Thank you. Masking has never been one of strong points. Watching you process this image has furthered my understanding of how to use masks to shape light and create depth in an image. Thank you again.
Great video Christian, very useful. I couldn't help noticing the small horizontal shift in the waterfall towards the top. I guess that is one of the hazards of doing multiple shot panoramas when moving objects (ie. the water) are involved.
Christian, Thank you for your excellent illustration! I have a question about saturation, both in today’s and the previous projects, that is, at about 10:18 minutes, raises yellow +29, compared with color grading of yellow reduced to -39, then in calibration saturation at 10:49 raised to +46., which I did’t catch it , in which there is an obvious connection between color grading and saturation that I am not aware about, or what is the impact of these “raise or reduce “method.
Thank you so much for commenting! For this image I reduced the yellow hue in order to introduce more of those autumn colors in the foliage since it shifts the green leafs more into the yellow range. I boosted the yellow saturation to make these colors in particular pop a little more. Pushing the saturation in the calibration tab is just a nice way to make ALL the colors pop some more at the end :-)
Great video. I really enjoy the way you utilize the power of Lightroom in adjustments of landscape photos effectively.
Thank you very much!
I watch a lot of tutorials while on the treadmill. This is one of the very best I’ve ever seen! Very helpful!
Thank you so much! Great way to watch videos, too! :-)
Superb as always Christian.
Thank you! :-)
Deine Videos sind wie immer sehr gut aufgebaut und sehr gut erklärt. Bringt mich immer ein Stück weiter👍
Freut mich sehr zu hören, vielen Dank!
Another excellent demonstration.
Thank you.
Thanks alot. Great video again, I especially like the sketch at the beginning to get an impression, what you are going to do.
Thank you! I'm going to try and include sketches like this more often!
Amazing result. Totally impressed. Always learning something. Thanks for posting.
Thats great to hear, thank you!
Great video,thank you!
Thanks a lot!
Just MAGICAL ! Thanks !
Very well done and explained. Due to your continuous videos I am getting much better now in LRC. Thanks a lot!
Thats great to hear, makes me very happy, thank you! :-)
Thank you excellent tutorial On new masking features
Happy you like it!
Always very useful your video`s!
Thank you very much :-)
Love your tutorials keep up the great work, very nice edit as usual 😊 🎉
That means a lot to me, thank you!
You are a wizard! Thank you.
Thank you so much!
Thank you. Masking has never been one of strong points. Watching you process this image has furthered my understanding of how to use masks to shape light and create depth in an image. Thank you again.
I'm very happy to hear that, thank you so much!
Awesome 😊😊😊😊😊
Excellent!!...Thank you.
That was excellent Christian, thank you! I hadn't used the Intersect Mask before, wasn't really sure what it was for tbh!
IM very happy to hear that, thank you so much!
Great video Christian, very useful. I couldn't help noticing the small horizontal shift in the waterfall towards the top. I guess that is one of the hazards of doing multiple shot panoramas when moving objects (ie. the water) are involved.
Great catch, didn't notice this until you pointed it out! Shooting an HDR panorama with the moving water this close is indeed tricky :(
A very good tutorial 😊
Thank you!
Excellent!🎉
mooie foto en heel mooi bewerkt dank je
magnifico!!!
Thank younger this great video.👍
Happy you like it, thank you!! :-)
Did you make the hdr-panorama in Photoshop in the first place?
I merged this in Lightroom (but I could have done it in the camera raw editor of Photoshop as well)
💪📷top
Christian, Thank you for your excellent illustration! I have a question about saturation, both in today’s and the previous projects, that is, at about 10:18 minutes, raises yellow +29, compared with color grading of yellow reduced to -39, then in calibration saturation at 10:49 raised to +46., which I did’t catch it , in which there is an obvious connection between color grading and saturation that I am not aware about, or what is the impact of these “raise or reduce “method.
Thank you so much for commenting!
For this image I reduced the yellow hue in order to introduce more of those autumn colors in the foliage since it shifts the green leafs more into the yellow range. I boosted the yellow saturation to make these colors in particular pop a little more. Pushing the saturation in the calibration tab is just a nice way to make ALL the colors pop some more at the end :-)
Great thanks! I catch it. @@ThePhlogPhotography