and then processed with a mixing desk after careful mic positions on the cabinet. Bob Rock was absolutely the guy who made this happen.
2:00 - THAT PICK NOISE
Sad But True is in D standard, not drop C.
Yes, so?
@@spacejesus4747 That was originally a reply to another comment. Comments and replies from that long ago don't display properly anymore on RUclips.
@@Levi_Skardsen The fact that you responded to an 8 year old comment is god like
@@smoggyimpala9934 true holy shit
@@smoggyimpala9934 yet space jesus cant even reply to a comment a month old
Love the riff during the chorus.
Me too
It’s so cool
i also love riff during the verse.
Well played 👏👏
Too bad you can't hear the rhythm guitar.
1:41 that shit just before going back to the main riff is the best thing ever.
Metallicas best tone they've ever had.
Coltallic
better than justice
Infinity nah. Justice had the best chug sound
Ya man Coltallic Doesn't know what hes talking about !
Starman Tumbleweed
this tone could actually be heard live compared to justice. justice tone live will not be heard compared to drums and bass.
Justice tone was overrated. And honestly, the Black tone and Justice tone are actually really similar. Just Black had a lot more mids.
Who else heard Lars' drums in the background?
You can hear crashes
It makes it spooky
I think its the metronome
Tom Lessmann don’t quote me but I _think_ they only ever used a metro for For Whom The Bell but idk
Aaro Saunamäki yeah okay
Thats gotta be THE fattest guitar sound ever
That's cuz James recorded eight rhythm tracks
nothing better than quad tracking the shit out of an already badass guitar tone
I once got close to this TICCNES by layering 10 tracks with 2 amplifiers and 2 cabinets. It sounded amazing but it takes a lot of time and patience to do.
It was 8 tracks for sad but true 🤭
I've never noticed how brutal 1:40 sounds
My favorite part of the whole guitar track.
That part is fucking bludgeoning
That fucking slide
Got a sick groove to it
It’s so sick
You people do realize this is about 4 to 5 tracks put together at the same time? :P You will never get this sound out of one guitar. You need 4 different recordings playing at the same time (multiplying one track over and over doesn't work you have to record it 4 times) .
woow .. tht's too much!
but in the end... the final sound is killer!, I fkn' ♥ this crunchy stuff! :'(
***** Some bands (mostly new djent and technical and avant-garde) use 8 tracks on album xD
***** I remember hearing one of the songs from Justice had 29 guitars on it.
Reece113 that's bullshit :D the maximum they did at the same time was 7
HLM MM Nope, 29 in a song. I think it was To Live is to Die, which has rhythm guitar, Kirk's leads, James' lead, acoustic guitar, and clean electric. It would add up.
I would give anything to be able to chug the open D string with this tone for ten seconds
Get an Ibanez or a Schecter and a marshal code 50 amp TURN THAT BASS UP and use a heavy gate and boom you got it
@@re2fan123 Do you have any metallica preset? I have Marshall code 25 and I'm looking for good Metallica tone for ages but still it isnt right
@@kristianbalusik8872 Check and see if you can raise your gain try to use the heavy gate it's on 94 I think we have the same amp probably the same presets
Kristián Balušík get the goldenclassic ir Metallica ir cabinet pack
To get this sound they also used a baritone guitar tuned down to an octave below the riff the make it heavier
I've been bored of Sad for so long, live or studio...but hearing the guitar track isolated brought the love back. SO. DAMN. CRUNCHY. chug is life
You must be a road dog like me. Haha.
Even Tony Iommi is like " Damn....I wish I had written that one.."
Just.....no,into the void is a kilometer ahead of sad but true. When u blink iommi has made a new riff
Geraldo Rodriguew lol someone is a fan of Iommi
No i don't think so. Tony Iommi has a style of his own and I won't think this riff will get near it. He does wish to write Kashmir by Led Zeppelin, which again is kinda downtuned to D, even though its DADGAD.
@@spacejesus4747did he said that himself ?
That james' entrance at 1:40 is magnificent
that'a masterpiece, my favorite part
It’s actually a whole bunch of overdubs using a few different amps and a baritone guitar.
Underneath the main guitar, there’s a baritone track that’s tuned down a full octave which is what gives it that super heavy low tonality🤘🏻🤘🏻🤘🏻🤘🏻
Correct! Or as hetfield mention it:The thickener
@@DamageJackyl would you happen to know where in the year and a half life video they mention this baritone guitar
In the Black album making of you can see James tracking open “E”s (Ds) with the baritone
@@serenityk2tu749 Part 1: start at 28:05 and within 20s he plays the riff on the baritone through his rig from the control room
Yeah, but it's actually overdubed onto the bass track, so you can't hear it on this video (the guitar track)
This was one of the more confusing songs to play when I was just starting out. Usually Metallica songs will follow some sort of pattern in the verses as they do the opening of the song, but this one was all over the place. Which is why it's one of my favorites to play.
It's missing the background riff of James's guitar during solo. That riff is epic.
1:40 rhythmically that's just.... hhnnnnnnnngg. goddamnit.
lmfao you mad
Shallex he’s mad. It’s funny
It is weird, I think Lars was always up for weird offbeats like that and of course James was always up for it too
The heaviest riff in the history of mankind
kalebpost20 manUNkind you mean
You're kidding...
kalebpost20 - Don't discount the massive fucking heaviness of the main riff in "The Thing That Should Not Be" and, in later years, "Minus Human."
I dunno, Overkill's Skullcrusher is right up there.
HAhAH... no
You clearly have never heard *The Heaviest Band in the GALAXY*
ruclips.net/video/iVGcRNotCAE/видео.html
1:00 Greatest Guitar Sound in The Music History!
That little variation from 4:32 to 4:37, daaaaaamn!!!
That’s what i came here for
This guitar tone fucks.
all these guitar tracks. clickbait
+Hexspa good click bait tho \m/
1:40 Fucking chug that shit like fuck!
Who said mids sound like shit ;)
+Dan 2c plus i hate scooped mids
this is scooped lol
Infinity compared to justice? This is like having all the mids lol.
Dan 2c plus
compared to justice, yes theres more mids, but still, 1k is scooped to hell here, and 500 is there to keep the chug, thats why it still sounds middy
Infinity my point. They scooped the hell out of the 750 and 500 on justice and MoP. Is just just a more forward pressing sound. So callete la puta boca
Legit the one of the greatest tones I’ve ever heard
I looooveee this crunchy feeling I can almost cry !! =´(
Long live palm muting!!
\m/
Megadeth never had a guitar sound this good!!
Caleb Bartlett "lucretia"
Caleb Bartlett really dude, heaviest shit euw
blasbembi yeah right...
Tadej Hozjan you clearly never heard megadeth before if you say so. Lol.
following the time, only master of puppets is heavier than so far so good so what. Rest is pop music compared to megadeth. I love metallica, even more than megadeth. But there is no fucking way their are heavier than megadeth.
one of the heaviest shit ever
4:32 👌🏻 what i came here for
I googled "heaviest thing mankind has ever made", this is what came up
Google is trash then.
@@KnozLo Why would that be pal?
@@tltmusic7624 Don't get me wrong it's an awesome song and indeed heavy. But there are waaaay heavier songs out there.
@@KnozLo I agree mate, it's purely for the jokes, but you got to admit that for a simple song in d standard tuning, it is pretty damn heavy
@@tltmusic7624 Indeed.
You can almost hear James letting some unwanted noise through at times, especially during the verse riff. Maybe that just contributes to the "more human" quality present in the black album like Lars mentioned on A Year and a Half in the Life.
You sure that's not just the tiny echo of the other tracks radiating through at some parts :) ?
Luukeksi FrozenHillbillyEurotrash Could be. You never know how many other times this was layered after the left/right/center tracks. I still don't know whether this was played on the Mark IV or the IIC+. So friggin' heavy. \m/
+ozzman1997 Mark IIC+ for the lows and highs, quad tracked, and a Marshall (JCM 800 IIRC) as a "thickener" low-mid heavy track
Hey (hey), I'm your life
I'm the one who takes you there
Hey (hey), I'm your life
I'm the one who cares
They (they), they betray
I'm your only true friend now
They (they), they'll betray
I'm forever there
I'm your dream, make you real
I'm your eyes when you must steal
I'm your pain when you can't feel
Sad but true
I'm your dream, mind astray
I'm your eyes while you're away
I'm your pain while you repay
You know it's sad but true
Sad but true
You (you), you're my mask
You're my cover, my shelter
You (you), you're my mask
You're the one who's blamed
Do (do), do my work
Do my dirty work, scapegoat
Do (do), do my deeds
For you're the one who's shamed
I'm your dream, make you real
I'm your eyes when you must steal
I'm your pain when you can't feel
Sad but true
I'm your dream, mind astray
I'm your eyes while you're away
I'm your pain while you repay
You know it's sad but true
Sad but true
I'm your dream, I'm your eyes
I'm your pain
I'm your dream (I'm your dream)
I'm your eyes (I'm your eyes)
I'm your pain (I'm your pain)
You know it's sad but true
Hate (hate), I'm your hate
I'm your hate when you want love
Pay (pay), pay the price
Pay for nothing's fair
Hey (hey), I'm your life
I'm the one who took you there
Hey (hey), I'm your life
And I no longer care
I'm your dream, make you real
I'm your eyes when you must steal
I'm your pain when you can't feel
Sad but true
I'm your truth, telling lies
I'm your reasoned alibis
I'm inside, open your eyes
I'm you
Sad but true
Never noticed that little lick at 2:52
Even when I really don't like this song, I'm beginning to like it because of listening just to the guitars. They sound amazing.
There chugs are next level of power
0:05
I can almost "hear" the drum track in this song, its so awesome
and this ladies and gentlemen is what a marshall plexi and mesa mark IV sound like running through the same cab
with 5 recorded guitars at once.
sermerlin1 It sounds good so.. shh
Boyd Mulders just saying it aint one guitar. :)
accualy its 6. 2 left and right 100%. 2 left and right 80% and 2 more left in right about 20% give or take. but yes it is a lot of guitars going.
F34Rpantera1000 How do you know this? :v
1:21 sounds hauntingly good and it sounds so powerful
and then 2:01 sounds so impactful and heavy asf and that’s what i love about the entire song and album
Hi Natalie what's your favourite song
@@chrisdawson6156 depends on what album we’re talking about. if we’re talking about the black album, it’s gotta be of wolf and man or don’t tread on me orrr the god that failed. 👍
James part on 1:20 is craaaaaaaazy
That's kirk.
*****
Yeah I figured that a little later after writing that, Plus the picture mislead me as well haha, oh well.
straightupballin3 The picture shows James because he does the rhythm of the song which is most of the song. (James' rhythm goes on in the background of the solos but that's in another track)
Kirk's U2 guitar part as he called it hahaha.
***** Is it? I was under the impression that until Load, the only guitars Kirk recorded were the solos. While he contributed in the making of riffs too, all the guitars in studio was recorded by James, except for the solos.
*Song: You're the one*
*Artist: E-CLASSIC*
*Album: You're the one*
Unreleased song lol
true.
The chug/bite he gets on the open palm mutes in the main riff never ceases to amaze me.
1:41 is so sick! 🔥
We don’t get to hear what James plays thru the chorus 😫
I wonder how this would sound like with Kirk's tone as the main track
Kirk didn't play any rhythm tracks at all. But maybe you mean like his actual tone he likes for himself, I stand corrected. Kirk likes a lot less gain on shit, treble kinda high.
No, I mean his actual rhythm tone
+Silvano Schwetscher Yeah I guessed since James always had that tone with the extra "punch" in it
+Silvano Schwetscher Yeah I know about that. Just asking since Kirk has a weeker tone than James, how different would it sonically sound
@@lhuerta2010 live Kirk uses mpre mids so he kibda drowns out James
Perfect, the guitar track and the photo.
Yooo I just heard something never heard before - nothin crazy but on the greatest part at 1:42 there is a slight slide down to the final open power chord from around the 12th low E string give or take.
I play it in D standard.The God That Failed is in D#.
This is heavier than my grandma
It's damn heavy !
It sounds even heavier without the band
I heard that this song was recorded with a baritone guitar by James???
Yes he used it as a background for the bass track. Listen to the bass only you can hear it.
This and New Level are the most Heavy and Crunchy riffs/tones in history
I heard they achieved this tone by recording 9 separate guitar tracks and blending them all together for the sound of true massiveness🤟
pure power
1:40 dude, shits so gooooooooood
I love how the most replayed part is the abosolute sickest sounding rhythm part of the whole song
Some people claim that this whas the sound of going mainstream. Some people are dumb
1:21 "Kirk's U2 guitar" :)
Bob Rock: "So how much chug you're gonna do there?"
James: "Yes."
5:05 - 5:08
1:40 OMG
1:40 sounds bawss
1:21 this part never got transcribed for tablature, correct me if wrong
Does anyone have the isolated rhythm guitar part for:
"I'm your dream, make you real..."
I haven't found that yet either. Closest you can get is that part and the vocals isolated in one track.
SO FUCKIN' HEAVY
1:40 the slide, jesus christ...
a month to do the same
Came here for 1 thing: rhythm guitar @chorus. I love Kirk’s part there, but I wanted to hear clearly what James was doing in the pre-chorus, “I’m your dream...” that’s the most complicated part to hear in the mix.
That ambient in chorus is awesome
You guys arguing over the layers/dubs/tracks: Rhythms are at most quad tracked, usually just a right, then a left. And there is absolutely a possibility to have 29 tracks of guitar in a song. In many of my Pro Tools' sessions, I have over 120 tracks of different instruments/vocals so 29 wouldn't be unheard of for guitars for a guitar-oriented band such as Metallica. If you, as a band, want to do things really well and hone your sound, there is NO way to just plug in and get your tones through one sound/amp/take, you have to multi-track....
Jason Ragland they can deffo be more than quad tracked, if u havent tried that already id definitely advocate it
Bill Batenborough Hmm. I would guess that maybe those single string rhythm patterns that Metallica does are probably layers upon layers, but things get super mushy, even when played very tightly, when quad tracking full on barre chords. Again though, I'm thinking maybe tracks like .....And Justice for All may have had lots of takes because it's more of a single string rhythm progression.
Jason Ragland i get what ur saying, but theres like no bar chords in any of mettalica's sound, its all power chords and such, i have a 12 tracked thing as a guitar demo ive done and it sounds great, the trick is for the individual guitar track to have not so much bass, so that when all the frequencies add up theres just the right amount at the end, thats what gives the mush
Jason Ragland Although u r right looking at it theres little pick sound, but the actual overal thing sounds great
I totally agree.
Love, LOve, LOVE these guitar track only RUclips posts! Man, the CRUNCH of these chords is beyond belief when they aren't muffled by drums and bass.
The Chugg is strong with this one! Hetfield is the fucking master!!!
This is one of the best examples of where bass proves that it's just as important to a song.
Is it in standard D tuning?
Yes
0:59 Bob Rock ladies and gentlemen
This is literally what Avenged Sevenfold now do in all their newer songs, jus a bunch of sad but true’s nd devil’s dances ripoffs. I like Avenged older material but come on u gotta admit its kinda obvious
What? They only did 1 song similar to them (This Means War)
Sounds like you don't know what your talking about. 1 song is not "all" their newer songs. Idiot
Have you even heard their newer songs off The Stage? Sounds nothing like this
2:53 to 3:12 give me heavy AJFA vibes
Hermoso, escuchar esto te potencia! lml
Try the ‘TC electronic Mimiq doubler’ pedal it lets u dub 3 guitars on top of the original at home or live
0:25
3:14 that solo it's fucking beautiful.
this is played on a Danelectro
When you say metallica I think of heavy... and the first song that comes to mind when you say heavy, is this song...
Mesa Boogie high gain is insane
The guitar used in this song is a Gretsch baritone w/ bigsby. Killer and unexpected tone
It's in D standard
1:41 jesus christ
Better than the original song
There's still part of the rhythm riff missing in this video.
still a great edit though thanks
nice slow doom metal
speed sounds childish in most songs
The Thing That Should Not Be was D Standard.