Wow David, this is a masterpiece, the best piece of journalism on this subject ever, imo. Your analysis distinguishing John's great rock-n-roll-covers Beatles, with Pete, from the Fab Four hit machine with Ringo, rings true and makes absolute sense. It is possibly how they thought about it themselves. You also evoke the fervid atmosphere of the Liverpool scene on the verge of the explosion, and the tinge of darkness in the early Beatles which bordered on real nastiness at times. Your open minded but strictly evidence-led approach is admirable and productive, many could learn from this, and you've really dug deep to tease out available details. You've set a very high bar for anyone seeking to argue with your conclusions, and presented them clearly and convincingly. Bravo!
Thank you so much for those kind words. It is a very emotive subject and it is hard to be objective when analysing it, which is why I like to look at it forensically, with evidence, to come to a conclusion. So glad you liked it. David
The Tree Beatles were cowards not to tell Pete in his face they didn't want him but they did it behind his back. Because the Beatles was jealous of his popularity that's why they couldn't tell him in Pete face why did they have to get rid of the drummer just because they thought they would not succeed no Pete didn't have the looks .
Pete did not have the personality to take the next step. Ringo was such a big part of the Beatles identity, the movie had Ringo as the lead. I love the Pete recordings but, big difference, same songs different drummers. One feels like the future.
Ringo was the right choice because of his personality as well as his drumming. The Beatles weren’t just musicians they were an act: their humour, cheek, cuteness were all part of what made them so successful.
+Michael Dunne Looking back Michael I don't think anyone would disagree with the change. Like with any group it is the whole being greater than just the sum of the individuals.And what a group!
Ringo was a distress choice. Being wise in hindsight always clouds history. There is nothing to say _The Beatles_ would have been less successful with Pete Best rather than Ringo.
@@johnburns4017 You have overlooked that when the Beatles came back from Hamburg all of the Liverpool drummers were copying PETE'S style. The "Atomic Beat". Further after 50 years he began writing which he should have started 50 years ago.. Listen the the album "Haymans Green" by the Pete Best Band. It would appear that the muses has touched the 4 members in Hamburg...
Ringo was the biggest comedian of the bunch and he lightened things up and provided a focus for their movies. George and Paul were pretty serious. John had a wry sense of humor but was also serious about music. Ringo was a devil, but a great drummer. Lots of times a person like that makes it all fun and people want to stay together for that alone.
Pete was the kind of drummer that played with more power than Ringo and wasn't at all animated when playing. His style wasn't quite right for the Beatles, plus his on-stage persona didn't match the other three, but despite what they tried to pass off about Pete being a bad drummer as the reason for him getting replaced, Pete was the better drummer later admitted to by John to Beatles historian Tony Barrett "Pete was a better drummer, but Ringo was a better Beatle". This came after years of bagging on Pete and saying he was a lousy drummer. I think they would have still been just as popular with Pete, but no one can really say.
@@jimo3173 I don't really see the evidence that Pete was the better drummer. We haven't got tons of recordings of Pete's playing but what we do have shows that he kept time acceptably well but wasn't very creative with fills. He also tended to overplay a little, complicating some tracks where it wasn't necessary. Pete was far from _lousy_ but Ringo was certainly the better drummer. Much tighter timing, much better at coming up with a groove that suited the song. If Pete was really so great he'd have found work as a sessionist or been snapped up by another big-name band.
You ignore the fact that the change to Ringo was made just before they anticipated a transition from live performances to studio work. Pete may have been passable in a noisy club, but the few recordings I've heard clearly lack Ringo's subtle and nuanced touch.
Don't forget we can't consider Ringo's style and capability proved over several years as a Beatle. He, like Pete, was a live drummer and in Liverpool they were considered equal, but different. However, Ringo's experience playing in several different variety clubs and summer seasons meant he was used to playing different styles. He was more adaptable to the studio eventually, but John, Paul and George didn't know that then. We have the hindsight to appreciate Ringo's style and nuances. It was a gamble in August 62, but thankfully it worked out, as it always did with the Beatles! It was the right change.
@@BrightmoonLiverpoolthey knew what Ringo was capable of because they had jam with him a few times in Germany, the guys were happy with Pete's drumming until they started to noticed Ringo's and other drummers drumming.
One aspect not explored IMHO...the Beatles were able to rehearse in Pete's basement whenever they wanted (supported by a facilitating Mona Best), and it was also a venue to perform at, which was well attended by adoring crowds!! That is a super huge benefit for a developing band. I was in a band at the same age in the 70's, and the reality of finding space that 4 kids could afford to rent (convincing parents to spend the money), and the logistics of moving equipment to and from gigs was super huge. Getting a gig was very difficult...even if you played for free. Their circumstances allowed them to build confidence, and skill as players and performers. Immeasurable
Ringo was two things for the Beatles. First he was an innovative, clever drummer that created instantly identifiable beats. So many Beatles' songs can be identified by the drum line alone; not many drummers are that original. Secondly, and maybe equally as important, he was the glue that held the band together. George, Paul, and especially John had a creative tension that no amount of meditation and chanting with gurus could resolve. Ringo was the mediator that kept the band grounded. Who knows how the "fickle finger of fate" works, but there would have been no Beatles without Ringo - the other three would have imploded or strangled each other.
He was also the comic actor. You can say that he kind of stole the show on A Hard Day's Night firm. The name alone had that unusual part of it. Of course, the unique drumming style with his snare hand and grip was revolutionary. I also believe that it added to Paul McCartney's bass playing with the two parts of the rhythm section working while the guitars were doing their thing.
Well said.....Ringo definitely relieved alot of tensions throughout their career. Even John Lennon once said that Ringo was the heart of the Beatles. All four of them were very similar but also very different. But the most important thing that I feel added to their success was how close the 4 of them really were. Ringo said he was born an only child but then found his 3 brothers. The Beatles were brothers like a family. That is so important for a band in the early years to get through hard times and adversities. It does also help to have the greatest songwriting partnership of all time with Lennon / McCartney in the band also! 😆 that helped some too! But also having George Harrison who to me is one of the great songwriters of all time. He was very good musically and mastered that early chet Atkins style of guitar playing. Wasn't the greatest lead guitar player as far as speed and shredding and showing off with 10 minute long guitar solos go but the Beatles were never that kind of band. George added alot to the overall sound of the Beatles throughout all of their phases of music. He introduced the Indian sounds with the Sitar and brining in Indian musicians to play on a Beatles record. He also was the one who brought spirituality into the band and their songs. Within Without You to me is a masterpiece watershed moment in pop/musical history. Bringing East and West together. George also evolved into a very great slide guitar player later on in his career. Just amazing.
@@Bella-nt7ec Read "The Beatles - All These Years: Volume One: Tune In" by Mark Lewisohn. John, Paul & George were all pretty fickle in those early years. Not only opportunistic and manipulative, but from the behaviour of John and Paul, you could definitely refer to them as 'users' regarding their relationships with their peers and other people. Drummers are always on the periphery in any band unless a special chemistry exists with the others -Ringo case in point, they are leader of the gang' -Pete wasn't that type of personality, John was, or they have other talents vital to the band such as songwriter or strong (co-lead) vocalist.
True. He shared the same humour. The Vibes. It all clicked. Pete Best was not. And he's not very suitable for a studio setup. Live, maybe. People don't care much about skill on stage as long as he can keep the audience alive and tuned in. Technically, not very. Not at all. There are evidence on that as well. Just go and search Pop Goes The 60s channel on RUclips about Pete Best.
Elvis’ manager, Col. Tom Parker, said in a press conference shortly after his death: “Elvis didn’t die. The body did. We’re keeping up the good spirits. We’re keeping Elvis alive. I talked to him this morning and he told me to 'carry on.’” (Elvis did not die and he wanted out. - Col. Tom Parker. 1977) After hearing so many stories about the death of Elvis Presley, I have decided to tell the world the real story on the facts concerning that day in August, 1977. Yes, that day, the 16th of August. Is it a coincidence that a person born on that January 8, first month, eighth day, would perish on the 8th month and the 16th day? Probably if two (2) people were born on that day it makes more sense. You see, numerology always played an important part of my life and still does today. So many people have written or spoke about my death as a hoax. It was not a hoax! I decided to reinvent myself in the form of my brother (Jesse Garon) and yes, Elvis Presley did die that day. But after much searching for the right people, I found several people from different states who I consider my most loyal and trustworthy friends. To some people this book will be just another scandalous piece of fiction, but when you are done I think you will think otherwise. I always felt my brother deserved to live and what better way to let him live his life than to end mine. I was lonely, depressed, in bad health and my numerology chart said that this was the time for it to come to end. Anyone who studies numerology will understand, those who don't may want to look into it. All of the facts (and there are many) even the experts will say they are more than coincidences. I no longer give away Cadillacs or expensive pieces of jewelry because I am nothing more than a man who had a very famous brother. I am not a great literate (I never wrote my own songs), but I am not illiterate either. The perfect day August 16, 1977, 1 + 9 + 7 + 7 = 24, my age backwards (42), the facts go on and on. But my true reasons for the book are for my fans. My death was not a hoax! To my fans, please forgive me, my brother deserved to live, he was with me constantly (spiritually). My life would not be the same had he lived at birth. This was my way of giving him life, and corny as it sounds. The Colonel took this secret to his grave. He was a loyal friend. But I will no longer stand by and have people like Gail Brewer tell you stories that are pure fiction. This book written by a true friend will help you realize why I did what I did. - The Truth About Elvis Aron Presley In His Own Words. (2001). My fascination with the idea of a hoax about death was when Jim Morrison died July 3rd, 1971. Although I saw no correlation (he died at age 27) I was astounded that as famous as he was the body was just closed up and shipped out. Now I don't know all the facts concerning his death. I thought it awfully strange that no autopsy was performed (or so I thought) and just forgotten about. There were a lot of rumors about his death. I noticed he was born on the 8th day. Born in 1944 = 1-8 and died in 1971 = 1-8. Remember my comeback in 1968? 1+9+6+8 = 24. Obviously, I was no longer 24, so I reversed the age to 42. The next time that number had any relevance was 1977 (1+9+7+7 = 24 when I would be 42. Numerology can and does play an important part of my life and we knew that would have to be the date. Most people if they know what to look for will find significance in the forms of numbers in all of my movies! Example: gravestone in " Loving You" (year) 1878 = ? (1+8+7+8 = 24). You have to look at the movies. My hero James Dean died at the age of 24, but I was on top of the world then and wanted to live. - The Truth About Elvis Aron Presley In His Own Words. (2001). I will start about 1974 when the thought first came to me about faking my death. I have always been fascinated with the occult and other spiritual things. When I first saw a wax dummy of myself made by a Mr. Cooper I was fascinated with it. For some time I had thought if it was possible? Could I pull this thing off? I had asked Mr Cooper if he could make another wax dummy for me. He said he could. I in turn said I wanted him to do it and keep it strictly confidential. When I had mentioned it to a very few close friends (Joe Esposito, Larry Geller) they did not think I was serious. I was tired of being Elvis Presley, my health was deteriorating. I just couldn't keep up. My finances were floundering because of my daddy's poor business ventures. I was at my wit's end. As the years progressed I had my ups and downs which are pretty well documented in other books. I also had two detectives from Colorado who I trusted immensely. Originally the date was 1976 according to my numerology charts but I chickened out. A pact was made on the grounds of Graceland one night, hands placed over hands that this secret would never be spoken of outside this room. I picked four (4) of us initially and to this day all have kept the secret. I also know when this book reaches the bookstores people (my loyal friends) will be heartbroken. They took care of me and convinced others that I was no longer alive. In reality Elvis Presley died that day and my twin brother "Jesse" came to life, living in hiding but as a normal human being. I skip around because I am writing stream of consciousness. My own Daddy bless his soul never knew the truth. Little Lisa was told months later and explained to her she would not see me much. The Colonel took this secret to his grave. Many people believe me to still be alive but I was told in the beginning there would be no contact in order for this to work. I go thru a lot of ups and downs since 1977 and have lived in many states but I insisted I needed to be in a warm climate. My personal thoughts are that my fans will understand. That is very important to me. I just could not face myself any more after seeing myself in the mirror and that is where Larry Geller came in. He asked if he could write a book, and I gave him my blessing. "If I Can Dream" is the title and I like his book. He had filled my head with spiritual thoughts and made me believe we could pull this off. If I had stayed longer I think I would have been booed off the stage. That is why I chose the date 8-16-77. Do you know how many famous people passed away on that date? The great Robert Johnson died on 8-16 and he was born in 1935! Babe Ruth, and Bela Lugosi and many others. I must say I was very nervous that day 8-16. But it had to be done before I went on the road where I would not have been able to pull it off. Did you know there are secret compartments in Graceland that very few people know about! A few like Vester would joke about my being alive but no one took him serious. Many of my friends would ask if I were still alive and they have their doubts but as it was I might have died broke and just a shell of myself. I was given an injection that looked like I was dead but the people closest to me knew better. Believe me I had my doubts that this could be pulled off. But it did and I became Jesse, just a poor white southern boy who didn't sing a lick of anything. I feel bad my Daddy wasn't allowed to know but it just couldn't be done. I better go now and collect my thoughts to tell you the rest next time. - The Truth About Elvis Aron Presley In His Own Words. (2001). You Found Me By Pastor Bob Joyce ruclips.net/video/WUI7_rZpl8c/видео.html
As a musician off playing for fifty years, here's my opinion. Pete Best's playing on the recordings done with Tony Sheridan were adequate but pedestrian. Over the eight years Starr was with the group, he played to the song, always. Their success would not have happened with Best on drums. Listening to all the songs of the Beatles, the unusual input Ringo provided became legendary.
Thanks for your comments. Looking back, we can certainly see and hear what Ringo brought to The Beatles. In 1962, there was very little between Ringo and Pete, though they had different styles. There is also nothing really on the first 2 or 3 albums that Pete couldn't have coped with admirably. After that, as The Beatles evolved, Ringo's incredible ability to play the song, to improvise and synergise with the other 3 made him the legend that he is today.
Absolutely agree, everyone knows Ringo’s unique drum fills, they are part of the structure of every Beatles record, he indeed played the song. It’s taken years but people are giving him the respect he deserves. In short, where Pete played the drums, whereas Ringo fitted in perfectly, he was a Beatle, whereas Pete never mixed as well with the others. Very interesting post.
I’m not a musician, and I see it the same way. John one time said about Best, that he never improved. It so annoys me these days when people keep comparing musicians' skills proclaiming one is better that another. Not one of the other great drummers mentioned thru these past 60 years not named Ringo, would’ve fit in with the songs The Beatles wrote and recorded.
As a musician of many more years than you. Here's the truth. I was there at the time and you were not. Pete was the most popular member. All the groups watched Pete including Starkey. The pure power of Pete's drums, especially in the small confines of the Cavern was staggering, only Johnny Hutch came close. They image they had , the leather, the hair, the "anti" red Fender guitars the choice of songs, different to all the other bands, but the drums and bass hit you from the stage.. It all contributed to their popularity, and attracted the attention of Eppy. If you missed the early Cavern Beatles you missed a real treat. So to all the experts on RUclips. If you didn't see Pete play with Beatles, all your comments are heresay.
@@BrightmoonLiverpool I say bosh to the so called greatness of Ringo. He couldn't even do a drum roll. You wanna compare? Try Buddy Rich. Now that's a musician's drummer. Or Hal Blaine-- much more polished and versitile. Even John Lennon said Ringo wasn't technically good. Just that he could lay down a beat better than most. So don't give me that overrated Ringo stuff. Drummers like him aren't suppose to be "stars". He was in last name only. The main talent always stood in front of him singing and playing the hits. Hits made by their producer George Martin-- the real genius behind the Beatles not that fellow sitting behind John Paul and George who replaced Pete Best.
His timing wasn't a big problem, he was a typical live drummer. Ringo's timing was a problem for George Martin which is why Ringo was replaced by a session drummer.
@@BrightmoonLiverpool there is a clip on RUclips of his drumming of Love me do. And the timing is awful. All over the place and the others have trouble to pull it together.
@@BrightmoonLiverpool No, that was not the reason. Martin simply didn't know Ringo well at that time and didn't want to risk a session. It was just a CYA action by Martin. Also, in your research you seem to neglect very important issues of how a live band operates and how important during a live performance various "silly" details are. Details like: eye contact for starters. Even such a "silly" thing as a drummer that could not be quickly cued during a concert can become a source of _major_ annoyance to other band members. Same with personality clashes. Those kind of things simply can simply crash the entire enterprise. What can you do?
@JanPBtest With Ringo, are you talking about why he was replaced by Andy White? That was because George Martin didn't think Ringo was good enough on 4th September and so brought White in the following week. Paul McCartney said that Ringo's timing wasn't that good at that moment but he improved. Your other point about how a love band operates is interesting, as I have played in bands for 40 years. However, my research takes in comments and quotes by the other Beatles and that has never come up. Again, Paul McCartney said a few times that Pete was a great drummer playing live, so that didn't appear to be an issue. If you have any quotes I have missed, I would be interested to see them as I am always open to new information.
Fascinating video, thanks much !! Incredible evidence that you dug up, it all sounds so logical. Definitely the best explanation I've ever heard. I can't help but wonder, what would have happened if during Pete's "sacking" by Brian, Pete remembered that he had a signed contract agreement with the boys, and told Brian that he was going to speak with a lawyer about it...
Thank you. Pete did consult a lawyer but got bad advice. His lawyer tried to sue Brian for wrongful dismissal, which of course he could not have done, as Brian didn't employ Pete - Pete employed Brian!
Really enjoyed your presentation. I have studied all of this for a long time. There is a video (easily found online) of Johnny Guitar clearly stating in some detail, from first-hand knowledge, that John Lennon and Paul McCartney did show up at the holiday camp and spoke to Ringo about joining The Beatles. He also speaks on Rory's reaction to Ringo quitting on him. In Gerry Marsden's autobiography, called, "You'll Never Walk Alone", Gerry reveals, from his own first hand knowledge, that a number of drummers were asked to replace Pete Best before Ringo was asked. Gerry reports that his brother, the drummer for his Pacemaker's group, was also asked by George Harrison to replace Pete Best in The Beatles before Ringo was asked. Being a mate of Pete's, Gerry's brother refused to (as Gerry worded it) "do the nasty" to Pete and so he had no interest in replacing Ringo in The Beatles. I do think you are wrong in your conclusion that the notion of getting rid of Pete came only after George Martin spoke of replacing Pete on the recording sessions. True, there was a contract that tied Pete to his bandmates, but an intolerable, unexpected problem arose afterward for the core members of the group. Pete was fast becoming the most popular member of the group. I think that is undeniable. The very long cues to see The Beatles at their club shows, by most reports, were primarily Pete fans. The Beatles had been asked, at The Cavern Club, to bring Pete out in front on stage. Pete himself admits, in his own autobiography, that his bandmates and even Paul's father, who scolded Pete, accusing him of putting himself above his bandmates, were seeing the fan adoration of Pete as a growing problem. Pete also reported having his own suspicions aroused, when, well before his EMI audition, someone close to Brian, out of the blue, told Pete how sorry he was that his bandmates were letting him go. Would Pete fabricate such a thing that had startled him when it happened? Another clue was Pete's recollection that he was never told by his bandmates that Decca had turned the group down, discovering that they had known of it themselves al along. But when George Martin related that he would be using a session drummer, John, Paul and George finally had an excuse they could use to conceal that wanting Pete out was partially based on jealousy. As you rightly concluded, had Pete's drumming ever been an issue, he wouldn't have lasted a week in the group. But we also have Brian Epsien's own account that what attracted him to The Beatles was "their beat". Was he attracted to a group that could not keep time? Would The Beatles fan base go through the roof if they had "a lousy drummer", as Lennon once remarked Pete was? Lennon also said McCartney was nothing but "muzak" and that beyond the song, "Yesterday", Paul had nothing to offer. The fact is, as you pointed out, Lennon, without knowing it, had defended Pete as a being great drummer, because he said their best era was when Pete was the drummer. You cannot have a great band, not at all, unless you have a great drummer. So why would he call Pete "a lousy drummer"? Lennon was still holding a grudge over all of the mayhem caused by Pete's removal, for which the group blamed Pete. The period just after Pete left the group was far worse than is widely known, with fans walking out on the Beatles' gigs, chanting Pete's name at gigs, writing letters for weeks in support of Pete, protests, altercations in and around the gigs, including George Harrison's black eye, fans camped out at Pete's house. Gerry Marsden reported a completely distraught Brian Epstein being beside himself in tears, not being seen without security people he hired for his own protection. And all of this was considered Pete's fault. And when Pete sued The Beatles, George Harrison's opinion about Pete, I believe, was expressed in the one song George wrote, where he mentioned in his autobiography, that he admitted it was written about a real person, but that he could not remember who it was. "I left you far behind the ruins of the life that you have in mind. (Pete was on tour with his own band at the time.) And though you still can't see, I know you're mind's made up, you're gonna cause MORE misery..." again blaming Pete for their misery of bad publicity after Ringo told Playboy Magazine that Pete was a pill popper which led to that lawsuit that Pete was using to promote his tour with. The person in that song, "Think For Yourself" is described exactly the way the Beatles have always described Pete after his removal. "Although your mind's opaque, try thinking more, if just for your own sake. The future still looks good, and you've got time to rectify all the things that you should. Do what you want to do... you're telling all those lies..." etc. The fact that George said this song was about a real person lets me know why he claimed he forgot who the song was about, having been written just when Pete's lawsuit was in the press. So yes, I believe they held it against Pete for the "misery" The Beatles had suffered after his removal. But more than that, they had to justify replacing Pete with Ringo in particular. They all kept it quiet for a long time that George Martin had also refused to use Ringo on the sessions. But having made the move of replacing Pete, now they had to justify that move by creating the myth that Pete couldn't play drums, when Mersey Beat, in writing, fall 1962, actually reports that George Martin was TEACHING Ringo how to play drums. Am I making that up? I named the issue. It is easy to look up. So, before you conclude that Ringo was the great drummer who filled the void, one needs to consider the edge that Pete Best would have had in the group, if George Martin had been as kind to Pete in arranging for proper drum instruction for Pete as he had for Ringo. That is a fact. Now, what was Ringo's track record as the new drummer in The Beatles? First session with Ringo: "How Do You Do It" - shelved., "Love me Do" - shelved. "P.S. I Love You" - shelved. And even weeks later, with Ringo on drums: "One After 909" - shelved. "The slated "B" side for "Please Please Me", an original called, "From a Window" - shelved. George Martin didn't even let them record it. He said it did not sound right when they played it for him. So, no... Ringo Starr was not having an easy time proving himself as the premiere drummer of Merseyside, living up to all of the accolades being chanted about him by his new band mates that were designed to justify the switch. To this day Ringo Starr still says it is him on drums on "Love Me Do" and "P.S. I Love You" on the album. Those who know the history know better than that. And we also know to dismiss it when John Lennon claims that the plan was always to get rid of Pete. He was still lying about Pete's removal into the 1970s. Lennon admitted to Beatles' biographer Hunter Davies, that they gave Brian the job of getting rid of Pete because they were afraid it would have turned into a fight had they done it themselves. And they had good reason to believe just that. When Tony Sheridan, at the time The Beatles were Tony's backup band, tried to demand Pete change his playing on a particular song, finding fault with Pete's drumming, that turned into a 30-minute fist fight between Tony and Pete after Pete defended his drumming, flatly refusing to change his playing on the song in question. This is no rumor. Both Pete and Tony have openly talked about it as having been a real event. And that is what would have crossed the minds of John, Paul and George when the thought came to them, of facing Pete themselves with the lie that Ringo was replacing him because they felt Ringo was a better drummer. Pete certainly didn't believe that Ringo was better than he was, so he absolutely would have considered the "reasoning" they offered, for replacing him, as being a total lie. Ringo was given drum lessons just after he joined the group, during the period when every track Ringo played on was being SHELVED. These are facts you did not cover. - There's much more I could add, as to the subject of Pete having been replaced. It is not as simple a matter as you make it out to be. I do think your presentation was excellent. I just think there's much too much that you left out that could fill in other aspects of what happened and why. Klaus Voorman, to this day, swears that The Beatles never sounded better than when Pete AND STUART were in the group. Is Klaus tripping? No. He was there. *We* are tripping if we believe a lot of the false history that was created, that was designed to conceal the petty jealousies that were real and that helped to lead to changes in the group that later, in order to save face, had to be swept under the rug.
Thank you for this very important information. It makes sense. Yes I always suspected jealousy and I did hear a recording of the fans yelling for Pete after he was replaced and Lennon says YES to them. I dont know where that recording is but I listened to it many times twenty years ago... as I couldnt believe what I was hearing..the screams from the audience demanding Pete. I had no idea it went down like this.
@@barbj9785 Thanks for your interesting response! Yes, I remember hearing "We want Pete!" from the audience. Pete was there at The Cavern that night eating his heart out, watching as the group made their first tv appearance. Ironically, it was Pete's mother, Mona who got that tv appearance arranged. As it happened, that performance of "Some Other Guy" was filmed just days after Pete was let go. But the calls for Pete went on for weeks. Gerry Marsden reported that Ringo was a nervous wreck during that period, saying he should never have joined The Beatles. Gerry personally confronted Brian Epstein demanding to know how he could pull such a stunt on Pete. Pete could not actually be fired by his own representative. Pete was conned off of his drum throne. Brian just shouted back at Gerry, "You wouldn't understand!"
Hi Randy, not in Hamburg. Pete asked Ringo to sit in for him at the end of 61 in Liverpool and then on 3 further occasions in early 62, Ringo sat in for Pete when he knew he couldn't make it. Ringo did once say that Pete didn't show up for gigs and even suggested Pete took pills to make himself ill. Ringo got sued successfully by Pete as it wasn't true. Pete never didn't show up. If he was ill or in one case was in court, he let the others know and so if Ringo was around he sat in.
Sorry, Pete was not a “really good drummer” by any standard. He kept a basic 4/4 beat going but that’s about it. He seems like a nice guy, but his drumming is mediocre. Ringo, on the other hand, had flare, charisma, and stage presence. Ringo’s unique beats on songs like She Loves You and Ticket To Ride are iconic.
Here is a quote from Paul McCartney on Pete's drumming: Paul stated in an interview in Wingspan "We had Pete Best who was a really good drummer, but there was just something; he wasn’t quite like the rest of us.……” John, Paul and George thought Pete was a really good drummer and they produced a fantastic sound which Lennon stated was when The Beatles were at their best before they went into suits. I'm not knocking Ringo and will keep repeating that too. Ringo was a fantastic drummer and made a huge contribution to the Beatles music and nobody else could have done that. But Pete deserves his credit for what he did too.
Paul was being polite. John, on the other hand, was less diplomatic. I’ve listened to the DECCA recordings, watched Pete live on RUclips, and watched the video “The obvious reason Pete Best was fired from the Beatles” and you can plainly hear how inconsistent his drumming is. It’s a shame that no one thought to video tape or record the Beatles in Germany when they were just a kickass cover band.
@@BrightmoonLiverpool Paul was being very diplomatic. That is who Paul is. And as soon as they heard Ringo they realized they could have much better but they had nothing to offer him at the time.
In the studio, there is proof that Pete Best couldn't keep a consistent beat. He would speed-up or slow down. He couldn't keep time. There is a production on RUclips with Pete Best in the studio that proves this.
Ringo had the same problem, as his recording of, "Love Me Do", was rejected by George Martin for the same reasons. Both drummers were great live performers with little experience in the studio in the summer of '62. The difference was, JP&G were jealous of Pete, wanted him out and used Martin's rejection of Pete's recording as the pretext they'd been waiting for to sack him. Whereas with Ringo, they wanted him in, and when he was also rejected by Martin, they fought the EMI A&R man like hell to allow Ringo more chances--which is got, and made the most of. Pete would have, too, given that he got a record deal by Decca with his new band soon after being sacked by The Beatles, and no session drummers were required. Pete's sacking was a despicable betrayal of the drummer who'd saved The Beatles two years earlier, defined their sound with his Atom Beat, and drove them to the verge of stardom with his leading-man looks and immense popularity.
@@Cosmo-Kramer Wrong. Lennon stated more than once that Pete was an awful drummer and they were planning to sack him long before they actually did. You just seem to blindly think PB is a great drummer, which he is not, he really is terrible and it's obvious. But sure turn it into a personality and jealousy thing only, or about his looks, which never got him anywhere either - he was a dullard. Lennon is considered a brilliant rhythm guitarist by many - do you really think that he did not have an innate sense about timing and what good drumming was? I was there for many of their early appearances, both with Pete and Ringo and Ringo was the change that was needed and it was an epic moment, no one of my friends at the time in Liverpool could figure out what the F Pete was doing on stage - he was not good. You write as if you're a PB propagandist and plant - are you?
@@bingohhhhhhhhhhhh You're a lying POS, lol, you weren't in Liverpool then watching The Beatles with Pete! Because NO ONE thought he was a crappy drummer, on the contrary, he was widely considered one of the best drummers in the entire Liverpool-Hamburg circuit. His Atom Beat revolutionized rock drumming, to the point that every drummer in those two cities tried to copy it, including Ringo. One bandleader, Faron of Faron's Flamingos kept firing drummers because they, *"couldn't sound like Pete Best".* So now that we've established that YOU weren't actually there, let's listen to someone who was. Here's what a contemporary drummer of Pete's said when he was asked in an interview what he thought of Pete's drumming: *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long, and that really was The Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* -- Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer.
@@Cosmo-Kramer Look for the following videos: "John Lennon on why Pete Best was sacked as Beatles drummer" and "Paul McCartney on Ringo Starr Joining the Beatles (2009)" Also: Lewisohn, Mark. "1000 Days Of Beatlemania". Mojo Magazine (Special Limited Edition). Documents Ringo's drumming was used on the official release of Love Me Do.
@@bingohhhhhhhhhhhh You are SUCH a dishonest pile of shite! LOLOL You were NOT there, because there were ZERO calls by the fans, media or anyone else to replace Pete in The Beatles, Pete was the most popular member of the most popular band in all of Merseyside (and Hamburg)! Laughably, you wrote that Pete was, *"really terrible".* Well, you'll excuse me but I'll trust my own ears, and I'll listen to these people who were ACTUALLY there! 1) *"Before we went to Hamburg we were just awful. But when we got back to Liverpool from Hamburg we were as tight as a band can be, and they kept inviting us back. Then when we got signed to a record deal we never got back to that level."* ~ George Harrison (describing the Pete Best era) 2) *"Things are going well here in Germany. Mona Best's lad, Pete, is drumming good for us."* ~ George Harrison, writing home to an old schoolmate 3) *"Pete was a great drummer"* ~ Paul McCartney 4) *"We did our best work when we were in our leathers playing straight Rock 'n Roll, in the clubs and dance halls of Hamburg and Liverpool, nobody in England could touch us. But it was never recorded so the world never got to hear it. But then once we got a recording contract, we fell apart as a live band."* ~ John Lennon (describing the Pete Best era) 5) *"Pete was a better drummer, Ringo was a better Beatle."* ~ John Lennon, to Beatles historian, Tony Barrow 6) *"Pete was a better drummer than Ringo."* ~ Mike Smith, Producer at Decca Records 7) *"When my band, Rory Storm & The Hurricanes, got to Hamburg, The Beatles had already been there for a couple months. We played on the same bill as them a lot so I was always running into them. I'll never forget the first time I saw The Beatles play, they were already great. They were the only band I would go see on my time off. We all played the same songs back then, and The Beatles played them better than any of us."* ~ Ringo Starr 8) *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long, and that really was The Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* -- Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer. Well, if you knew ANYTHING about music, you would know that a band CANNOT be great unless their drummer is also great, or at least, very good. A "terrible" (as you rated him) drummer drags the whole band down, and that CLEARLY did not happen with The Beatles during Pete's tenure. Quite the opposite. The Beatles were the worst band in Liverpool the day before they hired Pete and went off to Hamburg. Sure, they struggled for the first few gigs to be heard over the raucous German crowds. But Pete quickly remedied that by inventing "The Atom Beat", and The Beatles suddenly gelled like they never had before. They became such a hot ticket, that every drummer in the Hamburg-Liverpool circuit tried copying Pete's signature "Atom Beat". One bandleader, Faron, of Faron's Flamingos, kept firing drummers "because they couldn't sound like Pete Best". Even Ringo copied it! Well, Ringo *_tried_* to copy it. He lacked Pete's right-foot power and hand-speed. By the end of their first year with Pete, The Beatles had gone from the worst band in Liverpool to knocking Ringo's band, Rory Storm, out of the top spot in the Mersey Beat Top Band Poll. And it wasn't just Pete's drumming that helped make The Beatles great, he was also the far and away most popular Beatle. You say John, Paul and George weren't jealous of Pete. Well, in various interviews all three of them said the whole reason they got into playing music was to get girls. Understandable. And sure, they all got girls. But if you think the following scenes wouldn't make them jealous, then I've got a bridge I'd like to sell you. Lol Geoff Nugent, guitarist for a contemporary Liverpool band, The Undertakers, said, *"You'd see 2 or 3 girls around John, Paul and George after Beatles shows, and you'd see 50 around Pete. Pete Best put The Beatles on the map."* And here's one from Bill Harry, editor of Mersey Beat, the local music rag in Liverpool. Bill said, *"Pete was so popular with the girls that DJ/promoter Bob Wooler suggested something unprecedented -- place Pete and his kit in front of the other three members of the group. This unusual stage line-up was presented only once -- at the St. Valentine's Dance on 14 February 1961, at Litherland Town Hall. Only once because the stage was mobbed when the girls surged forward and almost pulled Pete off into the crowd. This never happened when John, Paul and George were in the front line."* So as you can see (or, you _should_ be able to see), The Beatles rode Pete's revolutionary drumming and immense popularity all the way to a record deal, which was signed by Pete, John, Paul and George, in July of '62. And one month later -- just days before their first TV appearance (arranged by Mona & Pete, no less) -- John, Paul and George stabbed Pete in the back, throwing him off the rocket ship he'd be so instrumental in building, and hoisted up the diminutive Ringo, stepping on and over Pete's bloodied body on the launchpad floor. It was a hideous betrayal, and remains today an indelible stain on The Beatles' legacy. --------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
Hi George although this wasn't a video on Pete's drumming, it does crop up. Please see my comments in answer to markede above. If we are going to judge Pete by Decca, then we judge them all, and none of them performed well that day. Have a read and see what you think?
@@BrightmoonLiverpool It's one thing to have a bad day. It's quite different for every day to be a bad day. Bert Kaempfert didn't use Best on the "My Bonnie" session because he just wasn't good enough. The simple truth is one cannot discuss Best being sacked from the Beatles without addressing Best's skills or lack thereof. It's too bad that all of this occurred in the early 1960's and not today. Had this happened today, there would be a plethora of cell phone video recordings of the Beatles.
I hope Pete Best sees this video. Thoroughly well researched, and clears up the complicated situation that's been debated and discussed and mysterious for over 50 years! I never considered the situation this way. Excellent job on the research, interviews, and piecing together all the pieces. Definitely earned yourself a new subscriber. :D
Thank you so much for the kind words. I have given Pete a copy of my book with all the research, so I hope he has read it, or sees this video too. Thanks for the support. David
@@sg-yq8pm I have seen Pete live when he was promoting hymans green album .and met him at the fest for Beatles fans . On the date 1962 it wasn’t his best drumming . He is a good person and better drummer now .
@@neilafacci5833 What's "ridiculous" is your assertion that The Beatles transformed from a bum band when Pete joined them, into the hottest ticket in two cities just 4 months later, with only having an "adequate" drummer. If you think that happens with an "adequate" drummer, you know nothing about music.
@@Cosmo-Kramer Pete was with _The Beatles_ for *two years.* The two years when they went from a bunch of kids banging out badly their favourite records, to a slick professional band that commanded attention.
Thanks Criss - the Decca audition I have commented on above - see full answer to makrde - as none of them performed well that day. Pete like all live drummers would speed up and slow down, they all did. That was a problem for Ringo too initially. Glad you found it interesting, thanks.
@@gringo557 David is saying that speeding up and slowing down was a problem for Ringo as well initially *in the studio.* When Ringo did a recording to, "Love Me Do", at EMI on September 4th, 1962, it was rejected by George Martin as not being good enough for the official recording due to poor timing--an assessment Paul McCartney agreed with. One week later, Martin brought in session drummer, Andy White, to do the official recording. Ringo was livid, and never forgave Martin.
They played well into the Morning at the Cavern at a pre new years bash on the 30th, spent 10 hours with their equipment riding in the back of van with no heat from Liverpool to London on the 31st then indulged in a bit of New years. The audiution was the morning of January 1st 1962.
@@BrightmoonLiverpoolI had my son practice his drumming to a .38 Special live CD and it wasn’t easy so I got the studio version of greatest hits and it is no problem at all to keep time too. I think live is just a different animal- crowd energy, tired from the road, whatever.
Ringo was a very subdued, yet brilliant with his chops. Ringo was a great Beatle and played what the songs needed. Not all songs are 4/4, you need better chops.
I watched an interview with John Lennon a few years ago (As I remember it was John). He said that Pete Best didn't have a good bass drum foot and would usually play straight 1, 2, 3, 4. This worked fine when they were playing Rock & Roll covers in the clubs. Ringo was more refined and had a good bass drum foot. I don't think Pete could properly play the original numbers on their first LP. Those numbers required a proper bass drum.
Ironically, it was Pete's thumping bass drum that made the Beatles sound in those 2 years. It was called the Atom Beat. Ringo had a wider variety of techniques and styles from his years in Rory Storm and the Hurricanes.
Hi Did you ever see the Beatles Live ? with Pete and with Ringo ,if you did and and you know anything about music / Musicians you would not need to ask the question!
I didn't as I'm too young but I know plenty who did and they are the ones, both fans and musicians, who cannot understand the criticism of Pete Best. I am also a musician who has played with plenty of drummers of varying abilities and you spot a poor drummer very quickly. Pete was not a bad drummer.
This video was a fascinating and in-depth insight into one of the great milestones and indeed mysteries in popular music history: the 'sacking' of Pete Best from The Beatles. Lots of legal technicalities played their part, and, it seems to me if Pete had stood his ground and dug his heels in, neither Brian Epstein nor The Beatles could have, legally, done anything about it. Of course, at 21 no one is aware, at least comprehensively, of where they stand on an issue like this and Pete did the gentlemanly thing and stepped aside to allow Ringo to occupy the drummer's seat/stool in The Beatles. What goes around comes around and I think the remaining Beatles/Apple Corps gave Pete his long overdue royalties where he drummed for The Beatles on the early part of The Beatles Anthology series. Thanks for doing the research and taking the time to compose this upload - great stuff; liked and subscribed.
This is an excellent video and I wouldn't disagree with you on any of the facts but I think you are being a little kind on the more subjective subject of Pete's drumming. George Martin was only the latest Producer/Recording Engineer to have a problem with Best's drumming. Bert Kaempfert had had to remove the bass drum altogether, which is why the percussion on the original Tony Sheridan recordings sounds so thin. Sheridan himself, who was much more experienced than The Beatles at the time, was scathing about the drumming. Decca recording staff have said that they wouldn't have been able to use Best on recordings even if they had signed the group. The drumming might have passed muster in a loud sweaty cellar or a bar in front of drunken rowdies where technical capabilities were secondary, but recording cruelly exposes deficiencies. Even live, more prestigious venues with better acoustics, would have shown up shortcomings more readily. There could have been no idea at that stage that screaming would have drowned out practically everything. It's ultimately noticeable that groups don't appear to have been clamouring to hire Best after he left The Beatles, even though competent beat drummers were in short supply at the time. Epstein was offering Best gigs with bands he managed. I've not seen any evidence that groups were pursuing Best, even though his personal popularity with local fans might have been seen as a benefit. On a human level this is a sad story, but I can't blame anyone who had to make the difficult decisions at the time. Trying to analyse situations like this in retrospect is always going to be messy and ultimately unsatisfying because we are talking about human beings and the more human beings involved in a complex situation there are, the messier it gets.
Hi John, thanks for your comments. I can tell which book you are referencing this from, which does rely on some unreliable witnesses. Kaempfert didn't remove Pete's bass drum - he asked him not to play it, as Kaempfert's style of music was "light" on the drums, and he never had a rock 'n' roll drummer ever. That is why Pete was restricted as to which drums he played. If you listen to Pete's drumming on "My Bonnie", it is fantastic. Unfortunately, Tony Sheridan and Pete Best didn't get on and ended up fighting in Hamburg, so he has a score to settle there. At Decca, it was noticeable that Mark Lewisohn didn't quote the Producer Mike Smith, but found some little tea-boy who nobody had heard of before trying to speak for Decca. Mike Smith has stated that he never had a problem with Pete - he did have a problem with Paul by the way. In fact, Mike Smith liked Pete so much that he signed the group Pete joined after The Beatles and recorded with Pete for a couple of years before Pete gave up. Pete was in demand - Rory Storm & The Hurricanes would have welcomed him, but he joined the new supergroup Lee Curtis & The All Stars, who by the end of the year were a close second to the Beatles in popularity. He could have joined any group he wanted. It is a sad story and, as John said, they were cowards in the way they did it. Thanks for the feedback. David
I agree. Matt Williamson, on his youtube channel "Pop Goes the 60s" covers this info very well about Pete's drumming skills. Also, J, P & G each speak about Pete's drumming and how they were not happy with him. Pete was not "one-of-them." He did not hang out with them outside of performing. Ringo was a better drummer. He also shared many interest and had a similar sense of hummer. As George said in Anthology: "Ringo was a Beatle. He just did join until then (August 1962)."
I do not doubt for one moment Ringo's ability and he was the perfect fit for The Beatles. However, that is making judgements in hindsight and not looking at the evidence that was available in 1962. There were personality differences I'm sure and it proved to be the right choice in Ringo in the following years, but that was what they hoped for, but not what they knew. It always worked out for the best (pardon the pun) with The Beatles story. As Ringo said, it took him over 12 months to join them as a Beatle, to break through that brotherhood that John Paul and George had. But he did it and he was the right man. I just believe that we need to get the history right and give credit where it is due.
I thought that Pete's drumming on recording came into question in the sessions the band did backing Tony Sheridan - he was said to be poor on coordinating snare and kick drum with hi hat. Also I've heard Lennon quoted as saying they needed someone to fill the chair when they went to Hamburg and Pete was chosen for availability rather than suitability ?
His drumming wasn't questioned by Kaempfert at the Sheridan sessions for competence. It was that the Beatles were a rock n roll group, and Kaempfert didn't do rock n roll. He did easy listening schlager music with soft drums. So Kaempfert asked Pete to only play the snare and cymbals. He does a really good job, too, performing a fast drum roll at speed, which is technically difficult. Yes, Best was hired last-minute to go to Hamburg. But they could have got rid of him anytime, but didn't. When they felt Stuart Sutcliffe wasn't up to scratch, Paul ensured he jumped before he was fired! They never tried it with Pete. If he was no good, they would have got rid of him straight away. Not after 2 years!
I would say he was a good enough drummer for the bars of Hamburg but producer Bert Kaempfert had higher expectations. To be fair, and I love George Harrison, the better solos (like on Ain’t She Sweet) were played by Tony Sheridan. I believe Pete did lag behind the others overall talent wise at the time and as history showed George, Paul, and John’s musicianship improved.
@@BrightmoonLiverpoolThat is a perfectly reasonable explanation. And while I really loved Tune In by Lewisohn, he really seemed to hammer Pete based on Bert Kaempfert’s tastes so now it makes me question some of his other rigidly held assumptions.
Marc Lewisohn , the most recognized Beatle historian, says when the Beatles went to .Abbey Road in June 1962 - they were a signed band. He said even saw the signed contract in the EMI archives. He said it was NOT an audition. He said it corrected everything he thought for decades - that it was an audition. It was not.
Thank you for your comments. Unfortunately, Mark was mistaken in his conclusion, using one form as his evidence, which a historian would. However, I studied English Law and Contract Law and knew that they weren't under contract. However, as I am not a lawyer, I consulted a lawyer who was the most senior lawyer in Liverpool, who explained clearly why The Beatles were not under contract. Ironically, the conclusive paperwork was provided by Mark in one of his earlier books, "The Beatles Chronicles", which shows that Parlophone didn't sign their side of the contract until around 18th June. To find out more, watch this video where I explained it ruclips.net/video/5C73wCMHON4/видео.html
@@BrightmoonLiverpool Very interesting, thank you. Pete had signed a contract with the Beatles, could he have just sat back and received a fifth of the royalites as long as he didn't join another group?
@@blueycarlton That was the situation they had to avoid, because he would still have been a part of the group. It happened with Don Felder and the Eagles. Their manager was sent to sack him, his lawyer confirmed he was a partner, and it took years to resolve it just before it got to court!
Pete was a terrible drummer. I'm a drummer I hear his playing straight bass drum 1234 most of the time. Ringo was the best drummer in the beatles circle and when he sat in and played "What'd I Say" with the band with the correct feel for the song they all knew.... Pete was toast. The Beatles had a recording contract and first chance they got, they convinced Ringo to quit Rory Storm or whoever he was playing with to quit and join up. Ringo is an amazing drummer just watch the early shows like the Washington DC gig right after Sullivan he kicked the **** out of the drums! Pete got his money in the 90s with the anthology records so he should be set for life since then.
According to the contract they signed with Brian, a majority vote of the Beatles could vote a member out of the band. So J, P and G were more than welcome to sack Pete.
No sorry, the contract they signed with Brian was a management contract, appointing him as their manager and agent. That has nothing to do with the musicians as a group. I discovered they had signed a partnership agreement between J, P, G and Pete and under UK law, you cannot sack a partner, you have to dissolve the partnership and they didn't want to do that. I have that from Brian's lawyer who explained the whole process to me. I am also qualified in UK Contract Law, but I wanted it independently verified by the man who advised Brian.
Years later he did, but what would you expect him to say? I think he said that in their opinion he was the best drummer in Liverpool. Johnny Hutchinson was the recognised best drummer by musicians and fans alike. Ringo and Pete just behind him.
Very interesting research. I wasn't aware of the fact that other drummers were asked to replace Pete Best. I had always thought that Ringo was the obvious choice. The whole business must have been very awkward for Neil Aspinall, seeing his mate (who was also his girlfriend's son) getting kicked out of the band.
A lot of people don't realise there were other drummers approached, but, thankfully, Ringo joined and everything worked out right. It really put Neil in an awkward position - Pete helped him out.
@@LapsangTe Brian admitted later that The Beatles were right about Ringo. At one point Brian even asked a piano player that The Beatles were jamming with to join without The Beatles knowledge. He turned Brian down because he had his own act. Brian did overstep.
@@alanm.8472 Yes, that's why they gradually alienated themselves from Brian. He was very important for them in the early days, but later on they wanted to be their own boss. When Brian died he had more or less lost controll over The Beatles.
Best's drumming was rubbish. All you need is a pair of ears and a smidge of music appreciation to discern that. You pull one Lennon quote where he thinks the Beatles were best in Hamburg (by the way, the famous Star Club tapes were with Ringo!), when Lennon directly panned Best's drumming in no uncertain terms.
Music is subjective and who you like or don't like is subjective. You may not like Pete's drumming but you can't say anyone with ears and an appreciation of music can discern that. Did you see the Beatles with Pete? I have spoken to many people who saw Pete live with the Beatles, fans, musicians including drummers, who all rated him as a great love drummer. May not be to your taste. Funny you should mention the Star Club Tapes - the Beatles never wanted them released! There is a recording in the Cavern around October 1962 where they were rehearsing and John is shouting at Ringo. Happens to all bands. Have to look at it in a balanced way.
@@BrightmoonLiverpool It's got little to do with taste. There are tons of drummers, whose work I don't particularly enjoy, but who are competent. You don't have to *see* music, you can hear it on recordings. The Beatles being against releasing the Star Club tapes is a red herring. Nothing to do with drumming and everything to do with poor audio quality.
What I think is that you have three guys who are all guitarists and harmony singers. They had to work very closely together to improve, which they did. They needed a drummer whose style would help showcase the guitar work and singing and they needed a personality, a character, that fit the 4-person 'package.' Ringo fit the bill in all of the above criteria.
True, Pete never improved and as John simply said Ringo made a better Beatle. But here's something that nobody has brought up. British bands did not want that "bum" group The Beatles in Hamburg because they were really bad. Without a drummer they couldn't go to Hamburg. Without Pete, The Beatles would not have improved and never have made the big time. Pete's a hero not a zero.
I always thought Mr. Brian Epstein called Pete Best into his office and fired him in 1962 because John Lennon and the other Beatles were too nervous or embarrassed to fire Pete themselves. At least this is what I heard Pete Best say in one of his interviews. Also I do think that Pete Best probably was not a great drummer. He was probably a good drummer but had he in fact been a great drummer Pete would have been in demand and sought after by many other bands. Pete Best though I don't think lasted long in showbusiness after he was fired from the Beatles. John Lennon himself years later said that the only reason they hired Pete to be the Beatles drummer in the first place back in 1960 was because the band got offered a contract to play gigs in Hamburg Germany and they didn't have a drummer at the time and they couldn't play in Hamburg if they didn't have one. So the Beatles quickly asked Pete Best if he would join the group because Pete was the only one that the Beatles knew who already owned a full drum set. Drum sets were a hard and rare commodity to come by back in 1960. If you listen to the Beatles audition tape for Decca records on Jan 1st 1962 Pete Best's drumming was ok but very one dimensional. Ringo Starr was a much more inventive drummer and much more versatile and talented. Ringo was the perfect drummer for the 3 songwriters John , Paul , and George in the Beatles. Plus according to the other 3 Beatles personality and band chemistry played a part in the Beatles wanting Pete Best out and Ringo Starr in. Pete never wanted to change his hairstyle from the slicked back greasy James Dean and Elvis Presley look with sideburns to the infamous early Beatle haircut that the whole world grew to know and love later as the Beatles conquered the world. In the end its sad that it would never be meant to be for Pete as a Beatle but I'm glad that ever since the mid 1990's with the release of the Beatles anthology albums Pete has made millions of dollars in royalties. So everything worked out in the end as they say. 😉
Pete was never asked to don the mop-top, and that's because the woman behind it, Stu's girlfriend Astrid Kircherr, said it wouldn't work with Pete's thick and curly hair. There's an interview of her on YT saying this, if you don't believe me.
The point with this whole video was to say that Pete couldn't be fired from the band - he was in a written partnership with them. So no, the other Beatles couldn't just go to him and say "you are fired!" He unfortunately didn't realise that he held some pretty strong cards in his hand and could have benefited much more financially from an agreement to leave the band had he been more prone to stand up for himself...
@@Cosmo-Kramer oh wow....I see. I had never heard that before. Sounds reasonable to me. But the other Beatles also said personality wise Pete Best was not similar to them as far as humor and quick wit. Don't know how true this is because I wasn't there.... 😆....but this is what the other Beatles claimed. Or as the Beatles used to say or used to call it....they thought Pete was a bit " thick ". Paul even said decades later that Pete was a nice guy but in a band there's a fine line to where you fit in or not as far as band chemistry goes. But again there are many stories about this topic. Another one is that Paul was jealous of Pete because early on more girls would scream and shout and love on Pete instead of him! And Paul was the cute Beatle right? 😉😜
@@Fritha71 ok...I see what your saying. Had Pete been more aware of the business side he could have known they couldn't fire him because he had signed a contract. Thanks for clarification. 👍
@@jasonmardoniomeza1711 Paul wasn't just jealous "early on", he always coveted the role of *the cute one.* If you wanna know what really was behind Pete's sacking, it had *nothing* to do with Pete's drumming ability. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked: *John and Paul:* everything's honky-dory, two peas in a pod *John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel *John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul *John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls. *John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* And you're trying to tell me that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of two years. They USED and BETRAYED him. *John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo. Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy. ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
So what you're saying is that the reason for Pete being forced out (however you want to describe it) WAS George Martin saying he didn't think much of his drumming. How ironic then that he reportedly didn't think much of Ringo's drumming either (hence the use of session drummer Andy White on the single version of Love Me Do). But then he obviously came to accept Ringo because he did become and was The Beatles' drummer ever after. Makes you wonder if the same might have happened if Ringo was the drummer that The Beatles initially arrived with at EMI and George Martin didn't think much of him, might he have been the one to get pushed out? But then again, as you say, The Beatles may never have been The Beatles with any drummer other than Ringo.
A very good point Robert. Yes, George Martin didn't rate Ringo on 4th September and was surprised when a different drummer turned up! Nobody told him Pete had been replaced. Amazing how many twists there are in the Beatles' story?
I could be wrong, but the way I understood it was that George Martin had already hired Andy White for the session, so even though he was unaware that Pete had been replaced, when they turned up with Ringo, he said well I've already booked Andy so I still want to use him. Is there any evidence that George Martin heard Ringo's drumming and still decided not to let him play?
@@Valveus George Martin hadn't heard Ringo at that point. The fact that Ringo played on the records from then on shows George Martin was fine with Ringo's playing. As for Best, you only have to listen to the Decca tapes (which were audition tapes not meant for release) and Ringo on the songs and it is clear Ringo was a big upgrade. Tempos are better, the time is better and the band plays better as a whole. Remember that first album was done in a day.
George Martin could work with Ringo but didn't have the time or money to spend getting Ringo up to speed on the Love Me Do sessions. It wasn't known if The Beatles would be worth more recordings. There was no way he could work with Pete.
@@Valveus I saw an interview with Ringo in which he said that he "tried to do too much" in his first recording of LMD, and thought he'd get a second crack at it the next week, but was livid to find Andy White there to take his place. He said he never forgave Martin for that snub. But Macca had agreed with Martin that Ringo's timing was not good enough on his September 4th recording to be used as an official release.
Brilliantly compiled and, for me, this is the one story that makes the most sense. Pete never seemed to fully come to terms with what had happened to him in various interviews that I've seen and, even to this day, seems unsure of the real reasons behind the decision. The legal aspect of the contract is very interesting. I feel that the one real winner of this story is the solidarity that seems to have been displayed by his fellow drummers and friends to him and also Pete's loyalty to Neil Aspinall. He always comes across as a very decent guy and I found that quite heartwarming to be honest. Great work and thanks!!!
@@BrightmoonLiverpool Hi David, thanks for getting back. I have always looked forward to seeing your videos )) I live not too far from the Grosvenor ballroom, which you might be aware of ))
That Pete was "not fired" is (as you yourself say) just semantics. Lewisohn documented exactly what happened in the "Tune In" bio - and he's a historian and a stickler for accuracy. To his account you add the proposition that two other drummers were asked to permanently replace Pete before they asked Ringo. But you don't verify this in any way. Hearsay is not something real historians use. And btw, Pete WAS a crap drummer and the audition tapes prove this.
Thanks for your comments. Mark Lewisohn did give his evidence in Tune In and, if you see my bio and comments on RUclips too, you will see that I have been a Beatles historian for over 20 years, have published 8 books on The Beatles and am also known for my accuracy too. The other drummers who were asked I did provide corroboration in the video and go into more depth in my book "Finding the Fourth Beatle". For Bobby Graham - whom Mark Lewisohn mentions - I corroborated that it wasn't a temporary offer but a permanent offer by speaking with Bobby Graham's manager who worked with him for many years. For Ritchie Galvin, I have the testimony of his wife as well as several former bandmates who could confirm that he was approached by Brian Epstein and Bob Wooler and offered the job, which he turned down. For Johnny Hutchinson, I interviewed him on several occasions and got to know him well and he confirmed the story. He did tell the same story to Mark Lewisohn though he didn't accept what he was told, even though the evidence was there. That is not for me to decide who writes what in their book and who doesn't. Johnny Hutchinson had no axe to grind and no reason to lie. He was very clear on the story and it had to be that day, the day that Pete was told to leave. Johnny sat in with The Beatles that night in Chester and that is when Brian and Bob Wooler approached him. It could only have been that night. I have provided evidence and corroborated it too for everyone in this story. For every part of this story I can provide corroborated evidence. Happy to be shown other evidence that can disprove it. As for Pete being a "crap" drummer, musicianship is always subjective, but if Pete was so crap, why were The Beatles with Pete the most popular group in Liverpool and Hamburg? Why did John say that The Beatles were at their best in the clubs of Liverpool and Hamburg before Brian put them in suits? That was with Pete. Or do you believe that John, Paul and George would put up with a crap drummer for 2 whole years before suddenly deciding he couldn't drum? I don't know if you are a musician, but I have played with many drummers over the years and you know very quickly if your drummer can't keep time or is not good enough. That was never a problem for The Beatles with Pete until George Martin said that he would use a session drummer. Paul McCartney said that Pete was a great drummer in the clubs and dance halls but if the producer says he won't use him, we have to replace him. It was only after that June audition that they considered replacing Pete. This is evidenced by Brian's lawyer who was approached in June to consider how to replace Pete Best. What I have been trying to show is what happened in history, not to change it or even question it, but to simply explain what happened. As I have stated, The Beatles needed to change as they were becoming a recording pop group, not a covers rock n roll group. Even though 3 other drummers were approached, I believe it could only have worked with Ringo and he was by far the right man for the job and helped take The Beatles to a whole new level. Pete was great at what he did in those 2 years with The Beatles and deserves credit for what he did. But John, Paul and George needed to make the right change and they made it with Ringo.
The fact that Lewisohn claims that the only drum that Pete was allowed to play at the Polydor sessions was the snare drum, and that this is VERY easy to disprove, strongly suggests that when it comes to the subject of Pete Best, "accuracy" is irrelevant.
If what Pete played was bad on drums then so too was Lennon on the guitar. But nobody kicked Lennon out. They all were just good enough for concerts but none were the caliber of trained studio musicians which are what were really used on early Beatle recordings. Making a record is expensive so it must be done efficiently and in a timely manner. NONE of the Beatles were that. The closest was George. They were never good at being organized. That's what a producer does. It took a George Martin to show them the way. They got screwed financially cause they didn't know contracts and how business works. If a drummer was really needed to replace Pete someone should have called Dave Clark of the Dave Clark 5 not Ringo the dummy. Dave owns everything he ever did with his group cause he knew business and contracts. It took Paul McCartney over 50 years to get his Beatles songs back.
@@kentduryea1741 Dave Clark had a handler to walk him through "what to do." He didn't figure all of this out on his own. The whole I "started a band to raise money for a football team" is all bs. No one really knows his real story because it's never been told.
@@kentduryea1741 If you claim none of the Beatles were recording grade musicians able to record quickly and efficiently, then how come they recorded their first album in a single day?
I've heard that said, and, as I play guitar/bass/piano and not drums, I asked 3 independent drummers who were about 19, 50 and 70 to listen to the Decca audition and tell me what they thought. They were very positive about Pete's drumming and maybe he could have added some variation, but that was how they played the songs live. If we are going to examine each of The Beatles at the Decca audition, Paul's bass is clunky - as noticed by the producer Mike Smith - and singing was poor; George's singing was the best but his lead guitar work was not great. John's voice was a bit shaky and his rhythm guitar work was a bit pedestrian. So we could criticise them all. As you say, keeping time is essential for a drummer. I have played with many drummers and you know very quickly who can and can't keep time. Playing live brings some variation in speed, naturally, as any band knows. Playing in the studio requires a different skillset. As you probably know, when Ringo turned up at EMI on 4th September, George Martin was expecting Pete to walk through the door. Ringo didn't play well so George Martin replaced him with a session drummer. His problem? Paul said later that Ringo wasn't that steady on time then but he soon improved and became so reliable. Hindsight is a wonderful thing and it is so easy to listen to Ringo's incredible drumming throughout the 1960s with The Beatles and compare it to a poor band performance made in their first ever visit to a recording studio as young men. Nobody really would have signed them based on that performance. I was determined to be as objective as I could, which is why I contacted those 3 independent drummers for their opinion. I hope I have been able to show that independence and objectivity here for you. Thanks for taking the time to comment on the video. David
Thanks for making the Beatles drummer situation clear. The thing that narks me most is that Pete was with them for two years when Lennon says, that's when they were the real Beatles. It's documented that Lennon said that Pete was a lousy drummer drummer. He wasn't a personality fit either. It's a complicated situation.
Lennon said horrible things about different people all the time. He said he thought George Martin ruined the songs and he wanted to re-record them all! He said things on a whim, in hindsight, so you have to look at the context. Hos comment you mentioned is the best evidence I think because we know he loved rock n roll and Pete was a great rock drummer. Very complicated situation but it worked itself out eventually.
@@BrightmoonLiverpool And I recall George Martin said Lennon was never happy with his voice..sometimes he wanted to double track it. Look at Strawberry Fields..sung in 2 different keys and splicer together...different speeds too.
I've been in bands where it's obvious that maybe one of the musicians is not on the same level as the others. Contrary to what say about the beatles not putting up with below par ability, when bands start out and are learning their instruments they take whoever they can get, mates from school, etc..As the band progresses it becomes apparent that some may not be able to 'keep up' with rest of the band. that can generally make for a very difficult situation. I've seen somewhere, Pete ( many years after) , saying the beatles never told him why he was "sacked". After j saw on RUclips someone had taken a demo of pete playing with the beatles comparing edits from different parts of the same song and it was apparent to me why they never explained to pete why he was out. He could not keep time, speeding up, etc, who was going to crush this guy by saying you are not a very good drummer? So they said nothing. I've told someone in a band lt was anything I could but the real reason they could not be in the band.Also, in my experience, finding good drummers or Vocalists were much more difficult to replace than guitar or bass players, for various reasons. So what do you do, you put it on the back burner until, you find a replacement? Then how do you tell him?
That video is of Pete's infamous EMI recording of, "Love Me Do". The problem with that biased breakdown is that it's never mentioned that Pete was ambushed that day with a new arrangement to the song--it's no wonder he struggled with it. Paul also struggled with the new arrangement, which was forced on them by know-it-all George Martin.
@@Cosmo-Kramer well I don't mind being wrong and it is somehow unpleasant saying,(as I said before), to someone your not up to it. However, John, George and Paul are on record as saying he wasn't right for the band, John saying something like" it was that Pete was not able to cut it in the studio, as well as several producers. In my mind it makes more sense that was the reason. After all, if you have a spectacular musician in the band, you are on the verge of a record deal, and big exposure, why would you sack him? It would have to be a huge reason because you are faced with rehearsing with the new member, at a time that is the last thing you could do with, isn't it?
@@mrmanch204 There is a lot of misinformation out there, dishonestly propagated by Ringo apologists. George Martin at EMI is the *only* producer who said Pete's drumming was not polished enough for the studio. Mike Smith at Decca had no issues with Pete's drumming, in fact, he signed Pete's new band to record deal after he was sacked by The Beatles, and no session drummers were required. And as for Bert Kaempfert, the only reason he removed some of Pete's kit is because he was an "easy listening" producer and was turned off by Pete's thunderous Atom Beat. Now then, you posed the question, *"...if you have a spectacular musician in the band, you are on the verge of a record deal, big exposure, why would you sack him?".* Before I answer that question in great detail for you, let me address it by means of sharing with you the following quote from a contemporary of Pete's, who was asked in an interview, *"What did you think of Pete Best?"* He responded: *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long and that really was the Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* - Chris Curtis, drummer for The Searchers, a great Liverpool band who scored big in the US with the hit, "Love Potion # 9, saw Pete Best play many times in both Hamburg and Liverpool. Now, let me give you my answer to your question. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked: *John and Paul:* everything's honky-dory, two peas in a pod *John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel *John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul *John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls. *John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it--especially since he was the 3rd to join the band. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* Do you really think that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of his two years. They USED and BETRAYED him. *John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and sure enough, he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo. Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy. -----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
@@Cosmo-Kramer Well, you have demonstrated that you not only are very well read on this episode, but you are very compassionate about as you see an injustice towards Pete Best. All, I can say is really what I said before, that it resonates with my own experience in bands since the early 70s. In addition, after watching (what I considered a balanced view and well researched presentation of facts, together with comments and quotes from the Beatles and others from the time. I think it is very likely. This is the video..(I am sure you are aware of it and dont agree with it) The obvious reason Pete Best was fired by The Beatles. Pop go the 60s (youtube channel). I don't feel anywhere near the passion you appear to have concerning this episode, but as I grew up with the Beatles as the back drop to my life, I reckon I feel just as much passion for the Beatles and of course their music. I don't know if Pete would have been as good as Ringo, maybe the others were jealous of Pete. But with that tension and social dynamic within the band maybe they would never have gelled and thus just disappeared after their first single and we would be in that unfortunate world portrayed in the film 'Yesterday'. This is of course my opinion and after all it was a long time ago, so maybe we only ever have our opinions.
You claim that Lewisohn offers no evidence that Brian’s offer to Graham was only temporary, but offer no evidence yourself that the offer was permanent--you mention having talked to Graham's manager but that's decades after the fact and I'd like to know what that manager said *precisely* about the offer being permanent. At the very least, we have indications from interviews/statements given by the Fabs themselves that the other three had already informed Epstein that Starr was their first choice, which is likely why Lewisohn assumes the offers to Graham, Hutchinson, etc. in July/August of ’62 had to have been temporary (either that, or Epstein was going against their recommendation). Starr mentions that just after the late March gig at the Cavern where he filled in for Best, George had approached him about joining the band and discussed it with John and Paul on the spot. Then in late May ’62 at the recording session with Kaempfert in Hamburg, Roy Young remembers the others asking his opinion of Ringo joining their band (Young says he enthusiastically approved). Given this, I consider Lewisohn’s theory quite plausible that the other offers to Graham and Hutchinson were temporary and/or contingency plans (if it's a contingency plan, that might also account for why Brian may have made the offers seem permanent), on account of Ringo being committed to playing Butlin’s until September and also possibly the news that he had already agreed to join Kingsize Taylor-so it was up in the air whether he’d be able to join them in time for when they’d agreed to get rid of Best (before the Aug 22 Granada TV shoot at the Cavern). Lewisohn mentions that John and Paul specifically traveled all the way to Butlin’s at the tail end of July to visit Ringo and persuade him to join The Beatles instead of The Dominoes (plus come back early from Butlins) and that finally cleared the way for him to join, and not have to ask anyone else. All four Beatles have said that Ringo was the drummer they wanted--which you seem to ignore or dismiss, even though it's from the horse's mouth--and Epstein confirmed in interviews that was their first choice after Martin said he wanted someone else for the studio records. What I think you really get wrong here, however, is your glowing opinion of Best's drumming. You get that from what John said about them being at their best in 60/61 in Hamburg and Liverpool, but even John has talked about how Best was no good as a drummer (there are direct quotes others have already posted in these comments). So obviously John was referring to **John, Paul, and George** being at their live best during that period, with Pete (and Stu) just kind of being good *enough* to support them--not that Pete is what made the band so magnificent during that time. John never said or even implied THAT, indeed he implied quite the opposite, that Best was only tolerated. I mean, Stu was in the band during this golden period John talks about and yet no-one thinks John was implying Stu was a magnificent bassist, and the same is true of Best. John is clearly speaking about him, Paul, and George. It's so obvious when you hear the few surviving recordings with Best that he wasn't half the drummer Ringo was (and I don't need interviews with other drum "experts" to tell me what my ears already hear on these recordings, plus there's plenty of experts and witnesses at the time who say Pete was merely average)--he was somewhat competent, yes, and could keep the beat, but not brilliant. Maybe he was better live than in the studio or at the BBC, but he couldn't have been *that* much better. The only other reason you give for why Pete had to have been great is that the group kept him around for two years, and you say they wouldn't have done so had they not thought he was great. That leaves out much of the context--as Lewisohn and others point out, Mona Best was CRUCIAL to getting the band gigs in the early days, plus, drummers were thin on the ground in 60/61 and there wasn't a lot of choice out there (it was lucky they got Best to begin with, as they had been without a permanent drummer for about nine months at that point!). They kept Best around for two years because a) they needed that connection with Mona and b) Pete was good *enough* to keep around considering that they didn't have a lot of choices for a replacement in 60/61. By 1962, however, everything had changed: they had a new manager who was getting them all the gigs they needed, they were about to sign a recording contract (with the producer explicitly telling them he wouldn't use Best), and they were now Liverpool's biggest band and had a much better pick of people to choose from (interesting, however, how the other drummers they approached STILL turned them down, so clearly finding a drummer wasn't easy even at that point!). I agree that the turning point in getting rid of Best was when George Martin told them he would be using a session drummer if they didn't find someone else, but there is clear evidence they had their eyes on Ringo that spring, even before Martin spoke up. All three Beatles have said in interviews that Best wasn't the greatest drummer and that they'd always been waiting patiently for the opportunity to replace him with someone better--yet somehow you don't take THAT as evidence in this clip even though it's literally from the primary source. If they really thought Best was magnificent and the "only one" for them, they would have rejected George Martin's ultimatum or maybe used a studio drummer but kept Best on for live shows (as Martin originally even suggested)--the fact that they fired him *completely* not just in the studio but on stage, and not only that but in the relatively cold manner that they did, suggests that they were quite happy getting rid of him.
Why weren’t groups knocking down Best’s door to get him into their bands when the Beatles became famous soon after this? How did he also blow those opportunities with all his fame & talent?
They were. Rory Storm and the Hurricanes wanted him, the Merseybeats did, Farons Flamingos did but it was the new supergroup Lee Curtis and the All Stars who got him and at the next Mersey Beat poll, they came second to the Beatles. Faron told me he got rid of two drummers trying to find someone who could drum as well as Pete. That's why nobody could understand why the Beatles did what they did in Liverpool. I have spoken to so many Merseybeat musicians who all agree that the Beatles changed when they got rid of Pete. He then went to the US with his group The Pete Best Four and was offered a nationwide tour on the back of some successful records. But, only if he ditched his band and used session musicians, and he refused to out of loyalty. Not a lot of that around!
I've had to work with crappy drummers out of desperation before, and that's exactly what the Beatles did. Pete's mom owned the club they worked in, and he had a drum set. They needed a drummer to go to Hamburg, and Pete was all they could get. He was only supposed to be temporary. George Martin wanted him gone as well. They knew they would fire him as soon as they could get a "real" drummer, and that's what they did. It's a scenario as common as they come in bands, and every musician knows all about it.
They were cowards thats it they had the balls to kick a sailor and run away but not to tell the truth i am a fan but is sad that his actitud was like that
Listen to Pete Best's album "Hayman's Green" And then wonder how music might have changed had he been writing for those 50 years that were lost while he was a civil servant..
He wasn't a good enough drummer for recording. George Martin saw this immediately. They got Ringo in and GM was still not satisfied. He eventually hired Andy White for the sessions until Ringo could get up to speed. You have to understand, the drummer is the most important member of the band when it comes to recording. Pete and Ringo had almost no experience in the recording studio. Ringo was a better drummer than Pete, but more importantly, his playing and personality better suited the band.
According to John Lennon that " Pete best was a lousy drummer. He never improved. The only reason he got in the group in the first place was he had kit and we needed a drummer." "We grabbed him and he could keep one beat going long enough so we took him to Germany." "We were always going to dump him when we found a decent drummer." Here is a link to the interview ruclips.net/video/G41d-2mzLvw/видео.html Your comment?
Thanks, yes this is a well-known quote, but it is a one-off comment from John, many years later, when he didn't even believe in Beatles! John also said that the Beatles were at their best when they were doing straight rock in the clubs in Hamburg and Liverpool. That was with Pete. You have to balance them all. Paul has said a few times that Pete was great playing live too. Also, if Pete couldn't play, how did he last for 2 years with musicians of the calibre of John, Paul and George? It doesn't add up. Needs a balanced view of all of the comments and quotes.
You're right... the missing pieces of this puzzle are practically unmentionable. Nobody would ever believe the true stories of the real members of the Beatles
Pete is a very nice man. I met him. Low keyed, soft spoken and kind. But he didn't conform. He refused to have a Beatles haircut. The Beatles really became the Beatles when Ringo joined. My evidence: Listen to his very first live performance which is available on RUclips. They are playing 'Some Other Guy' at the Cavern. And you could hear how 'tight' they are with Ringo. Plus he agreed to conform. He put his hair into a Beatles style plus his personality is perfect.
The not conforming with the haircut is a red-herring and no reason to make a change. He was never asked to change it. Being quieter wasn't a reason. Ringo was quiet for a while after joining them. The Beatles with Pete were tight, having played hundreds of hours over the 2 years he was with them. There was no reason to get rid of him, and nothing happened until George Martin told Brian he was going to use a session drummer. Paul also commented that after Ringo joined initially he wasn't that tight on keeping time but became so regular. It is the problem of trying to look at history when we know the events that took place. In hindsight, the Beatles needed to change their style and become a pop group recording original songs, which was different to the covers band they had been. Ringo was the perfect new drummer and he was and is one of the greatest drummers of all time.
If Pete was such a great drummer, why didn't any other group pick him up? If he was such a great drummer, you would think he still would have made it! He didn't!
He had a choice of groups to join, and joined Lee Curtis and the All Stars, who finished second to The Beatles in 1962 in the poll. They were signed to Decca, then became the Pete Best Combo and Pete Best Four and released more records, was offered a tour of the US but only if he dumped his band! He refused to. He then gave up music. But he could have joined just about any group he wanted, he was that good and that much in demand.
I still can't get over the fact that they never spoke to Pete after that nor help him out financially, if they were so hugely popular in Liverpool in Hamburg then he certainly deserved a big giant pile of money when they finally made it
That's not true, he's recieved a large amount of royalties, (7 figures) especially after the anthology series. More so after the Get Back film. Not bad for a guy who was fired 50 years ago. A lot more money than you or I will probably ever see...
@@jdemarco He did eventually get royalties from Anthology, after some arguing. But that wasn't a favour, that was royalties based on the fact that he contributed to several tracks on the CDs. He wouldn't benefit from Get Back as he was not involved. I think the point being made is that they should have helped him out voluntarily. History shows that they never did this for anyone, including people like Alistair Taylor who was with them and Brian from the start and ended up running Apple. When he was kicked out by Klein, none of the Beatles would even speak to him.
@@BrightmoonLiverpool Okay, point taken. But none of us were really there for these events, so we shouldn't be so quick to judge. There could be more to these stories that we'll never know...
Thanks Anne, I have been researching and writing about The Beatles for over 20 years now in Liverpool and interviewing so many people connected to The Beatles too. Roger, our film director, has been interviewing people from the Liverpool music scene for many years too, so between us, we have made so many contacts. Glad you are enjoying our videos. David
Paul, John (and George) would have made it big with just about any drummer, because the songs were just great. There are so many songs in the world that we remember, but who remembers the drummer? Drummers are important all right..but The song is main thing. Paul knew that, John and George knew that, and of course Ringo knew that too, and that is why he was important Beatle - because he knew that the song is what counts.
Wrong! Ringo Starr is a kicking ass good drummer. As McCartney said when Ringo sat down behind the drums it was "wow", just kicked it into a higher gear.
Not watching so I can predict who fired PB. Every person paying attention in a recording studio where Pete Best was playing …. producer, engineer…. everyone with musical ears heard he had no feel or time.
If you don't watch it you miss the whole point. Nobody fired him! and don't get drawn into the many myths out there about producers having problems with him. George Martin is the only one who questioned his drumming in a studio. Kaempfert didn't, Mike Smith complimented Pete and later worked with him too. Producer at BBC Radio had no problem with him and the engineers at the June 62 audition also couldn't see the problem. The only evidence to question Pete's playing is from George Martin and his assistant Ron Richards.
Thank you for setting the record straight that Pete was not "a lousy drummer", as Lennon years later had claimed, obviously as a means of justifying replacing him with Ringo. Unfortunately, so many Ringo apologists on RUclips quote Lennon's nasty, dishonest remark as evidence that Pete was a hack with the sticks who "could barely move them up and down four in a bar" (another part of Lennon's infamous, disparaging quote). It's absolutely incredulous to suggest that Pete could have been anything less than a solid drummer to have lasted two years with a band--a band made up of perfectionists. And he was more than solid, he was actually, as you said, a great drummer. Now then, I do have several points to challenge you on, but will save those for another time. In my first comment, I wanted to just thank you for your research and sharing it with us--in particular, debunking the myth (lie) that Pete was not a good drummer. Well done. I'll be back.
All we can ascertain about Pete's drumming ability is that George Martin wanted a session drummer. There are 2 possibilities of what follows: 1 When Pete was replaced by Ringo, George also wanted a session drummer, but he couldn't be bothered to cause the same problem twice. 2 George felt Ringo was a better for recording so no need for s session drummer. 3 (some silly idea that none of the Beatles ever played any instruments on any of their albums, it was all session players) Which was it ?
@@TimLondonGuitarist Ringo recorded LMD on September 4th. Both Martin and McCartney said it was not good enough for the official recording. One week later, on September 11th, Martin hired session drummer, Andy White, to do the official recording. Ringo was livid standing in the control room watching, so EMI threw him a bone...well, a tambourine, actually...so that he'd stop sulking and could join his band.
@@Cosmo-Kramer so Ringo was useless for studio work also, so convincing Pete he was sacked achieved nothing. Obviously these Liverpool drummers were not up to it
@@TimLondonGuitarist Not at all. Ringo was good drummer. As good, or nearly as good as Pete. But both drummers were inexperienced in the studio, and needed more time in there to polish their game. Ringo got better and drummed on almost all of The Beatles tracks through the 8 years to their breakup. And Pete went with another band after getting sacked, and they got a record deal from Decca--no session drummers were required. (Mike Smith at Decca never did have a problem with Pete's drumming.)
Hello again David, I just pulled out my "Mono" CD of The Beatles "Please Please Me" and I was listening to the album. Ringo's genius was truly adding to the recordings of Beatles songs like the Drum pattern on Anna (Go To Him). It's actually hypnotizing! There's no comparison between Ringo's Drumming on Please Please Me and the Andy White version. Ringo's Snare Drum rolls at the end of the song are so distinct. So inventive! I've always loved Ringo's Drumming on Baby It's You! He is spot on. Perfection! Ringo's a metronome and doesn't over play but during George's Guitar break in unison, with Producer George Martin on Acoustic Piano, Ringo does an inventive shuffle beat which again adds to the song. Very cool stuff! You see Ringo was a very good listener! He responded to what he was listening to in what John, Paul and George were playing. Ringo's Drum pattern on the Waltz A Taste Of Honey is very tasty and almost Jazzy. When Paul sings "I will return", Ringo goes into a very cool shuffle beat. What can I say?, Ringo's Drumming on There's A Place is simply beautiful! He propels the song forward. Ringo's Drumming on Twist And Shout is mind blowing like on I Saw Her Standing There! I must say that February 11,1963 EMI session was the most explosive The Beatles ever recorded! They were playing as a unit. In retrospect, I wish they had also recorded "Some Other Guy."
You have captured Ringo's genius well. He had a natural ability to play the right beat at the right time for the right song. You can't teach that. He had listened to and learned to some of the great records and improvised and improved on them. No wonder the other 3 trusted him, as did George Martin after the Please Please Me session.
it’s this simple: John, Paul, & George hired Ringo, Liverpool’s best Rock & Roll drummer at that time, when they could afford him…all this Pete Best stuff on RUclips is boring; if you have an opinion about him, you better be a musician so I ask you all, based on his recordings with the early Beatles, would you want him in your band? I think we all know the answer
Thanks Frank, however, even though we know they ended up with Ringo and he was the perfect drummer for them, it didn't happen like that. The bets drummer in Liverpool was Johnny Hutchinson, and then you had Pete and Ringo behind him, as well as others. They didn't get him when they could afford him - they could have asked him many times over the previous 18 months but didn't. When Ringo quit Rory Storm and the Hurricanes at the end of 1961, why didn't they get him then? At that time, they signed a partnership agreement between John, Paul, George and Pete. Ringo was available again in the Spring of 62 after coming back from Hamburg, but they didn't. Ringo had no promise to join them, which is why he agreed to join Kingsize Taylor's group, before they stepped him and offered him £5 more per week. He was offered the job on the Saturday, confirmed on the Tuesday and made his debut 60 years ago today. All happened in a week. All of that is fact. Bobby Graham, Ritchie Galvin and Johnny Hutchinson were also offered the job of replacing Pete, which they turned down. That is also fact. Ringo accepted the job for which we are all grateful because he was and is a phenomenal drummer and contributed so much to the Beatles sound. Lots of bands wanted him to join them and the one he joined, Lee Curtis and the Allstars, suddenly became almost as popular as The Beatles in Liverpool in 1962. I am a musician and have played with crap drummers - you know this very quickly and it doesn't take you 2 years and hundreds of hours of playing together to discover if someone could play or not. At that time, The Beatles were the best rock 'n' roll group in Liverpool and Hamburg and that was with Pete. He deserves credit for what he did. This doesn't change history, but we have to get the history right, which is all I want to do and have done, with evidence. The right change was made at the right time when Paul joined and then George joined in 1957, when Pete joined in 1960 and when Ringo joined in 1962. It was evolution.
@@BrightmoonLiverpool BASED ON THE AVAILABLE RECORDINGS OF PETE WITH THE BEATLES HE WASN’T VERY GOOD…because of his erratic timing, the recording engineer in Hamburg took his bass drum away! What?! explains the lack of bottom in those recordings; the guy at Decca took Brian Epstein aside and told him Pete wasn’t very good; not realizing that Pete had been replaced , George Martin brought in session drummer Andy White…what more do you need to know? Hey, Pete may have been a nice guy & he certainly was a handsome fella but Mr. Best did not live up to his name! Almost unlistenable to me; I suffer through his odd drumming only on the songs Ringo did not play on…but hey, if you wanna waste your time listening to him, knock yourself out…let John Lennon have the final say: “Pete was a crap drummer!” peace
@@BrightmoonLiverpool I believe Ringo was playing with Rory Storm at Butlins in Summer of 62. He left Butlins to go play with the Beatles. As for other drummers being asked, Brian took that upon himself. The Beatles wanted Ringo but Brian didn't like him personally, thought he was too flashy or something, nothing to do with his drumming.
Pete was okay in his later years with his "Pete Best Band" on vinyl ect. but back then he wasn't ready nor up to par, he was a slow learner a temp. fill in + never developed till he got older with more experience, they needed a stronger drummer in the early years to break through it was obvious if one was to compare the original songs with the replaced versions you can tell the difference that was needed, plus they were also trying to make an important fashion statement + Pete outcasted himself by not going with the flow the studio offer made was the final straw for Pete Best, he's lucky he got a piece of the anthology action thanks to the generosity + fairplay of Paul McCartney Pete scored in the millions he shouldn't be bitter early 1960's was the wrong time + place for his musicianship as a serious Beatle.
Unfortunately Pete Best was an alright drummer but not a really good drummer. I liked Paul’s explanation he gave on Howard Stern: When Ringo sat in with the Beatles the whole thing felt a lot better. As a musician of many years, having played w great drummers and guys who did not have “it” I will say that having “it” makes a difference. And it’s not technique. It’s feel.
+Johnny Frantz Pete was a good drummer and the Beatles were a great rock band who conquered Hamburg and Liverpool, got Brian as a manager and secured a record deal. It worked to that point, but the band was evolving into a recording group playing original pop songs. Ringo was proved to be better suited in hindsight and definitely had the feel for a song, which I agree you can't teach.
He wouldn't have lasted 2 years with John, Paul and George if he was crap. There are so many eyewitnesses who were there who can testify that Pete was a great drummer and they are the ones that I, who wasn't there, rely on.
@@BrightmoonLiverpool The Beatles are on record somewhere saying Pete was all they could get as there was few available drummers round then.. One listen to Pete playing tells me (a drummer) that he was NOT a great drummer, merely a novice who gave them at least a backbeat...many eyewitnesses were not musicians and easy pleased..some eyewitnesses who ARE musicians emphasised his thumping 4/4 bass drum which he rarely wavered from and soon became annoyingly tedious.
@@BrightmoonLiverpool I should also say that the Beatles were considered crap themselves by other local Liverpool groups before they went to Hamburg which is another reason they found it difficult to secure a decent drummer. and lumped for Pete.
I met Pete in 2002 when he was working on "The Pete Best Story" programme for the BBC. We talked about those three months between the June 6th audition and his "sacking" on August 16th. To give Pete his due, he was happy then and had enjoyed his musical career since retiring from the civil service. What we discussed was, after the audition on June 6th George Martin thought long and hard about whether to offer The Beatles a contract. He had told Brian Epstein in a private conversation that if he were to record The Beatles he would likely use a session drummer. However when George Martin asked The Beatles to go back to EMI on the 4th September he had not engaged a session drummer and fully expected Pete to be with the band. After this recording session he asked them to come back again the following week on September 11th and when they arrived George had engaged Andy White to play on the session. So, was George Martin just set on using a session drummer no matter who was the band drummer or was it Ringo's drumming he didn't like specifically? Pete and I had quite a laugh over this as it seemed that George Martin was determined to replace not only Pete but also Ringo!! We will never know the full story but it is intriguing stuff!!
George Martin knew nothing about Ringo and I don't think John Paul or George told Ringo he wouldn't be playing on the record. Ringo on 4th September just reinforced what George Martin was always going to do. Ringo wasn't good enough for George Martin then. But he won him over.
Although Martin never said the band should replace Pete Best with a better drummer, Martin did tell Brian Epstein he would employ a session drummer for recording. Best could remain the band's drummer for in-person/stage appearances. In September, Martin was surprised to see the Beatles had a new drummer (Ringo) whom Martin did not know. Hence, Martin had session drummer Andy White ready.
@Daniel Golus That's right Daniel. George Martin was surprised to see Ringo on 4th September because nobody told him about the change. He put Ringo through his paces but he didn't rate Ringo either and so on 11th September, Andy White came in to drum on the first single. John, Paul and George didn't tell Ringo he was being replaced! Not very good at communicating were they?
@@BrightmoonLiverpool No, that is wrong actually,.... When Ringo attends Abbey road for the first time,Andy White is there!. This detail is an easy piece of research, just listen to George Martin and Ringo's recollections there identical!, It's all there , even the call sheets for the date of the session confirms that!.
John lennon is about as reliable a witness as a bad dose of dystentry. Lennon also said " We only had pete in the band because we got an offer to go to hamburg and Pete had a drumkit, he could only just manage to keep a simple beat going, we were always going to sack him as soon as we could find a replacement" So don't use john lennon as a form of evidence, it isn't evidence
You can't take a single quote from Lennon and build a thesis from it. He changed his mind so many times depending on the day of the week, the interviewer or the substance he was on at the time. You have to study all the evidence. Another quote from John was that if you didn't see the Beatles in the clubs and dance halls in Liverpool and Hamburg when they played straight rock, you never saw the real Beatles. We were feeling shit as soon as Brian put us into suits. John's favourite time with the Beatles? Those first 2 Hamburg trips in 60 and 61, when Best was drumming. George also said their peak for playing live was at the Top Ten Club in Hamburg in 1961, also with Best. Paul says in Anthology, immediately before John's quote you mentioned, that Pete was a really good drummer. He has repeated that too.
Charlie watts ,you are obviously not a musician ,there are drummers and then there are drummers ,Charlie watts was not good ,look at the likes of the drummers Toto have had including Phillips ,neither Ringo or Charlie watts could carry their sticks ,And I like Ringo
Epstein did it. The Beatles decided it. Martin started it. Martin told the lads he wasn't going to use Best in the studio. He didn't care if Best played with them on stage, but Martin knew Best wasn't good enough for recording music. Because Best was a loner and not really "one of the boys," they lads decided to broom him completely. But they left it to Brian to do it. They had played with Ringo previously, and Martin wanted him, so the lads were fine with that. Ringo didn't replace Best. Best needed to go, then Ringo was hired. Note that Best didn't have a real career in music. He just wasn't very good.
I think having played with Ringo before, that certainly helped. George Martin had no idea they had changed the drummer and was shocked when Ringo walked in. Martin didn't like Ringo's drumming and replaced him with a session drummer. Pete made a few records after the Beatles but decided to give it up.
Why did The Beatles hang onto Pete Best for two years? Pete's Mother, Mona owned the Casbah Club. The Casbah Club was a permanent residency for the early Beatles. Had they fired Pete Best during that period they likely would have lost their most steady gig; The Casbah Club. John Lennon is heard saying in interviews that Pete Best was NOT a good drummer at all.
Over the previous 12 months, the Beatles played less and less at the Casbah and the Cavern became their base. They used the Casbah to store equipment, but that wouldn't be an excuse to not fire a drummer! The other 3 Beatles had no problem with Pete until George Martin raised the concern on 6th June 62. John said once that Pete couldn't play drums, but he said a lot of stuff about lots of things Beatles related. He also said that the Beatles were at their best when they played the clubs in Liverpool and Hamburg before Brian put them in suits. That was with Pete. The evidence from many fans and fellow musicians from 61 and 62 say that Pete was a very good drummer.
@@BrightmoonLiverpool John's comments cannot really be taken too seriously. He was a difficult moody personality, and much of what he said depended on the mood he was in at the moment. He often contradicted himself and let himself get carried away by his emotions. Sometimes, he was just plain provocative and cheeky just for the fun of it. You wouldn't have found many people who were either capable of or willing to put up with him for all those years, as the rejection of the Beatles by the other drummers plainly suggests.
Thanks for the clarity. I've had a couple brief chats with Pete Best and he seemed like a good man. Because of The Beatles I started playing in bands at age 14. As years went by I found that the hardest thing was changing band members or quitting one group for another...all at a very young age. I think Ringo was a brilliant and lucky match with The Beatles. That's the way the chips fell.
Thank you very much for your brilliant analysis on those legalistic terms concerning Pete's "firing"! Myself I always dug Pete's drumming on those early recordings of the Beatles like " Cry for a shadow "😊 Pete's books on those years are a real treasure and are highly recommended🎉
Interesting. My father is Eric Grifiths and he always had some interesting stories about John and how they started the Quarrymen. That's not necessarily been public knowledge.
Very well researched..incredible detail and, for me, a very surprising chain of events. Personally I think one of Ringo's greatest qualities is his character..impossible to imagine The Beatles without those legendary quips Ringo made besides his ability on the drums..but just his presence alone made them into a tour de force..when friends of mine discuss the various drummer options open to the Fabs when looking for Pete replacement, they never take into account Ringo's affability and, as was mentioned here in this excellent video..the ability to get along with everyone including a very awkward John Lennon..who I'm sure I would have clashed with..try and imagine Beatles without Ringo..it just couldnt happen
@@BrightmoonLiverpool John was the difficult one to get along with. Yet, Pete was closer to John than to the other 2, and John would not have put up with a poor drummer for 2 years. IMO John said what he said out of guilt and defense.
I can't say that I'm convinced that Mark Lewisohn didn't explain all this in his book 'Tune In'. He also quoted Johnny Hutch as saying "I told Brian I wouldn't join the Beatles for a gold clock" and that Hutch also thought John Lennon to be a poseur. The only new point made is as to whether Ringo's intitial period (however long that would be) was of a probationary nature. I don't think they did "probationary" in groups in 1962.
@@501sqn3 Be careful there 501, as there'll be a ton of Hutch groupies down on you for such a comment. I'm sure they still walk around with a t-shirt "Hutch For Beatles" or the likes.
Having fronted a band..........sometimes when you play with a "new" musician.....it just FITS better, or has better mojo. I've heard some of Pete's later records, and they were fine. I figure it was just a situation where Ringo was the best fit for the others.
Absolutely right. As Paul once said, none of them were considered the best at their instrument, even in Liverpool. But as a team, they were untouchable and it worked perfectly with Ringo.
@@BrightmoonLiverpool you're welcome 😀I subbed and i'll check out more. This vid stopped me making a Pete Best vid. What you said about the contract was intriguing. After all these years I always thought he was fired. But he couldn't have been. Intriguing to think what would have happened if Pete had had someone in his corner who knew about the legalities.
@TheBeatlesZone Thanks. Yes, the legal stuff is fascinating. Pete's lawyer tried to sue Brian for wrongful dismissal, but it was no good, because Brian didn't employ him! I got all of this info from Brian Epstein's lawyer. A great guy to meet and talk to. Glad you found it interesting.
@@BrightmoonLiverpool I guess the strange thing is that even Pete’s lawyer didn’t know he was trying to sue the wrong person. I would have thought he would have seen the contract stating Pete’s position.
Thank you David for this very interesting piece. I've always had a lot of admiration for Pete Best. He has been a Gentleman through all the years since his dismissal from the group and never had anything nasty to say about his former Bandmates. John was pretty nasty in an interview in the mid 70's I think it was in regard to Pete. I think it was unnecessary. I guess that was John Lennon, a kind , witty person but also very sharp when he wanted to be.
Thank you. John went through periods of being kind and nasty to a lot of people, including Pete and George Martin as well as Paul, as we know. Pete has always been a gentleman and a great drummer too. Glad you enjoyed it.
@@BrightmoonLiverpool Many thanks for your reply. You are very kind. One last thing. The Pete Best Band recorded an Album called Haymans Green in 2008. I recently bought a Limited Edition Green Vinyl signed by Pete and it's an awesome Album in my opinion. Many of the Songs are Compositions to which Pete is credited on usually in collaboration. But that's ok. We know another Songwriting Partnership did quite well at it. 😊. Take care David .
So glad you have that album. I think it is brilliant and tells his story so well too. Think I know those other songwriters!! They were quite good really!! 👍
@KC 1972, you say "I guess that was John Lennon, a kind , witty person but also very sharp when he wanted to be" Truth is he wasn't a "kind person" musical legend certainly but as a "kind person" his treatment of his first wife and son say's it all for me. 5
WOW - Thank u very much for the detailed historical day-to-day lead up to Ringo becoming one of the 'Fab Four'! BTW: I met Pete, and spent a few hrs w/him & Rogue in NYC 15 yrs ago; His 'personality' (or lack thereof) solidified the fact that he was not suitable; Albeit a very respectful & low key gentleman - I 'in a way' did feel kinda bad for him...
Pete is a gentleman for sure, but didn't have that ruthless streak which John, Paul and George had. It took Ringo a while to settle in, but he was the perfect fit.
Perhaps Pete just didn't care for you, and was bored by your company. Because Pete Best has one of the most amiable, charming and funny personalities one could hope to find in a person. I've watched scores of interviews of him, and he's witty, engaging, self-deprecating, and funny. Have you heard him tell the story of George's vomit mess, which the lads named, "Thing"? It's hilarious! Pete's a fantastic storyteller! Was he on the reticent side when he was a Beatle? Sure. (He was playing up the Brando/Dean cool guy persona, which thrilled the girls and the media.) But don't try to tell us that the Pete we know from the last 40 years (since his Letterman appearance), is anything but a delightful, fun personality.
Gotcha - maybe he was tired, or whatever. I measured him up to Ringo's 'personality'; He was, as I stated VERY respectful, and could've told me to fk off - since the 3 of us were sittin at the same table; We spoke bout doin a remake of 'If You've Got Troubles' (the Ringo tune on Anthology) w/him on drums !!! *Never mentioned the George 'Thing' lol
@@jismism9515 How could you measure Pete up to Ringo's personality given you've never sat down with Ringo for a couple hours? Ringo may've been equally disinterested in you. I've only spent a couple of minutes corresponding with you and I'm already bored.
Amazing info. i can see a Amazon prime movie coming from this.i have met Mr. Best & you a number of times. if anything i still feel bad for Mr. Best. Super lovely gentleman and has a great band. Henry O. N.Y.C.
Thanks Dave for a very interesting video. Firstly on a legal point,can you explain why Epstein was still obliged to find Pete work if he hadn't signed the management contract,and who was the contract between? Also i have read Ringo saying that Paul didn't think much of his drumming.Apparently he would nip to the toilet and when he got back Paul would would be on the drums himself. Keep up the good work Neil Coyle
Thanks Neil. Although Brian didn't sign the management contract, The 4 Beatles did. In law, Brian could not enforce the contract on The Beatles, but they could enforce the contract on Brian. It wasn't an illegal or invalid contract, it was just not enforceable by Brian. As The Beatles signed the contract individually, they each employed Brian as their manager/ agent. Pete could enforce the contract meaning he still employed Brian as his agent to find him work. A bit simplified, which I explain fully in my book if you want the fine detail! It was fascinating doing the research!! David
And remember during the White Album Paul wasnt happy how Ringo was playing the drums so Paul played the drums himself to show Ringo how it was to be done. Ringo was insulted and left. The Beatles put flowers on Ringo's drumkit when he returned.
I love your channel however I understand from that very famous tome that The Beatles were already signed to EMI when they first played for George Martin so it was not an audition. This seems to be a controversial issue. Apparently even George Martin was unsure of the situation but this again could be wrong. Anyway your research and authority is brilliant. Many thanks for it.
Thank you Christopher. If you check out this video ruclips.net/video/5C73wCMHON4/видео.html I proved that the Beatles were not under contract on 6th June once and for all. Glad you are enjoying the channel. David
Another great video David, thank you (I'm going to have to purchase your book!) I myself am still slightly perplexed as to why Pete was singled out at the time as the 'weak link' because, as previously noted, none of the boys were exactly great musicians at this point, I still think that Mrs Best's 'interfering' in the band's affairs might have had something to do with it? I believe that, like Ringo, Pete would have progressed and developed with the rest of the band had he remained with The Beatles...Regarding Ringo's oft mentioned 'unusual' style, I'm almost certain this was on account of the fact that he is a naturally left-handed player but playing right-handed on a right-handed set up, a lot of folk perceive the resulting playing style as ham-fisted or clumsy but, in conjunction with some of the greatest pop songs ever written, it is a perfect complimentary fit.
Thank you - and enjoy the book when it arrives! Pete has been a useful scapegoat for many, including the Fab Four, who have felt the need to denigrate Pete to justify bringing Ringo in, when there is no need. Mona annoying Brian was a secondary issue and would be one that John Paul and George used to justify it to Brian, but not the primary cause. Definitely part of RIngo's style was being a left-hander on a right-handed kit. I interviewed someone who was also a leftie playing on a right-handed kit, which was fascinating in trying to understand why he was so great and the perfect fit.
@@BrightmoonLiverpool I think Pete maybe didn't have the charisma or confidence of Ringo but, at the risk of being hung by all the Ringoettes, I'm pretty sure he could/would have done as good a job as Ringo if given the opportunity...I mean, let's face it Paul McCartney did as good a job as Ringo on a few tracks....Can you imagine Sting sitting in for Stewart Copeland?
Thanks for getting to the bottom of this. It was always a bit of a mystery and you've shone a light on it. It explains why Ringo always felt a little insecure during the first few months, especially after George Martin used Andy White for LMD and then he couldn't make the Australasian tour to begin with. I think it wasn't until the American fans showed how much they loved him that he began to relax. I feel for Pete but Ringo was definitely the better drummer imo. Maybe Pete could've coped with their early stuff but "Rain", "She Said She Said", "A Day in the Life" etc couldn't have happened without Ringo.
Thank you. I think you have summed it up perfectly. Ringo came into his own and became such an important member of the group, which few drummers could have done. It was sad for Pete, and the way people have maligned him over the years is unnecessary as this was history and it happened.
I was almost 13 years old when the Beatles came to America. I became a fan, got a guitar and played in garage bands like most of the guys I knew. Back then I read all of the teen magazines and articles written about the Beatles. When their popularity grew the story of Pete Best came out and how he had been months away from being in the greatest pop/rock band of all time but was replaced. At that time I know I read a story that the reason Pete was replaced by Brian Epstein was because He didn't have "the look" of the other three Beatles. He looked out of place. Brian wanted to manage a band and was putting together his vision of that band. If you look at the promotional photos of the band with Pete before Ringo, maybe there is something to it. I read the story 60 years ago and frankly I believe the original story because things were more real back then. Over the years people like to change or modify history to fit a new narrative.
I think you did a great job in putting this together! Pete certainly did his job, as did Ringo, and it's unfortunate that Pete was the one who got caught up in-to all the politics of surrounding the success of the Beatles. He certainly deserves our respect and admiration! Long live Pete Best!!! An original Beatle! (before politics). The others should have fought for him!
@@Cosmo-Kramer No - they (Beatles) just went along with it, mostly John, because they wanted a "Hit Record". It was a matter of greed! John actually liked Pete, but he threw him under the bus for some fame. John Was an A$$hole when he wanted to be. I'm thinking that you still don't understand what happened here.
@@stephensmith60 They could've had a hit record with a session drummer and Pete still would have been The Beatles drummer in name, face and live performances. Using session drummers (and guitarists, etc.), was an extremely common practice at the time. JP&G knew this, but seized on Martin's rejection of Pete to use it as a pretext for sacking him over jealousies each had of their immensely popular drummer. Let me lay it out for you. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked: *John and Paul:* everything's honky-dory, two peas in a pod *John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel *John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul *John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls. *John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* And you're trying to tell me that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of two years. They USED and BETRAYED him. *John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo. Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------
@@pdag4685 Well, other than that one bad recording at EMI of, "Love Me Do"...which according to EMI sound engineer, Norman Smith, was not Pete's fault as George Martin changed the arrangement on the spot...that's not what I hear when listening to Pete's drumming back then. But don't take it from me, here's what a contemporary drummer of Pete's said when he was asked in an interview what he thought of Pete's drumming: *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long and that really was the Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* - Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer.
The bottomline on Pete is Pete was a big part of creating the EXCITEMENT and the fan base after they returned from Hamburg. We can dissect his drumming technically, speeding up/slowing down etc but that didn’t make a dime’s worth of difference to the fans in the dance halls and the Cavern….the heavy thumping beat did. Now, once they got close to record deals the technical side DID make a difference and became much more important, just like George Martin said. As George said, he couldn’t care less who was on stage. So they owe Pete a lot for helping create the hype in the early days. He was fired 50% because he couldnt cut it in the studio and 50% because he (and his mother) really didn’t get along with the other 3.
As you mentioned, it is controversial. Pete definitely was a good drummer, and well-admired by the fans during his tenure with The Beatles. Acquiring the perfect bandmate is comparable to acquiring the perfect seasoning to a great dinner recipe. Sophron and cloves are great seasonings, although, they don't go well with every recipe. I am sure the Beatles would have still done very well with Pete Best but I believe that Ringo was the perfect seasoning.
I have what might be an interesting story related to this. Some years ago I was a later member of Billy J Kramer's Dakotas, with original guitarist Mike Maxfield and original drummer Tony Mansfield(Bookbinder). The Dakotas were part of Brian Epstein's stable of course and Tony told me that he was approached by Brian as a possible replacement for Pete Best around the same time as Ringo.
@@BrightmoonLiverpool Brian offered to build a band around Pete Best (according to Pete Best, which he refused). Ringo is a unique drummer (left handed drummer on a right hand drum kit) an intuitive drummer, my favorite Beatle as a youth, with the right feel for what was needed (on the songs he drummed on). However Mitch Mitchell and Ginger Baker are technically better better, and I can't quote Quincy Jones opinion of Ringo. I've listened to every recording of Pete Best available, he's a Rock and Roll Drummer, with a better voice than Ringo's (sorry Ringo, you wouldn't be able to sing the Kansas City-Hey Hey Hey medley of Little Richard). Likewise I've listened to as many pre-Beatle recordings of Ringo (which he claimed he wasn't at the sessions or was ill). Pete Best's mistake was not having a band built around him by Epstein which Epstein would have sent on tours and in Television Broadcasts, if awkwardly sometimes with the Beatles. Pete Best had his own fan club simultaneously with the Beatles, but much of this has been said before. Best's curly hair wouldn't have worked with the "Beatles Cut", hair straightener chemicals and a mop-top coiffure wouldn't have changed anything, in my opinion. Wouldn't ever story the Threetles (J, P, & G) spun over the years, and never speaking to Pete again(he was in Hamburg under the worst conditions as brothers, washing in urinals, etc.) was deplorable. And yet, it was Mona Best who lent the Victorian medals on their uniforms for Sgt. Pepper's Lonely Heart Club Band cover Photo. Had Epstein been a long time in the music industry manager (he wasn't), as to a replacement on the recording, he would have told the group shut up, use the session drummers on records and play live with Pete because he's popular. Ringo's version after several months wasn't that much better than an early run through with Best, Andy White's drumming on Love Me Do was the only version except for the first UK release on a 45. That being said one one of my favorite songs Cry For A Shadow (aka Beatle Bop) which has Pete Best on Drums. 'But what about the Decca Sessions???" The Beatles were hung over on Jan. 1962, the studio engineer followed standard recording practice (place the drums in the background, cut the low bass frequencies). Their better demo was September Rain (maybe they'd sober up a bit), which wasn't on any of the Anthology Recordings. Was Ringo so secure? He wasn't happy with the session drummer being at the recording studio. When he was ill and couldn't start the world tour, Ringo thought he might get "the Best Treatment", Jimmie Nicol was a session (and quicker study better drummer) was enough of a threat that George threatened not to go on tour for fear that Ringo might get the boot. (I though in my youth the Jimmie Nicol with a bolt in his neck could star in a remake of Frankenstein). Epstein wasn't a real group manager, (he was a music shop manager because his family were successful retailers in Liverpool); an eye for talent, connections in the record sales industry, but a poor businessman who signed away a merchandising deal that would have made the Beatles extremely more wealthy than their records during Beatlemania, popular as their records were and still are. Not to speak ill of the dead, to give Brian Epstein credit, he was the stabilizing influence that kept Beatles from falling apart, John recognized this with news of Brian's death.
This jibs with a PBS (maybe BBC based?) special about what happened to Best at the time Love Me Do was being recorded. In that special the engineers who recorded the original take thought Best's drumming was weak. The take was then played during the PBS documentary and Best's drumming on that track was very weak. On camera Pete is asked about it and he says he hadn't had time to "polish" his part. Martin wasn't present for that take. When he is present later, the engineers tell him Best isn't adequate. Martin listens to the track and concurs. Then he tells John, Paul and George that Best won't be on Love Me Do. The PBS special then concentrates on who does play the drum track on Love Me Do, which PBS said was not Ringo, because the engineers and Martin didn't like Ringo's take on it either. I forget who PBS said played the drums on Love Me Do, but PBS said it was another British drummer. You probably cover that ]n your other videos David, and others have covered that narrow point too PBS also said Martin told the engineers initially, after not liking Ringo's.Love Me Do track, that Ringo was OK for gigging with The Beatles but he didn't know beyond that initially. In a way, for a very brief time, Ringo was Pete Best 2.0. Another twist is that American drummer Bernard Purdie has maintained to this day that HE played the drum track on Love Me Do, and other Beatles songs. I believe there is no definitive proof but maybe you cover that is your other video spots David. I learned about it from a guy who said he was a long time friend with Purdie and Purdie told him someone from England came to NYC and brought him a tape and asked if he would record a drum track for it and that was Love Me Do. If true, that could have been during this period where the Best situation, and who would replace him, was in such disarray. It may also be possible that if there was a Purdie tape for Love Me Do, it could have been played for a British drummer who was then told to play it that way. That would require drumming comparisons between other Purdie recordings and the Love Me Do final take that was issued as the single. At any rate, Pandora does have a couple of cuts from the Pete Best Trio. The PBS special also documents that Pete didn't want to join another group but wanted his own group, and that's how the Trio came about. He would have had leverage to insist on his own group from the partnership debacle you describe David. Among the crutches I bear, I am an American lawyer. The proper way to dissolve a partnership is totally accurately described here in your video David, and it is definitely what should have happened in The Beatles situation during Love Me Do. Another legal concept is called novation, where all parties agree that one contract situation will be replaced by another. Here, that appears to be how things shook out, albeit in an ad hoc form as opposed to formal legal process and documentation of dissolution of partnership. What is really interesting is how many other guys had a chance to be the Beatles drummer and turned it down. The other PBS corroboration with your work David is that The Beatles had been through several attempts to get a recording contract and they were turned down by the then most prestigious recording entities. EMI was then considered lower tier and a group that was given bands the big boys didn't want, and also what might be referred to as novelty acts. The Beatles had listened to EMI's comedy records by Peter Sellers for example. Thank you for your work David. Forgive my lack of brevity.
Thank you so much for all of your comments - which is appreciated and well balanced too. With the original Love Me Do, the engineer Norman Smith said that Pete's drumming wasn't the problem per se, it was the arrangement of the song that wasn't great. However, it was Ron Richards who produced the session who didn't think Pete could do what he wanted in the studio. Richards also didn't like Ringo's performance in September, nor did George Martin. So Ringo was replaced by Andy White on 11th September who didna great job. Session drummers could polish off a brand new song in no time and with a first record, that was essential. Pete and Ringo were used to playing live, where tempo can fluctuate. Not in the studio, you had to be spot on, and neither Pete nor Ringo could do that quickly enough. Now, Bernard Purdie! There's a story. You may be interested in my book Finding the Fourth Beatle, where I cover 23 Beatles drummers, the whole story of replacing Pete with Ringo, as well as Mr Purdie. When Purdie brought out his autobiography, he diluted what he had previously stated and it turns out that what he played on were the 1961 Hamburg recordings where Bert Kaempfert only wanted Pete to play snare and cymbals, not bass drum. That is all he played on - slightly different to 20 Beatles records!! Interesting to have your corroboration on the partnership law aspect of this story. Pete got lousy legal advice and tried to sue Brian for wrongful dismissal which of course he couldn't. EMI Records was one of the biggest and most prestigious record companies here, but it had 4 divisions, including Columbia, who had a lot of success. However, George Martin's label Parlophone was the poor relation who did comic records, like Sellers and the Goons. So yes, the Beatles already had a George Martin record before they met him! Funny small world eh? Thanks for your great comments and the discussion. Glad you have enjoyed this.
@@BrightmoonLiverpool Thought you might have covered the Purdie angle in the 23 drummers work. Thanks for the specifics about that. It's rather incredible that the drumming tracks were at issue over Hamburg material before the Parlophone Love Me Do sessions. Thanks also for the delineation of EMI/Parlophone setup. In another video about Purdie I got a reply to one of my comments from a guy who said he played with Purdie in the not too distant past and said that Purdie certainly had a high opinion of himself. While he has made notable contributions to the world of drumming, it sounds like he also quite a story teller. Harry Truman often remarked about correcting a storyteller from his hometown, and the guy replied - Nothing ruins a good story like the truth! Appreciate your comments and your research/work.
@George Stevens We also have a similar saying associated with newspapers: why let the truth get in the way of a good story! Plenty of that going on in the Beatles story too! Thanks, David
Wow David, this is a masterpiece, the best piece of journalism on this subject ever, imo. Your analysis distinguishing John's great rock-n-roll-covers Beatles, with Pete, from the Fab Four hit machine with Ringo, rings true and makes absolute sense. It is possibly how they thought about it themselves. You also evoke the fervid atmosphere of the Liverpool scene on the verge of the explosion, and the tinge of darkness in the early Beatles which bordered on real nastiness at times. Your open minded but strictly evidence-led approach is admirable and productive, many could learn from this, and you've really dug deep to tease out available details. You've set a very high bar for anyone seeking to argue with your conclusions, and presented them clearly and convincingly. Bravo!
Thank you so much for those kind words. It is a very emotive subject and it is hard to be objective when analysing it, which is why I like to look at it forensically, with evidence, to come to a conclusion. So glad you liked it. David
@@BrightmoonLiverpool I'm just glad Pete ended up with some serious cash from the Anthology. He must have made a million just from that alone?
The Tree Beatles were cowards not to tell Pete in his face they didn't want him but they did it behind his back. Because the Beatles was jealous of his popularity that's why they couldn't tell him in Pete face why did they have to get rid of the drummer just because they thought they would not succeed no Pete didn't have the looks .
If u want to get rid of someone that means they want u fired
Pete did not have the personality to take the next step. Ringo was such a big part of the Beatles identity, the movie had Ringo as the lead. I love the Pete recordings but, big difference, same songs different drummers. One feels like the future.
Ringo was the right choice because of his personality as well as his drumming. The Beatles weren’t just musicians they were an act: their humour, cheek, cuteness were all part of what made them so successful.
+Michael Dunne Looking back Michael I don't think anyone would disagree with the change. Like with any group it is the whole being greater than just the sum of the individuals.And what a group!
Ringo was a distress choice. Being wise in hindsight always clouds history. There is nothing to say _The Beatles_ would have been less successful with Pete Best rather than Ringo.
cool poster
@@johnburns4017 You have overlooked that when the Beatles came back from Hamburg all of the Liverpool drummers were copying PETE'S style. The "Atomic Beat". Further after 50 years he began writing which he should have started 50 years ago.. Listen the the album "Haymans Green" by the Pete Best Band. It would appear that the muses has touched the 4 members in Hamburg...
Ringo was the biggest comedian of the bunch and he lightened things up and provided a focus for their movies. George and Paul were pretty serious. John had a wry sense of humor but was also serious about music. Ringo was a devil, but a great drummer. Lots of times a person like that makes it all fun and people want to stay together for that alone.
It's water under the bridge. Pete Best was not the drummer, nor the personality, for a group like The Beatles.
Pete was the kind of drummer that played with more power than Ringo and wasn't at all animated when playing. His style wasn't quite right for the Beatles, plus his on-stage persona didn't match the other three, but despite what they tried to pass off about Pete being a bad drummer as the reason for him getting replaced, Pete was the better drummer later admitted to by John to Beatles historian Tony Barrett "Pete was a better drummer, but Ringo was a better Beatle". This came after years of bagging on Pete and saying he was a lousy drummer. I think they would have still been just as popular with Pete, but no one can really say.
And he wouldn't change his hair.
@@jimo3173 I don't really see the evidence that Pete was the better drummer. We haven't got tons of recordings of Pete's playing but what we do have shows that he kept time acceptably well but wasn't very creative with fills. He also tended to overplay a little, complicating some tracks where it wasn't necessary.
Pete was far from _lousy_ but Ringo was certainly the better drummer. Much tighter timing, much better at coming up with a groove that suited the song. If Pete was really so great he'd have found work as a sessionist or been snapped up by another big-name band.
You ignore the fact that the change to Ringo was made just before they anticipated a transition from live performances to studio work. Pete may have been passable in a noisy club, but the few recordings I've heard clearly lack Ringo's subtle and nuanced touch.
Don't forget we can't consider Ringo's style and capability proved over several years as a Beatle. He, like Pete, was a live drummer and in Liverpool they were considered equal, but different. However, Ringo's experience playing in several different variety clubs and summer seasons meant he was used to playing different styles. He was more adaptable to the studio eventually, but John, Paul and George didn't know that then. We have the hindsight to appreciate Ringo's style and nuances. It was a gamble in August 62, but thankfully it worked out, as it always did with the Beatles! It was the right change.
@@BrightmoonLiverpoolthey knew what Ringo was capable of because they had jam with him a few times in Germany, the guys were happy with Pete's drumming until they started to noticed Ringo's and other drummers drumming.
One aspect not explored IMHO...the Beatles were able to rehearse in Pete's basement whenever they wanted (supported by a facilitating Mona Best), and it was also a venue to perform at, which was well attended by adoring crowds!! That is a super huge benefit for a developing band. I was in a band at the same age in the 70's, and the reality of finding space that 4 kids could afford to rent (convincing parents to spend the money), and the logistics of moving equipment to and from gigs was super huge. Getting a gig was very difficult...even if you played for free. Their circumstances allowed them to build confidence, and skill as players and performers. Immeasurable
That was very useful for sure and they kept the gear there even after Pete was kicked out. The Casbah was the birthplace of the Beatles. What a place!
Ringo was two things for the Beatles. First he was an innovative, clever drummer that created instantly identifiable beats. So many Beatles' songs can be identified by the drum line alone; not many drummers are that original. Secondly, and maybe equally as important, he was the glue that held the band together. George, Paul, and especially John had a creative tension that no amount of meditation and chanting with gurus could resolve. Ringo was the mediator that kept the band grounded. Who knows how the "fickle finger of fate" works, but there would have been no Beatles without Ringo - the other three would have imploded or strangled each other.
Thank you, that is well put. He was the glue that held them together and his contribution musically was incredible and deserves full credit.
that's hilarious, they weren't at eah other's throats through 1957-1962, do they?
He was also the comic actor. You can say that he kind of stole the show on A Hard Day's Night firm. The name alone had that unusual part of it. Of course, the unique drumming style with his snare hand and grip was revolutionary. I also believe that it added to Paul McCartney's bass playing with the two parts of the rhythm section working while the guitars were doing their thing.
Well said.....Ringo definitely relieved alot of tensions throughout their career. Even John Lennon once said that Ringo was the heart of the Beatles. All four of them were very similar but also very different. But the most important thing that I feel added to their success was how close the 4 of them really were. Ringo said he was born an only child but then found his 3 brothers. The Beatles were brothers like a family. That is so important for a band in the early years to get through hard times and adversities. It does also help to have the greatest songwriting partnership of all time with Lennon / McCartney in the band also! 😆 that helped some too! But also having George Harrison who to me is one of the great songwriters of all time. He was very good musically and mastered that early chet Atkins style of guitar playing. Wasn't the greatest lead guitar player as far as speed and shredding and showing off with 10 minute long guitar solos go but the Beatles were never that kind of band. George added alot to the overall sound of the Beatles throughout all of their phases of music. He introduced the Indian sounds with the Sitar and brining in Indian musicians to play on a Beatles record. He also was the one who brought spirituality into the band and their songs. Within Without You to me is a masterpiece watershed moment in pop/musical history. Bringing East and West together. George also evolved into a very great slide guitar player later on in his career. Just amazing.
@@Bella-nt7ec Read "The Beatles - All These Years: Volume One: Tune In" by Mark Lewisohn. John, Paul & George were all pretty fickle in those early years. Not only opportunistic and manipulative, but from the behaviour of John and Paul, you could definitely refer to them as 'users' regarding their relationships with their peers and other people. Drummers are always on the periphery in any band unless a special chemistry exists with the others -Ringo case in point, they are leader of the gang' -Pete wasn't that type of personality, John was, or they have other talents vital to the band such as songwriter or strong (co-lead) vocalist.
To me one of the most striking things between Pete and Ringo was Ringo's personality which seemed to fit in more with John Paul and George.
I think that helped massively. a group is about more than just musical ability. It is a team that has to work together and they gelled perfectly.
True. He shared the same humour. The Vibes. It all clicked. Pete Best was not. And he's not very suitable for a studio setup. Live, maybe. People don't care much about skill on stage as long as he can keep the audience alive and tuned in. Technically, not very. Not at all. There are evidence on that as well. Just go and search Pop Goes The 60s channel on RUclips about Pete Best.
A lot of bad stuff happened on August 16th. Pete Best got sacked, Elvis died, Madonna was born. LOL
Elvis’ manager, Col. Tom Parker, said in a press conference shortly after his death: “Elvis didn’t die. The body did. We’re keeping up the good spirits. We’re keeping Elvis alive. I talked to him this morning and he told me to 'carry on.’” (Elvis did not die and he wanted out. - Col. Tom Parker. 1977) After hearing so many stories about the death of Elvis Presley, I have decided to tell the world the real story on the facts concerning that day in August, 1977. Yes, that day, the 16th of August. Is it a coincidence that a person born on that January 8, first month, eighth day, would perish on the 8th month and the 16th day? Probably if two (2) people were born on that day it makes more sense. You see, numerology always played an important part of my life and still does today. So many people have written or spoke about my death as a hoax. It was not a hoax! I decided to reinvent myself in the form of my brother (Jesse Garon) and yes, Elvis Presley did die that day. But after much searching for the right people, I found several people from different states who I consider my most loyal and trustworthy friends. To some people this book will be just another scandalous piece of fiction, but when you are done I think you will think otherwise. I always felt my brother deserved to live and what better way to let him live his life than to end mine. I was lonely, depressed, in bad health and my numerology chart said that this was the time for it to come to end. Anyone who studies numerology will understand, those who don't may want to look into it. All of the facts (and there are many) even the experts will say they are more than coincidences. I no longer give away Cadillacs or expensive pieces of jewelry because I am nothing more than a man who had a very famous brother. I am not a great literate (I never wrote my own songs), but I am not illiterate either. The perfect day August 16, 1977, 1 + 9 + 7 + 7 = 24, my age backwards (42), the facts go on and on. But my true reasons for the book are for my fans. My death was not a hoax! To my fans, please forgive me, my brother deserved to live, he was with me constantly (spiritually). My life would not be the same had he lived at birth. This was my way of giving him life, and corny as it sounds. The Colonel took this secret to his grave. He was a loyal friend. But I will no longer stand by and have people like Gail Brewer tell you stories that are pure fiction. This book written by a true friend will help you realize why I did what I did. - The Truth About Elvis Aron Presley In His Own Words. (2001). My fascination with the idea of a hoax about death was when Jim Morrison died July 3rd, 1971. Although I saw no correlation (he died at age 27) I was astounded that as famous as he was the body was just closed up and shipped out. Now I don't know all the facts concerning his death. I thought it awfully strange that no autopsy was performed (or so I thought) and just forgotten about. There were a lot of rumors about his death. I noticed he was born on the 8th day. Born in 1944 = 1-8 and died in 1971 = 1-8. Remember my comeback in 1968? 1+9+6+8 = 24. Obviously, I was no longer 24, so I reversed the age to 42. The next time that number had any relevance was 1977 (1+9+7+7 = 24 when I would be 42. Numerology can and does play an important part of my life and we knew that would have to be the date. Most people if they know what to look for will find significance in the forms of numbers in all of my movies! Example: gravestone in " Loving You" (year) 1878 = ? (1+8+7+8 = 24). You have to look at the movies. My hero James Dean died at the age of 24, but I was on top of the world then and wanted to live. - The Truth About Elvis Aron Presley In His Own Words. (2001). I will start about 1974 when the thought first came to me about faking my death. I have always been fascinated with the occult and other spiritual things. When I first saw a wax dummy of myself made by a Mr. Cooper I was fascinated with it. For some time I had thought if it was possible? Could I pull this thing off? I had asked Mr Cooper if he could make another wax dummy for me. He said he could. I in turn said I wanted him to do it and keep it strictly confidential. When I had mentioned it to a very few close friends (Joe Esposito, Larry Geller) they did not think I was serious. I was tired of being Elvis Presley, my health was deteriorating. I just couldn't keep up. My finances were floundering because of my daddy's poor business ventures. I was at my wit's end. As the years progressed I had my ups and downs which are pretty well documented in other books. I also had two detectives from Colorado who I trusted immensely. Originally the date was 1976 according to my numerology charts but I chickened out. A pact was made on the grounds of Graceland one night, hands placed over hands that this secret would never be spoken of outside this room. I picked four (4) of us initially and to this day all have kept the secret. I also know when this book reaches the bookstores people (my loyal friends) will be heartbroken. They took care of me and convinced others that I was no longer alive. In reality Elvis Presley died that day and my twin brother "Jesse" came to life, living in hiding but as a normal human being. I skip around because I am writing stream of consciousness. My own Daddy bless his soul never knew the truth. Little Lisa was told months later and explained to her she would not see me much. The Colonel took this secret to his grave. Many people believe me to still be alive but I was told in the beginning there would be no contact in order for this to work. I go thru a lot of ups and downs since 1977 and have lived in many states but I insisted I needed to be in a warm climate. My personal thoughts are that my fans will understand. That is very important to me. I just could not face myself any more after seeing myself in the mirror and that is where Larry Geller came in. He asked if he could write a book, and I gave him my blessing. "If I Can Dream" is the title and I like his book. He had filled my head with spiritual thoughts and made me believe we could pull this off. If I had stayed longer I think I would have been booed off the stage. That is why I chose the date 8-16-77. Do you know how many famous people passed away on that date? The great Robert Johnson died on 8-16 and he was born in 1935! Babe Ruth, and Bela Lugosi and many others. I must say I was very nervous that day 8-16. But it had to be done before I went on the road where I would not have been able to pull it off. Did you know there are secret compartments in Graceland that very few people know about! A few like Vester would joke about my being alive but no one took him serious. Many of my friends would ask if I were still alive and they have their doubts but as it was I might have died broke and just a shell of myself. I was given an injection that looked like I was dead but the people closest to me knew better. Believe me I had my doubts that this could be pulled off. But it did and I became Jesse, just a poor white southern boy who didn't sing a lick of anything. I feel bad my Daddy wasn't allowed to know but it just couldn't be done. I better go now and collect my thoughts to tell you the rest next time. - The Truth About Elvis Aron Presley In His Own Words. (2001). You Found Me By Pastor Bob Joyce ruclips.net/video/WUI7_rZpl8c/видео.html
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I was washing dishes when the radio which the guys listened to about horse racing scores interrupted saying Elvis just died, I was 15. Summer job
As a musician off playing for fifty years, here's my opinion. Pete Best's playing on the recordings done with Tony Sheridan were adequate but pedestrian. Over the eight years Starr was with the group, he played to the song, always. Their success would not have happened with Best on drums. Listening to all the songs of the Beatles, the unusual input Ringo provided became legendary.
Thanks for your comments. Looking back, we can certainly see and hear what Ringo brought to The Beatles. In 1962, there was very little between Ringo and Pete, though they had different styles. There is also nothing really on the first 2 or 3 albums that Pete couldn't have coped with admirably. After that, as The Beatles evolved, Ringo's incredible ability to play the song, to improvise and synergise with the other 3 made him the legend that he is today.
Absolutely agree, everyone knows Ringo’s unique drum fills, they are part of the structure of every Beatles record, he indeed played the song. It’s taken years but people are giving him the respect he deserves. In short, where Pete played the drums, whereas Ringo fitted in perfectly, he was a Beatle, whereas Pete never mixed as well with the others. Very interesting post.
I’m not a musician, and I see it the same way. John one time said about Best, that he never improved.
It so annoys me these days when people keep comparing musicians' skills proclaiming one is better that another.
Not one of the other great drummers mentioned thru these past 60 years not named Ringo, would’ve fit in with the songs The Beatles wrote and recorded.
As a musician of many more years than you. Here's the truth.
I was there at the time and you were not. Pete was the most popular member.
All the groups watched Pete including Starkey. The pure power of Pete's drums, especially in the small confines of the Cavern was staggering, only Johnny Hutch came close. They image they had , the leather, the hair, the "anti" red Fender guitars the choice of songs, different to all the other bands, but the drums and bass hit you from the stage.. It all contributed to their popularity, and attracted the attention of Eppy.
If you missed the early Cavern Beatles you missed a real treat.
So to all the experts on RUclips. If you didn't see Pete play with Beatles, all your comments are heresay.
@@BrightmoonLiverpool I say bosh to the so called greatness of Ringo. He couldn't even do a drum roll. You wanna compare? Try Buddy Rich. Now that's a musician's drummer. Or Hal Blaine-- much more polished and versitile. Even John Lennon said Ringo wasn't technically good. Just that he could lay down a beat better than most. So don't give me that overrated Ringo stuff. Drummers like him aren't suppose to be "stars". He was in last name only. The main talent always stood in front of him singing and playing the hits. Hits made by their producer George Martin-- the real genius behind the Beatles not that fellow sitting behind John Paul and George who replaced Pete Best.
It was down to timing ,Petes timing was variable ,George Martin saw it instantly
His timing wasn't a big problem, he was a typical live drummer. Ringo's timing was a problem for George Martin which is why Ringo was replaced by a session drummer.
@@BrightmoonLiverpool there is a clip on RUclips of his drumming of Love me do. And the timing is awful. All over the place and the others have trouble to pull it together.
Yep. Pete was terrible. I refuse to subscribe to this awful revisionist historian’s channel of lies and BS. What a kid of shit
@@BrightmoonLiverpool No, that was not the reason. Martin simply didn't know Ringo well at that time and didn't want to risk a session. It was just a CYA action by Martin. Also, in your research you seem to neglect very important issues of how a live band operates and how important during a live performance various "silly" details are. Details like: eye contact for starters. Even such a "silly" thing as a drummer that could not be quickly cued during a concert can become a source of _major_ annoyance to other band members. Same with personality clashes. Those kind of things simply can simply crash the entire enterprise. What can you do?
@JanPBtest With Ringo, are you talking about why he was replaced by Andy White? That was because George Martin didn't think Ringo was good enough on 4th September and so brought White in the following week. Paul McCartney said that Ringo's timing wasn't that good at that moment but he improved.
Your other point about how a love band operates is interesting, as I have played in bands for 40 years. However, my research takes in comments and quotes by the other Beatles and that has never come up. Again, Paul McCartney said a few times that Pete was a great drummer playing live, so that didn't appear to be an issue. If you have any quotes I have missed, I would be interested to see them as I am always open to new information.
Fascinating video, thanks much !! Incredible evidence that you dug up, it all sounds so logical. Definitely the best explanation I've ever heard. I can't help but wonder, what would have happened if during Pete's "sacking" by Brian, Pete remembered that he had a signed contract agreement with the boys, and told Brian that he was going to speak with a lawyer about it...
Thank you. Pete did consult a lawyer but got bad advice. His lawyer tried to sue Brian for wrongful dismissal, which of course he could not have done, as Brian didn't employ Pete - Pete employed Brian!
My thoughts exactly,my fellow Robin!!
Really enjoyed your presentation. I have studied all of this for a long time. There is a video (easily found online) of Johnny Guitar clearly stating in some detail, from first-hand knowledge, that John Lennon and Paul McCartney did show up at the holiday camp and spoke to Ringo about joining The Beatles. He also speaks on Rory's reaction to Ringo quitting on him. In Gerry Marsden's autobiography, called, "You'll Never Walk Alone", Gerry reveals, from his own first hand knowledge, that a number of drummers were asked to replace Pete Best before Ringo was asked. Gerry reports that his brother, the drummer for his Pacemaker's group, was also asked by George Harrison to replace Pete Best in The Beatles before Ringo was asked. Being a mate of Pete's, Gerry's brother refused to (as Gerry worded it) "do the nasty" to Pete and so he had no interest in replacing Ringo in The Beatles. I do think you are wrong in your conclusion that the notion of getting rid of Pete came only after George Martin spoke of replacing Pete on the recording sessions. True, there was a contract that tied Pete to his bandmates, but an intolerable, unexpected problem arose afterward for the core members of the group. Pete was fast becoming the most popular member of the group. I think that is undeniable. The very long cues to see The Beatles at their club shows, by most reports, were primarily Pete fans. The Beatles had been asked, at The Cavern Club, to bring Pete out in front on stage.
Pete himself admits, in his own autobiography, that his bandmates and even Paul's father, who scolded Pete, accusing him of putting himself above his bandmates, were seeing the fan adoration of Pete as a growing problem. Pete also reported having his own suspicions aroused, when, well before his EMI audition, someone close to Brian, out of the blue, told Pete how sorry he was that his bandmates were letting him go. Would Pete fabricate such a thing that had startled him when it happened? Another clue was Pete's recollection that he was never told by his bandmates that Decca had turned the group down, discovering that they had known of it themselves al along. But when George Martin related that he would be using a session drummer, John, Paul and George finally had an excuse they could use to conceal that wanting Pete out was partially based on jealousy. As you rightly concluded, had Pete's drumming ever been an issue, he wouldn't have lasted a week in the group. But we also have Brian Epsien's own account that what attracted him to The Beatles was "their beat". Was he attracted to a group that could not keep time? Would The Beatles fan base go through the roof if they had "a lousy drummer", as Lennon once remarked Pete was? Lennon also said McCartney was nothing but "muzak" and that beyond the song, "Yesterday", Paul had nothing to offer. The fact is, as you pointed out, Lennon, without knowing it, had defended Pete as a being great drummer, because he said their best era was when Pete was the drummer. You cannot have a great band, not at all, unless you have a great drummer. So why would he call Pete "a lousy drummer"? Lennon was still holding a grudge over all of the mayhem caused by Pete's removal, for which the group blamed Pete.
The period just after Pete left the group was far worse than is widely known, with fans walking out on the Beatles' gigs, chanting Pete's name at gigs, writing letters for weeks in support of Pete, protests, altercations in and around the gigs, including George Harrison's black eye, fans camped out at Pete's house. Gerry Marsden reported a completely distraught Brian Epstein being beside himself in tears, not being seen without security people he hired for his own protection. And all of this was considered Pete's fault. And when Pete sued The Beatles, George Harrison's opinion about Pete, I believe, was expressed in the one song George wrote, where he mentioned in his autobiography, that he admitted it was written about a real person, but that he could not remember who it was. "I left you far behind the ruins of the life that you have in mind. (Pete was on tour with his own band at the time.) And though you still can't see, I know you're mind's made up, you're gonna cause MORE misery..." again blaming Pete for their misery of bad publicity after Ringo told Playboy Magazine that Pete was a pill popper which led to that lawsuit that Pete was using to promote his tour with. The person in that song, "Think For Yourself" is described exactly the way the Beatles have always described Pete after his removal. "Although your mind's opaque, try thinking more, if just for your own sake. The future still looks good, and you've got time to rectify all the things that you should. Do what you want to do... you're telling all those lies..." etc. The fact that George said this song was about a real person lets me know why he claimed he forgot who the song was about, having been written just when Pete's lawsuit was in the press. So yes, I believe they held it against Pete for the "misery" The Beatles had suffered after his removal.
But more than that, they had to justify replacing Pete with Ringo in particular. They all kept it quiet for a long time that George Martin had also refused to use Ringo on the sessions. But having made the move of replacing Pete, now they had to justify that move by creating the myth that Pete couldn't play drums, when Mersey Beat, in writing, fall 1962, actually reports that George Martin was TEACHING Ringo how to play drums. Am I making that up? I named the issue. It is easy to look up. So, before you conclude that Ringo was the great drummer who filled the void, one needs to consider the edge that Pete Best would have had in the group, if George Martin had been as kind to Pete in arranging for proper drum instruction for Pete as he had for Ringo. That is a fact. Now, what was Ringo's track record as the new drummer in The Beatles? First session with Ringo: "How Do You Do It" - shelved., "Love me Do" - shelved. "P.S. I Love You" - shelved. And even weeks later, with Ringo on drums: "One After 909" - shelved. "The slated "B" side for "Please Please Me", an original called, "From a Window" - shelved. George Martin didn't even let them record it. He said it did not sound right when they played it for him. So, no... Ringo Starr was not having an easy time proving himself as the premiere drummer of Merseyside, living up to all of the accolades being chanted about him by his new band mates that were designed to justify the switch.
To this day Ringo Starr still says it is him on drums on "Love Me Do" and "P.S. I Love You" on the album. Those who know the history know better than that. And we also know to dismiss it when John Lennon claims that the plan was always to get rid of Pete. He was still lying about Pete's removal into the 1970s. Lennon admitted to Beatles' biographer Hunter Davies, that they gave Brian the job of getting rid of Pete because they were afraid it would have turned into a fight had they done it themselves. And they had good reason to believe just that. When Tony Sheridan, at the time The Beatles were Tony's backup band, tried to demand Pete change his playing on a particular song, finding fault with Pete's drumming, that turned into a 30-minute fist fight between Tony and Pete after Pete defended his drumming, flatly refusing to change his playing on the song in question. This is no rumor. Both Pete and Tony have openly talked about it as having been a real event. And that is what would have crossed the minds of John, Paul and George when the thought came to them, of facing Pete themselves with the lie that Ringo was replacing him because they felt Ringo was a better drummer. Pete certainly didn't believe that Ringo was better than he was, so he absolutely would have considered the "reasoning" they offered, for replacing him, as being a total lie. Ringo was given drum lessons just after he joined the group, during the period when every track Ringo played on was being SHELVED. These are facts you did not cover. - There's much more I could add, as to the subject of Pete having been replaced. It is not as simple a matter as you make it out to be.
I do think your presentation was excellent. I just think there's much too much that you left out that could fill in other aspects of what happened and why. Klaus Voorman, to this day, swears that The Beatles never sounded better than when Pete AND STUART were in the group. Is Klaus tripping? No. He was there. *We* are tripping if we believe a lot of the false history that was created, that was designed to conceal the petty jealousies that were real and that helped to lead to changes in the group that later, in order to save face, had to be swept under the rug.
Thank you for this very important information. It makes sense. Yes I always suspected jealousy and I did hear a recording of the fans yelling for Pete after he was replaced and Lennon says YES to them. I dont know where that recording is but I listened to it many times twenty years ago... as I couldnt believe what I was hearing..the screams from the audience demanding Pete. I had no idea it went down like this.
@@barbj9785 Thanks for your interesting response! Yes, I remember hearing "We want Pete!" from the audience. Pete was there at The Cavern that night eating his heart out, watching as the group made their first tv appearance. Ironically, it was Pete's mother, Mona who got that tv appearance arranged. As it happened, that performance of "Some Other Guy" was filmed just days after Pete was let go. But the calls for Pete went on for weeks. Gerry Marsden reported that Ringo was a nervous wreck during that period, saying he should never have joined The Beatles. Gerry personally confronted Brian Epstein demanding to know how he could pull such a stunt on Pete. Pete could not actually be fired by his own representative. Pete was conned off of his drum throne. Brian just shouted back at Gerry, "You wouldn't understand!"
I wonder where that clip is..hearing the crowds yell for Pete.. I recall Lennon shouted YES.
@@barbj9785 It's here, but Lennon's remark ks not included.Start at # 4:00 when you get there. ruclips.net/video/nisU8XDl-dM/видео.html
@@justmaitake5910 Thanks, just watched it. So glad this was filmed..what a treasure. Thanks for sharing.
From my understanding, when The Beatles were in Hamburg, there were times when Pete wouldn’t show up for gigs and Ringo filled in for him.
Hi Randy, not in Hamburg. Pete asked Ringo to sit in for him at the end of 61 in Liverpool and then on 3 further occasions in early 62, Ringo sat in for Pete when he knew he couldn't make it. Ringo did once say that Pete didn't show up for gigs and even suggested Pete took pills to make himself ill. Ringo got sued successfully by Pete as it wasn't true. Pete never didn't show up. If he was ill or in one case was in court, he let the others know and so if Ringo was around he sat in.
@@BrightmoonLiverpool Hi David, do you happen to have the exact dates of the 4 occasions where Ringo subbed for Pete? I would be much obliged.
60 years today. Just by coincidence, over the last few days, I started listening to the Beatles again. They deeply inspire me.
60 years ago today was when Ringo made his debut with The Beatles! A good time to re-engage with the Fab Four! Enjoy them
I agree Blair, absolutely incredible! When I listen to the early albums, a shiver goes down my spine and I get goose bumps its so great!
Sorry, Pete was not a “really good drummer” by any standard. He kept a basic 4/4 beat going but that’s about it. He seems like a nice guy, but his drumming is mediocre. Ringo, on the other hand, had flare, charisma, and stage presence. Ringo’s unique beats on songs like She Loves You and Ticket To Ride are iconic.
Here is a quote from Paul McCartney on Pete's drumming:
Paul stated in an interview in Wingspan "We had Pete Best who was a really good drummer, but there was just something; he wasn’t quite like the rest of us.……”
John, Paul and George thought Pete was a really good drummer and they produced a fantastic sound which Lennon stated was when The Beatles were at their best before they went into suits.
I'm not knocking Ringo and will keep repeating that too. Ringo was a fantastic drummer and made a huge contribution to the Beatles music and nobody else could have done that.
But Pete deserves his credit for what he did too.
Paul was being polite. John, on the other hand, was less diplomatic. I’ve listened to the DECCA recordings, watched Pete live on RUclips, and watched the video “The obvious reason Pete Best was fired from the Beatles” and you can plainly hear how inconsistent his drumming is. It’s a shame that no one thought to video tape or record the Beatles in Germany when they were just a kickass cover band.
@@BrightmoonLiverpool Paul was being very diplomatic. That is who Paul is. And as soon as they heard Ringo they realized they could have much better but they had nothing to offer him at the time.
In the studio, there is proof that Pete Best couldn't keep a consistent beat. He would speed-up or slow down. He couldn't keep time. There is a production on RUclips with Pete Best in the studio that proves this.
Ringo had the same problem, as his recording of, "Love Me Do", was rejected by George Martin for the same reasons. Both drummers were great live performers with little experience in the studio in the summer of '62. The difference was, JP&G were jealous of Pete, wanted him out and used Martin's rejection of Pete's recording as the pretext they'd been waiting for to sack him. Whereas with Ringo, they wanted him in, and when he was also rejected by Martin, they fought the EMI A&R man like hell to allow Ringo more chances--which is got, and made the most of. Pete would have, too, given that he got a record deal by Decca with his new band soon after being sacked by The Beatles, and no session drummers were required. Pete's sacking was a despicable betrayal of the drummer who'd saved The Beatles two years earlier, defined their sound with his Atom Beat, and drove them to the verge of stardom with his leading-man looks and immense popularity.
@@Cosmo-Kramer Wrong. Lennon stated more than once that Pete was an awful drummer and they were planning to sack him long before they actually did. You just seem to blindly think PB is a great drummer, which he is not, he really is terrible and it's obvious. But sure turn it into a personality and jealousy thing only, or about his looks, which never got him anywhere either - he was a dullard.
Lennon is considered a brilliant rhythm guitarist by many - do you really think that he did not have an innate sense about timing and what good drumming was? I was there for many of their early appearances, both with Pete and Ringo and Ringo was the change that was needed and it was an epic moment, no one of my friends at the time in Liverpool could figure out what the F Pete was doing on stage - he was not good.
You write as if you're a PB propagandist and plant - are you?
@@bingohhhhhhhhhhhh You're a lying POS, lol, you weren't in Liverpool then watching The Beatles with Pete! Because NO ONE thought he was a crappy drummer, on the contrary, he was widely considered one of the best drummers in the entire Liverpool-Hamburg circuit. His Atom Beat revolutionized rock drumming, to the point that every drummer in those two cities tried to copy it, including Ringo. One bandleader, Faron of Faron's Flamingos kept firing drummers because they, *"couldn't sound like Pete Best".* So now that we've established that YOU weren't actually there, let's listen to someone who was. Here's what a contemporary drummer of Pete's said when he was asked in an interview what he thought of Pete's drumming: *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long, and that really was The Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* -- Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer.
@@Cosmo-Kramer Look for the following videos: "John Lennon on why Pete Best was sacked as Beatles drummer" and "Paul McCartney on Ringo Starr Joining the Beatles (2009)" Also: Lewisohn, Mark. "1000 Days Of Beatlemania". Mojo Magazine (Special Limited Edition). Documents Ringo's drumming was used on the official release of Love Me Do.
@@bingohhhhhhhhhhhh You are SUCH a dishonest pile of shite! LOLOL You were NOT there, because there were ZERO calls by the fans, media or anyone else to replace Pete in The Beatles, Pete was the most popular member of the most popular band in all of Merseyside (and Hamburg)! Laughably, you wrote that Pete was, *"really terrible".* Well, you'll excuse me but I'll trust my own ears, and I'll listen to these people who were ACTUALLY there!
1) *"Before we went to Hamburg we were just awful. But when we got back to Liverpool from Hamburg we were as tight as a band can be, and they kept inviting us back. Then when we got signed to a record deal we never got back to that level."* ~ George Harrison (describing the Pete Best era)
2) *"Things are going well here in Germany. Mona Best's lad, Pete, is drumming good for us."* ~ George Harrison, writing home to an old schoolmate
3) *"Pete was a great drummer"* ~ Paul McCartney
4) *"We did our best work when we were in our leathers playing straight Rock 'n Roll, in the clubs and dance halls of Hamburg and Liverpool, nobody in England could touch us. But it was never recorded so the world never got to hear it. But then once we got a recording contract, we fell apart as a live band."* ~ John Lennon (describing the Pete Best era)
5) *"Pete was a better drummer, Ringo was a better Beatle."* ~ John Lennon, to Beatles historian, Tony Barrow
6) *"Pete was a better drummer than Ringo."* ~ Mike Smith, Producer at Decca Records
7) *"When my band, Rory Storm & The Hurricanes, got to Hamburg, The Beatles had already been there for a couple months. We played on the same bill as them a lot so I was always running into them. I'll never forget the first time I saw The Beatles play, they were already great. They were the only band I would go see on my time off. We all played the same songs back then, and The Beatles played them better than any of us."* ~ Ringo Starr
8) *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long, and that really was The Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* -- Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer.
Well, if you knew ANYTHING about music, you would know that a band CANNOT be great unless their drummer is also great, or at least, very good. A "terrible" (as you rated him) drummer drags the whole band down, and that CLEARLY did not happen with The Beatles during Pete's tenure. Quite the opposite. The Beatles were the worst band in Liverpool the day before they hired Pete and went off to Hamburg. Sure, they struggled for the first few gigs to be heard over the raucous German crowds. But Pete quickly remedied that by inventing "The Atom Beat", and The Beatles suddenly gelled like they never had before. They became such a hot ticket, that every drummer in the Hamburg-Liverpool circuit tried copying Pete's signature "Atom Beat". One bandleader, Faron, of Faron's Flamingos, kept firing drummers "because they couldn't sound like Pete Best". Even Ringo copied it! Well, Ringo *_tried_* to copy it. He lacked Pete's right-foot power and hand-speed. By the end of their first year with Pete, The Beatles had gone from the worst band in Liverpool to knocking Ringo's band, Rory Storm, out of the top spot in the Mersey Beat Top Band Poll.
And it wasn't just Pete's drumming that helped make The Beatles great, he was also the far and away most popular Beatle. You say John, Paul and George weren't jealous of Pete. Well, in various interviews all three of them said the whole reason they got into playing music was to get girls. Understandable. And sure, they all got girls. But if you think the following scenes wouldn't make them jealous, then I've got a bridge I'd like to sell you. Lol Geoff Nugent, guitarist for a contemporary Liverpool band, The Undertakers, said, *"You'd see 2 or 3 girls around John, Paul and George after Beatles shows, and you'd see 50 around Pete. Pete Best put The Beatles on the map."*
And here's one from Bill Harry, editor of Mersey Beat, the local music rag in Liverpool. Bill said, *"Pete was so popular with the girls that DJ/promoter Bob Wooler suggested something unprecedented -- place Pete and his kit in front of the other three members of the group. This unusual stage line-up was presented only once -- at the St. Valentine's Dance on 14 February 1961, at Litherland Town Hall. Only once because the stage was mobbed when the girls surged forward and almost pulled Pete off into the crowd. This never happened when John, Paul and George were in the front line."*
So as you can see (or, you _should_ be able to see), The Beatles rode Pete's revolutionary drumming and immense popularity all the way to a record deal, which was signed by Pete, John, Paul and George, in July of '62. And one month later -- just days before their first TV appearance (arranged by Mona & Pete, no less) -- John, Paul and George stabbed Pete in the back, throwing him off the rocket ship he'd be so instrumental in building, and hoisted up the diminutive Ringo, stepping on and over Pete's bloodied body on the launchpad floor. It was a hideous betrayal, and remains today an indelible stain on The Beatles' legacy.
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Listen to Best's drumming on the Decca Audition sessions. He couldn't maintain a steady beat.
Hi George although this wasn't a video on Pete's drumming, it does crop up. Please see my comments in answer to markede above. If we are going to judge Pete by Decca, then we judge them all, and none of them performed well that day. Have a read and see what you think?
@@BrightmoonLiverpool It's one thing to have a bad day. It's quite different for every day to be a bad day. Bert Kaempfert didn't use Best on the "My Bonnie" session because he just wasn't good enough. The simple truth is one cannot discuss Best being sacked from the Beatles without addressing Best's skills or lack thereof. It's too bad that all of this occurred in the early 1960's and not today. Had this happened today, there would be a plethora of cell phone video recordings of the Beatles.
@@MrErdner Fine, but then raising Decca ALONE is a weak argument.
I hope Pete Best sees this video. Thoroughly well researched, and clears up the complicated situation that's been debated and discussed and mysterious for over 50 years! I never considered the situation this way. Excellent job on the research, interviews, and piecing together all the pieces.
Definitely earned yourself a new subscriber. :D
Thank you so much for the kind words. I have given Pete a copy of my book with all the research, so I hope he has read it, or sees this video too. Thanks for the support. David
May have cleared up the reason for his departure but it’s ridiculous to say he was a real good drummer when he was only adequate
@@sg-yq8pm I have seen Pete live when he was promoting hymans green album .and met him at the fest for Beatles fans . On the date 1962 it wasn’t his best drumming . He is a good person and better drummer now .
@@neilafacci5833 What's "ridiculous" is your assertion that The Beatles transformed from a bum band when Pete joined them, into the hottest ticket in two cities just 4 months later, with only having an "adequate" drummer. If you think that happens with an "adequate" drummer, you know nothing about music.
@@Cosmo-Kramer
Pete was with _The Beatles_ for *two years.* The two years when they went from a bunch of kids banging out badly their favourite records, to a slick professional band that commanded attention.
"There's room at the top, they're telling you, still. But first you must learn how to smile when you kill." Chilling in this context...
When I listen to the DECCA auditions, I can hear Pete speed up and slow down. This was very interesting.
Thanks Criss - the Decca audition I have commented on above - see full answer to makrde - as none of them performed well that day. Pete like all live drummers would speed up and slow down, they all did. That was a problem for Ringo too initially. Glad you found it interesting, thanks.
@@BrightmoonLiverpool Ringo sounded just fine on August 22nd of 1962. In reality, he completely changed the sound of the band-FOR THE BETTER.
@@gringo557 David is saying that speeding up and slowing down was a problem for Ringo as well initially *in the studio.* When Ringo did a recording to, "Love Me Do", at EMI on September 4th, 1962, it was rejected by George Martin as not being good enough for the official recording due to poor timing--an assessment Paul McCartney agreed with. One week later, Martin brought in session drummer, Andy White, to do the official recording. Ringo was livid, and never forgave Martin.
They played well into the Morning at the Cavern at a pre new years bash on the 30th, spent 10 hours with their equipment riding in the back of van with no heat from Liverpool to London on the 31st then indulged in a bit of New years. The audiution was the morning of January 1st 1962.
@@BrightmoonLiverpoolI had my son practice his drumming to a .38 Special live CD and it wasn’t easy so I got the studio version of greatest hits and it is no problem at all to keep time too.
I think live is just a different animal- crowd energy, tired from the road, whatever.
Ringo was a very subdued, yet brilliant with his chops. Ringo was a great Beatle and played what the songs needed. Not all songs are 4/4, you need better chops.
In hindsight, we can all agree that Ringo was the perfect fit and thankfully they got the right replacement.
Ringo also had the cheeky Beatles whit, making really pointed comments in a way that appeared humorous rather than snide.
I watched an interview with John Lennon a few years ago (As I remember it was John). He said that Pete Best didn't have a good bass drum foot and would usually play straight 1, 2, 3, 4. This worked fine when they were playing Rock & Roll covers in the clubs. Ringo was more refined and had a good bass drum foot. I don't think Pete could properly play the original numbers on their first LP. Those numbers required a proper bass drum.
Ironically, it was Pete's thumping bass drum that made the Beatles sound in those 2 years. It was called the Atom Beat. Ringo had a wider variety of techniques and styles from his years in Rory Storm and the Hurricanes.
@@BrightmoonLiverpool Yes indeed!
Hi Did you ever see the Beatles Live ? with Pete and with Ringo ,if you did and and you know anything about music / Musicians you would not need to ask the question!
I didn't as I'm too young but I know plenty who did and they are the ones, both fans and musicians, who cannot understand the criticism of Pete Best. I am also a musician who has played with plenty of drummers of varying abilities and you spot a poor drummer very quickly. Pete was not a bad drummer.
This video was a fascinating and in-depth insight into one of the great milestones and indeed mysteries in popular music history: the 'sacking' of Pete Best from The Beatles. Lots of legal technicalities played their part, and, it seems to me if Pete had stood his ground and dug his heels in, neither Brian Epstein nor The Beatles could have, legally, done anything about it. Of course, at 21 no one is aware, at least comprehensively, of where they stand on an issue like this and Pete did the gentlemanly thing and stepped aside to allow Ringo to occupy the drummer's seat/stool in The Beatles. What goes around comes around and I think the remaining Beatles/Apple Corps gave Pete his long overdue royalties where he drummed for The Beatles on the early part of The Beatles Anthology series. Thanks for doing the research and taking the time to compose this upload - great stuff; liked and subscribed.
This is an excellent video and I wouldn't disagree with you on any of the facts but I think you are being a little kind on the more subjective subject of Pete's drumming. George Martin was only the latest Producer/Recording Engineer to have a problem with Best's drumming. Bert Kaempfert had had to remove the bass drum altogether, which is why the percussion on the original Tony Sheridan recordings sounds so thin. Sheridan himself, who was much more experienced than The Beatles at the time, was scathing about the drumming. Decca recording staff have said that they wouldn't have been able to use Best on recordings even if they had signed the group.
The drumming might have passed muster in a loud sweaty cellar or a bar in front of drunken rowdies where technical capabilities were secondary, but recording cruelly exposes deficiencies. Even live, more prestigious venues with better acoustics, would have shown up shortcomings more readily. There could have been no idea at that stage that screaming would have drowned out practically everything.
It's ultimately noticeable that groups don't appear to have been clamouring to hire Best after he left The Beatles, even though competent beat drummers were in short supply at the time. Epstein was offering Best gigs with bands he managed. I've not seen any evidence that groups were pursuing Best, even though his personal popularity with local fans might have been seen as a benefit.
On a human level this is a sad story, but I can't blame anyone who had to make the difficult decisions at the time. Trying to analyse situations like this in retrospect is always going to be messy and ultimately unsatisfying because we are talking about human beings and the more human beings involved in a complex situation there are, the messier it gets.
This is the truth about Pete's drumming. He couldn't keep time and it showed when trying to record.
Hi John, thanks for your comments. I can tell which book you are referencing this from, which does rely on some unreliable witnesses. Kaempfert didn't remove Pete's bass drum - he asked him not to play it, as Kaempfert's style of music was "light" on the drums, and he never had a rock 'n' roll drummer ever. That is why Pete was restricted as to which drums he played. If you listen to Pete's drumming on "My Bonnie", it is fantastic. Unfortunately, Tony Sheridan and Pete Best didn't get on and ended up fighting in Hamburg, so he has a score to settle there.
At Decca, it was noticeable that Mark Lewisohn didn't quote the Producer Mike Smith, but found some little tea-boy who nobody had heard of before trying to speak for Decca. Mike Smith has stated that he never had a problem with Pete - he did have a problem with Paul by the way. In fact, Mike Smith liked Pete so much that he signed the group Pete joined after The Beatles and recorded with Pete for a couple of years before Pete gave up.
Pete was in demand - Rory Storm & The Hurricanes would have welcomed him, but he joined the new supergroup Lee Curtis & The All Stars, who by the end of the year were a close second to the Beatles in popularity. He could have joined any group he wanted.
It is a sad story and, as John said, they were cowards in the way they did it.
Thanks for the feedback. David
Chris Curtis stated in an interview with Spencer Leigh that he seriously considered taking up the guitar and hiring Pete as the Searchers drummer.
I agree. Matt Williamson, on his youtube channel "Pop Goes the 60s" covers this info very well about Pete's drumming skills. Also, J, P & G each speak about Pete's drumming and how they were not happy with him. Pete was not "one-of-them." He did not hang out with them outside of performing. Ringo was a better drummer. He also shared many interest and had a similar sense of hummer. As George said in Anthology: "Ringo was a Beatle. He just did join until then (August 1962)."
I do not doubt for one moment Ringo's ability and he was the perfect fit for The Beatles. However, that is making judgements in hindsight and not looking at the evidence that was available in 1962. There were personality differences I'm sure and it proved to be the right choice in Ringo in the following years, but that was what they hoped for, but not what they knew. It always worked out for the best (pardon the pun) with The Beatles story. As Ringo said, it took him over 12 months to join them as a Beatle, to break through that brotherhood that John Paul and George had. But he did it and he was the right man. I just believe that we need to get the history right and give credit where it is due.
Brilliant research Dave. Totally fascinating and what an amazing conclusion...the end of 'The Beatles' and the start of the Fab Four!
Thank you. Just makes sense to me.
I thought that Pete's drumming on recording came into question in the sessions the band did backing Tony Sheridan - he was said to be poor on coordinating snare and kick drum with hi hat. Also I've heard Lennon quoted as saying they needed someone to fill the chair when they went to Hamburg and Pete was chosen for availability rather than suitability ?
His drumming wasn't questioned by Kaempfert at the Sheridan sessions for competence. It was that the Beatles were a rock n roll group, and Kaempfert didn't do rock n roll. He did easy listening schlager music with soft drums. So Kaempfert asked Pete to only play the snare and cymbals. He does a really good job, too, performing a fast drum roll at speed, which is technically difficult.
Yes, Best was hired last-minute to go to Hamburg. But they could have got rid of him anytime, but didn't. When they felt Stuart Sutcliffe wasn't up to scratch, Paul ensured he jumped before he was fired! They never tried it with Pete.
If he was no good, they would have got rid of him straight away. Not after 2 years!
Tony Sheridan himself says in a video interview that Pete was not that good a drummer and that is why they barely used him for the recording sessions.
I would say he was a good enough drummer for the bars of Hamburg but producer Bert Kaempfert had higher expectations.
To be fair, and I love George Harrison, the better solos (like on Ain’t She Sweet) were played by Tony Sheridan.
I believe Pete did lag behind the others overall talent wise at the time and as history showed George, Paul, and John’s musicianship improved.
*actually maybe it was My Bonnie that has a blazing solo…..
@@BrightmoonLiverpoolThat is a perfectly reasonable explanation. And while I really loved Tune In by Lewisohn, he really seemed to hammer Pete based on Bert Kaempfert’s tastes so now it makes me question some of his other rigidly held assumptions.
Marc Lewisohn , the most recognized Beatle historian, says when the Beatles went to .Abbey Road in June 1962 - they were a signed band. He said even saw the signed contract in the EMI archives. He said it was NOT an audition. He said it corrected everything he thought for decades - that it was an audition. It was not.
Thank you for your comments. Unfortunately, Mark was mistaken in his conclusion, using one form as his evidence, which a historian would. However, I studied English Law and Contract Law and knew that they weren't under contract. However, as I am not a lawyer, I consulted a lawyer who was the most senior lawyer in Liverpool, who explained clearly why The Beatles were not under contract.
Ironically, the conclusive paperwork was provided by Mark in one of his earlier books, "The Beatles Chronicles", which shows that Parlophone didn't sign their side of the contract until around 18th June.
To find out more, watch this video where I explained it ruclips.net/video/5C73wCMHON4/видео.html
@@BrightmoonLiverpool
Very interesting, thank you.
Pete had signed a contract with the Beatles, could he have just sat back and received a fifth of the royalites as long as he didn't join another group?
@@blueycarlton That was the situation they had to avoid, because he would still have been a part of the group. It happened with Don Felder and the Eagles. Their manager was sent to sack him, his lawyer confirmed he was a partner, and it took years to resolve it just before it got to court!
@@blueycarlton Great Point! But he didnt know that at the time.
first time with your channel; wow, what an unbiased approach; I'll stay and have a closer look :)
Thank you - enjoy our videos
Pete was a terrible drummer. I'm a drummer I hear his playing straight bass drum 1234 most of the time. Ringo was the best drummer in the beatles circle and when he sat in and played "What'd I Say" with the band with the correct feel for the song they all knew.... Pete was toast. The Beatles had a recording contract and first chance they got, they convinced Ringo to quit Rory Storm or whoever he was playing with to quit and join up. Ringo is an amazing drummer just watch the early shows like the Washington DC gig right after Sullivan he kicked the **** out of the drums! Pete got his money in the 90s with the anthology records so he should be set for life since then.
According to the contract they signed with Brian, a majority vote of the Beatles could vote a member out of the band. So J, P and G were more than welcome to sack Pete.
No sorry, the contract they signed with Brian was a management contract, appointing him as their manager and agent. That has nothing to do with the musicians as a group. I discovered they had signed a partnership agreement between J, P, G and Pete and under UK law, you cannot sack a partner, you have to dissolve the partnership and they didn't want to do that. I have that from Brian's lawyer who explained the whole process to me. I am also qualified in UK Contract Law, but I wanted it independently verified by the man who advised Brian.
yes, but didn't Paul say that Ringo was the best drummer in Liverpool? I myself remember seeing that interview
Years later he did, but what would you expect him to say? I think he said that in their opinion he was the best drummer in Liverpool. Johnny Hutchinson was the recognised best drummer by musicians and fans alike. Ringo and Pete just behind him.
Very interesting research. I wasn't aware of the fact that other drummers were asked to replace Pete Best. I had always thought that Ringo was the obvious choice. The whole business must have been very awkward for Neil Aspinall, seeing his mate (who was also his girlfriend's son) getting kicked out of the band.
A lot of people don't realise there were other drummers approached, but, thankfully, Ringo joined and everything worked out right. It really put Neil in an awkward position - Pete helped him out.
Brian took it upon himself to ask these other drummers because he didn't like Ringo. Thought he was too flashy or something.
@@alanm.8472 Yes, I'm pretty sure that John, Paul and George didn't want anybody else than Ringo.
@@LapsangTe Brian admitted later that The Beatles were right about Ringo. At one point Brian even asked a piano player that The Beatles were jamming with to join without The Beatles knowledge. He turned Brian down because he had his own act. Brian did overstep.
@@alanm.8472 Yes, that's why they gradually alienated themselves from Brian. He was very important for them in the early days, but later on they wanted to be their own boss. When Brian died he had more or less lost controll over The Beatles.
Best's drumming was rubbish. All you need is a pair of ears and a smidge of music appreciation to discern that. You pull one Lennon quote where he thinks the Beatles were best in Hamburg (by the way, the famous Star Club tapes were with Ringo!), when Lennon directly panned Best's drumming in no uncertain terms.
Music is subjective and who you like or don't like is subjective. You may not like Pete's drumming but you can't say anyone with ears and an appreciation of music can discern that. Did you see the Beatles with Pete? I have spoken to many people who saw Pete live with the Beatles, fans, musicians including drummers, who all rated him as a great love drummer. May not be to your taste. Funny you should mention the Star Club Tapes - the Beatles never wanted them released! There is a recording in the Cavern around October 1962 where they were rehearsing and John is shouting at Ringo. Happens to all bands. Have to look at it in a balanced way.
@@BrightmoonLiverpool It's got little to do with taste. There are tons of drummers, whose work I don't particularly enjoy, but who are competent. You don't have to *see* music, you can hear it on recordings. The Beatles being against releasing the Star Club tapes is a red herring. Nothing to do with drumming and everything to do with poor audio quality.
What I think is that you have three guys who are all guitarists and harmony singers. They had to work very closely together to improve, which they did. They needed a drummer whose style would help showcase the guitar work and singing and they needed a personality, a character, that fit the 4-person 'package.' Ringo fit the bill in all of the above criteria.
True, Pete never improved and as John simply said Ringo made a better Beatle. But here's something that nobody has brought up. British bands did not want that "bum" group The Beatles in Hamburg because they were really bad. Without a drummer they couldn't go to Hamburg. Without Pete, The Beatles would not have improved and never have made the big time. Pete's a hero not a zero.
Exactly right. Pete helped them get their reputation, get Brian as manager, and get the record deal. He deserves credit for that.
I always thought Mr. Brian Epstein called Pete Best into his office and fired him in 1962 because John Lennon and the other Beatles were too nervous or embarrassed to fire Pete themselves. At least this is what I heard Pete Best say in one of his interviews.
Also I do think that Pete Best probably was not a great drummer. He was probably a good drummer but had he in fact been a great drummer Pete would have been in demand and sought after by many other bands. Pete Best though I don't think lasted long in showbusiness after he was fired from the Beatles. John Lennon himself years later said that the only reason they hired Pete to be the Beatles drummer in the first place back in 1960 was because the band got offered a contract to play gigs in Hamburg Germany and they didn't have a drummer at the time and they couldn't play in Hamburg if they didn't have one. So the Beatles quickly asked Pete Best if he would join the group because Pete was the only one that the Beatles knew who already owned a full drum set. Drum sets were a hard and rare commodity to come by back in 1960. If you listen to the Beatles audition tape for Decca records on Jan 1st 1962 Pete Best's drumming was ok but very one dimensional. Ringo Starr was a much more inventive drummer and much more versatile and talented. Ringo was the perfect drummer for the 3 songwriters John , Paul , and George in the Beatles. Plus according to the other 3 Beatles personality and band chemistry played a part in the Beatles wanting Pete Best out and Ringo Starr in. Pete never wanted to change his hairstyle from the slicked back greasy James Dean and Elvis Presley look with sideburns to the infamous early Beatle haircut that the whole world grew to know and love later as the Beatles conquered the world. In the end its sad that it would never be meant to be for Pete as a Beatle but I'm glad that ever since the mid 1990's with the release of the Beatles anthology albums Pete has made millions of dollars in royalties. So everything worked out in the end as they say. 😉
Pete was never asked to don the mop-top, and that's because the woman behind it, Stu's girlfriend Astrid Kircherr, said it wouldn't work with Pete's thick and curly hair. There's an interview of her on YT saying this, if you don't believe me.
The point with this whole video was to say that Pete couldn't be fired from the band - he was in a written partnership with them. So no, the other Beatles couldn't just go to him and say "you are fired!" He unfortunately didn't realise that he held some pretty strong cards in his hand and could have benefited much more financially from an agreement to leave the band had he been more prone to stand up for himself...
@@Cosmo-Kramer oh wow....I see. I had never heard that before. Sounds reasonable to me. But the other Beatles also said personality wise Pete Best was not similar to them as far as humor and quick wit. Don't know how true this is because I wasn't there.... 😆....but this is what the other Beatles claimed. Or as the Beatles used to say or used to call it....they thought Pete was a bit " thick ". Paul even said decades later that Pete was a nice guy but in a band there's a fine line to where you fit in or not as far as band chemistry goes. But again there are many stories about this topic. Another one is that Paul was jealous of Pete because early on more girls would scream and shout and love on Pete instead of him! And Paul was the cute Beatle right? 😉😜
@@Fritha71 ok...I see what your saying. Had Pete been more aware of the business side he could have known they couldn't fire him because he had signed a contract. Thanks for clarification. 👍
@@jasonmardoniomeza1711 Paul wasn't just jealous "early on", he always coveted the role of *the cute one.* If you wanna know what really was behind Pete's sacking, it had *nothing* to do with Pete's drumming ability. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked:
*John and Paul:* everything's honky-dory, two peas in a pod
*John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel
*John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul
*John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls.
*John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* And you're trying to tell me that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of two years. They USED and BETRAYED him.
*John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo.
Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy.
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So what you're saying is that the reason for Pete being forced out (however you want to describe it) WAS George Martin saying he didn't think much of his drumming. How ironic then that he reportedly didn't think much of Ringo's drumming either (hence the use of session drummer Andy White on the single version of Love Me Do). But then he obviously came to accept Ringo because he did become and was The Beatles' drummer ever after. Makes you wonder if the same might have happened if Ringo was the drummer that The Beatles initially arrived with at EMI and George Martin didn't think much of him, might he have been the one to get pushed out? But then again, as you say, The Beatles may never have been The Beatles with any drummer other than Ringo.
A very good point Robert. Yes, George Martin didn't rate Ringo on 4th September and was surprised when a different drummer turned up! Nobody told him Pete had been replaced. Amazing how many twists there are in the Beatles' story?
I could be wrong, but the way I understood it was that George Martin had already hired Andy White for the session, so even though he was unaware that Pete had been replaced, when they turned up with Ringo, he said well I've already booked Andy so I still want to use him. Is there any evidence that George Martin heard Ringo's drumming and still decided not to let him play?
@@Valveus George Martin hadn't heard Ringo at that point. The fact that Ringo played on the records from then on shows George Martin was fine with Ringo's playing. As for Best, you only have to listen to the Decca tapes (which were audition tapes not meant for release) and Ringo on the songs and it is clear Ringo was a big upgrade. Tempos are better, the time is better and the band plays better as a whole. Remember that first album was done in a day.
George Martin could work with Ringo but didn't have the time or money to spend getting Ringo up to speed on the Love Me Do sessions. It wasn't known if The Beatles would be worth more recordings. There was no way he could work with Pete.
@@Valveus I saw an interview with Ringo in which he said that he "tried to do too much" in his first recording of LMD, and thought he'd get a second crack at it the next week, but was livid to find Andy White there to take his place. He said he never forgave Martin for that snub. But Macca had agreed with Martin that Ringo's timing was not good enough on his September 4th recording to be used as an official release.
Great presentation. Try to imagine Pete on "It Won't Be Long"; wouldn't have worked.
Brilliantly compiled and, for me, this is the one story that makes the most sense. Pete never seemed to fully come to terms with what had happened to him in various interviews that I've seen and, even to this day, seems unsure of the real reasons behind the decision. The legal aspect of the contract is very interesting.
I feel that the one real winner of this story is the solidarity that seems to have been displayed by his fellow drummers and friends to him and also Pete's loyalty to Neil Aspinall. He always comes across as a very decent guy and I found that quite heartwarming to be honest. Great work and thanks!!!
Thanks Robbie. Yes, Pete has always behaved with dignity and his loyalty to Neil is admirable. Decent guy for sure.
@@BrightmoonLiverpool Hi David, thanks for getting back. I have always looked forward to seeing your videos )) I live not too far from the Grosvenor ballroom, which you might be aware of ))
That Pete was "not fired" is (as you yourself say) just semantics. Lewisohn documented exactly what happened in the "Tune In" bio - and he's a historian and a stickler for accuracy. To his account you add the proposition that two other drummers were asked to permanently replace Pete before they asked Ringo. But you don't verify this in any way. Hearsay is not something real historians use. And btw, Pete WAS a crap drummer and the audition tapes prove this.
Thanks for your comments. Mark Lewisohn did give his evidence in Tune In and, if you see my bio and comments on RUclips too, you will see that I have been a Beatles historian for over 20 years, have published 8 books on The Beatles and am also known for my accuracy too.
The other drummers who were asked I did provide corroboration in the video and go into more depth in my book "Finding the Fourth Beatle". For Bobby Graham - whom Mark Lewisohn mentions - I corroborated that it wasn't a temporary offer but a permanent offer by speaking with Bobby Graham's manager who worked with him for many years. For Ritchie Galvin, I have the testimony of his wife as well as several former bandmates who could confirm that he was approached by Brian Epstein and Bob Wooler and offered the job, which he turned down.
For Johnny Hutchinson, I interviewed him on several occasions and got to know him well and he confirmed the story. He did tell the same story to Mark Lewisohn though he didn't accept what he was told, even though the evidence was there. That is not for me to decide who writes what in their book and who doesn't. Johnny Hutchinson had no axe to grind and no reason to lie. He was very clear on the story and it had to be that day, the day that Pete was told to leave. Johnny sat in with The Beatles that night in Chester and that is when Brian and Bob Wooler approached him. It could only have been that night.
I have provided evidence and corroborated it too for everyone in this story. For every part of this story I can provide corroborated evidence. Happy to be shown other evidence that can disprove it.
As for Pete being a "crap" drummer, musicianship is always subjective, but if Pete was so crap, why were The Beatles with Pete the most popular group in Liverpool and Hamburg? Why did John say that The Beatles were at their best in the clubs of Liverpool and Hamburg before Brian put them in suits? That was with Pete. Or do you believe that John, Paul and George would put up with a crap drummer for 2 whole years before suddenly deciding he couldn't drum? I don't know if you are a musician, but I have played with many drummers over the years and you know very quickly if your drummer can't keep time or is not good enough. That was never a problem for The Beatles with Pete until George Martin said that he would use a session drummer. Paul McCartney said that Pete was a great drummer in the clubs and dance halls but if the producer says he won't use him, we have to replace him. It was only after that June audition that they considered replacing Pete. This is evidenced by Brian's lawyer who was approached in June to consider how to replace Pete Best.
What I have been trying to show is what happened in history, not to change it or even question it, but to simply explain what happened. As I have stated, The Beatles needed to change as they were becoming a recording pop group, not a covers rock n roll group. Even though 3 other drummers were approached, I believe it could only have worked with Ringo and he was by far the right man for the job and helped take The Beatles to a whole new level. Pete was great at what he did in those 2 years with The Beatles and deserves credit for what he did. But John, Paul and George needed to make the right change and they made it with Ringo.
The fact that Lewisohn claims that the only drum that Pete was allowed to play at the Polydor sessions was the snare drum, and that this is VERY easy to disprove, strongly suggests that when it comes to the subject of Pete Best, "accuracy" is irrelevant.
If what Pete played was bad on drums then so too was Lennon on the guitar. But nobody kicked Lennon out. They all were just good enough for concerts but none were the caliber of trained studio musicians which are what were really used on early Beatle recordings. Making a record is expensive so it must be done efficiently and in a timely manner. NONE of the Beatles were that. The closest was George. They were never good at being organized. That's what a producer does. It took a George Martin to show them the way. They got screwed financially cause they didn't know contracts and how business works. If a drummer was really needed to replace Pete someone should have called Dave Clark of the Dave Clark 5 not Ringo the dummy. Dave owns everything he ever did with his group cause he knew business and contracts. It took Paul McCartney over 50 years to get his Beatles songs back.
@@kentduryea1741 Dave Clark had a handler to walk him through "what to do." He didn't figure all of this out on his own. The whole I "started a band to raise money for a football team" is all bs. No one really knows his real story because it's never been told.
@@kentduryea1741
If you claim none of the Beatles were recording grade musicians able to record quickly and efficiently, then how come they recorded their first album in a single day?
Anybody with ears can tell from the Decca tape how poor the drumming is surely? Keeping time is the absolute bottom line for a drummer.
I've heard that said, and, as I play guitar/bass/piano and not drums, I asked 3 independent drummers who were about 19, 50 and 70 to listen to the Decca audition and tell me what they thought. They were very positive about Pete's drumming and maybe he could have added some variation, but that was how they played the songs live. If we are going to examine each of The Beatles at the Decca audition, Paul's bass is clunky - as noticed by the producer Mike Smith - and singing was poor; George's singing was the best but his lead guitar work was not great. John's voice was a bit shaky and his rhythm guitar work was a bit pedestrian. So we could criticise them all.
As you say, keeping time is essential for a drummer. I have played with many drummers and you know very quickly who can and can't keep time. Playing live brings some variation in speed, naturally, as any band knows. Playing in the studio requires a different skillset. As you probably know, when Ringo turned up at EMI on 4th September, George Martin was expecting Pete to walk through the door. Ringo didn't play well so George Martin replaced him with a session drummer. His problem? Paul said later that Ringo wasn't that steady on time then but he soon improved and became so reliable.
Hindsight is a wonderful thing and it is so easy to listen to Ringo's incredible drumming throughout the 1960s with The Beatles and compare it to a poor band performance made in their first ever visit to a recording studio as young men. Nobody really would have signed them based on that performance.
I was determined to be as objective as I could, which is why I contacted those 3 independent drummers for their opinion. I hope I have been able to show that independence and objectivity here for you.
Thanks for taking the time to comment on the video. David
Thanks for making the Beatles drummer situation clear. The thing that narks me most is that Pete was with them for two years when Lennon says, that's when they were the real Beatles. It's documented that Lennon said that Pete was a lousy drummer drummer. He wasn't a personality fit either. It's a complicated situation.
Lennon said horrible things about different people all the time. He said he thought George Martin ruined the songs and he wanted to re-record them all! He said things on a whim, in hindsight, so you have to look at the context. Hos comment you mentioned is the best evidence I think because we know he loved rock n roll and Pete was a great rock drummer. Very complicated situation but it worked itself out eventually.
@@BrightmoonLiverpool And I recall George Martin said Lennon was never happy with his voice..sometimes he wanted to double track it. Look at Strawberry Fields..sung in 2 different keys and splicer together...different speeds too.
I've been in bands where it's obvious that maybe one of the musicians is not on the same level as the others. Contrary to what say about the beatles not putting up with below par ability, when bands start out and are learning their instruments they take whoever they can get, mates from school, etc..As the band progresses it becomes apparent that some may not be able to 'keep up' with rest of the band. that can generally make for a very difficult situation. I've seen somewhere, Pete ( many years after) , saying the beatles never told him why he was "sacked". After j saw on RUclips someone had taken a demo of pete playing with the beatles comparing edits from different parts of the same song and it was apparent to me why they never explained to pete why he was out. He could not keep time, speeding up, etc, who was going to crush this guy by saying you are not a very good drummer? So they said nothing. I've told someone in a band lt was anything I could but the real reason they could not be in the band.Also, in my experience, finding good drummers or Vocalists were much more difficult to replace than guitar or bass players, for various reasons. So what do you do, you put it on the back burner until, you find a replacement? Then how do you tell him?
That video is of Pete's infamous EMI recording of, "Love Me Do". The problem with that biased breakdown is that it's never mentioned that Pete was ambushed that day with a new arrangement to the song--it's no wonder he struggled with it. Paul also struggled with the new arrangement, which was forced on them by know-it-all George Martin.
@@Cosmo-Kramer well I don't mind being wrong and it is somehow unpleasant saying,(as I said before), to someone your not up to it. However, John, George and Paul are on record as saying he wasn't right for the band, John saying something like" it was that Pete was not able to cut it in the studio, as well as several producers.
In my mind it makes more sense that was the reason.
After all, if you have a spectacular musician in the band, you are on the verge of a record deal, and big exposure, why would you sack him?
It would have to be a huge reason because you are faced with rehearsing with the new member, at a time that is the last thing you could do with, isn't it?
@@mrmanch204 There is a lot of misinformation out there, dishonestly propagated by Ringo apologists. George Martin at EMI is the *only* producer who said Pete's drumming was not polished enough for the studio. Mike Smith at Decca had no issues with Pete's drumming, in fact, he signed Pete's new band to record deal after he was sacked by The Beatles, and no session drummers were required. And as for Bert Kaempfert, the only reason he removed some of Pete's kit is because he was an "easy listening" producer and was turned off by Pete's thunderous Atom Beat. Now then, you posed the question, *"...if you have a spectacular musician in the band, you are on the verge of a record deal, big exposure, why would you sack him?".* Before I answer that question in great detail for you, let me address it by means of sharing with you the following quote from a contemporary of Pete's, who was asked in an interview, *"What did you think of Pete Best?"* He responded:
*"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long and that really was the Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* - Chris Curtis, drummer for The Searchers, a great Liverpool band who scored big in the US with the hit, "Love Potion # 9, saw Pete Best play many times in both Hamburg and Liverpool.
Now, let me give you my answer to your question. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked:
*John and Paul:* everything's honky-dory, two peas in a pod
*John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel
*John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul
*John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls.
*John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it--especially since he was the 3rd to join the band. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* Do you really think that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of his two years. They USED and BETRAYED him.
*John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and sure enough, he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo.
Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy.
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@@Cosmo-Kramer Well, you have demonstrated that you not only are very well read on this episode, but you are very compassionate about as you see an injustice towards Pete Best.
All, I can say is really what I said before, that it resonates with my own experience in bands since the early 70s.
In addition, after watching (what I considered a balanced view and well researched presentation of facts, together with comments and quotes from the Beatles and others from the time. I think it is very likely.
This is the video..(I am sure you are aware of it and dont agree with it)
The obvious reason Pete Best was fired by The Beatles.
Pop go the 60s (youtube channel).
I don't feel anywhere near the passion you appear to have concerning this episode, but as I grew up with the Beatles as the back drop to my life, I reckon I feel just as much passion for the Beatles and of course their music.
I don't know if Pete would have been as good as Ringo, maybe the others were jealous of Pete. But with that tension and social dynamic within the band maybe they would never have gelled and thus just disappeared after their first single and we would be in that unfortunate world portrayed in the film 'Yesterday'.
This is of course my opinion and after all it was a long time ago, so maybe we only ever have our opinions.
Who would be the Best drummer for the Beatles? Well it was always written in the Starr's. Great to hear these Beatles stories fantastic journalism.
Thank you, I appreciate it.
You claim that Lewisohn offers no evidence that Brian’s offer to Graham was only temporary, but offer no evidence yourself that the offer was permanent--you mention having talked to Graham's manager but that's decades after the fact and I'd like to know what that manager said *precisely* about the offer being permanent. At the very least, we have indications from interviews/statements given by the Fabs themselves that the other three had already informed Epstein that Starr was their first choice, which is likely why Lewisohn assumes the offers to Graham, Hutchinson, etc. in July/August of ’62 had to have been temporary (either that, or Epstein was going against their recommendation). Starr mentions that just after the late March gig at the Cavern where he filled in for Best, George had approached him about joining the band and discussed it with John and Paul on the spot. Then in late May ’62 at the recording session with Kaempfert in Hamburg, Roy Young remembers the others asking his opinion of Ringo joining their band (Young says he enthusiastically approved). Given this, I consider Lewisohn’s theory quite plausible that the other offers to Graham and Hutchinson were temporary and/or contingency plans (if it's a contingency plan, that might also account for why Brian may have made the offers seem permanent), on account of Ringo being committed to playing Butlin’s until September and also possibly the news that he had already agreed to join Kingsize Taylor-so it was up in the air whether he’d be able to join them in time for when they’d agreed to get rid of Best (before the Aug 22 Granada TV shoot at the Cavern). Lewisohn mentions that John and Paul specifically traveled all the way to Butlin’s at the tail end of July to visit Ringo and persuade him to join The Beatles instead of The Dominoes (plus come back early from Butlins) and that finally cleared the way for him to join, and not have to ask anyone else. All four Beatles have said that Ringo was the drummer they wanted--which you seem to ignore or dismiss, even though it's from the horse's mouth--and Epstein confirmed in interviews that was their first choice after Martin said he wanted someone else for the studio records.
What I think you really get wrong here, however, is your glowing opinion of Best's drumming. You get that from what John said about them being at their best in 60/61 in Hamburg and Liverpool, but even John has talked about how Best was no good as a drummer (there are direct quotes others have already posted in these comments). So obviously John was referring to **John, Paul, and George** being at their live best during that period, with Pete (and Stu) just kind of being good *enough* to support them--not that Pete is what made the band so magnificent during that time. John never said or even implied THAT, indeed he implied quite the opposite, that Best was only tolerated. I mean, Stu was in the band during this golden period John talks about and yet no-one thinks John was implying Stu was a magnificent bassist, and the same is true of Best. John is clearly speaking about him, Paul, and George. It's so obvious when you hear the few surviving recordings with Best that he wasn't half the drummer Ringo was (and I don't need interviews with other drum "experts" to tell me what my ears already hear on these recordings, plus there's plenty of experts and witnesses at the time who say Pete was merely average)--he was somewhat competent, yes, and could keep the beat, but not brilliant. Maybe he was better live than in the studio or at the BBC, but he couldn't have been *that* much better.
The only other reason you give for why Pete had to have been great is that the group kept him around for two years, and you say they wouldn't have done so had they not thought he was great. That leaves out much of the context--as Lewisohn and others point out, Mona Best was CRUCIAL to getting the band gigs in the early days, plus, drummers were thin on the ground in 60/61 and there wasn't a lot of choice out there (it was lucky they got Best to begin with, as they had been without a permanent drummer for about nine months at that point!). They kept Best around for two years because a) they needed that connection with Mona and b) Pete was good *enough* to keep around considering that they didn't have a lot of choices for a replacement in 60/61. By 1962, however, everything had changed: they had a new manager who was getting them all the gigs they needed, they were about to sign a recording contract (with the producer explicitly telling them he wouldn't use Best), and they were now Liverpool's biggest band and had a much better pick of people to choose from (interesting, however, how the other drummers they approached STILL turned them down, so clearly finding a drummer wasn't easy even at that point!). I agree that the turning point in getting rid of Best was when George Martin told them he would be using a session drummer if they didn't find someone else, but there is clear evidence they had their eyes on Ringo that spring, even before Martin spoke up. All three Beatles have said in interviews that Best wasn't the greatest drummer and that they'd always been waiting patiently for the opportunity to replace him with someone better--yet somehow you don't take THAT as evidence in this clip even though it's literally from the primary source. If they really thought Best was magnificent and the "only one" for them, they would have rejected George Martin's ultimatum or maybe used a studio drummer but kept Best on for live shows (as Martin originally even suggested)--the fact that they fired him *completely* not just in the studio but on stage, and not only that but in the relatively cold manner that they did, suggests that they were quite happy getting rid of him.
Top post.
Why weren’t groups knocking down Best’s door to get him into their bands when the Beatles became famous soon after this? How did he also blow those opportunities with all his fame & talent?
They were. Rory Storm and the Hurricanes wanted him, the Merseybeats did, Farons Flamingos did but it was the new supergroup Lee Curtis and the All Stars who got him and at the next Mersey Beat poll, they came second to the Beatles. Faron told me he got rid of two drummers trying to find someone who could drum as well as Pete. That's why nobody could understand why the Beatles did what they did in Liverpool. I have spoken to so many Merseybeat musicians who all agree that the Beatles changed when they got rid of Pete.
He then went to the US with his group The Pete Best Four and was offered a nationwide tour on the back of some successful records. But, only if he ditched his band and used session musicians, and he refused to out of loyalty. Not a lot of that around!
I've had to work with crappy drummers out of desperation before, and that's exactly what the Beatles did. Pete's mom owned the club they worked in, and he had a drum set. They needed a drummer to go to Hamburg, and Pete was all they could get. He was only supposed to be temporary. George Martin wanted him gone as well. They knew they would fire him as soon as they could get a "real" drummer, and that's what they did. It's a scenario as common as they come in bands, and every musician knows all about it.
They were cowards thats it they had the balls to kick a sailor and run away but not to tell the truth i am a fan but is sad that his actitud was like that
@@angelicaquirarte Sorry you're hurt by all this buttercup. They were kids imbecile.
Listen to Pete Best's album "Hayman's Green" And then wonder how music might have changed had he been writing for those 50 years that were lost while he was a civil servant..
It's a fabulous album isn't it?
@@BrightmoonLiverpool Any album that you don't have to skip multiple tracs makes you 100% correct :)
He wasn't a good enough drummer for recording. George Martin saw this immediately. They got Ringo in and GM was still not satisfied. He eventually hired Andy White for the sessions until Ringo could get up to speed.
You have to understand, the drummer is the most important member of the band when it comes to recording. Pete and Ringo had almost no experience in the recording studio. Ringo was a better drummer than Pete, but more importantly, his playing and personality better suited the band.
I think you have summed it up well.
According to John Lennon that " Pete best was a lousy drummer. He never improved. The only reason he got in the group in the first place was he had kit and we needed a drummer." "We grabbed him and he could keep one beat going long enough so we took him to Germany." "We were always going to dump him when we found a decent drummer." Here is a link to the interview ruclips.net/video/G41d-2mzLvw/видео.html Your comment?
Thanks, yes this is a well-known quote, but it is a one-off comment from John, many years later, when he didn't even believe in Beatles! John also said that the Beatles were at their best when they were doing straight rock in the clubs in Hamburg and Liverpool. That was with Pete. You have to balance them all.
Paul has said a few times that Pete was great playing live too.
Also, if Pete couldn't play, how did he last for 2 years with musicians of the calibre of John, Paul and George? It doesn't add up. Needs a balanced view of all of the comments and quotes.
The comments were all over the place even from the Beatles themselves. Bottom line I don't think Pete Best could have out performed Ringo.
You're right... the missing pieces of this puzzle are practically unmentionable. Nobody would ever believe the true stories of the real members of the Beatles
And what a story it is! Still more to learn everyday
This list of "evidence number one, evidence number two" isn't evidence it's just claims. Some he attempts to back up, but most not.
More a case of hearsay.
Which ones do you think I did not provide evidence for? Happy to clarify it for you.
Can only thank you for this. Answers a lot of questions. Your research and conclusions are thorough and convincing. Wonderful 💜
Thank you kindly. David
Pete is a very nice man. I met him. Low keyed, soft spoken and kind. But he didn't conform. He refused to have a Beatles haircut. The Beatles really became the Beatles when Ringo joined. My evidence: Listen to his very first live performance which is available on RUclips. They are playing 'Some Other Guy' at the Cavern. And you could hear how 'tight' they are with Ringo. Plus he agreed to conform. He put his hair into a Beatles style plus his personality is perfect.
The not conforming with the haircut is a red-herring and no reason to make a change. He was never asked to change it.
Being quieter wasn't a reason. Ringo was quiet for a while after joining them. The Beatles with Pete were tight, having played hundreds of hours over the 2 years he was with them. There was no reason to get rid of him, and nothing happened until George Martin told Brian he was going to use a session drummer.
Paul also commented that after Ringo joined initially he wasn't that tight on keeping time but became so regular.
It is the problem of trying to look at history when we know the events that took place. In hindsight, the Beatles needed to change their style and become a pop group recording original songs, which was different to the covers band they had been. Ringo was the perfect new drummer and he was and is one of the greatest drummers of all time.
If Pete was such a great drummer, why didn't any other group pick him up? If he was such a great drummer, you would think he still would have made it! He didn't!
He had a choice of groups to join, and joined Lee Curtis and the All Stars, who finished second to The Beatles in 1962 in the poll. They were signed to Decca, then became the Pete Best Combo and Pete Best Four and released more records, was offered a tour of the US but only if he dumped his band! He refused to. He then gave up music. But he could have joined just about any group he wanted, he was that good and that much in demand.
I still can't get over the fact that they never spoke to Pete after that nor help him out financially, if they were so hugely popular in Liverpool in Hamburg then he certainly deserved a big giant pile of money when they finally made it
Well said. They never looked after any of those who helped them on their journey. A shame.
That's not true, he's recieved a large amount of royalties, (7 figures) especially after the anthology series. More so after the Get Back film. Not bad for a guy who was fired 50 years ago. A lot more money than you or I will probably ever see...
@@jdemarco He did eventually get royalties from Anthology, after some arguing. But that wasn't a favour, that was royalties based on the fact that he contributed to several tracks on the CDs. He wouldn't benefit from Get Back as he was not involved. I think the point being made is that they should have helped him out voluntarily. History shows that they never did this for anyone, including people like Alistair Taylor who was with them and Brian from the start and ended up running Apple. When he was kicked out by Klein, none of the Beatles would even speak to him.
@@BrightmoonLiverpool Okay, point taken. But none of us were really there for these events, so we shouldn't be so quick to judge. There could be more to these stories that we'll never know...
@@jdemarco absolutely right, it is always that way with history, which gets written first by the victors. It is never straightforward!
You are one of the best Beatles channels! Don’t know how you get your information, but I really think it’s all true. Thanks, from across the pond.
Thanks Anne, I have been researching and writing about The Beatles for over 20 years now in Liverpool and interviewing so many people connected to The Beatles too. Roger, our film director, has been interviewing people from the Liverpool music scene for many years too, so between us, we have made so many contacts. Glad you are enjoying our videos. David
@@BrightmoonLiverpool Thank you. I find it disappointing to this day Paul wont come clean about what happened.
Paul, John (and George) would have made it big with just about any drummer, because the songs were just great. There are so many songs in the world that we remember, but who remembers the drummer? Drummers are important all right..but The song is main thing. Paul knew that, John and George knew that, and of course Ringo knew that too, and that is why he was important Beatle - because he knew that the song is what counts.
Absolutely right - they were that little bit better because Ringo was with them and added so much.
Wrong! Ringo Starr is a kicking ass good drummer. As McCartney said when Ringo sat down behind the drums it was "wow", just kicked it into a higher gear.
@@jimii2294 True. But people areound the world were humming the melodies, not drum beats.
@@jimii2294 Rubbish. The Beatles were already in their highest gear with Pete Best on drums. Lennon said it himself. smh
Listen to Haymans Green..And lament the songs that were LOST & NOT written over the past 50 years...
Not watching so I can predict who fired PB.
Every person paying attention in a recording studio where Pete Best was playing …. producer, engineer…. everyone with musical ears heard he had no feel or time.
If you don't watch it you miss the whole point. Nobody fired him!
and don't get drawn into the many myths out there about producers having problems with him. George Martin is the only one who questioned his drumming in a studio. Kaempfert didn't, Mike Smith complimented Pete and later worked with him too. Producer at BBC Radio had no problem with him and the engineers at the June 62 audition also couldn't see the problem.
The only evidence to question Pete's playing is from George Martin and his assistant Ron Richards.
Thank you for setting the record straight that Pete was not "a lousy drummer", as Lennon years later had claimed, obviously as a means of justifying replacing him with Ringo. Unfortunately, so many Ringo apologists on RUclips quote Lennon's nasty, dishonest remark as evidence that Pete was a hack with the sticks who "could barely move them up and down four in a bar" (another part of Lennon's infamous, disparaging quote). It's absolutely incredulous to suggest that Pete could have been anything less than a solid drummer to have lasted two years with a band--a band made up of perfectionists. And he was more than solid, he was actually, as you said, a great drummer. Now then, I do have several points to challenge you on, but will save those for another time. In my first comment, I wanted to just thank you for your research and sharing it with us--in particular, debunking the myth (lie) that Pete was not a good drummer. Well done. I'll be back.
Thank you, very well said, and very happy to take your questions too.
All we can ascertain about Pete's drumming ability is that George Martin wanted a session drummer.
There are 2 possibilities of what follows:
1 When Pete was replaced by Ringo, George also wanted a session drummer, but he couldn't be bothered to cause the same problem twice.
2 George felt Ringo was a better for recording so no need for s session drummer.
3 (some silly idea that none of the Beatles ever played any instruments on any of their albums, it was all session players)
Which was it ?
@@TimLondonGuitarist Ringo recorded LMD on September 4th. Both Martin and McCartney said it was not good enough for the official recording. One week later, on September 11th, Martin hired session drummer, Andy White, to do the official recording. Ringo was livid standing in the control room watching, so EMI threw him a bone...well, a tambourine, actually...so that he'd stop sulking and could join his band.
@@Cosmo-Kramer so Ringo was useless for studio work also, so convincing Pete he was sacked achieved nothing. Obviously these Liverpool drummers were not up to it
@@TimLondonGuitarist Not at all. Ringo was good drummer. As good, or nearly as good as Pete. But both drummers were inexperienced in the studio, and needed more time in there to polish their game. Ringo got better and drummed on almost all of The Beatles tracks through the 8 years to their breakup. And Pete went with another band after getting sacked, and they got a record deal from Decca--no session drummers were required. (Mike Smith at Decca never did have a problem with Pete's drumming.)
Hello again David,
I just pulled out my "Mono" CD of The Beatles "Please Please Me" and I was listening to the album. Ringo's genius was truly adding to the recordings of Beatles songs like the Drum pattern on Anna (Go To Him). It's actually hypnotizing!
There's no comparison between Ringo's Drumming on Please Please Me and the Andy White version. Ringo's Snare Drum rolls at the end of the song are so distinct. So inventive!
I've always loved Ringo's Drumming on Baby It's You! He is spot on. Perfection! Ringo's a metronome and doesn't over play but during George's Guitar break in unison, with Producer George Martin on Acoustic Piano, Ringo does an inventive shuffle beat which again adds to the song. Very cool stuff!
You see Ringo was a very good listener! He responded to what he was listening to in what John, Paul and George were playing.
Ringo's Drum pattern on the Waltz A Taste Of Honey is very tasty and almost Jazzy. When Paul sings "I will return", Ringo goes into a very cool shuffle beat.
What can I say?, Ringo's Drumming on There's A Place is simply beautiful! He propels the song forward.
Ringo's Drumming on Twist And Shout is mind blowing like on I Saw Her Standing There!
I must say that February 11,1963 EMI session was the most explosive The Beatles ever recorded! They were playing as a unit.
In retrospect, I wish they had also recorded "Some Other Guy."
You have captured Ringo's genius well. He had a natural ability to play the right beat at the right time for the right song. You can't teach that. He had listened to and learned to some of the great records and improvised and improved on them. No wonder the other 3 trusted him, as did George Martin after the Please Please Me session.
it’s this simple: John, Paul, & George hired Ringo, Liverpool’s best Rock & Roll drummer at that time, when they could afford him…all this Pete Best stuff on RUclips is boring; if you have an opinion about him, you better be a musician so I ask you all, based on his recordings with the early Beatles, would you want him in your band? I think we all know the answer
Thanks Frank, however, even though we know they ended up with Ringo and he was the perfect drummer for them, it didn't happen like that. The bets drummer in Liverpool was Johnny Hutchinson, and then you had Pete and Ringo behind him, as well as others. They didn't get him when they could afford him - they could have asked him many times over the previous 18 months but didn't. When Ringo quit Rory Storm and the Hurricanes at the end of 1961, why didn't they get him then? At that time, they signed a partnership agreement between John, Paul, George and Pete. Ringo was available again in the Spring of 62 after coming back from Hamburg, but they didn't. Ringo had no promise to join them, which is why he agreed to join Kingsize Taylor's group, before they stepped him and offered him £5 more per week. He was offered the job on the Saturday, confirmed on the Tuesday and made his debut 60 years ago today. All happened in a week. All of that is fact. Bobby Graham, Ritchie Galvin and Johnny Hutchinson were also offered the job of replacing Pete, which they turned down. That is also fact. Ringo accepted the job for which we are all grateful because he was and is a phenomenal drummer and contributed so much to the Beatles sound. Lots of bands wanted him to join them and the one he joined, Lee Curtis and the Allstars, suddenly became almost as popular as The Beatles in Liverpool in 1962.
I am a musician and have played with crap drummers - you know this very quickly and it doesn't take you 2 years and hundreds of hours of playing together to discover if someone could play or not. At that time, The Beatles were the best rock 'n' roll group in Liverpool and Hamburg and that was with Pete. He deserves credit for what he did.
This doesn't change history, but we have to get the history right, which is all I want to do and have done, with evidence. The right change was made at the right time when Paul joined and then George joined in 1957, when Pete joined in 1960 and when Ringo joined in 1962. It was evolution.
@@BrightmoonLiverpool BASED ON THE AVAILABLE RECORDINGS OF PETE WITH THE BEATLES
HE WASN’T VERY GOOD…because of his erratic timing, the recording engineer in Hamburg took his bass drum away! What?! explains the lack of bottom in those recordings; the guy at Decca took Brian Epstein aside and told him Pete wasn’t very good; not realizing that Pete had been replaced , George Martin brought in session drummer Andy White…what more do you need to know? Hey, Pete may have been a nice guy & he certainly was a handsome fella but Mr. Best did not live up to his name! Almost unlistenable to me; I suffer through his odd drumming only on the songs Ringo did not play on…but hey, if you wanna waste your time listening to him, knock yourself out…let John Lennon have the final say: “Pete was a crap drummer!” peace
@@BrightmoonLiverpool I believe Ringo was playing with Rory Storm at Butlins in Summer of 62. He left Butlins to go play with the Beatles. As for other drummers being asked, Brian took that upon himself. The Beatles wanted Ringo but Brian didn't like him personally, thought he was too flashy or something, nothing to do with his drumming.
Pete was okay in his later years with his "Pete Best Band" on vinyl ect. but back then he wasn't ready nor up to par, he was a slow learner a temp. fill in + never developed till he got older with more experience, they needed a stronger drummer in the early years to break through it was obvious if one was to compare the original songs with the replaced versions you can tell the difference that was needed, plus they were also trying to make an important fashion statement + Pete outcasted himself by not going with the flow the studio offer made was the final straw for Pete Best, he's lucky he got a piece of the anthology action thanks to the generosity + fairplay of Paul McCartney Pete scored in the millions he shouldn't be bitter early 1960's was the wrong time + place for his musicianship as a serious Beatle.
Unfortunately Pete Best was an alright drummer but not a really good drummer. I liked Paul’s explanation he gave on Howard Stern: When Ringo sat in with the Beatles the whole thing felt a lot better. As a musician of many years, having played w great drummers and guys who did not have “it” I will say that having “it” makes a difference. And it’s not technique. It’s feel.
+Johnny Frantz Pete was a good drummer and the Beatles were a great rock band who conquered Hamburg and Liverpool, got Brian as a manager and secured a record deal. It worked to that point, but the band was evolving into a recording group playing original pop songs. Ringo was proved to be better suited in hindsight and definitely had the feel for a song, which I agree you can't teach.
Pete was a crap drummer, still is..LISTEN to the evidence, not "look at the evidence"..lovely guy though.
He wouldn't have lasted 2 years with John, Paul and George if he was crap. There are so many eyewitnesses who were there who can testify that Pete was a great drummer and they are the ones that I, who wasn't there, rely on.
@@BrightmoonLiverpool The Beatles are on record somewhere saying Pete was all they could get as there was few available drummers round then.. One listen to Pete playing tells me (a drummer) that he was NOT a great drummer, merely a novice who gave them at least a backbeat...many eyewitnesses were not musicians and easy pleased..some eyewitnesses who ARE musicians emphasised his thumping 4/4 bass drum which he rarely wavered from and soon became annoyingly tedious.
Out of interest.. are you a drummer/musician yourself?
@@BrightmoonLiverpool I should also say that the Beatles were considered crap themselves by other local Liverpool groups before they went to Hamburg which is another reason they found it difficult to secure a decent drummer. and lumped for Pete.
that Sir is a first class doco, very well done and most enjoyable , thanks for sharing. best wishes NZ
Thanks Dave - greetings from Liverpool from another Dave!
I met Pete in 2002 when he was working on "The Pete Best Story" programme for the BBC. We talked about those three months between the June 6th audition and his "sacking" on August 16th. To give Pete his due, he was happy then and had enjoyed his musical career since retiring from the civil service. What we discussed was, after the audition on June 6th George Martin thought long and hard about whether to offer The Beatles a contract. He had told Brian Epstein in a private conversation that if he were to record The Beatles he would likely use a session drummer. However when George Martin asked The Beatles to go back to EMI on the 4th September he had not engaged a session drummer and fully expected Pete to be with the band. After this recording session he asked them to come back again the following week on September 11th and when they arrived George had engaged Andy White to play on the session. So, was George Martin just set on using a session drummer no matter who was the band drummer or was it Ringo's drumming he didn't like specifically? Pete and I had quite a laugh over this as it seemed that George Martin was determined to replace not only Pete but also Ringo!! We will never know the full story but it is intriguing stuff!!
George Martin knew nothing about Ringo and I don't think John Paul or George told Ringo he wouldn't be playing on the record. Ringo on 4th September just reinforced what George Martin was always going to do. Ringo wasn't good enough for George Martin then. But he won him over.
Although Martin never said the band should replace Pete Best with a better drummer, Martin did tell Brian Epstein he would employ a session drummer for recording. Best could remain the band's drummer for in-person/stage appearances. In September, Martin was surprised to see the Beatles had a new drummer (Ringo) whom Martin did not know. Hence, Martin had session drummer Andy White ready.
@Daniel Golus That's right Daniel. George Martin was surprised to see Ringo on 4th September because nobody told him about the change. He put Ringo through his paces but he didn't rate Ringo either and so on 11th September, Andy White came in to drum on the first single. John, Paul and George didn't tell Ringo he was being replaced! Not very good at communicating were they?
George Martin didn't like Ringo's drumming. Paul McCartney said that at that time, Ringo's timing wasn't good enough, but he soon improved after that.
@@BrightmoonLiverpool No, that is wrong actually,.... When Ringo attends Abbey road for the first time,Andy White is there!. This detail is an easy piece of research, just listen to George Martin and Ringo's recollections there identical!, It's all there , even the call sheets for the date of the session confirms that!.
John lennon is about as reliable a witness as a bad dose of dystentry.
Lennon also said " We only had pete in the band because we got an offer to go to hamburg and Pete had a drumkit, he could only just manage to keep a simple beat going, we were always going to sack him as soon as we could find a replacement"
So don't use john lennon as a form of evidence, it isn't evidence
Absolutely, thank you. He changed his opinion as often as he changed his socks!!! And you also can't just take 1 quote in isolation. Thank you.
So, don't believe the evidence of one of the chief protagonists who was there ?. 🙄🤦.
Burke!
That was so interesting, I love Ringo, I'm so glad he became one of the Beatles
+Toni Connor Thanks Toni, I think we are all so happy Ringo became a Beatle. A great drummer and great guy too.
So John Lennon was lying? John said Pete’s drumming was always terrible and they only used him because of the gig in Germany temporarily
You can't take a single quote from Lennon and build a thesis from it. He changed his mind so many times depending on the day of the week, the interviewer or the substance he was on at the time.
You have to study all the evidence. Another quote from John was that if you didn't see the Beatles in the clubs and dance halls in Liverpool and Hamburg when they played straight rock, you never saw the real Beatles. We were feeling shit as soon as Brian put us into suits.
John's favourite time with the Beatles? Those first 2 Hamburg trips in 60 and 61, when Best was drumming.
George also said their peak for playing live was at the Top Ten Club in Hamburg in 1961, also with Best.
Paul says in Anthology, immediately before John's quote you mentioned, that Pete was a really good drummer. He has repeated that too.
Ringo and Charlie Watts are great drummers. All drive of the Beatles and the Stones comes from their great, brilliant drummers.
Most definitely. You need the drummer to drive the band!
R.I.P. Charlie Watts
Charlie watts ,you are obviously not a musician ,there are drummers and then there are drummers ,Charlie watts was not good ,look at the likes of the drummers Toto have had including Phillips ,neither Ringo or Charlie watts could carry their sticks ,And I like Ringo
Drummers yes ,brilliant ? I don’t think so .
R.I.P. Charlie Watts
I'm not married to any particular timeline, so I find the small details revealed here to be quite fascinating.
That is the best way to study history - objectively. Thank you.
Epstein did it. The Beatles decided it. Martin started it.
Martin told the lads he wasn't going to use Best in the studio. He didn't care if Best played with them on stage, but Martin knew Best wasn't good enough for recording music. Because Best was a loner and not really "one of the boys," they lads decided to broom him completely. But they left it to Brian to do it.
They had played with Ringo previously, and Martin wanted him, so the lads were fine with that. Ringo didn't replace Best. Best needed to go, then Ringo was hired.
Note that Best didn't have a real career in music. He just wasn't very good.
I think having played with Ringo before, that certainly helped. George Martin had no idea they had changed the drummer and was shocked when Ringo walked in. Martin didn't like Ringo's drumming and replaced him with a session drummer. Pete made a few records after the Beatles but decided to give it up.
@@BrightmoonLiverpool You might revisit Haymans Green and lament the songs that were LOST & NOT written the last 50 years...
Why did The Beatles hang onto Pete Best for two years? Pete's Mother, Mona owned the Casbah Club. The Casbah Club was a permanent residency for the early Beatles. Had they fired Pete Best during that period they likely would have lost their most steady gig; The Casbah Club. John Lennon is heard saying in interviews that Pete Best was NOT a good drummer at all.
Over the previous 12 months, the Beatles played less and less at the Casbah and the Cavern became their base. They used the Casbah to store equipment, but that wouldn't be an excuse to not fire a drummer!
The other 3 Beatles had no problem with Pete until George Martin raised the concern on 6th June 62. John said once that Pete couldn't play drums, but he said a lot of stuff about lots of things Beatles related. He also said that the Beatles were at their best when they played the clubs in Liverpool and Hamburg before Brian put them in suits. That was with Pete.
The evidence from many fans and fellow musicians from 61 and 62 say that Pete was a very good drummer.
@@BrightmoonLiverpool John's comments cannot really be taken too seriously. He was a difficult moody personality, and much of what he said depended on the mood he was in at the moment. He often contradicted himself and let himself get carried away by his emotions. Sometimes, he was just plain provocative and cheeky just for the fun of it. You wouldn't have found many people who were either capable of or willing to put up with him for all those years, as the rejection of the Beatles by the other drummers plainly suggests.
It happened the way it was suppose to happen.
Totally agree. What happened...happened.
Thanks for the clarity. I've had a couple brief chats with Pete Best and he seemed like a good man. Because of The Beatles I started playing in bands at age 14. As years went by I found that the hardest thing was changing band members or quitting one group for another...all at a very young age. I think Ringo was a brilliant and lucky match with The Beatles. That's the way the chips fell.
Thank you very much for your brilliant analysis on those legalistic terms concerning Pete's "firing"!
Myself I always dug Pete's drumming on those early recordings of the Beatles like " Cry for a shadow "😊 Pete's books on those years are a real treasure and are highly recommended🎉
Thank you. I agree that he was a really good drummer and the evidence is there.
Interesting. My father is Eric Grifiths and he always had some interesting stories about John and how they started the Quarrymen. That's not necessarily been public knowledge.
John was an interesting character, especially at school. I'm sure your dad had some great stories!!
Very well researched..incredible detail and, for me, a very surprising chain of events. Personally I think one of Ringo's greatest qualities is his character..impossible to imagine The Beatles without those legendary quips Ringo made besides his ability on the drums..but just his presence alone made them into a tour de force..when friends of mine discuss the various drummer options open to the Fabs when looking for Pete replacement, they never take into account Ringo's affability and, as was mentioned here in this excellent video..the ability to get along with everyone including a very awkward John Lennon..who I'm sure I would have clashed with..try and imagine Beatles without Ringo..it just couldnt happen
You summed up Ringo perfectly! Cannot imagine the Fab Four without him working as well with any other drummer. He was perfect!
@@BrightmoonLiverpool John was the difficult one to get along with. Yet, Pete was closer to John than to the other 2, and John would not have put up with a poor drummer for 2 years. IMO John said what he said out of guilt and defense.
@@paulnicosia8804
John said they were _cowards_ they way they handled Pete.
I can't say that I'm convinced that Mark Lewisohn didn't explain all this in his book 'Tune In'. He also quoted Johnny Hutch as saying "I told Brian I wouldn't join the Beatles for a gold clock" and that Hutch also thought John Lennon to be a poseur.
The only new point made is as to whether Ringo's intitial period (however long that would be) was of a probationary nature. I don't think they did "probationary" in groups in 1962.
Actually Johnny Hutch wasn't a particularly good drummer either!, Ok for fast loud Rock n Roll, but little else.
@@501sqn3 Be careful there 501, as there'll be a ton of Hutch groupies down on you for such a comment. I'm sure they still walk around with a t-shirt "Hutch For Beatles" or the likes.
Having fronted a band..........sometimes when you play with a "new" musician.....it just FITS better, or has better mojo. I've heard some of Pete's later records, and they were fine. I figure it was just a situation where Ringo was the best fit for the others.
Absolutely right. As Paul once said, none of them were considered the best at their instrument, even in Liverpool. But as a team, they were untouchable and it worked perfectly with Ringo.
i sat and watched this vid all the way through. well done in putting it across.😀
Thank you very much.
@@BrightmoonLiverpool you're welcome 😀I subbed and i'll check out more. This vid stopped me making a Pete Best vid. What you said about the contract was intriguing. After all these years I always thought he was fired. But he couldn't have been. Intriguing to think what would have happened if Pete had had someone in his corner who knew about the legalities.
@TheBeatlesZone Thanks. Yes, the legal stuff is fascinating. Pete's lawyer tried to sue Brian for wrongful dismissal, but it was no good, because Brian didn't employ him!
I got all of this info from Brian Epstein's lawyer. A great guy to meet and talk to. Glad you found it interesting.
@@BrightmoonLiverpool I guess the strange thing is that even Pete’s lawyer didn’t know he was trying to sue the wrong person. I would have thought he would have seen the contract stating Pete’s position.
Thank you David for this very interesting piece. I've always had a lot of admiration for Pete Best.
He has been a Gentleman through all the years since his dismissal from the group and never had anything nasty to say about his former Bandmates.
John was pretty nasty in an interview in the mid 70's I think it was in regard to Pete. I think it was unnecessary.
I guess that was John Lennon, a kind , witty person but also very sharp when he wanted to be.
Thank you. John went through periods of being kind and nasty to a lot of people, including Pete and George Martin as well as Paul, as we know. Pete has always been a gentleman and a great drummer too. Glad you enjoyed it.
@@BrightmoonLiverpool Many thanks for your reply. You are very kind. One last thing. The Pete Best Band recorded an Album called Haymans Green in 2008.
I recently bought a Limited Edition Green Vinyl signed by Pete and it's an awesome Album in my opinion.
Many of the Songs are Compositions to which Pete is credited on usually in collaboration.
But that's ok. We know another Songwriting Partnership did quite well at it. 😊. Take care David .
So glad you have that album. I think it is brilliant and tells his story so well too. Think I know those other songwriters!! They were quite good really!! 👍
@@BrightmoonLiverpool Awesome David. Lucky you to know these guys. 👍👍
@KC 1972, you say "I guess that was John Lennon, a kind , witty person but also very sharp when he wanted to be"
Truth is he wasn't a "kind person" musical legend certainly but as a "kind person" his treatment of his first wife and son say's it all for me.
5
Great analysis! Thank you:)
WOW - Thank u very much for the detailed historical day-to-day lead up to Ringo becoming one of the 'Fab Four'! BTW: I met Pete, and spent a few hrs w/him & Rogue in NYC 15 yrs ago; His 'personality' (or lack thereof) solidified the fact that he was not suitable; Albeit a very respectful & low key gentleman - I 'in a way' did feel kinda bad for him...
Pete is a gentleman for sure, but didn't have that ruthless streak which John, Paul and George had. It took Ringo a while to settle in, but he was the perfect fit.
@@BrightmoonLiverpool Ruthless?
Perhaps Pete just didn't care for you, and was bored by your company. Because Pete Best has one of the most amiable, charming and funny personalities one could hope to find in a person. I've watched scores of interviews of him, and he's witty, engaging, self-deprecating, and funny. Have you heard him tell the story of George's vomit mess, which the lads named, "Thing"? It's hilarious! Pete's a fantastic storyteller! Was he on the reticent side when he was a Beatle? Sure. (He was playing up the Brando/Dean cool guy persona, which thrilled the girls and the media.) But don't try to tell us that the Pete we know from the last 40 years (since his Letterman appearance), is anything but a delightful, fun personality.
Gotcha - maybe he was tired, or whatever. I measured him up to Ringo's 'personality'; He was, as I stated VERY respectful, and could've told me to fk off - since the 3 of us were sittin at the same table; We spoke bout doin a remake of 'If You've Got Troubles' (the Ringo tune on Anthology) w/him on drums !!! *Never mentioned the George 'Thing' lol
@@jismism9515 How could you measure Pete up to Ringo's personality given you've never sat down with Ringo for a couple hours? Ringo may've been equally disinterested in you. I've only spent a couple of minutes corresponding with you and I'm already bored.
Amazing info. i can see a Amazon prime movie coming from this.i have met Mr. Best & you a number of times. if anything i still feel bad for Mr. Best. Super lovely gentleman and has a great band. Henry O. N.Y.C.
Great to hear from you Henry, hope you are keeping well? David
Thanks Dave for a very interesting video.
Firstly on a legal point,can you explain why Epstein was still obliged to find Pete work if he hadn't signed the management contract,and who was the contract between?
Also i have read Ringo saying that Paul didn't think much of his drumming.Apparently he would nip to the toilet and when he got back Paul would would be on the drums himself.
Keep up the good work
Neil Coyle
Thanks Neil. Although Brian didn't sign the management contract, The 4 Beatles did. In law, Brian could not enforce the contract on The Beatles, but they could enforce the contract on Brian. It wasn't an illegal or invalid contract, it was just not enforceable by Brian. As The Beatles signed the contract individually, they each employed Brian as their manager/ agent. Pete could enforce the contract meaning he still employed Brian as his agent to find him work. A bit simplified, which I explain fully in my book if you want the fine detail! It was fascinating doing the research!! David
And remember during the White Album Paul wasnt happy how Ringo was playing the drums so Paul played the drums himself to show Ringo how it was to be done. Ringo was insulted and left. The Beatles put flowers on Ringo's drumkit when he returned.
This is really interesting. Lots of insight into one of the great mysteries of music.
I love your channel however I understand from that very famous tome that The Beatles were already signed to EMI when they first played for George Martin so it was not an audition. This seems to be a controversial issue. Apparently even George Martin was unsure of the situation but this again could be wrong. Anyway your research and authority is brilliant. Many thanks for it.
Thank you Christopher. If you check out this video ruclips.net/video/5C73wCMHON4/видео.html I proved that the Beatles were not under contract on 6th June once and for all. Glad you are enjoying the channel. David
Subscribed Brightmoon Liverpool, great information, never heard of this before, thanks!
Another great video David, thank you (I'm going to have to purchase your book!) I myself am still slightly perplexed as to why Pete was singled out at the time as the 'weak link' because, as previously noted, none of the boys were exactly great musicians at this point, I still think that Mrs Best's 'interfering' in the band's affairs might have had something to do with it? I believe that, like Ringo, Pete would have progressed and developed with the rest of the band had he remained with The Beatles...Regarding Ringo's oft mentioned 'unusual' style, I'm almost certain this was on account of the fact that he is a naturally left-handed player but playing right-handed on a right-handed set up, a lot of folk perceive the resulting playing style as ham-fisted or clumsy but, in conjunction with some of the greatest pop songs ever written, it is a perfect complimentary fit.
Thank you - and enjoy the book when it arrives!
Pete has been a useful scapegoat for many, including the Fab Four, who have felt the need to denigrate Pete to justify bringing Ringo in, when there is no need.
Mona annoying Brian was a secondary issue and would be one that John Paul and George used to justify it to Brian, but not the primary cause.
Definitely part of RIngo's style was being a left-hander on a right-handed kit. I interviewed someone who was also a leftie playing on a right-handed kit, which was fascinating in trying to understand why he was so great and the perfect fit.
@@BrightmoonLiverpool I think Pete maybe didn't have the charisma or confidence of Ringo but, at the risk of being hung by all the Ringoettes, I'm pretty sure he could/would have done as good a job as Ringo if given the opportunity...I mean, let's face it Paul McCartney did as good a job as Ringo on a few tracks....Can you imagine Sting sitting in for Stewart Copeland?
Thank you for this absolutely fascinating and enlightening story !
My pleasure, so glad you enjoyed it. David
Thanks for getting to the bottom of this. It was always a bit of a mystery and you've shone a light on it. It explains why Ringo always felt a little insecure during the first few months, especially after George Martin used Andy White for LMD and then he couldn't make the Australasian tour to begin with. I think it wasn't until the American fans showed how much they loved him that he began to relax. I feel for Pete but Ringo was definitely the better drummer imo. Maybe Pete could've coped with their early stuff but "Rain", "She Said She Said", "A Day in the Life" etc couldn't have happened without Ringo.
Thank you. I think you have summed it up perfectly. Ringo came into his own and became such an important member of the group, which few drummers could have done. It was sad for Pete, and the way people have maligned him over the years is unnecessary as this was history and it happened.
I agree...Pete may have done ok with the early music but he was not able to take the Beatles where they needed to be.
I was almost 13 years old when the Beatles came to America. I became a fan, got a guitar and played in garage bands like most of the guys I knew. Back then I read all of the teen magazines and articles written about the Beatles. When their popularity grew the story of Pete Best came out and how he had been months away from being in the greatest pop/rock band of all time but was replaced. At that time I know I read a story that the reason Pete was replaced by Brian Epstein was because He didn't have "the look" of the other three Beatles. He looked out of place. Brian wanted to manage a band and was putting together his vision of that band. If you look at the promotional photos of the band with Pete before Ringo, maybe there is something to it. I read the story 60 years ago and frankly I believe the original story because things were more real back then. Over the years people like to change or modify history to fit a new narrative.
I think you did a great job in putting this together! Pete certainly did his job, as did Ringo, and it's unfortunate that Pete was the one who got caught up in-to all the politics of surrounding the success of the Beatles. He certainly deserves our respect and admiration! Long live Pete Best!!! An original Beatle! (before politics). The others should have fought for him!
The others should've fought WHO for him? Betraying and sacking Pete was *their* idea, no one else's.
@@Cosmo-Kramer No - they (Beatles) just went along with it, mostly John, because they wanted a "Hit Record". It was a matter of greed! John actually liked Pete, but he threw him under the bus for some fame. John Was an A$$hole when he wanted to be. I'm thinking that you still don't understand what happened here.
@@stephensmith60 They could've had a hit record with a session drummer and Pete still would have been The Beatles drummer in name, face and live performances. Using session drummers (and guitarists, etc.), was an extremely common practice at the time. JP&G knew this, but seized on Martin's rejection of Pete to use it as a pretext for sacking him over jealousies each had of their immensely popular drummer. Let me lay it out for you. Pete's *"Atom Beat"* DEFINED The Beatles' sound, and was copied by every drummer (including Ringo) in Hamburg and Liverpool. Pete was betrayed by John, Paul, George, and yes, Ringo. Read my descriptions below of The Beatles social dynamics over the course of their 6 lineups, and you'll understand what really went on, and why Pete was sacked:
*John and Paul:* everything's honky-dory, two peas in a pod
*John, Paul, and George:* two's company and three's a crowd--George feels like that third wheel
*John, Stuart, Paul, and George:* John and Stu are best mates, Paul is jealous (which he's admitted), and George feels better now that he has Paul
*John, Stuart, Paul, George, and Pete:* Paul's still jealous of Stu, but now he's not "the cute one" anymore, and becomes jealous of Pete for getting all the girls.
*John, Paul, George, and Pete:* Paul's thrilled that Stu is gone and he has John back, dorky young George feels left out again because he lost Paul and Pete was unavailable as he was always surrounded by girls after gigs. George knew he was the 4th Beatle, and didn't like it. He was ignored socially by John and Paul, and dismissed as a songwriter by them. That left Pete as his only potential pal, but Pete was not about to pass up the hottest young tail in two cities to hang out with the young dork George talking about his guitar all night. John by at least this time, is jealous of Pete because he is fast becoming the face of the band--the band that JOHN created! They get a record deal, and make the cover of the Merseybeat! But guess whose picture is featured. Pete Best. Other articles on the band highlighted Pete's, *"mean, moody, magnificence",* and never even mentioned the names of the other 3 lads. The managers at the Cavern Club instructed John, Paul, and George to SIT on the front of the stage, so as to not block the fans' views of Pete! They even moved Pete's kit to the front of the stage, forcing the other 3 to play behind him! In Liverpool, the band was becoming known as, *Pete Best & The Beatles!!* And you're trying to tell me that John Lennon, Paul McCartney, and George Harrison were OKAY with all that??!! Awww HELLS NAW!!! Pete was a dead man walking for most, if not all, of two years. They USED and BETRAYED him.
*John, Paul, George, and Ringo:* Ahhh, harmony (no pun intended). The petty jealousies vanished. John and Paul had each other, and George had his little dorky buddy to hang out with. Ringo posed no threat to Paul for the affections of the ladies, and Ringo posed no threat to John to become the face of his band. Epstein knew Ringo was the same caliber drummer as Pete, and even though that's who the lads wanted, he was afraid that Ringo would underwhelm Martin in the studio just as Pete had (and he was right--Martin rejected Ringo's version, the same as he had rejected Pete's). And because John, Paul, and George made it clear in their pitch to Epstein to bring in Ringo, that they did not want any session musicians on their recordings, Epstein, without telling the lads, and armed with a record deal in his pocket, invited Johnny "Hutch" Hutchinson, the best drummer in Liverpool, to take Pete's place in the band. Hutch said, *"Pete and I are mates. I won't do the dirty on him."* The next day, Pete was sacked, and Ringo was in. The thing is, Ringo and Pete were also mates, which speaks volumes about the characters of Hutch and Ringo.
Pete Best was an incredible Beatle during his 2 years--the most popular in the band, by far. And he would've been an incredible Beatle had he remained with the band throughout their 8 professional years together. The betrayal and sacking of Pete is a hideous, indelible stain on The Beatles legacy.
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@@pdag4685 Well, other than that one bad recording at EMI of, "Love Me Do"...which according to EMI sound engineer, Norman Smith, was not Pete's fault as George Martin changed the arrangement on the spot...that's not what I hear when listening to Pete's drumming back then. But don't take it from me, here's what a contemporary drummer of Pete's said when he was asked in an interview what he thought of Pete's drumming: *"He was a genius. You could sit Pete Best on a drum kit and ask him to play for 19 hours and he'd put his head down and do it. He'd drum like a dream with real style and stamina all night long and that really was the Beatles' sound, forget the guitars. I was amazed when they replaced him. I even thought about learning guitar so he could be the drummer in my band. The Beatles didn't hate Pete Best, but they didn't want to be outshone by their drummer. Ringo was a good drummer but he was more ordinary."* - Chris Curtis, drummer for The Searchers, a great Liverpool band who scored a 1964 Top 3 Hit in the US charts with their classic, "Love Potion # 9". Chris saw Pete Best play many times in both Hamburg and Liverpool during Pete's two years as The Beatles' drummer.
Great video, David. Very well researched and explained.
Glad you liked it!
The bottomline on Pete is Pete was a big part of creating the EXCITEMENT and the fan base after they returned from Hamburg. We can dissect his drumming technically, speeding up/slowing down etc but that didn’t make a dime’s worth of difference to the fans in the dance halls and the Cavern….the heavy thumping beat did. Now, once they got close to record deals the technical side DID make a difference and became much more important, just like George Martin said. As George said, he couldn’t care less who was on stage.
So they owe Pete a lot for helping create the hype in the early days. He was fired 50% because he couldnt cut it in the studio and 50% because he (and his mother) really didn’t get along with the other 3.
As you mentioned, it is controversial. Pete definitely was a good drummer, and well-admired by the fans during his tenure with The Beatles. Acquiring the perfect bandmate is comparable to acquiring the perfect seasoning to a great dinner recipe. Sophron and cloves are great seasonings, although, they don't go well with every recipe. I am sure the Beatles would have still done very well with Pete Best but I believe that Ringo was the perfect seasoning.
What a great way of putting it, thank you.
I have what might be an interesting story related to this. Some years ago I was a later member of Billy J Kramer's Dakotas, with original guitarist Mike Maxfield and original drummer Tony Mansfield(Bookbinder). The Dakotas were part of Brian Epstein's stable of course and Tony told me that he was approached by Brian as a possible replacement for Pete Best around the same time as Ringo.
Thank you, I had heard he was but couldn't verify it corroborate it. I know he had a good reputation as a drummer too.
@@BrightmoonLiverpool Brian offered to build a band around Pete Best (according to Pete Best, which he refused). Ringo is a unique drummer (left handed drummer on a right hand drum kit) an intuitive drummer, my favorite Beatle as a youth, with the right feel for what was needed (on the songs he drummed on). However Mitch Mitchell and Ginger Baker are technically better better, and I can't quote Quincy Jones opinion of Ringo. I've listened to every recording of Pete Best available, he's a Rock and Roll Drummer, with a better voice than Ringo's (sorry Ringo, you wouldn't be able to sing the Kansas City-Hey Hey Hey medley of Little Richard). Likewise I've listened to as many pre-Beatle recordings of Ringo (which he claimed he wasn't at the sessions or was ill). Pete Best's mistake was not having a band built around him by Epstein which Epstein would have sent on tours and in Television Broadcasts, if awkwardly sometimes with the Beatles. Pete Best had his own fan club simultaneously with the Beatles, but much of this has been said before. Best's curly hair wouldn't have worked with the "Beatles Cut", hair straightener chemicals and a mop-top coiffure wouldn't have changed anything, in my opinion. Wouldn't ever story the Threetles (J, P, & G) spun over the years, and never speaking to Pete again(he was in Hamburg under the worst conditions as brothers, washing in urinals, etc.) was deplorable. And yet, it was Mona Best who lent the Victorian medals on their uniforms for Sgt. Pepper's Lonely Heart Club Band cover Photo.
Had Epstein been a long time in the music industry manager (he wasn't), as to a replacement on the recording, he would have told the group shut up, use the session drummers on records and play live with Pete because he's popular. Ringo's version after several months wasn't that much better than an early run through with Best, Andy White's drumming on Love Me Do was the only version except for the first UK release on a 45. That being said one one of my favorite songs Cry For A Shadow (aka Beatle Bop) which has Pete Best on Drums. 'But what about the Decca Sessions???" The Beatles were hung over on Jan. 1962, the studio engineer followed standard recording practice (place the drums in the background, cut the low bass frequencies). Their better demo was September Rain (maybe they'd sober up a bit), which wasn't on any of the Anthology Recordings.
Was Ringo so secure? He wasn't happy with the session drummer being at the recording studio. When he was ill and couldn't start the world tour, Ringo thought he might get "the Best Treatment", Jimmie Nicol was a session (and quicker study better drummer) was enough of a threat that George threatened not to go on tour for fear that Ringo might get the boot. (I though in my youth the Jimmie Nicol with a bolt in his neck could star in a remake of Frankenstein).
Epstein wasn't a real group manager, (he was a music shop manager because his family were successful retailers in Liverpool); an eye for talent, connections in the record sales industry, but a poor businessman who signed away a merchandising deal that would have made the Beatles extremely more wealthy than their records during Beatlemania, popular as their records were and still are. Not to speak ill of the dead, to give Brian Epstein credit, he was the stabilizing influence that kept Beatles from falling apart, John recognized this with news of Brian's death.
This jibs with a PBS (maybe BBC based?) special about what happened to Best at the time Love Me Do was being recorded. In that special the engineers who recorded the original take thought Best's drumming was weak. The take was then played during the PBS documentary and Best's drumming on that track was very weak. On camera Pete is asked about it and he says he hadn't had time to "polish" his part. Martin wasn't present for that take. When he is present later, the engineers tell him Best isn't adequate. Martin listens to the track and concurs. Then he tells John, Paul and George that Best won't be on Love Me Do. The PBS special then concentrates on who does play the drum track on Love Me Do, which PBS said was not Ringo, because the engineers and Martin didn't like Ringo's take on it either. I forget who PBS said played the drums on Love Me Do, but PBS said it was another British drummer. You probably cover that ]n your other videos David, and others have covered that narrow point too PBS also said Martin told the engineers initially, after not liking Ringo's.Love Me Do track, that Ringo was OK for gigging with The Beatles but he didn't know beyond that initially. In a way, for a very brief time, Ringo was Pete Best 2.0.
Another twist is that American drummer Bernard Purdie has maintained to this day that HE played the drum track on Love Me Do, and other Beatles songs. I believe there is no definitive proof but maybe you cover that is your other video spots David. I learned about it from a guy who said he was a long time friend with Purdie and Purdie told him someone from England came to NYC and brought him a tape and asked if he would record a drum track for it and that was Love Me Do. If true, that could have been during this period where the Best situation, and who would replace him, was in such disarray. It may also be possible that if there was a Purdie tape for Love Me Do, it could have been played for a British drummer who was then told to play it that way. That would require drumming comparisons between other Purdie recordings and the Love Me Do final take that was issued as the single.
At any rate, Pandora does have a couple of cuts from the Pete Best Trio. The PBS special also documents that Pete didn't want to join another group but wanted his own group, and that's how the Trio came about. He would have had leverage to insist on his own group from the partnership debacle you describe David.
Among the crutches I bear, I am an American lawyer. The proper way to dissolve a partnership is totally accurately described here in your video David, and it is definitely what should have happened in The Beatles situation during Love Me Do. Another legal concept is called novation, where all parties agree that one contract situation will be replaced by another. Here, that appears to be how things shook out, albeit in an ad hoc form as opposed to formal legal process and documentation of dissolution of partnership.
What is really interesting is how many other guys had a chance to be the Beatles drummer and turned it down. The other PBS corroboration with your work David is that The Beatles had been through several attempts to get a recording contract and they were turned down by the then most prestigious recording entities. EMI was then considered lower tier and a group that was given bands the big boys didn't want, and also what might be referred to as novelty acts. The Beatles had listened to EMI's comedy records by Peter Sellers for example. Thank you for your work David. Forgive my lack of brevity.
Thank you so much for all of your comments - which is appreciated and well balanced too. With the original Love Me Do, the engineer Norman Smith said that Pete's drumming wasn't the problem per se, it was the arrangement of the song that wasn't great. However, it was Ron Richards who produced the session who didn't think Pete could do what he wanted in the studio. Richards also didn't like Ringo's performance in September, nor did George Martin.
So Ringo was replaced by Andy White on 11th September who didna great job. Session drummers could polish off a brand new song in no time and with a first record, that was essential. Pete and Ringo were used to playing live, where tempo can fluctuate. Not in the studio, you had to be spot on, and neither Pete nor Ringo could do that quickly enough.
Now, Bernard Purdie! There's a story. You may be interested in my book Finding the Fourth Beatle, where I cover 23 Beatles drummers, the whole story of replacing Pete with Ringo, as well as Mr Purdie.
When Purdie brought out his autobiography, he diluted what he had previously stated and it turns out that what he played on were the 1961 Hamburg recordings where Bert Kaempfert only wanted Pete to play snare and cymbals, not bass drum. That is all he played on - slightly different to 20 Beatles records!!
Interesting to have your corroboration on the partnership law aspect of this story. Pete got lousy legal advice and tried to sue Brian for wrongful dismissal which of course he couldn't.
EMI Records was one of the biggest and most prestigious record companies here, but it had 4 divisions, including Columbia, who had a lot of success. However, George Martin's label Parlophone was the poor relation who did comic records, like Sellers and the Goons. So yes, the Beatles already had a George Martin record before they met him! Funny small world eh?
Thanks for your great comments and the discussion. Glad you have enjoyed this.
@@BrightmoonLiverpool Thought you might have covered the Purdie angle in the 23 drummers work. Thanks for the specifics about that. It's rather incredible that the drumming tracks were at issue over Hamburg material before the Parlophone Love Me Do sessions. Thanks also for the delineation of EMI/Parlophone setup. In another video about Purdie I got a reply to one of my comments from a guy who said he played with Purdie in the not too distant past and said that Purdie certainly had a high opinion of himself. While he has made notable contributions to the world of drumming, it sounds like he also quite a story teller. Harry Truman often remarked about correcting a storyteller from his hometown, and the guy replied - Nothing ruins a good story like the truth! Appreciate your comments and your research/work.
@George Stevens We also have a similar saying associated with newspapers: why let the truth get in the way of a good story! Plenty of that going on in the Beatles story too! Thanks, David