Wolfgang Amadeus Mozart - String Quartet No. 14, K. 387 [With score]

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  • Опубликовано: 1 дек 2024

Комментарии • 101

  • @DamonJHK
    @DamonJHK  6 лет назад +61

    00:06 - I. Allegro vivace assai
    11:37 - II. Menuetto. Allegro
    19:24 - III. Andante cantabile
    26:39 - IV. Molto allegro

    • @DamonJHK
      @DamonJHK  6 лет назад +8

      Around 32:44 - the score appears 2 bars too late.. I apologize for the mistake.

    • @sirbean3296
      @sirbean3296 4 года назад

      @@DamonJHK ummm the description is huge lol

  • @jasonroberts6666
    @jasonroberts6666 Год назад +8

    Incredible. So beautiful. Love the fugue during the 4th movement

  • @shost85
    @shost85 8 месяцев назад +2

    Mozart is perfection

  • @leo32190
    @leo32190 3 года назад +20

    Mozart at his peak. This is original and unique music. The motivic economy is astounding.

    • @qwertyuiop-ke7fs
      @qwertyuiop-ke7fs 2 года назад +6

      im sitting here dumbfounded at just the amount of material in the first movement. he tops himself every ten seconds

    • @aramzulumyan6380
      @aramzulumyan6380 2 года назад

      @@qwertyuiop-ke7fs Sympho-concertanto for alt and violin, most of operas and a lot of pieces are the same. But I should say that I didn't understand neither his trios nor divertisments

  • @emanuel_soundtrack
    @emanuel_soundtrack 5 лет назад +19

    living architecture, absolutely soft and sofisticated

    • @beachcomber4141
      @beachcomber4141 3 года назад +3

      Nice!! Isn't though?! The intro to the fourth movement is one of the most time stopping - the world turns off for just a minute - moments in all of music that I know of for me.

  • @Garrett_Rowland
    @Garrett_Rowland 3 года назад +10

    What a wonderful string quartet this is.
    Absolutely delightful opening movement, with masterful writing that's very idiosyncratic to the string quartet as a medium: melodic lines being passed around; different parts joining each other to finish lines; great dialogue.
    Quite long minuet, with some unexpected chromaticism thrown in as well. Both aspects unusual for a minuet/trio. The wave effect in the opening of the second half (13:11) is pretty cool.
    The fugal finale, while full of contrapuntal rigor, still manages to convey the energetic, fun, and celebratory atmosphere that is so common in Haydn's finales (the finale to Haydn's 88th symphony comes to mind). Fun humor as well: the second half begins with an old-style monte before flippantly being cut off by a quick cadence at 32:10, after which Mozart continues with the more modern style of the first half.

    • @erwinschulhoff4464
      @erwinschulhoff4464 Год назад

      kinda random but whats the most exciting hidden gem of piano music you have found recently?

  • @howardchasnoff208
    @howardchasnoff208 3 года назад +6

    The first movement of sonata allegro is in two parts not three. 1) exposition 2) development - recapitulation. The repeat sign at the end of the movement takes us back to the development. The development and recapitulation are treated as one section.

  • @ahrensburgerklaviergalerie1489
    @ahrensburgerklaviergalerie1489 4 года назад +2

    Danke für die Partitur zum Mitlesen, die komplizierte Stimmführung und die raffinierte Chromatik werden viel besser verständlich. Geniale Komposition. Danke, Mozart ...

  • @emanuel_soundtrack
    @emanuel_soundtrack 5 лет назад +21

    this work seems to mean a big historical step into the great extended forms , made with small steps

    • @qwertyuiop-ke7fs
      @qwertyuiop-ke7fs 4 года назад +5

      unbelievable how much some of it reminds me of late beethoven quartets

    • @LachlanTyrrell2003
      @LachlanTyrrell2003 4 года назад +2

      @@qwertyuiop-ke7fs I don't think they resemble Beethoven's late quartets at all really... Perhaps the most "outward going" quartet of Mozart's is his dissonance quartet, anticipating his Grosse Fugue.

    • @sergioazevedo7390
      @sergioazevedo7390 3 года назад +1

      @@qwertyuiop-ke7fs You are right, the beggining of the last movement antecipate not only the Great Fugue of Beethoven, but also the Finale of his own "Jupiter" symphony!

    • @emanuel_soundtrack
      @emanuel_soundtrack 3 года назад

      i invite to check my channel

    • @concerned1
      @concerned1 3 года назад +1

      These are called Haydn quartets for a reason.

  • @ahrensburgerklaviergalerie1489
    @ahrensburgerklaviergalerie1489 4 года назад +6

    Thank you for upload the score, so all voices can be followed better in their complicated chromatic . Thank You Mozart, of course...

  • @mosz1854
    @mosz1854 6 лет назад +12

    Thank You Maestro J.H.K., you are brilliant !!

  • @kingscrown726
    @kingscrown726 4 года назад +2

    I really enjoyed the set as well as the scrolling sheet music. Thank you for that as well as the insightful and very well written description.

  • @Sue-s5z
    @Sue-s5z 4 года назад +11

    I think the 4th movement is so beautiful and exciting.

    • @beachcomber4141
      @beachcomber4141 3 года назад +1

      And haunting. The intro, for me, is one of the greatest beauties in music. Words struggle to describe music like that.

  • @Churchcantor
    @Churchcantor 4 года назад +31

    A masterpiece, but almost seems like I can tell where he got up to pour another glass of wine...

    • @leo32190
      @leo32190 4 года назад +1

      And where would that be

    • @Churchcantor
      @Churchcantor 4 года назад +4

      @@leo32190 End of the exposition. That cadence has nothing to do with the previous thematic material, but it works, because he's MOZART, by God!

    • @Anonymus-z3z
      @Anonymus-z3z 4 года назад +4

      @@Churchcantor Could you pls be more specific? Thanks. ;-)

    • @Anonymus-z3z
      @Anonymus-z3z 4 года назад +4

      I think you mean 1 mov. Indeed those bars were added months later. 🙃

    • @theophilos0910
      @theophilos0910 2 года назад +1

      Alan Tyson us’d to read volumes into simple changes of pen-nibs (M. went thro’ a lot of pen-nib-sharpenings/pen replacements during the ‘final copying-out phase’ of a composition into ‘fair copies’ - there is a pen nib change (and a change in ink colour, which suggests a separate ‘sitting’) in bar 63 (and several during the ‘development section’ of the 1st movement which seems to have given M. some trouble) - but as we don’t have any surviving drafts in autograph for the 1st movement we cannot say for certain this was a ‘compositional break’ or whether Constanza shouted from t’other room at that bar ‘Wolferl, dinner !!’ or even if at this point M. had to leave his stand-up-writing desk and take a well-earn’d shite-all we know is that sudden pen-nib widths & ink colour changes usually mean a break of some kind before & after - interestingly the paper types studies of Alan Tyson in the 1970s & early 1980s shew that M. often left his compositions as chunks of fragments (anywhere from say 48 bars to as many as 300 bars-using one early paper-type) then putting the unfinish’d composition away for as long as a year or more (as with the first movement of K. 449 whose first 4 sheets were set out on mid-1782 paper (written out during his ‘first Bach/CpheBach/Handel’ year with Baron van Swieten’s Sunday afternoon soirées) whereas the final pages of the first movement were written on late 1783 papers-after which the Concerto switched to his later 1784 stile (movements 2 & 3) suggesting that M. had put the unfinish’d first movement away (as he had done with more than 45 other compositions begun that year judging from ink-type changes, nib width changes & paper type changes) for several months before finding the time to resume ‘where he had left off’…a fascinating glimpse into Mozart’s feverishly busy work schedules during the final ten years of his all to brief lifespan in ‘post Salzburg’ Vienna…

  • @boranmert4587
    @boranmert4587 8 месяцев назад +1

    23:50 Nice Tonicization 29:59 Nice suspensions

  • @jonathaneffemey944
    @jonathaneffemey944 3 года назад +1

    Thanks so much for posting.

  • @klop4228
    @klop4228 3 года назад +7

    Mozart's quartets 1-13 are good, but starting from this one, they start getting _good._

    • @klop4228
      @klop4228 3 года назад +2

      @@concerned1 I assumed it was normal compositional progression. Earlier works being less mature than later ones.

  • @indraniroychowdhury4765
    @indraniroychowdhury4765 9 месяцев назад +1

    Too good.Thoroughly enjoyed.

  • @jasonroberts6666
    @jasonroberts6666 Год назад +4

    Mozart is the musical Christ.

    • @kwastormayt
      @kwastormayt Год назад

      Tchaikovsky would agree with that

  • @samroth4118
    @samroth4118 2 года назад +1

    This One and Beethoven op.95 are my favorite quartets

  • @pietrozuffa4718
    @pietrozuffa4718 Месяц назад

    21:29 what a theme! A folgoration

  • @olivierdrouin2701
    @olivierdrouin2701 5 месяцев назад +1

    L oeuvre la plus spécifique ce que Mozart a de spécial , de déliquescent , de precieux et de pervers ( avec la sonate kochel 448 ) , selon moi...

  • @Fumozart
    @Fumozart Год назад

    idk why but the end of the exposition of the first movement makes me giggle

  • @howardchasnoff208
    @howardchasnoff208 3 года назад

    The beginning of the development is a recitative. It could be played freely as recitatives usually are. It's a very interesting twist. It has been done before however with other compositions.

  • @playercembalo8248
    @playercembalo8248 Год назад

    A masterpiece.... whatelse?
    You know that? As you get aged you will find Mozart more and more.

  • @ValzainLumivix
    @ValzainLumivix 3 года назад +2

    The finale...

  • @reaganwiles_art
    @reaganwiles_art 6 лет назад +16

    Beethoven may be more difficult but never more mysterious withal. Mozart has the mystery of everything presented upfront, as inevitable as the sun and rain but no more comprehensible for all that. Out of a deep darkness spring his movement, muscular movements! bold, ample. Reminds me of Whitman. Mozart's darkness is a real darkness, while Beethoven seems the darkness of abstraction attenuated to obfuscation, one gets lost chasing loose ends ...

    • @Caravaggio44
      @Caravaggio44 5 лет назад +6

      Hmm...Beethoven's darkness seems pretty real to me. The guy lost his hearing.

    • @ezequielstepanenko3229
      @ezequielstepanenko3229 4 года назад +2

      You use a thousand words to say "I like this more than Beethoven's"

    • @reaganwiles_art
      @reaganwiles_art 4 года назад +1

      @@ezequielstepanenko3229 thank you for your sarcasm, I was simply effusing over something that I like, but you have bad intentions

    • @ezequielstepanenko3229
      @ezequielstepanenko3229 4 года назад

      @@reaganwiles_art ok, I get it now

    • @monocleenthusiast2381
      @monocleenthusiast2381 4 года назад

      florid, but do you have a single fact to back that up? and is obfuscation not mysterious? you might as well say that red and blue are the same color, because without substantiation your observations are akin to bombastic delusion.

  • @TimondeNood
    @TimondeNood 6 лет назад +8

    Thank you, does this mean you're going to upload all six of them? :)

  • @brianbernstein3826
    @brianbernstein3826 3 года назад +1

    Anyone else notice all three G major string quarters by Mozart (numbers 1, 3, and 14) open with the exact same 3 notes (D up to G down to F#)? The rhythms are similar as well. Quarter 3 adds a slight variation to the melody, rising up to B before the G but otherwise it’s identical - Does anyone know if there is a meaning to this motive?

  • @willhandrich3277
    @willhandrich3277 6 лет назад +3

    Thanks! :-)

  • @LinCalc
    @LinCalc Год назад +1

    Only the realest search this as mozart k387

  • @beachcomber4141
    @beachcomber4141 3 года назад +1

    28:38 I would love to hear words that describe this music.

    • @isaacanwarwatts8844
      @isaacanwarwatts8844 3 года назад

      Jubilant

    • @beachcomber4141
      @beachcomber4141 3 года назад +1

      @@isaacanwarwatts8844 But its also mystical and whimsical in a way. So heavy!

    • @johntravena119
      @johntravena119 3 года назад +2

      The Devil went down to Georgia and, there at the crossroads, had a fiddle off.

  • @Anonymus-z3z
    @Anonymus-z3z 3 года назад +2

    13:08
    15:14
    16:18
    16:29

    • @beachcomber4141
      @beachcomber4141 3 года назад +1

      13:08 is such a great place for a time stamp! Talk about musical architecture!! 15:14 always reminded me of a 'Who done it ' - a story of some dastardly deed. 15:14 is like zeroing on on a clue and 16:29 is back to the mystery. Mozart's music is such a gift for those who have the ears to hear it.

  • @iks.7048
    @iks.7048 3 года назад +3

    Finale resembles Jupiter's finale.

    • @normalvinegarghost2646
      @normalvinegarghost2646 2 года назад

      Huh. Now that you mention it, I do hear the similarities.

    • @iks.7048
      @iks.7048 2 года назад

      @@normalvinegarghost2646 Why are you finding my year old comments? Lol.

    • @normalvinegarghost2646
      @normalvinegarghost2646 2 года назад

      @@iks.7048 Idk, why are you in the comments of a Mozart quartet? I thought you didn't like chamber music?

    • @iks.7048
      @iks.7048 2 года назад +1

      @@normalvinegarghost2646 I'm not too familiar with chamber music. Not my favourite type of classical music. How does one form a solid opinion on a type of music without... idk... listening to it?

  • @zyliacutie9456
    @zyliacutie9456 4 года назад +1

    Whose here because of School am I the only one ok Lol.. This Score is so good I wanna play it

    • @erwinschulhoff4464
      @erwinschulhoff4464 Год назад

      kinda random but whats the most exciting hidden gem of piano music you have found recently?

  • @gaboelexo
    @gaboelexo Год назад

    25:54 amazing

  • @ridelhouse
    @ridelhouse 4 года назад +3

    0:39

  • @sean-k9i
    @sean-k9i 3 года назад +3

    13:07

  • @阿魚-n9h
    @阿魚-n9h Год назад +1

    21:29

  • @emanuel_soundtrack
    @emanuel_soundtrack 5 лет назад +7

    So you think you can repeat
    this defective cadence like that so many times as you want Mr. Mozart?

  • @vividdream1986
    @vividdream1986 3 года назад +1

    3:52

  • @JJC333
    @JJC333 3 года назад

    How to arrange from String Quartet to Orchestra?

  • @beachcomber4141
    @beachcomber4141 3 года назад +1

    28:20

  • @kvin_4713
    @kvin_4713 Год назад

    What hz is this in?

  • @Sakura81569
    @Sakura81569 Год назад

    Why does it feel like the pitch has dropped half a tone?😂😅

    • @andreivulpescu503
      @andreivulpescu503 Год назад

      It has; they’re tuning according to Mozart’s tuning fork (somewhere between A = 420-430, I believe, though I would need to check on that).

  • @garrysmodsketches
    @garrysmodsketches 9 месяцев назад

    24:13 turned the page two bars too early

  • @meiyeelee89
    @meiyeelee89 6 месяцев назад +1

    4:47 syncopation

  • @DamonJHK
    @DamonJHK  6 лет назад +2

    An Analysis of "the ingenious fugal finale": ruclips.net/video/uoXDHOyfJ-k/видео.html

  • @emanuel_soundtrack
    @emanuel_soundtrack 5 лет назад +1

    Is that a rondo sonata?

    • @nicolasferreira3994
      @nicolasferreira3994 5 лет назад

      I believe the finale its just a rondo with the imitative counterpoint technique.

    • @Anonymus-z3z
      @Anonymus-z3z 4 года назад

      @@nicolasferreira3994 actually is in sonata form with counterpoint elements.

    • @emanuel_soundtrack
      @emanuel_soundtrack 3 года назад +1

      @@nicolasferreira3994 the counterpoint does not has any impact on form, you can do a sonata form a 5 voices counterpoint or what ever

  • @arsnova3119
    @arsnova3119 4 года назад

    15:14

  • @rejedy
    @rejedy 4 года назад

    What is the A here?

  • @jonathaneffemey4892
    @jonathaneffemey4892 3 года назад

    Thanks so much for posting.

  • @karakoko7934
    @karakoko7934 Год назад

    21:30

  • @jonathaneffemey4892
    @jonathaneffemey4892 3 года назад

    Thanks so much for posting.