Hey, hope you could learn something new from this video! If you want to support this channel, maybe you want to become a member? :-) www.youtube.com/@ThePhlogPhotography/join or become a Patreon www.patreon.com/phlog
Deine Art der Bildbearbeitung ist wirklich hilfreich für mich und hilft mir ein Bild besser zu verstehen und zu sehen welche Änderungen meinen Bildern helfen. Weiter so
I tried to follow along with my LR Mobile and couldn't do everything, but found other ways to achieve the same effect. Thanks for the video. Learned something ✍️😃👍
The best thing about your video editing, for me, it helps me figure out how I can achieve similar results in camera. (number of images, filters and EV settings) Thanks and great job!
Christian Thank you very much,your advice is invaluable,although my English is very basic,I understand very well,you are a great professional who makes his knowledge available. Unfortunately,one cannot always invest in courses!!! Thank you from the bottom of my heart
Christian is really always pleasant and interesting to see your tutorials, I must confess that I have changed the way of post-producing my photos thanks to your videos I follow you with great pleasure thanks for your advice🤩
Well done and nice explained. Isnt it enough in those affected areas to apply a radial filter and push the highlights / lowlights? where is here the difference? :)
Thank you! you could do it this way, but you will always change more than needed. Using something like a luminance range mask will give you way more precise selections
Really enjoying all of your tutorials! Thank you! Question: I notice that you do a lot of radial and linear gradients to refine the selections of your masks. Is there a reason you do that instead of just intersecting with a brush, or is it just personal preference? For example, is it more efficient to use those kinds of vector shapes instead of brushes? Just curious...
Hey, thanks for the comment! Its just personal preference. I have the feeling I dont get as good results using the brush, but I have to agree you can be more precise ith the brush than with the regular shapes!
Christian, you make some really nice tutorials. THANKS! a lot for all your work. For this image, would you further touch (dodge & burn) the mountains at the back?
I’m qute inexperienced with the more advanced techniques in photo processing . Only started with those techniques for a few weeks… Very helpful video Thanks Danke Schön I have subscribed your channel Just a question though isn’t it easier o select specific parts of the image with object masks…. Seems to work well for targettting specific parts of an image… like I.e. the plants or mountains in this image? Or am I overlooking something here
Thank you very much for commenting! Objects masks arent that precise in this case, it would just select the whole plant or even every green part of the foreground. We want to specifically target luminance ranges to make them brighter or darker :-)
Nice techniques. I’m not entirely convinced it’s a good idea to augment contrasts on the mountains far away is it alters the perception of depth (farther = blurrier/foggier) but if you like it that way.
Thank you! Of course, small adjustments like that come down to personal preferences :-) I like to have some very visible structure / contrast in the mountains back there, but it would work with a more hazey look as well!
I was familiar with the technique and how this could be done through PS with paid plugin, but never though of achieving it in LR. Not just that, I like how you leverage the luminance and colour masks. I've tried it out, but it wasn't as effective at the time. I think I've got few particularly tricky photos to retouch with all these masks and hopefully get better results. Thanks for sharing this!
Can you comment on the differences in results from your dodge and burn techniques using Lightroom and those you use in Photoshop. In one of your photoshop videos you dodge and burn by using one layer for each. Your videos are great, I am eager to learn great editing for a Photography Workshop in Scotland in a few weeks. Keep up the great work.
Thank you very much! If you want to be very precise with lots of control, Photoshop is the way to go! Third PArty Plug ins like the TK Panel (the one I'm using) make this very, very easy, although I have to say you can get pretty precise results with masks in Lightroom nowadays, its just a lot more work in my opinion
@@walkplaytravel8728 Focus stacking (also known as focal plane merging and z-stacking[1] or focus blending) is a digital image processing technique which combines multiple images taken at different focus distances to give a resulting image with a greater depth of field (DOF) than any of the individual source images... I guess you might can do it in street photography (not work for moving objects)
Bro, stop doing vignetting. Do you even know how vignetting came about in the first place? No one in the professional world thinks it is appealing. Only on RUclips, I see people doing it. 🤣🤣🤣🤣
Hey, hope you could learn something new from this video!
If you want to support this channel, maybe you want to become a member? :-)
www.youtube.com/@ThePhlogPhotography/join
or become a Patreon
www.patreon.com/phlog
The edited sky looks like a circ pol was used. I've done the reverse edit so many times to get rid of that look😂
Deine Art der Bildbearbeitung ist wirklich hilfreich für mich und hilft mir ein Bild besser zu verstehen und zu sehen welche Änderungen meinen Bildern helfen. Weiter so
Finally, a well-explained tutorial.
You deserve my subscription!
Christiaan bedankt voor de duidelijke uitleg 👍🏻
I tried to follow along with my LR Mobile and couldn't do everything, but found other ways to achieve the same effect. Thanks for the video. Learned something ✍️😃👍
Beautiful and perfect!
Great tutorial, thank you for sharing Christian
Happy you like it!
The best thing about your video editing, for me, it helps me figure out how I can achieve similar results in camera. (number of images, filters and EV settings) Thanks and great job!
Thats great to hear, thank you so much!
Thanks for revealing the secrets !!
Excellent video with some stunning results.
Thank you!
Wonderful tutorial once more Christian. Thank you.
Thanks a lot!!
great tutorial
Amazing. It looks like this was a stitched pano shot ? Do you have a tutorial on how to shoot those ?
Thank you! It is a pnaorama photo. Currently I dont have a tutorial on that, but will create one in the future :-)
Thank you for your great tutorial Christian!
Very happy you like it! :-)
you are so inderrated you deserve so many more subscribers
Thank you so much, that means a lot to me!
beautiful!
thank you for share!
Love it mate, looks awesome!
Christian Thank you very much,your advice is invaluable,although my English is very basic,I understand very well,you are a great professional who makes his knowledge available.
Unfortunately,one cannot always invest in courses!!! Thank you from the bottom of my heart
That means so much to me, thank you! :-)
@@ThePhlogPhotography 🙏🥰
Christian is really always pleasant and interesting to see your tutorials, I must confess that I have changed the way of post-producing my photos thanks to your videos I follow you with great pleasure thanks for your advice🤩
Thank you so much, that really means a lot to me!
It's very good!!
Hi bro! Excellent tutorial. Hope it will work for my street photos. Thanks 🙏
Hey, thank you so much! wish you the best of luck!
@@ThePhlogPhotography thanks , best of luck to you too!
Well done and nice explained.
Isnt it enough in those affected areas to apply a radial filter and push the highlights / lowlights? where is here the difference? :)
Thank you! you could do it this way, but you will always change more than needed. Using something like a luminance range mask will give you way more precise selections
excellent tutorial, thank you!
Thanks for all the tips with intersecting masks. I learned a couple of new tricks that I immediately put to work in my editing workflow.
Thats great to hear, thank you so much!
Great tutorial! Thank you for sharing your knowledge 😊
Man, I really enjoy in your content, keep on going!
Thank you so much!
Really enjoying all of your tutorials! Thank you! Question: I notice that you do a lot of radial and linear gradients to refine the selections of your masks. Is there a reason you do that instead of just intersecting with a brush, or is it just personal preference? For example, is it more efficient to use those kinds of vector shapes instead of brushes? Just curious...
Hey, thanks for the comment! Its just personal preference. I have the feeling I dont get as good results using the brush, but I have to agree you can be more precise ith the brush than with the regular shapes!
Thanks buddy...
Thank you for a great tutorial.
Happy you like it!
thank you for your tut
Christian, you make some really nice tutorials. THANKS! a lot for all your work. For this image, would you further touch (dodge & burn) the mountains at the back?
Thanks a lot for the comment! I personally dont think the mountains need more work, but just my opinion of course :-)
I’m qute inexperienced with the more advanced techniques in photo processing . Only started with those techniques for a few weeks… Very helpful video Thanks Danke Schön I have subscribed your channel
Just a question though isn’t it easier o select specific parts of the image with object masks…. Seems to work well for targettting specific parts of an image… like I.e. the plants or mountains in this image?
Or am I overlooking something here
Thank you very much for commenting! Objects masks arent that precise in this case, it would just select the whole plant or even every green part of the foreground. We want to specifically target luminance ranges to make them brighter or darker :-)
@@ThePhlogPhotography thanks will experiment with that... Your Videos are Großartig for learning
Nice techniques. I’m not entirely convinced it’s a good idea to augment contrasts on the mountains far away is it alters the perception of depth (farther = blurrier/foggier) but if you like it that way.
Thank you! Of course, small adjustments like that come down to personal preferences :-) I like to have some very visible structure / contrast in the mountains back there, but it would work with a more hazey look as well!
I liked what I saw so I joined 'subscribers'! Thanks.
Thank you so much!
I was familiar with the technique and how this could be done through PS with paid plugin, but never though of achieving it in LR. Not just that, I like how you leverage the luminance and colour masks. I've tried it out, but it wasn't as effective at the time. I think I've got few particularly tricky photos to retouch with all these masks and hopefully get better results. Thanks for sharing this!
Thanks 👍🙂
Can you comment on the differences in results from your dodge and burn techniques using Lightroom and those you use in Photoshop. In one of your photoshop videos you dodge and burn by using one layer for each. Your videos are great, I am eager to learn great editing for a Photography Workshop in Scotland in a few weeks. Keep up the great work.
Thank you very much! If you want to be very precise with lots of control, Photoshop is the way to go! Third PArty Plug ins like the TK Panel (the one I'm using) make this very, very easy, although I have to say you can get pretty precise results with masks in Lightroom nowadays, its just a lot more work in my opinion
Great video thanks. But tally this is just making up for a lack of dynamic range in digital photography, the real world has more impact.
is that a stacking with panorama? just panorama?
This is just a panorama :-)
What is that? Could you please detail? How this will affect an image? Can it be used for streetphotography? Thanks 🙏
@@walkplaytravel8728 Focus stacking (also known as focal plane merging and z-stacking[1] or focus blending) is a digital image processing technique which combines multiple images taken at different focus distances to give a resulting image with a greater depth of field (DOF) than any of the individual source images...
I guess you might can do it in street photography (not work for moving objects)
👍👍👍
the big secret is to know how masks works in Lightroom .... you're good, you're very good 👍👍
Merci, vous venez de me faire progresser d'un pas de géant
Isn't this TOO MUCH of editing?
Nope
A matter of taste. Without the photo didn't seem very interesting. The worse the photo the bigger the edit ;)
the original is better
?????????????
I agree with you 100%,it’s too over processed for me
Bro, stop doing vignetting. Do you even know how vignetting came about in the first place? No one in the professional world thinks it is appealing. Only on RUclips, I see people doing it. 🤣🤣🤣🤣