Are we chasing a reflection??? Was there more than 1 cabinet being used in studio 1???? Check out www.3monkeyssolderless.com for the best pedalboard cables!! Thanks for watching! Ossie
I think it’s very easy to determine that that speaker cabinet is in fact in the room with Eddie. If you look at the glass,it is on an angle and all the reflections are on the same angle going upward. The cabinet top looks parallel to the floor, so in my view it’s in the room.
The JBL's were only ever seen in a straight cabinet, before and after the recording sessions. Also, we know beyond any doubt that eddie's aluminum cap speakers were JBL's simply by the fact that JBL used 4" aluminum caps instead of the 3" seen on the Radio shacks, altecs, jensens, celestions... You can see that they are 4" clear as day in the shot of Dave sitting on top of the JBL cabinet outside of sunset during the staged photoshoot. They are not necessarily D120's though, I'm not sure where that notion came from. They could easily be K120's as we have never seen the back of them, though with the evidence we have stacks heavily against the idea of JBL's ever being on a recording. They were definitely not radio shack speakers. That theory came from a fan Kurt James who clearly didn't do the research on the aluminum caps and the different cones.
Nothing is ever clear as day when it comes to EVH and gear. Just because there’s a picture of a particular speaker or cabinet doesn’t mean he used it. No one will ever know what really happened then. If Eddie was still here and we could ask him, he would probably not know himself. Take that one step further, even if he did know, he might not tell you the truth anyway!!! if I could’ve spoke to him, I wouldn’t of believed anything he said anyway.
@@buzzedalldrink9131 I don’t think it was clear as day that he USED or recorded with the JbL cabinet. in fact, i compiled a ton of evidence that he didn’t. BUT the aluminum cap speakers he had were absolutely JBL’s. that can be confirmed by simple cosmetic differences between JBL and the other speakers i mentioned.
@@tanneryordan Yeah iI got that and as I said, just because he had them doesn’t mean he use them, and will never know if he did anyway. sorry if I misinterpreted your comment, I thought you were implying that because they were seen in the picture that they were used. I think I’m on the same page with you now.
3.37 : And that, my dear fellow guitar players, is the reason why a modeller using profiling techniques can by definition never sound like an amp in your room. It will always sound like a miked amp because the profiling technique uses a mic to record the profile. No problem for situations where there is a mic involved such as recording in a studio, or in live performance. But if you like the direct sound of an amp at home, in a rehearsal room or as your monitor on stage, you can not achieve this with a modeller that uses profiling techniques such as the Kemper or the Quad Cortex. Not meant as a criticism, just a plain fact :)
@@martijn_yt I am under the strong belief that there is little to no room sound on the first album. I made a video on my channel showing how I mix the dry tracks bridge the gap between the fully mixed/effected sound. I did it to try to prove that the room sound is not the secret to anything, and addressed things like “you can’t mix a room sound into a guitar track if it has bleed from drums and bass” I believe you can get very close with the RIGHT speaker impulse responses. unfortunately we don’t know what speakers eddie was using because “greenback” refers to a dozen, massively different speakers.
Hi, Ossie. Thanks so much for making all of these videos. So informative and fun. I've always felt that Ed's amp was splatty and fuzzy with the guitar vol full up and more controlled with the vol back a bit. And I've heard Ed multiple times talk about how he rarely has his guitar volume on 10. I'd assume that this means he would go full on for solos and that most of the rhythm tones we hear have the guitar vol back a bit. A good example of this would be the last D chord before the breakdown in Mean Street. It is VERY fuzzy and blown out. The same chord in the prior two choruses is really quite tame in comparison. Maybe in that last chorus he didn't quite get the guitar vol down as much and displays the fuzziness of the amp? Maybe? This could also explain why all versions of the 5150 amp have such an absurd amount of gain on tap: because he's only dipping his toe into that craziness when he takes a solo and then backs back down for everything else. Also, I used one of your Jose preamps into the power section of my '67 Super Trem for a ton of my most recent record. It's half of the rhythm tracks and the end solo of this tune. I love that box so much! Cheers, man! ruclips.net/video/a6A-7fDCKtc/видео.htmlsi=YfWSvVVigYrQ86io
I don’t recall him ever saying that he didnt have the volume on 10, unless he had a magic potentiometer that capped out at a certain point on the pot. do you have an interview excerpt that i’m forgetting? he was an on/off player for a long time, sometimes rolling down to 3-4 for clean stuff, but i’m quite sure that he ran the guitar volume on 10 almost all of the time
@@tanneryordan Same here! I have read and heard every single interview with EVH since 1978 and he never talked about having his Vol knob lower for rhythm and full for leads. The internet has so much hearsay and disinfo about Edward and his gear. That is why i like Ossie and guys like him actually showing you with the gear what does what.
@@These_go_to_eleven_1959 Yep, any time eddie moves the volume knob, it's pretty obvious. For instance, the first run through of the "Dance the night away" riff is the volume slightly knocked back, and then you hear the volume increase for the rest of the song. Ed wasn't like angus young who would set the volume differently for rhythms and leads, you can see that clearly in the fresno footage that he doesn't manipulate the volume much. Even between songs he doesn't roll off like a lot of people think that he did.
@@tanneryordan 👍 You have really good credibility with me because i have seen many of your comments and you do not just spout hearsay and rumors, You only speak of things that can be proven about Ed. I am so sick of the internet's disinfo and hearsay when it comes to stuff and not just EVH either! it is full of disinfo these days.
So many things after Eddie's hands and strings until the final sounds we hear on the devices we use that it's impossible to get a 100% copy. We want the end result after all the recording, mixing, mastering, vinyl pressing or tape to tape then the machines we used to get the product we bought coming out speakers bouncing in a room then to our ears.. Nobody will really know the tone he had coming out the amp(s) in the studio when we got those recordings. Eddie probably ONLY told Alex and Wolfgang 100%. Most people have probably been turning knobs around and had the exact sound out the cabinet at one point but were saying "Um, real close, but like not quite." and is still on that quest (me included).. Isolated tracks will pick up frequencies from other instruments so even those aren't 100% accurate. I think the room sound was a big part of the tone we want. Maybe the true genius was Don Landee who knew how to get the sound we fiend for out of Eddie and his amp(s). I watched an interview where Landee did the final mix with his assistant but WITHOUT Eddie. The band didn't like the sound of VH1. So maybe the real secret ingredient is still alive (Donn Landee) because the sound we want is clearly not the sound the band had in the studio when they did these songs in 1 take. Like Mozart, Bach, etc., in 200 years, people will still be talking about Edvard and Robert Johnson, but everyone else will have been completely forgotten. You make a really good amp. Sounds great. Like seeing the beginning of Friedman.
I love that it’s been nearly fifty years and people still talk about Ed’s brown sound and aspiring guitar players spend huge hours to learn eruption. I’m the same age as Ed, and lemme tell ya, those days in ‘78, lifting and dropping the needle over and over, slowing down the turntable to make out the notes, man it was a struggle. And you listened over and over, and over the years (yes years) as you became a better player and began to get a handle on this… alien… you changed your mind as to what this alien language was until you could understand it. I’ll never forget the empty feeling of sitting with my Strat on my lap, looking down at it while listening to eruption, totally clueless, and wondering how could anyone be that good.
I understand a lot of pros use that the digital but I also think the big shows sound to produced, too perfect and too sterile. There is a difference between overproduced front of house sound, vs amps and drums and just a P.A. for vocals in a good hall. Listen to Hendrix, Cream, LZ at RAH. Can't be beat, warts and all. P.S. Great content. Glad you are exploring all these minuscia.
Isn’t the splatty sound coming from voltage sag and transformer saturation? Pete Thorn demonstrated this in his video about old school amp distortion. It’s a cool topic that isn’t discussed so often, and a tone I’m currently chasing, so thanks for these videos on the subject!
Hi Jamie, Thank you for the comment I would respectfully disagree with that analysis :). The effect I hear I believe is related to bias. Almost like driving the grid into positive territory. Ossie
@@ossieahsen6732 well whatever's causing it, I'm sure glad you're deep-diving on the subject! I noticed an inadvertent demo of the splatty the other day, at 32:32 in on the Metro-Plex MK II 100W long discussion video. George A/B's his original '68 plexi with the Metro-Plex (which has master volume set at 3.5 iirc) ruclips.net/video/9W2UqzOM0iU/видео.html The real plexi splats (vowel growls), but the Metro-Plex (at that master volume setting) doesn't. By the way, I haven't been able to recreate this splatty dynamic on my Lion '68 pedal either, and it's a bit disappointing. Anyway, thanks for these videos, great stuff 👍🏻
I played the Lion last week... I found it to be quite good it sounds like a good plexi should (with a little boost maybe lol) but it won't sound like this clip. I think any engineer that is following the book and designing in accordance with standard theories of tube design would be appalled by what you have to do to get that kind of distortion. Im not surprised. Ossie @@jamielodberg
@@ossieahsen6732 but the splat sounds so cool! 😂 tubes were already phased out when I studied engineering, so it looks like I’m going to dig in to some self study at some point. Fascinating stuff in any case 👍🏻
Ed Van Halen was using 1975 Mxr script logo noise gate/line drivers going into his echoplexes Ed painted it plain white like he did with the Ibanez destroyer guitar and the early frankenstrat you can see the pedals in old photos of his echoplexes on stage in the compartment of the echoplex The pedal also has a xlr line out to go straight to the mixing console this pedal Is a noise gate and line driver but also sounds like it has compression built in Don’t forget mxr is short for mixer and the guys that built these pedals new all the circuits for building mixing consoles or effects they were great electrical engineers
The MXR is an interesting idea for sure. I use the newer smart gate in the Jose pedal rig and I find it a huge plus. This idea will be explored more.... Ossie
1975 noise gate line drivers from mxr are not pure white there a grayish white Ed’s was pure white with no lettering on it I know because i seen Van Halen on there 1 st world tour at the paradise theater in Boston In March of 1978 and could see his entire stage rig
@@joejoseph9459 the one black and white photo that shows the noise gate in his echoplex is a flash photo which would make a light gray look white. you can very clearly see the script MXR logo in the photo as well. you probably have been looking at the crappy quality photos online. i’m sorry, if you really think people are going to believe that you saw INSIDE of ed’s echoplexes from your seat which were barely even on the dimly lit stage, enough to tell that they were painted white and enough to tell they “had no logo”, you’re going to have to provide us with whatever you are smoking. that is a ridiculous claim
Before you open your mouth and guess I was sitting down in a seat I was in front of the left side of the stage standing and could see all his gear. Including his white destroyer and his black an white strat
Anything is possible... to write off anything that is not current dogma is to limit yourself. Thats applies to everything in this world :) Thanks for the comment! Ossie
those were in 5150 which probably means Donn liked them at Sunset! although I don’t think they were heavily used on the guitar… you can hear the amp buzz and stuff in some of the isolated tracks. listen to the “I’m the one” isolated track during the Bop bada shoo be doo wah part
I think you're overthinking! I can get that splatty and even more, with my 50 watts plexi, bright channel, by reducing the bass and the mids!!! Why assuming EQ is crancked?!
Ossie is right! Instead of making statements like you did record your plexi demonstrating what you claim? Until you do that i call BS! More internet hearsay.
I was trying to say : "Id love to hear you do this". In a good way... but yeah I like proof in the pudding more than a recipe on the fridge.... Hit us with some clips!!! :) Ossie
1st everything on 10, 2nd bass and treble at 2.5! The amp is a plexi build, 50watts with a .68uf on 3rd cathode! Bright channel only !@@ossieahsen6732
I am pasting a link to see if it works. Does this link open for you? If so then I don't know why you can't post a link??ruclips.net/video/EdvWAH7RT1o/видео.html@@pedrolourenco2707
I really dislike the playback of my voice. I believe its the definition of "Cringe". Totally shameful. 500hz to 800hz was created to torture humans into repenting for their sins, and it works...
Great video!!! Thank you for sharing!!!
Keep making these videos and you will have millions of subscribers.
I think it’s very easy to determine that that speaker cabinet is in fact in the room with Eddie. If you look at the glass,it is on an angle and all the reflections are on the same angle going upward. The cabinet top looks parallel to the floor, so in my view it’s in the room.
Even being buzzed you could see that???? LOL.
All the best,
Ossie
@@ossieahsen6732 Maybe thats why I see it like that!!!!
@@ossieahsen6732dang, told em’.. lol 😂 miss you bro, gotta chat soon
The JBL's were only ever seen in a straight cabinet, before and after the recording sessions. Also, we know beyond any doubt that eddie's aluminum cap speakers were JBL's simply by the fact that JBL used 4" aluminum caps instead of the 3" seen on the Radio shacks, altecs, jensens, celestions... You can see that they are 4" clear as day in the shot of Dave sitting on top of the JBL cabinet outside of sunset during the staged photoshoot. They are not necessarily D120's though, I'm not sure where that notion came from. They could easily be K120's as we have never seen the back of them, though with the evidence we have stacks heavily against the idea of JBL's ever being on a recording.
They were definitely not radio shack speakers. That theory came from a fan Kurt James who clearly didn't do the research on the aluminum caps and the different cones.
Nothing is ever clear as day when it comes to EVH and gear. Just because there’s a picture of a particular speaker or cabinet doesn’t mean he used it. No one will ever know what really happened then. If Eddie was still here and we could ask him, he would probably not know himself. Take that one step further, even if he did know, he might not tell you the truth anyway!!! if I could’ve spoke to him, I wouldn’t of believed anything he said anyway.
@@buzzedalldrink9131 I don’t think it was clear as day that he USED or recorded with the JbL cabinet. in fact, i compiled a ton of evidence that he didn’t.
BUT the aluminum cap speakers he had were absolutely JBL’s. that can be confirmed by simple cosmetic differences between JBL and the other speakers i mentioned.
@@tanneryordan Yeah iI got that and as I said, just because he had them doesn’t mean he use them, and will never know if he did anyway. sorry if I misinterpreted your comment, I thought you were implying that because they were seen in the picture that they were used. I think I’m on the same page with you now.
3.37 : And that, my dear fellow guitar players, is the reason why a modeller using profiling techniques can by definition never sound like an amp in your room. It will always sound like a miked amp because the profiling technique uses a mic to record the profile. No problem for situations where there is a mic involved such as recording in a studio, or in live performance. But if you like the direct sound of an amp at home, in a rehearsal room or as your monitor on stage, you can not achieve this with a modeller that uses profiling techniques such as the Kemper or the Quad Cortex. Not meant as a criticism, just a plain fact :)
@@martijn_yt I am under the strong belief that there is little to no room sound on the first album. I made a video on my channel showing how I mix the dry tracks bridge the gap between the fully mixed/effected sound. I did it to try to prove that the room sound is not the secret to anything, and addressed things like “you can’t mix a room sound into a guitar track if it has bleed from drums and bass”
I believe you can get very close with the RIGHT speaker impulse responses. unfortunately we don’t know what speakers eddie was using because “greenback” refers to a dozen, massively different speakers.
Thanks for the great stuff brutha!
Thank you for watching!
Ossie
That’s a reflection of the cab in front of Eddie.
At 21:50 he just had the amplifier Dimed, all the controls were at 10.
After being Dimed it just sounds like the amp is dying.
Oss if you’re taking requests it’d be very cool to hear your Ebox recorded through the latest signal chain (ir/DI) with ox pedal
Hi Craig!
My Ebox is on loan to a friend... but when it returns ill give it a good go
Thanks !!
Ossie
@@ossieahsen6732 because you’re not busy enough as-is 🤣 TY
Awesome tone.
Thank you Tony!
Ossie
Hi, Ossie. Thanks so much for making all of these videos. So informative and fun. I've always felt that Ed's amp was splatty and fuzzy with the guitar vol full up and more controlled with the vol back a bit. And I've heard Ed multiple times talk about how he rarely has his guitar volume on 10. I'd assume that this means he would go full on for solos and that most of the rhythm tones we hear have the guitar vol back a bit. A good example of this would be the last D chord before the breakdown in Mean Street. It is VERY fuzzy and blown out. The same chord in the prior two choruses is really quite tame in comparison. Maybe in that last chorus he didn't quite get the guitar vol down as much and displays the fuzziness of the amp? Maybe? This could also explain why all versions of the 5150 amp have such an absurd amount of gain on tap: because he's only dipping his toe into that craziness when he takes a solo and then backs back down for everything else. Also, I used one of your Jose preamps into the power section of my '67 Super Trem for a ton of my most recent record. It's half of the rhythm tracks and the end solo of this tune. I love that box so much! Cheers, man! ruclips.net/video/a6A-7fDCKtc/видео.htmlsi=YfWSvVVigYrQ86io
Hi DrBurns!
I like that theory as it it simple. Simple works best! And good going on those guitar tones!!! Love it :)
All the best,
Ossie
I don’t recall him ever saying that he didnt have the volume on 10, unless he had a magic potentiometer that capped out at a certain point on the pot. do you have an interview excerpt that i’m forgetting? he was an on/off player for a long time, sometimes rolling down to 3-4 for clean stuff, but i’m quite sure that he ran the guitar volume on 10 almost all of the time
@@tanneryordan Same here! I have read and heard every single interview with EVH since 1978 and he never talked about having his Vol knob
lower for rhythm and full for leads. The internet has so much hearsay and disinfo about Edward and his gear. That is why i like Ossie and guys like him actually showing you with the gear what does what.
@@These_go_to_eleven_1959 Yep, any time eddie moves the volume knob, it's pretty obvious. For instance, the first run through of the "Dance the night away" riff is the volume slightly knocked back, and then you hear the volume increase for the rest of the song. Ed wasn't like angus young who would set the volume differently for rhythms and leads, you can see that clearly in the fresno footage that he doesn't manipulate the volume much. Even between songs he doesn't roll off like a lot of people think that he did.
@@tanneryordan 👍 You have really good credibility with me because i have seen many of your comments and you do not just spout hearsay
and rumors, You only speak of things that can be proven about Ed. I am so sick of the internet's disinfo and hearsay when it comes to stuff and not just EVH either! it is full of disinfo these days.
So many things after Eddie's hands and strings until the final sounds we hear on the devices we use that it's impossible to get a 100% copy. We want the end result after all the recording, mixing, mastering, vinyl pressing or tape to tape then the machines we used to get the product we bought coming out speakers bouncing in a room then to our ears.. Nobody will really know the tone he had coming out the amp(s) in the studio when we got those recordings. Eddie probably ONLY told Alex and Wolfgang 100%. Most people have probably been turning knobs around and had the exact sound out the cabinet at one point but were saying "Um, real close, but like not quite." and is still on that quest (me included).. Isolated tracks will pick up frequencies from other instruments so even those aren't 100% accurate. I think the room sound was a big part of the tone we want. Maybe the true genius was Don Landee who knew how to get the sound we fiend for out of Eddie and his amp(s). I watched an interview where Landee did the final mix with his assistant but WITHOUT Eddie. The band didn't like the sound of VH1. So maybe the real secret ingredient is still alive (Donn Landee) because the sound we want is clearly not the sound the band had in the studio when they did these songs in 1 take. Like Mozart, Bach, etc., in 200 years, people will still be talking about Edvard and Robert Johnson, but everyone else will have been completely forgotten. You make a really good amp. Sounds great. Like seeing the beginning of Friedman.
Interesting comments and I agree that Landee is the one who knows!
Ossie
I love that it’s been nearly fifty years and people still talk about Ed’s brown sound and aspiring guitar players spend huge hours to learn eruption. I’m the same age as Ed, and lemme tell ya, those days in ‘78, lifting and dropping the needle over and over, slowing down the turntable to make out the notes, man it was a struggle. And you listened over and over, and over the years (yes years) as you became a better player and began to get a handle on this… alien… you changed your mind as to what this alien language was until you could understand it. I’ll never forget the empty feeling of sitting with my Strat on my lap, looking down at it while listening to eruption, totally clueless, and wondering how could anyone be that good.
Yes, I remember doing exactly the same thing.....@@Riff65
I understand a lot of pros use that the digital but I also think the big shows sound to produced, too perfect and too sterile. There is a difference between overproduced front of house sound, vs amps and drums and just a P.A. for vocals in a good hall. Listen to Hendrix, Cream, LZ at RAH. Can't be beat, warts and all.
P.S. Great content. Glad you are exploring all these minuscia.
Please give us your thoughts on stacked 1176s - the Page/Landee thing you were talking about.
Will do! Thanks for the comments!!!
Ossie@@JimmyDevere
Ossie, long time no chat. You built a 100 watt "Super Monkey" for me a long time ago.
Hi Dustin! I hope you are doing well!!!!
Ossie
Great content
Thank you, BlackDogOriginal!
Ossie
Isn’t the splatty sound coming from voltage sag and transformer saturation? Pete Thorn demonstrated this in his video about old school amp distortion. It’s a cool topic that isn’t discussed so often, and a tone I’m currently chasing, so thanks for these videos on the subject!
Hi Jamie,
Thank you for the comment
I would respectfully disagree with that analysis :). The effect I hear I believe is related to bias. Almost like driving the grid into positive territory.
Ossie
@@ossieahsen6732 well whatever's causing it, I'm sure glad you're deep-diving on the subject! I noticed an inadvertent demo of the splatty the other day, at 32:32 in on the Metro-Plex MK II 100W long discussion video. George A/B's his original '68 plexi with the Metro-Plex (which has master volume set at 3.5 iirc) ruclips.net/video/9W2UqzOM0iU/видео.html The real plexi splats (vowel growls), but the Metro-Plex (at that master volume setting) doesn't.
By the way, I haven't been able to recreate this splatty dynamic on my Lion '68 pedal either, and it's a bit disappointing.
Anyway, thanks for these videos, great stuff 👍🏻
I played the Lion last week... I found it to be quite good it sounds like a good plexi should (with a little boost maybe lol) but it won't sound like this clip.
I think any engineer that is following the book and designing in accordance with standard theories of tube design would be appalled by what you have to do to get that kind of distortion.
Im not surprised.
Ossie
@@jamielodberg
@@ossieahsen6732 but the splat sounds so cool! 😂 tubes were already phased out when I studied engineering, so it looks like I’m going to dig in to some self study at some point. Fascinating stuff in any case 👍🏻
Outstanding
:)
Ed Van Halen was using 1975 Mxr script logo noise gate/line drivers going into his echoplexes Ed painted it plain white like he did with the Ibanez destroyer guitar and the early frankenstrat you can see the pedals in old photos of his echoplexes on stage in the compartment of the echoplex The pedal also has a xlr line out to go straight to the mixing console this pedal Is a noise gate and line driver but also sounds like it has compression built in Don’t forget mxr is short for mixer and the guys that built these pedals new all the circuits for building mixing consoles or effects they were great electrical engineers
The MXR is an interesting idea for sure. I use the newer smart gate in the Jose pedal rig and I find it a huge plus. This idea will be explored more....
Ossie
noise gate/line drivers in the 70s came white. eddie didn’t paint them
1975 noise gate line drivers from mxr are not pure white there a grayish white Ed’s was pure white with no lettering on it I know because i seen Van Halen on there 1 st world tour at the paradise theater in Boston In March of 1978 and could see his entire stage rig
@@joejoseph9459 the one black and white photo that shows the noise gate in his echoplex is a flash photo which would make a light gray look white. you can very clearly see the script MXR logo in the photo as well. you probably have been looking at the crappy quality photos online.
i’m sorry, if you really think people are going to believe that you saw INSIDE of ed’s echoplexes from your seat which were barely even on the dimly lit stage, enough to tell that they were painted white and enough to tell they “had no logo”, you’re going to have to provide us with whatever you are smoking. that is a ridiculous claim
Before you open your mouth and guess I was sitting down in a seat I was in front of the left side of the stage standing and could see all his gear. Including his white destroyer and his black an white strat
Need Marshmello amp in my life.
Marshmello!!!!!!!
Ossie
Maybe the speakers were wired out of phase on the opposing 4x12?
Anything is possible... to write off anything that is not current dogma is to limit yourself. Thats applies to everything in this world :)
Thanks for the comment!
Ossie
Allison Research Kepex - Expander/Noise Gate
That is an amazing suggestion, Che! Well done!
Ossie
those were in 5150 which probably means Donn liked them at Sunset!
although I don’t think they were heavily used on the guitar… you can hear the amp buzz and stuff in some of the isolated tracks. listen to the “I’m the one” isolated track during the Bop bada shoo be doo wah part
Are you taking orders for your Marshmello amp?
I need to get more transformers made...
Ossie
I also want a Marshmellow amp.
Looks like another run of transformers is in my future....@@tracystamatakis
@@ossieahsen6732 thanks, I am after that tone. I was told that the Friedman Plex has this tone, but I would prefer not to buy a Friedman amp.
YT is blocking my comments... the video is up on my channel!
Great Job Pedro!
Ossie
🤘😎🤘
Where can I get a marshmallow?😊
Im trying to make them..... I need more of me's
Ossie
I think you're overthinking! I can get that splatty and even more, with my 50 watts plexi, bright channel, by reducing the bass and the mids!!! Why assuming EQ is crancked?!
Thanks for the comment. :)... I demand video proof!!!! Get out your webcam Pedro, and get me some clips!
All the best
Ossie
ill send you a video later!@@ossieahsen6732
Ossie is right! Instead of making statements like you did record your plexi demonstrating what you claim? Until you do that i call BS! More internet hearsay.
I was trying to say : "Id love to hear you do this". In a good way... but yeah I like proof in the pudding more than a recipe on the fridge....
Hit us with some clips!!! :)
Ossie
1st everything on 10, 2nd bass and treble at 2.5! The amp is a plexi build, 50watts with a .68uf on 3rd cathode! Bright channel only !@@ossieahsen6732
I'm trying to share a google drive clip with you, but youtube doesn't let me! Where can I find your email?
Upload it to YT so we can all hear it.
now I have the video, where do I put the link? YT dent alow links on comments! @@JimmyDevere
ruclips.net/video/C_mw3n91lNE/видео.htmlsi=q7ukCw3R8tBzMFat
ruclips.net/video/C_mw3n91lNE/видео.htmlsi=q7ukCw3R8tBzMFat
I am pasting a link to see if it works. Does this link open for you? If so then I don't know why you can't post a link??ruclips.net/video/EdvWAH7RT1o/видео.html@@pedrolourenco2707
I really dislike the playback of my voice. I believe its the definition of "Cringe". Totally shameful. 500hz to 800hz was created to torture humans into repenting for their sins, and it works...
You are correct, sir!!!!
LOL
Ossie