Get my brand new FREE course ‘Blues Rock Phrasing’ here! Includes TAB, backing tracks, notation and fretboard diagrams! bobbyharrison.teachable.com/p/blues-rock-phrasing-for-electric-guitar
@@BobbyHarrisonGuitar I can honestly say that your lesson on Comfortably Numb changed my guitar playing. It just gave me so much more confidence and made me feel as if I could play a bit.
This is great Bobby - bought it (of course I did). Perfect to practice what you've written and to noodle as I'm sat watching TV. Hope you keep producing the content, you're a wealth of knowledge/ expertise
Dont often comment on vids but I thought that was an excellent video on this style of playing. Minimal waffle, down to business, liked the fact it wasn't a straight up 'copy the licks' type lesson and gave a good number of variations across a number of positions. Liked the Steve Cropper touch! Plenty to nibble away at there, cheers Bobby!
Great lesson! I am a huge fan of this style of playing, especially John Frusciante. He was obviously heavily influenced by Jimi, and his chord embellishments are basically in most everything he has plays. Such a great style! Thanks for all the little fills that I can add to the repetoire
I’m not sure what you mean by a D7 shape. I’m playing a B minor chord at that point. I go on to explain all about that around the 25 minute mark. There’s free tab for everything I play in this video.
@@BobbyHarrisonGuitar At time 0:24 you play a D7 SHAPE at the 12 frets D note on the D string, 11 fret F# note on the G string, 12 fret B note on the B string. I'm not sure which pentatonic box this is triad is from?
@@waynegram8907 Sorry, I’m really not sure what you mean by a D7 shape. It sounds like you're referring to the Bm triad that I play. If you're visualising using the CAGED system, that triad can be seen as the b3, the 5th and the root of a B minor chord, when played as a C shape. I wouldn't associate that shape with a D7 shape. I guess it depends on your visualisation method as there are so many conflicting approaches these days. As I mentioned, I explain what I played for that voicing around 25:28 mark in the video. Plus there’s free tab to accompany the lesson. As far as pentatonic boxes are concerned, when I came out of that chord voicing, I played a fill using the Bm pentatonic scale. If we’re thinking in positions, I played position 2 into position 1, with a bit of position 5 tagged onto the end.
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Get my brand new FREE course ‘Blues Rock Phrasing’ here! Includes TAB, backing tracks, notation and fretboard diagrams!
bobbyharrison.teachable.com/p/blues-rock-phrasing-for-electric-guitar
This is the best lesson on the net.
Thank you very much!
Great lesson - Thanks!
Thank you very much!
Thank you so much. This is what I’ve been looking to learn for years.
@@johndenigris7112 Much appreciated. Thank you!
So glad you’re back, Bobby!
Great video would love to see a guitar collection video 🤘
Your sound is so clear and nice ! great ! thank you ❤👌
I like how example 5a puts it all together. And you build up the pieces into more complicated examples.
Great lesson. Explained so clearly. Many thanks.
Thank you very much, Grant!
@@BobbyHarrisonGuitar I can honestly say that your lesson on Comfortably Numb changed my guitar playing. It just gave me so much more confidence and made me feel as if I could play a bit.
@@GRANTMCDONALD1967 Thank you, Grant. It means a lot to know that you got so much from the video.
I need to finish your absolute blues lessons. I learned a ton so far! You’re a great teacher.
Thank you very much, Scott.
Thanks, one of the best Hendrix style lessons yet. All of your videos are great!
Thank you very much!
This is great Bobby - bought it (of course I did). Perfect to practice what you've written and to noodle as I'm sat watching TV. Hope you keep producing the content, you're a wealth of knowledge/ expertise
Cheers mate. Enjoy!
Thanks Bobby that was a really good lesson.
Thanks a lot, Keith!
second that!
Thx Bobby for this lesson. As I progress in my playing , it seems that I get those AHA moments from watching you. Thx ;-)
Thank you very much.
Great lesson! Thank you so much!
Cheers! Glad you enjoyed it!
Dont often comment on vids but I thought that was an excellent video on this style of playing. Minimal waffle, down to business, liked the fact it wasn't a straight up 'copy the licks' type lesson and gave a good number of variations across a number of positions. Liked the Steve Cropper touch! Plenty to nibble away at there, cheers Bobby!
Thank you very much, James!
Another amazing lesson Bobby! Thanks.
Thank you, Mark!
Great lesson Bobby.
I was hoping you would release a lesson on this style!
Thank, Jeremy!
Thank you very much.
You are welcome!
Nice one! And flip universe Bobby!?
Aye up, Beebs! Cheers. Hope you're well. Yeah, it's all about the flip. Even i find it hard to follow lefties!
Great lesson! I am a huge fan of this style of playing, especially John Frusciante. He was obviously heavily influenced by Jimi, and his chord embellishments are basically in most everything he has plays. Such a great style! Thanks for all the little fills that I can add to the repetoire
Thank you very much! Glad you enjoyed the lesson.
Get 30% off all my guitar courses (for a limited time) at bobbyharrison.com
Use the code: BOBBYALL30
Nice....
Thank you very much!
You didn't explain what the triad chord ( D7 shape ) is and what fills to use, watch at time 0:24?
I’m not sure what you mean by a D7 shape. I’m playing a B minor chord at that point. I go on to explain all about that around the 25 minute mark. There’s free tab for everything I play in this video.
@@BobbyHarrisonGuitar At time 0:24 you play a D7 SHAPE at the 12 frets D note on the D string, 11 fret F# note on the G string, 12 fret B note on the B string. I'm not sure which pentatonic box this is triad is from?
@@waynegram8907 Sorry, I’m really not sure what you mean by a D7 shape. It sounds like you're referring to the Bm triad that I play. If you're visualising using the CAGED system, that triad can be seen as the b3, the 5th and the root of a B minor chord, when played as a C shape. I wouldn't associate that shape with a D7 shape. I guess it depends on your visualisation method as there are so many conflicting approaches these days.
As I mentioned, I explain what I played for that voicing around 25:28 mark in the video. Plus there’s free tab to accompany the lesson. As far as pentatonic boxes are concerned, when I came out of that chord voicing, I played a fill using the Bm pentatonic scale. If we’re thinking in positions, I played position 2 into position 1, with a bit of position 5 tagged onto the end.
Your guitar to far from camera... but cool