**PLEASE READ CAREFULLY** 1) Got a question? Please ask it of the Darko.Audio RUclips community (and not me) as I'm now busy making the NEXT video 2) All comments here are moderated by a third party: instagram.com/p/CTWcokaszpW/ 3) Polite comments that advance the conversation are most welcome (but no URLs, please)
Polymides are used a lot to strengthen textiles - natural polymides can be found in silk and wool. Synthetic polymides are commonly used in the automotive industry, kitchen utensils. Here, probably for it’s lightweight strength.
Actually it's easy to confuse polyamide and polyimide, especially when you don't write (edit) pronounce the third syllable. ;->. The Forte 4 mid diaphragm is polyimide (commonly called Kapton), a good thing as it is far more heat resistant than polyamide (commonly called nylon) and for that reason is in widespread use for speaker voice coil formers.
Polyimide is a (thermo)plastic polymer that has an imide linkage (CO-N-CO, where the CO groups are carbonyls.) Kapton is a brand name for a type of polyimide. This differs from softer, lower strength common polymers like polypropylene or polyethylene that use carbon only for the backbone (only C - no nitrogen.) It's also more similar to polymers like polyamide (which uses a CO-NH linkage.) Polyimide has enough structural rigidity to be used as a diaphragm material, but since it has better damping characteristics than titanium, it can make for a more natural, less hard-sounding driver. Hope this helps!
Polyimide (note that there are two “I”s) is a plastic commonly known by the trade name Kapton. It is known for its stiffness, light weight,, and thermal handling properties. You most commonly see it used to make voice coil formers, where it’s ability to handle high heat is beneficial.
Thanks, John, for a very classy video review of a tremendous product. I've been a Klipsch fanboy since 1971, when a neighbor invited me in to listen to his new Klipshorns. My youngest brother has a pair of first generation Klipsch Fortes, and I've had some great evenings DJing at his house. I love my early '90s Klipsch KG3.2s, a CraigsList find, right before our first COVID lockdown. My current dream speaker is a Klipsch inspired, DIY, design called the Cornscala, a mashup of the best aspects of the Klipsch Cornwall and La Scala. Gosh, have I overshared? Well, thanks again, and happy holidays to you and yours, and "all y'all" out there in RUclips Land!
Just got a pair of Forte iv's and I concur with what Darko and other reviewers have said: they have a very engaging and exciting presentation that is more fun to listen to than most speakers - at least those I've heard.
I especially enjoyed your attitude & take on how 'audio memory is too fragile for potentially small deltas'! Best reviews for any electronic genre online! Thanks John!
An ideal sound in your head is what us musicians live with our entire lives! We chase it with out ears, our fingers, our picks, our Bowes, our lips and limbs and gear. Sometimes I think never reaching that ideal sound is what keeps most of us going through lifetimes of ramen noodles and unappreciative audiences.
@Keith Kneeland That's cool Keith. I am considering the Forte IV's too, but just don't know. It's a battle between the Forte's and KLH Model 5 (which was a very nice sound), but of course the Forte's sounded bigger than life! My thing is room placement difficulties: the Model 5's will be a bit friendlier in that respect because they are a sealed cabinet, but the Forte's...I don't know. How far away from the wall do you have them? I have thick carpeting which will help. I see people with hardwood floors having to really pull the Forte's at least 3 ft. from the wall, that's just too much for me. How about you?
My 'idealized vintage sound that lives in my head' comes from what I heard at the start of the 70's. It was the Grateful Dead 'Wall of Sound' that I heard on their European tour - something that I have never forgotten. Have been trying to reproduce some of that in my home for the past 50 years.... Close these days - but no cigar. Thanks John for your work. Greetings to you and yours.
I've watched this review a couple of times, and enjoy it everytime. I've been using vintage valve amps (Radford STA15 and a pair of MA15) with the Forte IVs since i bought them, and i think they are a very good match.
My idealized vintage sound is startling real vocals from older recordings in a lively room. My idealized modern sound is ultra detailed and textured bass and highs from a highly damped room.
My ideal sound is, currently, that of some big Wilson speakers driven by a big Mark Levinson power amp. My local gear pusher played that setup for me last week. It sounded glorious. And the gloss finish on those speakers was so satisfying to touch.
John...I recently purchased a pair of Cornwall IVs and paired them with a vintage Harman Kardon 930 receiver pushing 48 watts into 8 ohms. My source material is streamed from a Node 2i and fed to a Denafrips Ares II DAC. I am in audiophile heaven! This system produces that sound you call "the end"!
I recently got the Heresy IVs that I have connected to a Willsenton R8 and sub. Same here. Audiophile endgame if not for plans to get the Cornwalls one day
That sound in my head. In 1983 I heard a system that comprised of stacked Quad 57’s electrostatic speakers, Naim pre and power amps, linn Lp12 and a quad 405 power amp driving Kef b139 drivers in a transmission line boxes. This was an epiphany for me just starting out on my audio journey. The closest I’ve heard since, other than my own system was some ATC 150’s at a hifi show at the Airport Hilton in Sydney in 1990’s. Love your work John and your aesthetics. Merry Christmas from Australia.
Polyimide is a type of polymer/plastic that has good flexural strength and very light compared to metals. This would benefit in a loudspeaker given the amount of vibration/movent of the driver.
They are very good old school speakers. I had the Forte 3s. Became a bit shouty which is not a surprise. But if you want a live speaker this is the one if you like horns. I heard the Forte 4s with a valve-amp. Very nice. Thats what the people at Klipsch recommend. So it's a good idea to aim at f.ex. a Prima Luna amp. The efficiency is more than enough. Do try to put in on transport dollies like Darko did with the Forte 3s. Easy to move in and out of position. Decouple them from the floor if needed with Auralex damping mats or similar, if the bass takes too much room. Alternative speakers which are also great live speakers and very forward without shouty horns, are the Arendal 1723 THX Towers.
For some reason, people love to hate on Klipsch and McIntosh. Audio is so subjective. If people dig it, good for them. Their money, their rooms. I said yes to Cornwalls and ultimately no to the MA352, but it wasn't an easy choice. I could care less about measurements and specs. Do I like how it sounds? Nothing else matters.
@@ekimandersom4478in your opinion, what performs as well for a significantly lower amount of money? Genuinely curious as the Klipsch Forte IV are on my very short list of next purchase. Thanks
@DJcoachbombay forte III owner here. I love them, but not for the money I paid. If I got a chance to do it all again, I'd save up more money for Neumann KH420's. I play mostly Disco, House, Boogie and Broken Beat and I find sometimes with very busy music they can be harsh. More spaced out music sounds amazing though. Bear in mind, I'm in a small 5m x 6m room so that really messes things up.
The audio memory of an ideal sound for me is less of a sound and more of a feeling. That feeling I felt when I was young and walked into a record store and they had a gorgeous hifi setup playing, and I realized how exciting it can be to listen to music. I think that sound tends to have strong bass that is fast and punchy without being boomy, but still fills the room, sound you can feel. And the highs are nice and smooth, not harsh, not quiet, but smooth and engaging. And the mids are warm and at the front of the soundstage. They pop and give more detail to the music. It's such a hard feeling to describe, but for me I'm always looking for a product that gives me that excitement of listening to music. Trying to avoid more modern sounds that have lots of bass and highs, but lack detail. I have a pair of Klipsch RP 60 m speakers that get pretty close to that. I like the engaging feeling you get with Klipsch speakers. I would really love to listen to a pair of the forte IV's, I have a feeling they will have that record store experience I'm looking for. Just to expensive for me right now unfortunately.
Thanks John! These would both be fantastic with tubes. Thanks for sharing your impressions of these current efficient, easy-to-drive, reasonably sized, and attainable speakers.
I have a pair of Forte IVs driven by an Audio Research i50 valve amplifier. The audio equivalent of going for a drive in an open top Mustang GT. Old school, and all the better for it.
I had an old pair of early 1970's klipsch tower speakers that were about 4 and some change feet tall. Loved them to bits, had to give them away when I moved. Miss those dudes
I bought a pair of flawless black Forte II's back in the early 90's for $300 from a pawn shop when I was 20 years old. They were firm on the price but got them to eat the sales tax. It was my first apartment without roommates, downtown above a business that was closed nights and weekends. I had a high powered solid state Class A Amplifier that got so hot running them I had a permanently positioned box fan behind the stereo set up. This was before streaming and MP3s so it was all CD's and Technics SL1200. Remember, this was the time of Pixies, Beastie Boys, Nirvana, Public Enemy, Smashing Pumpkins, RHCP, Sound Garden, NWA, NIN, Tribe Called Quest, Ice Cube, Dr. Dre, Cypress Hill, Rage ATM, and I was a huge Jazz and Jazz Fusion fan. Best years of my life!!!
Love your passion for audio and people like us in audio sound that enjoy are favorite songs and artists can only understand what it means to hear something euphoric in our ears that some people will never understand. Anyways..Great review 😊
With this generation being raised on ipods and cell phone music I don't think they could hear the difference between a Panasonic and a carver 😂😂, and the rap,, they're probably tone deaf anyway
This video came out at a good time - just yesterday I began seriously considering this pair of speakers after my vintage Snell J/II were turned into a scratching post by my cat after two years of ambivalence toward them. Things change quickly. The 99dB/W sensitivity pairs well with my amplifiers (low-wattage SET designs), the grills appear to be metal, which lowers the risk of serious damage by cats, and magnetic, which sets up a nice cat booby trap if pulled on too hard. Also, Klipsch suggests placement near the rear wall to augment low end produced by the 15" passive radiator, which is a good fit for listening space. It's a match made in heaven!
@@TheJohnnyNormal as much as I would love to, I'm afraid my partner would not agree to it. The Cornwall is also likely too much speaker for my room I think. I will be demoing the Forte IV at a dealer tomorrow, will see if they have the Cornwall IV in a system as well.
When you asked the question at the beginning of the video, I imagined the same sound in my head as you described. Perhaps it was the kind of sound that I grew up with during the '80s and early '90s. I consider myself lucky to have been able to experience and enjoy firsthand new what we now define as vintage HiFi.
As a long time subscriber to that most prestigious monthly hi fi publication, I’ve become somewhat accustomed to jaded journalists. After awhile the high browed, been there, heard that take these chaps have on home audio tends to get long in the tooth. Not so with John. Darko’s enthusiasm always shines through. John has quickly became my favorite reviewer. With good reason. Keep up the good work JD. Happy Holidays to all!
Fun to watch comparison - thank you! No static from me on your definition of "vintage". 30 years ago is a good chunk of time. I remember my "vintage back". Sure miss how it performed "back" in the day (as I type this laying on the floor dealing with my "modern back").
Great review. I have the Forte IIIs an love them. Perfect old school, big box sound, like my speaker in college in 1978! But way better quality of sound.
I have Heresy IV’s and love them. Backing them are a pair or Rythmik L12 subs. I rent so sometimes I have to go subs off. As far as the “sound in my head”, I recall the local Chain store had just began carrying electrostatic speakers. I forget the brand by they were mounted to a sub woofer. Anyway, I walked into the sound room and heard Billy Idol’s Sweet Sixteen on them and I still recall the clarity, but also the weight of the sound. I feel like I’m close. 👍🏼 P.S. John, you’re the best!
See u have a Rega planar 8 there. That's a good step up from what you usually use. Have it myself with the apheta 3 cartridge and it sounds amazing. Love to see your thoughts on that player.Great video👍
My most personal and idealized vintage sound often gets triggered while playing vinyl and it still hooks me. I’m invariably brought back to the 70’s and my fathers stereo system (marantz & fisher, glowing tubes, big box speakers) and my first full rack system. Super big and dynamic sound. Clearly this is why despite having been more of a future fi minimalist for quite some time, my return to collecting vinyl has made a connection for me to that sound you speak of here; something that creates a really subjective emotional and almost magical experience.
My ex BIL had a pair of JBL L100s and a Kenwood KA-3500 stereo integrated amplifier that is burned into my mind as ideal sound. I've been unsuccessfully chasing that sound since. I've often thought about buying those speakers and amplifier and instead have tried with modern equipment. This was in the 90s and we listened to vinyl, cassettes and CDs.
The sound I had in my head for about 4 years: the b&w 804d2. Then I heard them back to back with the 804 Nautilus on the same amp as I heard the 804d2's. Not much difference on that amp. So I have bought the CDM 7 NT speakers. More neutral sounding but with that same airyness that I was searching since I had heard the 804d2's. So happy right now!
Good review. A very different take on reviewing that I greatly appreciated. These things are not like reporting the news which should be just the facts (and rarely is these days). These reviews should be about personal impressions, shading, nuance and the feelings that a product invokes. You got all of that in spades. Thank you. I intend to get three Forte IVs to make up my LCR and use the pair of original Forte's I inherited last summer as the side surrounds in my 5.1 set up. Overkill for an apartment dweller? Maybe. Will I regret it? Doubtful. :)
John, I'm Old ! So these are my Romantized Picks on Vintage Speaker Ideals; 'the Large Advents' (with the "right guttzy amp"- back then a Phase Linear -700) ... the complete Braun L series; including the "LS3/5a size" & comparable tone, at about 1/3 the price - 'L-200' (& It's updated variant CM-5. Bought a pair in Berlin a couple of years ago from the Braun repair shop near the Sofitel !) And lastly, the Dahlquist DQ-10 - again like the Advents, a Beast of an Amplifer is Best ... My Mispent Youth was in the Audio Industry. Though a bumpy ride. It sure was interesting. Met Henry Kloss, Paul Klipch, Saul Marantz (Marantz was with Jon Dalhquist, at the unveiling of the DQ-10 at a meeting of the NY Audio Society) Dave Wilson (at a Wine & Cheese Presentation of His then $35,000 WAMM system ! I know LOL) Lastly, Amar Bose - no comment ... and John Iverson. You may want to Google the later. As It's a very much a "Believe It or Not" Story; perhaps bizarre ? As you may come across a Poster from the F.B.I. ! "Merry Christmas"
The sound that lives in my head. That would have to be when I went to a friend's house at twelve years old. He put on the new Billy Joel album "The Stanger", the first track stuck in my head playing through Klipsch La Scalas. I was shocked at the dynamics that came out, I had never heard anything like it.
I had a pair of these for a few months and they were good for jazz and blues but not classical, at least not with my amp, a PrimaLuna 300 and a Schiit DAC. They lacked definition so I bought a pair of completely rebuilt Proac Response Threes and they’re amazing but I had to add a sub. So far in my journey, this is the best I’ve had. Unfortunately the Proacs are hard to find.
If those speakers bring you to tears while reproducing some of your favorite tunes then that’s a winner. Do they? Like legitimately in an end game way? I love speakers that can do that.
I just bought the Klipsch Forte IV and think I would like to add a subwoofer, but will be waiting a little while since I am replacing my old amplifier with a new Yamaha A-S3200. Will see how the Forte's sound in a couple of months.
@@calepvanarsdale9764 I bought two SVS SB1000 sealed subs. I’m going to feed the subs inputs with the Fortes input signals, so in stereo. Wilsenton R800i 300B w Psvane 805 tubes, Rega turntable, and a Gustard R26 DAC.
I'm with you as far as the sound I'm looking for in speaker..thats why I keep my Vintage Large Advents (large and small), AR 2ax's, and ADS L730s around in my secondary system for music only listening. The Fortes have always been one of my favorite Klipsch speakers but I never went for them for one reason or another. I would love to replace my the Revels in my main system which I use mainly for home theater....now if Klipsch would come out with a center channel and surround speaker to match their Heritage Line I would have these Fortes in my living room tomorrow! Really like your review format...showing the equipment in more detail along some music is much more enjoyable than looking at some guys face rattling on about one piece of equipment or another! Look forward to more of your reviews.
Polyimide (sometimes abbreviated PI) is a polymer containing imide groups belonging to the class of high performance plastics. With their high heat-resistance, polyimides enjoy diverse applications in roles demanding rugged organic materials, e.g. high temperature fuel cells, displays, and various military roles.
I LOVED my Klipsch Forte III's, but due to a cross country (California to Florida) move this last summer, with only what could fit in the car, they were "gifted" to my daughter. I just took delivery, a couple days ago, of a pair of KLH Model 5's, which like the Klipsch, are seen as vintage like old school speakers (10" 3-way air suspension). Liking them thus far, but still getting to know them.
I have the KLH new Model 5s. I love them and, as my audio dealer said, you would have to spend 3X as much on other speakers to get the same sound. However I can tell you that adding 2 REL subs transformed them (in a good way :) )
Ive cringed so many times chipping tiny pieces of veneer sliding my heavy towers around, I had no choice but to put and end to the madness and build dolly's for them. Wheels are good for heavy speakers if you ask me!
Hi John I had a pair of Koss headphones in the 70s I thought the sound was amazing - but of course had non of the physical power of speakers From then on I have been searching for that clarity and sparkling smooth sound coupled with physical punch The closest is electrostatic speakers with multiple sub woofers It’s not there yet !
I keep waffling back and forth as to whether to buy a pair of Forte IVs to compare to my Cornwall IVs and sell the loser. I was not able to go listen anywhere nearby so I bought the Corns unheard. They’re great but man they are visually imposing in my house. Lol
The midrange drivers used in the new Forte and Cornwall are made by Celestion, and are offered in a choice of mylar (PEPT), Kapton (Polyimide), or Titanium in their 1 3/4" voice coil models. Polyimide is an excellent material for this application as it is lighter and stiffer than mylar, but softer and better damped than uncoated titanium, and as such is less prone to "ringing" from stored energy. I've owned all three diaphram types, and for hi-fi applications polyimide is my first choice as it has most of the speed and detail of titanium, but without the metallic tone or harshness that can often appear with metal domes. The driver that I suspect is being used in the Forte was designed by Celestion for use as a midrange driver and has a couple of unique features. Beside having a very smooth response in the mid band, it features a very low resonance for it's diaphram size, allowing it to cross over nicely to large bass drivers such as those used in the Cornwall or Forte. It should be an imrovement over the original titanium unit which came from a generic OEM manufacturer, sold under multiple brand names.
Well stated! Stevie Wonder said it well: if we believe in things that we don't understand, then we suffer, which means there are many suffering audiophiles out there!
The ideal sound that lives in my head is that of a 90s underground rave sound systems. High dynamics, high base, punch and very minimal heigh frequencies :)
The vintage sound to me is smooth and dynamic. Almost as if you're listening to a concert instead of a recording. The closest I have found are my Ohm Walsh 2 speakers.
I have a set of Forte III’s and completed that sound with a McIntosh MAC7200 receiver. Big, fat and definitely vintage. The sound is right where I want it.
Love my Omegas, Super Alnico Monitors, in tandem with an Alnico hemp cone 8” subwoofer. Human voice and detail is sublime. This combo gives me the sound I’ve been chasing for as long as I can remember … I feel lucky. Hope others find theirs!
@@Vinylbop I have the SAMs which are the larger Omega bookshelves than their Compact Alnicos. Single-driver, rear ported in Walnut cabs with oatmeal-colored magnetic grills. I have them on 18”Skylan Stands, which are four-post. Very happy.
Run some sweeps through those and wait for the cabinet to resonate. I've owned Stat's and planars but I'm buying some high efficiency Spatial's OB's. I need the dynamics of Klipsch's without the box colorization.
What a flex just casually dropping the needle on a new Planar 8. Quite an upgrade from your other decks, I would imagine. Would love to hear your [eventual?] thoughts on moving magnet vs. moving coil; I can't personally decide if I should open that particular pandora's box given my music tastes.
It’s funny when you say “…you have this sound in your head…” I found mine with the Forte’s little brother-Heresy. They have “that sound” I remember as a teenager sitting in front of my dads kit in the living room. But they also give you that crazy detail at low level listening where you hear that cymbal crash and decay- lovely. Happy Christmas Darko. Keep up the good work.
Ditto! I was gobsmacked by the sound of the Forte IV but settled for a pair of Heresy IV. Couldn't be happier. Now I can play classical orchestral music with a realism I could not attain before with my small LS3/5A diy speakers.
My “brain audio reference” takes me back to a pair of Klipsch KG4’s driven by a Nikko setup. I have always considered this the Gold Standard of sound. I have come full circle (40 years). While I love gear, I have really gotten back to LISTENING to music.
I have not heard all that many different high end speakers in person. I have had many cheap and some good. But the Heresy III were the first speakers I ever heard that my brain said "this is what music is supposed to sound like".
I have a pair of AR3a improved and have also a pair of Klipsch, I think that some of the same experience is recreated. The sound is quite meaty as well, as you don’t often find. One example: when listening to uncompressed cello recording, the AR3a give you the impression of a physical cello, as lower frequencies are very present. Other leaner speakers are not able to transmit the whole body of the instrument in the same way, and with such easiness.
It warms my heart that you quest for that warm full sound too. I compete in car audio for sound quality and as I listen to other cars ( at the top of the game) I don't like how they sound. Dry... Lack of that bottom push. No fun to listen to. I on the other hand finally have this in my car. I'm sure most of these "bookshelf" speakers sound vocally amazing but if they don't fill the room below 60hz I just can't soak up the music like a good set of floor standers suck as these.
My ideal sound in my head is Opera Consonance M15 SE driven by McIntosh power-pre and turntable (I don't remember the models) which is very close to my Audio Nirvana 10"Alnicos driven by Cherry STM and Holo Cyan Dac at the moment but the "vintage" sound in my head is from Electro Voice Interface Delta speaker driven by a vintage Pioneer receiver. Actually I like to have all these setups for different reasons.
I’m with you on the thought of vintage speakers and the sound in your head I’ve owned Celestion Ditton 66s in the past I’ve learned that the speakers can only be optimised by the quality of equipment source being used same as a great pair of speakers can enhance a poor system
John I ordered the 3x the steel door stoppers from your community post they arrived today from Amazon dam their built very well and heavy i am using them on top of my cd transport and dac thanks man !
I have a crackpot theory on why we prefer one type of speaker over another. It’s the shape of our ears! Listen to your favourite music and pull on your ears and see how the sound totally changes - incredible isn’t it? Humans come in all shapes and sizes and no pair of ears is identical to another except for identical twins of course! So when 2 people, who have different shaped ears of course, listen to music together, it’s impossible for the speakers to sound the same to 2 pairs of ears so that leads to the obvious conclusion that the trick is to match a pair of speakers to your ear shape. As l said, a crackpot theory!
John, thank you for a very enjoyable and informative video. Frankly, until watching this review I had never really thought about an “idealized sound living inside my head” (some might question whether there’s much of anything living inside my head). You got me thinking about it though, and I realized that yes…I do have a fairly specific sound in there. That sound I’m in search of would be best described as “live”, or as close as I could get to the musicians actually being in the room. The closest I’ve found to that is actually another Klipsch Heritage speaker, the La Scala. The first time I heard the LS it was as much emotional as auditory…literally stopped me in my tracks. This was about a year ago and not sure which iteration, but regardless well outside my budget. However, I did pick up a pair of 1980 LS earlier this year, and am now in search of an amp to pair with them. Also picked up a pair of 1978 Heresys just in case! Anyway, I would be very interested in your thoughts on speakers you have reviewed or heard that best recreated the “live” sound, as well as any thoughts on an amplifier that would pair well with the LS.
I think Iw got the speakers that fulfill my whishes,, a couple of Triangle Signature Theta with subwoofers. Their often described as "loudspeakers for tired audiophiles" and thats what I think of them. I bought them used and driving them with a NAD778, mostly for the DIRACS sake. Iw heard many speakers that are better, but also totaly out of my budget, so i try not to think about them. But those freaking Dynaudio Confidence 20,, pffffhhhhh,, they made me feel 101% relaxed,, and every peace of the puzzle just fell in to place and I fell asleep. I try extra hard not to think about them,, 🤪😂. Thank you John for being exactly who you are on this channel. An oasis in a desert. ❤️
My vintage sound ideal was the AR 3A from 1968. That is, until I recently heard a pair again, and fount that my ears have moved on. The pair I listened to were "almost new", but used lightly the whole time, and driven by some vinage McIntosh amps and an old Dual 1219 turntable with a sound era specific Pickering cartridge. I had fogotten what power hogs those speakere were, but they were still quite nice even now.
Great video. My ideal sound started with the Jbl L36. I kept on replacing with other JBLs from L65 to finally L220s, which I still have. Currently using Maggie’s 3.7i speakers. Love comparison of the 2 speakers and great music selection,my compliments. Keep up the great service you provide…
This is my favourite channel on RUclips bar none. Another speaker that has been updated that I would love to see you check out is the Buchardt Audio S400 MK II.
That sound in my head? I heard the Forte IV, and I think I would agree, they are in that category, but I also heard the KLH Model 5, and they were in there too, but I think The speaker for that sound (just based on appearance) would be the JBL 4345: I just look at these speakers and it sings, even though I never physically heard them...Gosh, I wish I was born when they came out because I surely would have purchased them! I've been searching for JBL 4345 parts for maybe a DIY project, but they are difficult to find.
Ideal sound: I liked my old pair of KEF 105.2's. My perfect today-speaker would mimic their tonal balance, with fractional improvements in dynamics, tighter low-end, mid-range transparency, and high-end definition. Did I just describe the Wharfedale Lintons? (I don't know.)
Nothing strange at all about those audio memories living in our heads. I think we all have them. "Voices" living in one's head, on the other hand, is something to seek professional help about. In the mid 1970's I went to a friend of a friend's house (someone older than the teenagers we were at the time and who had a real job). He had a nice stereo setup with Klipsch Heresys. It was the first time I was "impacted" by music that was forceful and loud, but without distortion. I got some more of that "feel" when a friend's dad help me build some floor standers with Altec Lansing 15" woofers and a horn tweeter that I sat on top of the cabinet with exposed crossover wires. They played awesome outside, when winging the Frisbee, drinking beer & eating oysters. Got me through college and sold them to a band. Only had bookshelf speakers since. If I end up with a house with a big enough room, perhaps I'll flash back. Thanks for the memories John and have a happy holiday!
The sound that lives in my head is that of the JBL Everest DD67000 I heard some years ago at a show. Dynamics, precision, clarity, attack - all of these qualities came violently leaping at me from these beasts in the best of ways. They played Rammstein on those things - it was as if the God of the old testament was speaking to you.
Just my taste but like to compare smooth impact with the band "traffic" low spark of high heeled boys, then the "Santana" peg, both are full spectrum with high and low volume highs and lows with a wide midrange of horns and keyboard, it'll tell you what a speaker is made of
**PLEASE READ CAREFULLY**
1) Got a question? Please ask it of the Darko.Audio RUclips community (and not me) as I'm now busy making the NEXT video
2) All comments here are moderated by a third party: instagram.com/p/CTWcokaszpW/
3) Polite comments that advance the conversation are most welcome (but no URLs, please)
Polymides are used a lot to strengthen textiles - natural polymides can be found in silk and wool. Synthetic polymides are commonly used in the automotive industry, kitchen utensils. Here, probably for it’s lightweight strength.
Thanks for taking the time to explain this so nicely. 👍🏻
And it's durability! The most common example of polyamides are nylon products
Right on the money 👌✌️❤️
Actually it's easy to confuse polyamide and polyimide, especially when you don't write (edit) pronounce the third syllable. ;->. The Forte 4 mid diaphragm is polyimide (commonly called Kapton), a good thing as it is far more heat resistant than polyamide (commonly called nylon) and for that reason is in widespread use for speaker voice coil formers.
@@naturalverities Thank you, they use polyimide (kapton) not polyamide (nylon). I would imagine nylon would be a terrible speaker cone material.
Polyimide is a (thermo)plastic polymer that has an imide linkage (CO-N-CO, where the CO groups are carbonyls.) Kapton is a brand name for a type of polyimide. This differs from softer, lower strength common polymers like polypropylene or polyethylene that use carbon only for the backbone (only C - no nitrogen.) It's also more similar to polymers like polyamide (which uses a CO-NH linkage.) Polyimide has enough structural rigidity to be used as a diaphragm material, but since it has better damping characteristics than titanium, it can make for a more natural, less hard-sounding driver. Hope this helps!
Polyimide (note that there are two “I”s) is a plastic commonly known by the trade name Kapton. It is known for its stiffness, light weight,, and thermal handling properties. You most commonly see it used to make voice coil formers, where it’s ability to handle high heat is beneficial.
I didn't know they used kapton for anything other than tape haha. I use it when doing soldering jobs all the time. The more you know
Thanks, John, for a very classy video review of a tremendous product. I've been a Klipsch fanboy since 1971, when a neighbor invited me in to listen to his new Klipshorns. My youngest brother has a pair of first generation Klipsch Fortes, and I've had some great evenings DJing at his house. I love my early '90s Klipsch KG3.2s, a CraigsList find, right before our first COVID lockdown. My current dream speaker is a Klipsch inspired, DIY, design called the Cornscala, a mashup of the best aspects of the Klipsch Cornwall and La Scala. Gosh, have I overshared? Well, thanks again, and happy holidays to you and yours, and "all y'all" out there in RUclips Land!
Chris, is there a particular version of the cornscala you have built? Looking to do similar
Wow! What a small world. Just ordered a pair of elliptical tractrix horns from David Harris for a CornScala build.
Just got a pair of Forte iv's and I concur with what Darko and other reviewers have said: they have a very engaging and exciting presentation that is more fun to listen to than most speakers - at least those I've heard.
I just passed down my original Fortes to my son (14) who loves jamming on them with Pink Floyd and other classic rock tunes. Proud Dad!
Rad dad!
I especially enjoyed your attitude & take on how 'audio memory is too fragile for potentially small deltas'!
Best reviews for any electronic genre online! Thanks John!
An ideal sound in your head is what us musicians live with our entire lives! We chase it with out ears, our fingers, our picks, our Bowes, our lips and limbs and gear. Sometimes I think never reaching that ideal sound is what keeps most of us going through lifetimes of ramen noodles and unappreciative audiences.
Perfect timing. I just ordered my pair of Forte IVs the day before I saw this video. I'm very looking forward to these speakers!
@Keith Kneeland how are u powering them? Thanks
@Keith Kneeland That's cool Keith. I am considering the Forte IV's too, but just don't know. It's a battle between the Forte's and KLH Model 5 (which was a very nice sound), but of course the Forte's sounded bigger than life! My thing is room placement difficulties: the Model 5's will be a bit friendlier in that respect because they are a sealed cabinet, but the Forte's...I don't know. How far away from the wall do you have them? I have thick carpeting which will help. I see people with hardwood floors having to really pull the Forte's at least 3 ft. from the wall, that's just too much for me. How about you?
My 'idealized vintage sound that lives in my head' comes from what I heard at the start of the 70's. It was the Grateful Dead 'Wall of Sound' that I heard on their European tour - something that I have never forgotten. Have been trying to reproduce some of that in my home for the past 50 years.... Close these days - but no cigar.
Thanks John for your work. Greetings to you and yours.
I caught their show in Munich. I was blown away by the number of amps and speakers behind an enormous scrim hanging in front of them. What a sound.
John curl from Parasound designed that sound system that you’re speaking about try one of his amplifiers?
I've watched this review a couple of times, and enjoy it everytime.
I've been using vintage valve amps (Radford STA15 and a pair of MA15) with the Forte IVs since i bought them, and i think they are a very good match.
New deck? Those speakers have a special place in my heart. Great video…as always.
My idealized vintage sound is startling real vocals from older recordings in a lively room. My idealized modern sound is ultra detailed and textured bass and highs from a highly damped room.
My ideal sound is, currently, that of some big Wilson speakers driven by a big Mark Levinson power amp. My local gear pusher played that setup for me last week. It sounded glorious. And the gloss finish on those speakers was so satisfying to touch.
Your whole opening is exactly how I see my ideal sound. And those spks also have the perfect aesthetic for me.
John...I recently purchased a pair of Cornwall IVs and paired them with a vintage Harman Kardon 930 receiver pushing 48 watts into 8 ohms. My source material is streamed from a Node 2i and fed to a Denafrips Ares II DAC. I am in audiophile heaven! This system produces that sound you call "the end"!
congrats, that sounds like an amazing set up!
The best of the new and old!
I recently got the Heresy IVs that I have connected to a Willsenton R8 and sub. Same here. Audiophile endgame if not for plans to get the Cornwalls one day
That sound in my head. In 1983 I heard a system that comprised of stacked Quad 57’s electrostatic speakers, Naim pre and power amps, linn Lp12 and a quad 405 power amp driving Kef b139 drivers in a transmission line boxes. This was an epiphany for me just starting out on my audio journey.
The closest I’ve heard since, other than my own system was some ATC 150’s at a hifi show at the Airport Hilton in Sydney in 1990’s. Love your work John and your aesthetics.
Merry Christmas from Australia.
Polyimide is a type of polymer/plastic that has good flexural strength and very light compared to metals. This would benefit in a loudspeaker given the amount of vibration/movent of the driver.
They are very good old school speakers. I had the Forte 3s. Became a bit shouty which is not a surprise. But if you want a live speaker this is the one if you like horns. I heard the Forte 4s with a valve-amp. Very nice. Thats what the people at Klipsch recommend. So it's a good idea to aim at f.ex. a Prima Luna amp. The efficiency is more than enough. Do try to put in on transport dollies like Darko did with the Forte 3s. Easy to move in and out of position. Decouple them from the floor if needed with Auralex damping mats or similar, if the bass takes too much room. Alternative speakers which are also great live speakers and very forward without shouty horns, are the Arendal 1723 THX Towers.
For some reason, people love to hate on Klipsch and McIntosh. Audio is so subjective. If people dig it, good for them. Their money, their rooms. I said yes to Cornwalls and ultimately no to the MA352, but it wasn't an easy choice. I could care less about measurements and specs. Do I like how it sounds? Nothing else matters.
What did you think about the MA352?
It is more the price of these.
Simply overpriced for what you get .
But that goes for 90% of the mainstream brands.
@@ekimandersom4478in your opinion, what performs as well for a significantly lower amount of money? Genuinely curious as the Klipsch Forte IV are on my very short list of next purchase. Thanks
@DJcoachbombay forte III owner here. I love them, but not for the money I paid. If I got a chance to do it all again, I'd save up more money for Neumann KH420's. I play mostly Disco, House, Boogie and Broken Beat and I find sometimes with very busy music they can be harsh. More spaced out music sounds amazing though. Bear in mind, I'm in a small 5m x 6m room so that really messes things up.
The audio memory of an ideal sound for me is less of a sound and more of a feeling. That feeling I felt when I was young and walked into a record store and they had a gorgeous hifi setup playing, and I realized how exciting it can be to listen to music. I think that sound tends to have strong bass that is fast and punchy without being boomy, but still fills the room, sound you can feel. And the highs are nice and smooth, not harsh, not quiet, but smooth and engaging. And the mids are warm and at the front of the soundstage. They pop and give more detail to the music. It's such a hard feeling to describe, but for me I'm always looking for a product that gives me that excitement of listening to music. Trying to avoid more modern sounds that have lots of bass and highs, but lack detail. I have a pair of Klipsch RP 60 m speakers that get pretty close to that. I like the engaging feeling you get with Klipsch speakers. I would really love to listen to a pair of the forte IV's, I have a feeling they will have that record store experience I'm looking for. Just to expensive for me right now unfortunately.
Thanks John! These would both be fantastic with tubes. Thanks for sharing your impressions of these current efficient, easy-to-drive, reasonably sized, and attainable speakers.
I have a pair of Forte IVs driven by an Audio Research i50 valve amplifier.
The audio equivalent of going for a drive in an open top Mustang GT.
Old school, and all the better for it.
I had an old pair of early 1970's klipsch tower speakers that were about 4 and some change feet tall. Loved them to bits, had to give them away when I moved. Miss those dudes
I bought a pair of flawless black Forte II's back in the early 90's for $300 from a pawn shop when I was 20 years old. They were firm on the price but got them to eat the sales tax. It was my first apartment without roommates, downtown above a business that was closed nights and weekends. I had a high powered solid state Class A Amplifier that got so hot running them I had a permanently positioned box fan behind the stereo set up. This was before streaming and MP3s so it was all CD's and Technics SL1200. Remember, this was the time of Pixies, Beastie Boys, Nirvana, Public Enemy, Smashing Pumpkins, RHCP, Sound Garden, NWA, NIN, Tribe Called Quest, Ice Cube, Dr. Dre, Cypress Hill, Rage ATM, and I was a huge Jazz and Jazz Fusion fan. Best years of my life!!!
What about Korn Quicksand and Skinny Puppy?
Love your passion for audio and people like us in audio sound that enjoy are favorite songs and artists can only understand what it means to hear something euphoric in our ears that some people will never understand. Anyways..Great review 😊
With this generation being raised on ipods and cell phone music I don't think they could hear the difference between a Panasonic and a carver 😂😂, and the rap,, they're probably tone deaf anyway
This video came out at a good time - just yesterday I began seriously considering this pair of speakers after my vintage Snell J/II were turned into a scratching post by my cat after two years of ambivalence toward them. Things change quickly. The 99dB/W sensitivity pairs well with my amplifiers (low-wattage SET designs), the grills appear to be metal, which lowers the risk of serious damage by cats, and magnetic, which sets up a nice cat booby trap if pulled on too hard. Also, Klipsch suggests placement near the rear wall to augment low end produced by the 15" passive radiator, which is a good fit for listening space. It's a match made in heaven!
If you can afford/ fit take the next step and go Cornwall
@@TheJohnnyNormal as much as I would love to, I'm afraid my partner would not agree to it. The Cornwall is also likely too much speaker for my room I think. I will be demoing the Forte IV at a dealer tomorrow, will see if they have the Cornwall IV in a system as well.
When you asked the question at the beginning of the video, I imagined the same sound in my head as you described. Perhaps it was the kind of sound that I grew up with during the '80s and early '90s. I consider myself lucky to have been able to experience and enjoy firsthand new what we now define as vintage HiFi.
As a long time subscriber to that most prestigious monthly hi fi publication, I’ve become somewhat accustomed to jaded journalists. After awhile the high browed, been there, heard that take these chaps have on home audio tends to get long in the tooth. Not so with John. Darko’s enthusiasm always shines through. John has quickly became my favorite reviewer. With good reason. Keep up the good work JD.
Happy Holidays to all!
Fun to watch comparison - thank you! No static from me on your definition of "vintage". 30 years ago is a good chunk of time. I remember my "vintage back". Sure miss how it performed "back" in the day (as I type this laying on the floor dealing with my "modern back").
Great review. I have the Forte IIIs an love them. Perfect old school, big box sound, like my speaker in college in 1978! But way better quality of sound.
Interesting.. this does explain why I bought the Heresy IV seeing my era was 1968 through the 70's. Good analogy and yes it is all in our heads!
Now just imagine the Cornwalls or Khorns... and prepare to be blown away 🔊🔊
1:07 Omg same!! Warm, but dynamic with a relaxed top end
I have Heresy IV’s and love them. Backing them are a pair or Rythmik L12 subs. I rent so sometimes I have to go subs off.
As far as the “sound in my head”, I recall the local Chain store had just began carrying electrostatic speakers. I forget the brand by they were mounted to a sub woofer. Anyway, I walked into the sound room and heard Billy Idol’s Sweet Sixteen on them and I still recall the clarity, but also the weight of the sound. I feel like I’m close. 👍🏼
P.S. John, you’re the best!
See u have a Rega planar 8 there. That's a good step up from what you usually use. Have it myself with the apheta 3 cartridge and it sounds amazing. Love to see your thoughts on that player.Great video👍
My most personal and idealized vintage sound often gets triggered while playing vinyl and it still hooks me. I’m invariably brought back to the 70’s and my fathers stereo system (marantz & fisher, glowing tubes, big box speakers) and my first full rack system. Super big and dynamic sound. Clearly this is why despite having been more of a future fi minimalist for quite some time, my return to collecting vinyl has made a connection for me to that sound you speak of here; something that creates a really subjective emotional and almost magical experience.
My ex BIL had a pair of JBL L100s and a Kenwood KA-3500 stereo integrated amplifier that is burned into my mind as ideal sound. I've been unsuccessfully chasing that sound since. I've often thought about buying those speakers and amplifier and instead have tried with modern equipment. This was in the 90s and we listened to vinyl, cassettes and CDs.
The sound I had in my head for about 4 years: the b&w 804d2. Then I heard them back to back with the 804 Nautilus on the same amp as I heard the 804d2's. Not much difference on that amp. So I have bought the CDM 7 NT speakers. More neutral sounding but with that same airyness that I was searching since I had heard the 804d2's. So happy right now!
Good review. A very different take on reviewing that I greatly appreciated. These things are not like reporting the news which should be just the facts (and rarely is these days). These reviews should be about personal impressions, shading, nuance and the feelings that a product invokes. You got all of that in spades. Thank you. I intend to get three Forte IVs to make up my LCR and use the pair of original Forte's I inherited last summer as the side surrounds in my 5.1 set up. Overkill for an apartment dweller? Maybe. Will I regret it? Doubtful. :)
I have these paired to a Yamaha AS3200 and am loving them. Piano recordings sound like you’re there in the music hall.
John, I'm Old ! So these are my Romantized Picks on Vintage Speaker Ideals; 'the Large Advents' (with the "right guttzy amp"- back then a Phase Linear -700) ... the complete Braun L series; including the "LS3/5a size" & comparable tone, at about 1/3 the price - 'L-200' (& It's updated variant CM-5. Bought a pair in Berlin a couple of years ago from the Braun repair shop near the Sofitel !) And lastly, the Dahlquist DQ-10 - again like the Advents, a Beast of an Amplifer is Best ...
My Mispent Youth was in the Audio Industry. Though a bumpy ride. It sure was interesting. Met Henry Kloss, Paul Klipch, Saul Marantz (Marantz was with Jon Dalhquist, at the unveiling of the DQ-10 at a meeting of the NY Audio Society) Dave Wilson (at a Wine & Cheese Presentation of His then $35,000 WAMM system ! I know LOL) Lastly, Amar Bose - no comment ... and John Iverson.
You may want to Google the later. As It's a very much a "Believe It or Not" Story; perhaps bizarre ? As you may come across a Poster from the F.B.I. ! "Merry Christmas"
Thx for putting words on my feeling and thoughts. 👍😄
THX Arendal1723...
The sound that lives in my head. That would have to be when I went to a friend's house at twelve years old. He put on the new Billy Joel album "The Stanger", the first track stuck in my head playing through Klipsch La Scalas. I was shocked at the dynamics that came out, I had never heard anything like it.
Love the voice in the AD :)
My speaker memory is always a three way speaker - I had a pair of Mordant Short 3 ways and they were great - in my memory.
Would love to see a review of Martin Logan electrostatics.
I had a pair of these for a few months and they were good for jazz and blues but not classical, at least not with my amp, a PrimaLuna 300 and a Schiit DAC. They lacked definition so I bought a pair of completely rebuilt Proac Response Threes and they’re amazing but I had to add a sub. So far in my journey, this is the best I’ve had. Unfortunately the Proacs are hard to find.
If those speakers bring you to tears while reproducing some of your favorite tunes then that’s a winner. Do they? Like legitimately in an end game way? I love speakers that can do that.
The Heresy IV did that for me... but the Forte IV will have a more expansive soundstage.
I just bought the Klipsch Forte IV and think I would like to add a subwoofer, but will be waiting a little while since I am replacing my old amplifier with a new Yamaha A-S3200. Will see how the Forte's sound in a couple of months.
Add 2 subs
add a single ended for good sound and kt 88 for bass
@@calepvanarsdale9764 I bought two SVS SB1000 sealed subs. I’m going to feed the subs inputs with the Fortes input signals, so in stereo. Wilsenton R800i 300B w Psvane 805 tubes, Rega turntable, and a Gustard R26 DAC.
I'm with you as far as the sound I'm looking for in speaker..thats why I keep my Vintage Large Advents (large and small), AR 2ax's, and ADS L730s around in my secondary system for music only listening. The Fortes have always been one of my favorite Klipsch speakers but I never went for them for one reason or another. I would love to replace my the Revels in my main system which I use mainly for home theater....now if Klipsch would come out with a center channel and surround speaker to match their Heritage Line I would have these Fortes in my living room tomorrow! Really like your review format...showing the equipment in more detail along some music is much more enjoyable than looking at some guys face rattling on about one piece of equipment or another! Look forward to more of your reviews.
Polyimide (sometimes abbreviated PI) is a polymer containing imide groups belonging to the class of high performance plastics. With their high heat-resistance, polyimides enjoy diverse applications in roles demanding rugged organic materials, e.g. high temperature fuel cells, displays, and various military roles.
I LOVED my Klipsch Forte III's, but due to a cross country (California to Florida) move this last summer, with only what could fit in the car, they were "gifted" to my daughter. I just took delivery, a couple days ago, of a pair of KLH Model 5's, which like the Klipsch, are seen as vintage like old school speakers (10" 3-way air suspension). Liking them thus far, but still getting to know them.
Good for your daughter!
How do you like them so far? Do they live up to the hype? Thanks!
I have the KLH new Model 5s. I love them and, as my audio dealer said, you would have to spend 3X as much on other speakers to get the same sound. However I can tell you that adding 2 REL subs transformed them (in a good way :) )
Ive cringed so many times chipping tiny pieces of veneer sliding my heavy towers around, I had no choice but to put and end to the madness and build dolly's for them. Wheels are good for heavy speakers if you ask me!
I love vintage speakers. Altec are my favs.
Same here had a pair of the Atec 7s
Very well done, thank you. About to buy a pair! This helped.
not gonna lie, the fortes have all the look and vibe of *My Dad's Hi-fi™* and that alone draws me to them
The context of contextual memory is fascinating.
Hi John
I had a pair of Koss headphones in the 70s
I thought the sound was amazing - but of course had non of the physical power of speakers
From then on I have been searching for that clarity and sparkling smooth sound coupled with physical punch
The closest is electrostatic speakers with multiple sub woofers
It’s not there yet !
My wicking underpants are made from polyamide. Very little impedance with occasional horn and sometimes reverb
I'm sitting in a hospital car park waiting on my wife getting chemo, you gave me a laugh, thanks.
That was funny!
LMAO!!! #1 comment of the thread
I am definitely an audiophile. That being said, my Forte IV speakers blow my mind!!
mine too. all other speakers are boring
I keep waffling back and forth as to whether to buy a pair of Forte IVs to compare to my Cornwall IVs and sell the loser. I was not able to go listen anywhere nearby so I bought the Corns unheard. They’re great but man they are visually imposing in my house. Lol
@@wvjon75the corns are better in every way.
Are the cornwalls better than the forte iv then?@@wvjon75
@@darrelldarrell1447have you listened to both speakers on the same amp in the same room?
The midrange drivers used in the new Forte and Cornwall are made by Celestion, and are offered in a choice of mylar (PEPT), Kapton (Polyimide), or Titanium in their 1 3/4" voice coil models. Polyimide is an excellent material for this application as it is lighter and stiffer than mylar, but softer and better damped than uncoated titanium, and as such is less prone to "ringing" from stored energy. I've owned all three diaphram types, and for hi-fi applications polyimide is my first choice as it has most of the speed and detail of titanium, but without the metallic tone or harshness that can often appear with metal domes. The driver that I suspect is being used in the Forte was designed by Celestion for use as a midrange driver and has a couple of unique features. Beside having a very smooth response in the mid band, it features a very low resonance for it's diaphram size, allowing it to cross over nicely to large bass drivers such as those used in the Cornwall or Forte. It should be an imrovement over the original titanium unit which came from a generic OEM manufacturer, sold under multiple brand names.
Well stated! Stevie Wonder said it well: if we believe in things that we don't understand, then we suffer, which means there are many suffering audiophiles out there!
I love my forte 4, it is THE End game for me....
Merry Christmas to you, your team and families.
The ideal sound that lives in my head is that of a 90s underground rave sound systems. High dynamics, high base, punch and very minimal heigh frequencies :)
The vintage sound to me is smooth and dynamic. Almost as if you're listening to a concert instead of a recording. The closest I have found are my Ohm Walsh 2 speakers.
Been see a bunch of vids on the Ohm, the last few weeks….never seen them B4 then. Fascinating….
I have a set of Forte III’s and completed that sound with a McIntosh MAC7200 receiver. Big, fat and definitely vintage.
The sound is right where I want it.
Honestly....this is what I'm looking for
The green on the wall looks great!
Love my Omegas, Super Alnico Monitors, in tandem with an Alnico hemp cone 8” subwoofer. Human voice and detail is sublime. This combo gives me the sound I’ve been chasing for as long as I can remember … I feel lucky. Hope others find theirs!
What model do you own?
@@Vinylbop I have the SAMs which are the larger Omega bookshelves than their Compact Alnicos. Single-driver, rear ported in Walnut cabs with oatmeal-colored magnetic grills. I have them on 18”Skylan Stands, which are four-post. Very happy.
Run some sweeps through those and wait for the cabinet to resonate. I've owned Stat's and planars but I'm buying some high efficiency Spatial's OB's. I need the dynamics of Klipsch's without the box colorization.
What a flex just casually dropping the needle on a new Planar 8. Quite an upgrade from your other decks, I would imagine. Would love to hear your [eventual?] thoughts on moving magnet vs. moving coil; I can't personally decide if I should open that particular pandora's box given my music tastes.
It’s funny when you say “…you have this sound in your head…” I found mine with the Forte’s little brother-Heresy. They have “that sound” I remember as a teenager sitting in front of my dads kit in the living room. But they also give you that crazy detail at low level listening where you hear that cymbal crash and decay- lovely. Happy Christmas Darko. Keep up the good work.
Ditto! I was gobsmacked by the sound of the Forte IV but settled for a pair of Heresy IV. Couldn't be happier. Now I can play classical orchestral music with a realism I could not attain before with my small LS3/5A diy speakers.
Thank you
My “brain audio reference” takes me back to a pair of Klipsch KG4’s driven by a Nikko setup. I have always considered this the Gold Standard of sound. I have come full circle (40 years). While I love gear, I have really gotten back to LISTENING to music.
I superwant my own pair of these but I'd have to save up for, like, a year
I have not heard all that many different high end speakers in person. I have had many cheap and some good. But the Heresy III were the first speakers I ever heard that my brain said "this is what music is supposed to sound like".
I still love my fully restored kef 104ab's reference as the ideal (vintage) sound
I have the AR3a sound in my head. I will be listening to the Klipsh to see if it is recreated.
Nice my dad had a pair of those. Listened to a lot of music as a kid on them.
I have a pair of AR3a improved and have also a pair of Klipsch, I think that some of the same experience is recreated. The sound is quite meaty as well, as you don’t often find. One example: when listening to uncompressed cello recording, the AR3a give you the impression of a physical cello, as lower frequencies are very present. Other leaner speakers are not able to transmit the whole body of the instrument in the same way, and with such easiness.
Another great video. Thank you
It warms my heart that you quest for that warm full sound too. I compete in car audio for sound quality and as I listen to other cars ( at the top of the game) I don't like how they sound. Dry... Lack of that bottom push. No fun to listen to. I on the other hand finally have this in my car.
I'm sure most of these "bookshelf" speakers sound vocally amazing but if they don't fill the room below 60hz I just can't soak up the music like a good set of floor standers suck as these.
My ideal sound in my head is Opera Consonance M15 SE driven by McIntosh power-pre and turntable (I don't remember the models) which is very close to my Audio Nirvana 10"Alnicos driven by Cherry STM and Holo Cyan Dac at the moment but the "vintage" sound in my head is from Electro Voice Interface Delta speaker driven by a vintage Pioneer receiver. Actually I like to have all these setups for different reasons.
I’m with you on the thought of vintage speakers and the sound in your head I’ve owned Celestion Ditton 66s in the past I’ve learned that the speakers can only be optimised by the quality of equipment source being used same as a great pair of speakers can enhance a poor system
John I ordered the 3x the steel door stoppers from your community post
they arrived today from Amazon dam their built very well and heavy i am using them on top of my cd transport and dac thanks man !
I have a crackpot theory on why we prefer one type of speaker over another. It’s the shape of our ears! Listen to your favourite music and pull on your ears and see how the sound totally changes - incredible isn’t it? Humans come in all shapes and sizes and no pair of ears is identical to another except for identical twins of course! So when 2 people, who have different shaped ears of course, listen to music together, it’s impossible for the speakers to sound the same to 2 pairs of ears so that leads to the obvious conclusion that the trick is to match a pair of speakers to your ear shape. As l said, a crackpot theory!
This is not crackpot, this is science my friend.
That is a very sound theory.
I often cup my hands behind my ears and listen to the difference "giant ears" make. it makes a BIG difference.
John, thank you for a very enjoyable and informative video. Frankly, until watching this review I had never really thought about an “idealized sound living inside my head” (some might question whether there’s much of anything living inside my head). You got me thinking about it though, and I realized that yes…I do have a fairly specific sound in there. That sound I’m in search of would be best described as “live”, or as close as I could get to the musicians actually being in the room.
The closest I’ve found to that is actually another Klipsch Heritage speaker, the La Scala. The first time I heard the LS it was as much emotional as auditory…literally stopped me in my tracks. This was about a year ago and not sure which iteration, but regardless well outside my budget. However, I did pick up a pair of 1980 LS earlier this year, and am now in search of an amp to pair with them. Also picked up a pair of 1978 Heresys just in case!
Anyway, I would be very interested in your thoughts on speakers you have reviewed or heard that best recreated the “live” sound, as well as any thoughts on an amplifier that would pair well with the LS.
I think Iw got the speakers that fulfill my whishes,, a couple of Triangle Signature Theta with subwoofers.
Their often described as "loudspeakers for tired audiophiles" and thats what I think of them.
I bought them used and driving them with a NAD778, mostly for the DIRACS sake.
Iw heard many speakers that are better, but also totaly out of my budget, so i try not to think about them.
But those freaking Dynaudio Confidence 20,, pffffhhhhh,, they made me feel 101% relaxed,, and every peace of the puzzle just fell in to place and I fell asleep.
I try extra hard not to think about them,, 🤪😂.
Thank you John for being exactly who you are on this channel. An oasis in a desert. ❤️
Quite a contrast in production quality from 2019 to now. You produce some very polished material!
My vintage sound ideal was the AR 3A from 1968. That is, until I recently heard a pair again, and fount that my ears have moved on. The pair I listened to were "almost new", but used lightly the whole time, and driven by some vinage McIntosh amps and an old Dual 1219 turntable with a sound era specific Pickering cartridge. I had fogotten what power hogs those speakere were, but they were still quite nice even now.
Sealed cabinet. :-). Fave speaker in 1970.
Had the AR 3A too for more than 15 years still miss them very much....!
Pair of IMF TLS-80s will give you that sound in your head and so much more!
Great video. My ideal sound started with the Jbl L36. I kept on replacing with other JBLs from L65 to finally L220s, which I still have. Currently using Maggie’s 3.7i speakers. Love comparison of the 2 speakers and great music selection,my compliments. Keep up the great service you provide…
Great content as always.
This is my favourite channel on RUclips bar none. Another speaker that has been updated that I would love to see you check out is the Buchardt Audio S400 MK II.
That sound in my head? I heard the Forte IV, and I think I would agree, they are in that category, but I also heard the KLH Model 5, and they were in there too, but I think The speaker for that sound (just based on appearance) would be the JBL 4345: I just look at these speakers and it sings, even though I never physically heard them...Gosh, I wish I was born when they came out because I surely would have purchased them! I've been searching for JBL 4345 parts for maybe a DIY project, but they are difficult to find.
Ideal sound: I liked my old pair of KEF 105.2's. My perfect today-speaker would mimic their tonal balance, with fractional improvements in dynamics, tighter low-end, mid-range transparency, and high-end definition. Did I just describe the Wharfedale Lintons? (I don't know.)
Nothing strange at all about those audio memories living in our heads. I think we all have them. "Voices" living in one's head, on the other hand, is something to seek professional help about. In the mid 1970's I went to a friend of a friend's house (someone older than the teenagers we were at the time and who had a real job). He had a nice stereo setup with Klipsch Heresys. It was the first time I was "impacted" by music that was forceful and loud, but without distortion. I got some more of that "feel" when a friend's dad help me build some floor standers with Altec Lansing 15" woofers and a horn tweeter that I sat on top of the cabinet with exposed crossover wires. They played awesome outside, when winging the Frisbee, drinking beer & eating oysters. Got me through college and sold them to a band. Only had bookshelf speakers since. If I end up with a house with a big enough room, perhaps I'll flash back. Thanks for the memories John and have a happy holiday!
The sound that lives in my head is that of the JBL Everest DD67000 I heard some years ago at a show. Dynamics, precision, clarity, attack - all of these qualities came violently leaping at me from these beasts in the best of ways. They played Rammstein on those things - it was as if the God of the old testament was speaking to you.
Just my taste but like to compare smooth impact with the band "traffic" low spark of high heeled boys, then the "Santana" peg, both are full spectrum with high and low volume highs and lows with a wide midrange of horns and keyboard, it'll tell you what a speaker is made of
Review Spendors.... seriously the best regardless of price.
What about tonal coloration in the mids? I am skeptical about the horns.