Har ik mord par ik neiy maat khaei rahi dil ki dil mein zubaan tak na ayei kiye hein kuch aeisey karam dostoon nein k ab dushmanoo ki zarorat nein he hazaroo tamannayein hoti hein dil mein hamari tu bas ik tammnna yahi he muje ik dafa apna keh kar pukarooo bas iss ke siwaa koi hasrat nein he (Nusrat sahib great)
🙏🙏🙏prabhu ji nusrat jaisi sargam 🙏🙏🙏🙏🙏🙏🙏khud prabhu ji hi ga sakte hai...bahut khush naseeb hai ham unki madhur sargam se prabhu ki 🙏amar sargam tak jaane ke 💜liye
The Raag is intrinsic to qawwali, it evokes moods, affectations, and imagery in harmony with the lyrics, it is almost another language in itself - and Nusrat is the Master. However I do agree that the other party members shouldn't solo so much, rather not at all, and their repeated interruptions often break the flow of this and other qawwalies, sometimes quite obviously to Khan-Sahibs annoyance
as sleepy said raag is another language. if u get into it and understand it . dude trust me lol ,, if u dont enjoy that ur missing 50 % of his music .. no offence
@blog3000 Nusrat Saab uses Raag because he wants to performe traditional way of Qawwali. Amir Khusro did not start Qawwali with just words but with more of a musical approach. The solos of the vocalists depends on their voice quality; of all of the numerous and harmoniums that performed in the party, Rehmat Ali is my favorite. I do not want to cause offence but Rahat Ali's piercing femenine voice is very disturbing for qawwali and has lost the respect that Nusrat has put into qawwali.
He was musical genius.. May ALLAH give him higher place and make his grave like garden of heaven
❤❤❤Khan sahab ap ko ap indazay bian ko Salam👌👌👌🌹🌹❤🌹🌹💓💖💞
zabardast
Har ik mord par ik neiy maat khaei
rahi dil ki dil mein zubaan tak na ayei
kiye hein kuch aeisey karam dostoon nein
k ab dushmanoo ki zarorat nein he
hazaroo tamannayein hoti hein dil mein
hamari tu bas ik tammnna yahi he
muje ik dafa apna keh kar pukarooo
bas iss ke siwaa koi hasrat nein he
(Nusrat sahib great)
🙏🙏🙏prabhu ji nusrat jaisi sargam 🙏🙏🙏🙏🙏🙏🙏khud prabhu ji hi ga sakte hai...bahut khush naseeb hai ham unki madhur sargam se prabhu ki 🙏amar sargam tak jaane ke 💜liye
The Raag is intrinsic to qawwali, it evokes moods, affectations, and imagery in harmony with the lyrics, it is almost another language in itself - and Nusrat is the Master.
However I do agree that the other party members shouldn't solo so much, rather not at all, and their repeated interruptions often break the flow of this and other qawwalies, sometimes quite obviously to Khan-Sahibs annoyance
AweSome..
nusrat sahab to.hamare dil mai baste h....aallha nusrat sahab jannat mai.aaala.makam.aata farmaye
kamal k lyrics hain yr :)
ager tum kaho to mai khud ko bhula do
TUMHAY BHOOL JANAY KI TAQAT NAHEE HAI
I want to know who wrote this ghazal.. The words are so heart touching.
as sleepy said raag is another language. if u get into it and understand it . dude trust me lol ,,
if u dont enjoy that ur missing 50 % of his music .. no offence
Ok
@blog3000 Nusrat Saab uses Raag because he wants to performe traditional way of Qawwali. Amir Khusro did not start Qawwali with just words but with more of a musical approach. The solos of the vocalists depends on their voice quality; of all of the numerous and harmoniums that performed in the party, Rehmat Ali is my favorite. I do not want to cause offence but Rahat Ali's piercing femenine voice is very disturbing for qawwali and has lost the respect that Nusrat has put into qawwali.