Bravo! Muy impressivo que you have transcribed not only Vicente but Antonio Rey as well! Gracias for sharing to the wider community of enthusiasts...Abrazos
hello Praise alright, I would like to ask a question, I wanted you to be your opinion on a very complicated subject for me ... many people suggested to create a good guitarist, create falsetas and interpret have to play to dance first .. Is this true or a myth? Do you play or have you played for the dance? hug.
who told you that.........to create falsetas you have to play the dance first.....bulshit......you have to understand COMPAS........lets not mix up things.......
@Fran, the question was: how to create a good guitarist, create falsetas and interpret.... Even Paco de Lucia said that you have to acompany singing and dance in order to be able to play and understand the solo flamenco guitar, first of all: to acompany dance will make your compas a lot stronger, you will understand better form within a song and understand the solists better: paco would play solo within an alegria variations over for example escobillas and silencio etc and you would understand what he's doing rather then just here melodies.... btw all the big flamenco solists were able to acompany singing and dance...so i disagree ;-)
well i have to disagree again with you......its a matter of nuances......if you said to me to create a a more complete guitar player....yes i agree.......but knowing and understanding the dance in flamenco wont make you a better guitarrist as far as tecnique is concern......duende.......sound......so many things........more complete but not better! there is also a huge difference between the so called TOCAOR and GUITARRISTA.......two complete different things !!!
Bravo! Muy impressivo que you have transcribed not only Vicente but Antonio Rey as well! Gracias for sharing to the wider community of enthusiasts...Abrazos
Merci beaucoup ❤️❤️❤️
nice and interesting!well pkayed!
Impresionante, podrías dejar tabuladoooo?
because as I am not Spanish, having access to these particularities here in Brazil is difficult
gracias Rezarito
Me has puesto muy nervioso con la respiración 😂
tabs available: rezarito@gmail.com
free?
What palo is this song??
Alguien puede pasar tabulado ?
Que guitarra es??
hello Praise alright, I would like to ask a question, I wanted you to be your opinion on a very complicated subject for me ... many people suggested to create a good guitarist, create falsetas and interpret have to play to dance first .. Is this true or a myth? Do you play or have you played for the dance? hug.
Hi Lucas, yes i play since 1993 in dance school! this will help your rhythm and form. Also very important to acompany singers. abrazo
Rezar Dominguez muito obrigado!
who told you that.........to create falsetas you have to play the dance first.....bulshit......you have to understand COMPAS........lets not mix up things.......
@Fran, the question was: how to create a good guitarist, create falsetas and interpret.... Even Paco de Lucia said that you have to acompany singing and dance in order to be able to play and understand the solo flamenco guitar, first of all: to acompany dance will make your compas a lot stronger, you will understand better form within a song and understand the solists better: paco would play solo within an alegria variations over for example escobillas and silencio etc and you would understand what he's doing rather then just here melodies.... btw all the big flamenco solists were able to acompany singing and dance...so i disagree ;-)
well i have to disagree again with you......its a matter of nuances......if you said to me to create a a more complete guitar player....yes i agree.......but knowing and understanding the dance in flamenco wont make you a better guitarrist as far as tecnique is concern......duende.......sound......so many things........more complete but not better! there is also a huge difference between the so called TOCAOR and GUITARRISTA.......two complete different things !!!