FONTE, discover descending sequence

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  • Опубликовано: 15 сен 2024
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Комментарии • 20

  • @axeman2638
    @axeman2638 4 дня назад

    A7b9-Dm-G7-C
    6-2-5-1 in Jazz language.

  •  Год назад +4

    Excellent video! At 9:00 Porpora's Sonata, there is a mistake in the example. But it doesn't matter, it is very clear what you're talking about.

  • @darrenshearer1730
    @darrenshearer1730 Год назад +1

    I love the Hermaphrodite Fonte example at 6:03. It reminds me of a couple of the variations of the Rachmaninoff Rhapsody on a Theme of Paganini. I’m definitely going to use this a lot, thank you!

  • @johnrothfield6126
    @johnrothfield6126 Год назад +1

    Aug 4th on the first beat is striking!

  • @giuseppebartoluccio7169
    @giuseppebartoluccio7169 Год назад

    Bravo!!

  • @johnrothfield6126
    @johnrothfield6126 Год назад +2

    Musical examples:
    Gasparini
    ruclips.net/video/AlyYD7VE0j4/видео.html

  • @ymaysernameuay1113
    @ymaysernameuay1113 9 месяцев назад +1

    must the fonte have two parts? or can you keep following the pattern down

    • @RichardusCochlearius
      @RichardusCochlearius  9 месяцев назад

      Hello! Great question! The Fonte can only have 2 parts Minor + Major and there's a SPECIFIC reason!
      You can learn more about that in this beautiful video:
      ruclips.net/video/M7tMr1SgMWA/видео.html
      Have a nice day!😉❤️🧙‍♂️

  • @benwafflle
    @benwafflle 5 месяцев назад +1

    How can Fa be higher than La at 3:53?

    • @RichardusCochlearius
      @RichardusCochlearius  5 месяцев назад

      Because "Una nota super la sempre est canendum fa". A note above la is always singing fa

  • @sislaneydillanomore2803
    @sislaneydillanomore2803 Год назад +1

    At 7:36 , Isn't that a 6/4/3 chord?

    • @RichardusCochlearius
      @RichardusCochlearius  Год назад +1

      Yes... You are right, i have to fix it! Thank you so much for your report. Sometimes making many things alone... You know, the mind collapses! 😂😂😂❤❤❤

  • @conservatory_2.0
    @conservatory_2.0 Год назад +1

    At 14:08 the first inversion of C major chord is written with doubled third tone (bass), but you are playing with doubled root. Which one is better in this situation?

    • @RichardusCochlearius
      @RichardusCochlearius  Год назад

      Hello! At 14:08? At the end of the video?

    • @conservatory_2.0
      @conservatory_2.0 Год назад

      @@RichardusCochlearius Sorry, mu bet. I mean at 7:15 😄

    • @RichardusCochlearius
      @RichardusCochlearius  Год назад

      Ok! Remember! You can double the 3rd if it is not the leading tone.
      In that case the F ( in d minor chord) and the C (in C major chord) are not the leading tones, so you can double them.
      It depends on the melodic movement counterpoint texture you are writing.

  • @julianodinelli521
    @julianodinelli521 Месяц назад

    Excelent video, Maestro... just explain me about that exemple of hermaphrodite fonte on 5:30.... the second part just changes A for Ab, while the E remains the same; i.e. only the second tetrachord of the scale is minor (alteration in the 6th degree), but the most important part (the 3rd degree) remains unchanged... could i turn the E into Eb in order to close in a real minor mode?

    • @RichardusCochlearius
      @RichardusCochlearius  Месяц назад

      Usually the 3rd degree remains major. But look at Bach's Sinfonia n. 7. There is a B Minor-A Minor fonte

    • @RichardusCochlearius
      @RichardusCochlearius  Месяц назад

      @@julianodinelli521 Here: ruclips.net/video/HaZVcdkHEpo/видео.html
      I warmly invite you to join our community on Patreon, there are a lot of things you can learn, and a lot of music secrets you can discover!