You're right. Or maybe it's just that these tapes are so much CLEARER and OPEN than the final releases we got ??? So we can actually HEAR John at work? And the vocals are not here also to 'get in the way'?? I guess we could call this a backing track take?
@@EricScottBloom I think your comment Is a little inaccurate, although the beatles are notorious for taking alot of takes, there higher take counts only start to appear in there more experimental era Sgt. Pepper/White Album and are often due to false starts and being unsure of the creative direction of a song. I wouldn't consider "Strawberry fields forever" simple. I suppose "Not Guilty" and "Oh bla de oh bla da" are relatively simple and took high take numbers of takes but for the likes of "She loves you", "I wanna hold your hand", "I Saw her standing there", "Can't buy me love" or even later stuff like "Get back", "Hey Jude" and "Let it be" I don't believe there would be much more than than 20 takes required.
@@matthewloughran73 I agree with you, but see if you can get your hands on an unbelievably fascinating book called THE BEATLES LOG BOOK. It's out of pint I'm sure, but when I opened my copy up years ago, I was simply astonished at just how many songs, simple or complex, required what would seem like an impossible amount of effort for four such maestros and THE George Martin to get a "finished" result. Some songs took (like you say, the number dos include false starts and minor gaffs) 60, 70, even 80+ incarnations to get the official release. And in so many takes, they would take the bass part from take 5 and place it into take 14; or take John's rhythm guitar part, and insert it into a separate track. Many songs (after the first and early LPs) were done the Bob Dylan way. Everyone just play, as though they were doing a performance, and use one of those as the final release. Anyway, sorry for the blabbing, but FIND THAT BOOK!!!! It has every possible bit of information about the guts and methods tp each and every official released song. think YOU'D love it!!!~E
I remember recording sessions to sometimes be exciting, but more often the feeling that a great, super-accurate mirror was being held up to you that triple emphasized each and every little flaw and mistake you might make. After a few botched takes, it became a mental exercise of "Concentrate. Just don't F it up again", more than feeling and best performing the song. That's not how great music is supposed to be made. It's amazing how much pressure and tension can build up during a session. We used to have the studio and control room lights lowered way down and not face the control room window to help us relax and forget that we were recording at all. It sometimes helped. A little wine and/or a doobie helped, too.
Greatest fuckin' riff ever! Lennon must of been really been speeding when he came up with this riff...or tripping his brains out!!! I never get tired of hearing it.
When the Beatles and Jackie DeShannon were touring together in 1964, George ask Jackie if she would show him how to play the riff she wrote for Every Time You Walk Into The Room. I believe he then took it and changed it somewhat to come up with the Day Tripper riff.
@@docsavage8640 you are naïve, they didn't record well when they were high, it didn't affect their writing at all. Well at least not negatively. Rubber Soul is one of their better albums
I once had a dream that the beatles were playing in a street corner in my home town no audio and they were dressed like the first pic in a striped suit :)
At the start of the shot Ringo Starr said: HEAVY ROCK! It's the middle of the year 1965 ... If he had patented the phrase, it would be the Beatles, the intellectual builders of Heavy Metal, Kinks, Who, Hendrix, Doors, Iron Butterfly, Cactus, Mountain, Purple, Zeppelin, Sabbath, U.F.O. and many more, they really owe the four geniuses much of their reason for be... Postscript: and not yet Paul created He(ll)ter Skelter...
John would purposely detuned his D string on his guitar so his Aunt Mimi could tell which guitar was his. My source is Jack Douglas who asked him about it during the recording of Double fantasy as told in the Lennon NYC documentary
Similar to Gilmour writing the music while Waters wrote the lyrics it sounds like Harrison had a major role in this song. One of several he deserved songwriting credit for.
Only the Beatles people...onnly the Beatles! The BEST Band in the world. By the way John's half sister Julia was in the studio when the Beatles recorded Day Tripper. She said that in her book.
Great riff... love the [John's 'jangling'] guitar in the background. Is there anyone else who hears this *very familiar-sounding* riff on Nazareth's "Hair Of The Dog"?. It might be in a different key; though, though the "structure" of song is fairly similar.
Yes Paul played bass. He said it took a bit to sing ,and play it live “,but took a bit” from Paul means like work on it for a half hour. Guy was steeped with natural musicality.
I've thought about that before...you know they probably tried it several ways with different effects...so much we'll never know that didn't get recorded...no doubt they did try that..they thrived in the studio
The Candlestick park audio of this is pretty crunchy. During their 1966 tours they cranked their amps so loud that it created natural distortion. Pretty sure George had purchased one of the first fuzz pedals back in 1964 but was waiting for the right time to use it. Or the "men in jackets" were against it, but don't quote me on that.
@@howie9751 Bruce Welch The Shadows, Chris Dreja The Yardbirds, Jimmy Page The Yardbirds, Dave Crosby The Byrds, Ray Davies The Kinks and Brian Jones The Stones.
HA! Guitar is quite out of tune. Which brings me to a memory, circa Xmas 1974. I had been playing for about 6 months, and my best friend and I would record live jams. We did this, and then, upon playback, my friend pointed out how out of tune my guitar was. It took me a couple of listens, but when I heard it, I couldn't stop laughing. Must've been pretty red-faced, too. Thereafter, I would de-tune the E string, and play the riff, and we'd both crack up.
I just finished listening to the rubber soul conspiracy guy, Williams. He believes the Beatles did not play their instruments and merely sang to pre-recorded backing tracks. Don't these two takes pretty much destroy Williams argument/theory. And honestly, George Martin would not have outtakes lying around from session musicians....only the official take for the Beatles to sing over. According to Williams time was tight so George Martin wouldn't allow them to mess around with an out-take.
There are hundreds of outtakes that exist of The Beatles recording backing tracks for various albums together with studio chatter. The Get Back documentary has 9 hours where you see them working on songs
Hands down, the best guitar riff ever!
Drive My Car...
I love John's heavy rhythm guitar that wasn't mixed down in these takes.
That's what I get when hearing this. John was great playing rhythm 👏
Raw🤪
You're right. Or maybe it's just that these tapes are so much CLEARER and OPEN than the final releases we got ??? So we can actually HEAR John at work? And the vocals are not here also to 'get in the way'?? I guess we could call this a backing track take?
Wow, that guitar riff and drum beat sequence. Divine Unity.
Yessir. That's why they were called, "The BEATles"!
Day Tripper is the first riff I learned on guitar. Yes, I’m an old dude who witnessed Beatle-mania and the psychedelic 60’s!
These boys have potential.
Another masterpiece.
George’s guitar is killing it sounds great
Love hearing all the versions
I remember this on the radio
The Sixties was a great time for great music It was really only 6 years
Sounds superb for a first take.
Prolly rehersed it for hours before recording
Awesome Ringo drumming on this one.
my dude you can barely hear the drums he he
the greatest riff ever
John also plays great rhythm guitar parts in Day Tripper.
@@noname.___ don’t forget over under sideways down
It is.
Shut up
It's a rip off of Pretty Woman
When they start Take 2... Fantastic.
Love the chord progression, another gem 💎. Great photo montage,!
yea quite an inventive one especially the chorus
Now you Pay $300. for a Bass effects pedal. And they still haven't got it Right. Love this studio take.
every beatle track has a moment of magic drumming yea!
Ringo was such a phenomenal drummer. I dont understand how some people dont realize this.
@@lous8619 There is always a fool or three to keep the rest of us grounded.
fab 4 tripped. we all tripped but we most still standing. thanks guys it was a great ride thru the 60s.
Still trippin over here
Ridin a wave here there and everywhere. Love your peas
John's rythym part sings Hey Day Tripper over and again.
Haha now I can’t unhear it
Interesting to note on take 2 you can hear John play the notes of the fade out that they would sing " day tripper " to. In his Rhythm playing.
You can really hear the Talent ringo had on those drums, that beat was solid as, and playing fast rolls like that on a tom isn't easy
The best Beatles song. Ever.
All My Loving... Right alongside.
They lost the tempo after the bridge in take 1...If you have ever been in a band you know how hard it is to make new songs work
people don't know some of their simplest songs required 50, 60, 80 takes!!!!!!!!!!
@@EricScottBloom I think your comment Is a little inaccurate, although the beatles are notorious for taking alot of takes, there higher take counts only start to appear in there more experimental era Sgt. Pepper/White Album and are often due to false starts and being unsure of the creative direction of a song. I wouldn't consider "Strawberry fields forever" simple. I suppose "Not Guilty" and "Oh bla de oh bla da" are relatively simple and took high take numbers of takes but for the likes of "She loves you", "I wanna hold your hand", "I Saw her standing there", "Can't buy me love" or even later stuff like "Get back", "Hey Jude" and "Let it be" I don't believe there would be much more than than 20 takes required.
@@matthewloughran73 I agree with you, but see if you can get your hands on an unbelievably fascinating book called THE BEATLES LOG BOOK. It's out of pint I'm sure, but when I opened my copy up years ago, I was simply astonished at just how many songs, simple or complex, required what would seem like an impossible amount of effort for four such maestros and THE George Martin to get a "finished" result. Some songs took (like you say, the number dos include false starts and minor gaffs) 60, 70, even 80+ incarnations to get the official release. And in so many takes, they would take the bass part from take 5 and place it into take 14; or take John's rhythm guitar part, and insert it into a separate track. Many songs (after the first and early LPs) were done the Bob Dylan way. Everyone just play, as though they were doing a performance, and use one of those as the final release. Anyway, sorry for the blabbing, but FIND THAT BOOK!!!! It has every possible bit of information about the guts and methods tp each and every official released song. think YOU'D love it!!!~E
gawdang riff!!!! Solid A/F!!!!
I remember recording sessions to sometimes be exciting, but more often the feeling that a great, super-accurate mirror was being held up to you that triple emphasized each and every little flaw and mistake you might make. After a few botched takes, it became a mental exercise of "Concentrate. Just don't F it up again", more than feeling and best performing the song.
That's not how great music is supposed to be made. It's amazing how much pressure and tension can build up during a session.
We used to have the studio and control room lights lowered way down and not face the control room window to help us relax and forget that we were recording at all. It sometimes helped. A little wine and/or a doobie helped, too.
Greatest fuckin' riff ever! Lennon must of been really been speeding when he came up with this riff...or tripping his brains out!!! I never get tired of hearing it.
When the Beatles and Jackie DeShannon were touring together in 1964, George ask Jackie if she would show him how to play the riff she wrote for Every Time You Walk Into The Room. I believe he then took it and changed it somewhat to come up with the Day Tripper riff.
gawdang riff!!!! Solid A/F!!!!
Are you naive or you don't know they didn't write anything much when high?
@@docsavage8640 Or an idiot. 🙄
@@docsavage8640 you are naïve, they didn't record well when they were high, it didn't affect their writing at all. Well at least not negatively. Rubber Soul is one of their better albums
Bonitas imágenes gracias por compartir.❤️
. . . Tried to please her
She only played one night stands . . .
Who ever said that Paul couldn't turn a phrase?
The riff and chorus was John's but the verses were Paul's.
@tin pan alley 1619 Broadway IT WAZ, ABOUT PROSTITUTES IN HOLLAND
George Penwell no one ever
@@Kdoc1955 they were just trying to writes songs about prostitutes and lesbians
best riff ever
La pura ESENCIA EN FOTOS Y MUSICA NO HAY PALABRAS GRACIAS POR TU VIDEO
These Tapes are so Great!
Punto di svolta della musica dei Beatles. Semplicemente fantastica
Who could not move to this?
Excellent, great to hear guys, love it.....atb Terry
I once had a dream that the beatles were playing in a street corner in my home town no audio and they were dressed like the first pic in a striped suit :)
We have all had that dream!!
Danny
A. Rock i want your dreams lol
A. Rock happens! I dream of them all the time 💕
Andie
Was a good dream
i had a dream they showed up at my house. we sat on the floor with guitars and i showed them how to play!! hahaha
At the start of the shot Ringo Starr said: HEAVY ROCK! It's the middle of the year 1965 ... If he had patented the phrase, it would be the Beatles, the intellectual builders of Heavy Metal, Kinks, Who, Hendrix, Doors, Iron Butterfly, Cactus, Mountain, Purple, Zeppelin, Sabbath, U.F.O. and many more, they really owe the four geniuses much of their reason for be... Postscript: and not yet Paul created He(ll)ter Skelter...
"Hellter" is a good one!
It's great to hear the guitars' tuning was a little off. I think that added to the overall vibe of many Beatles' songs.
John would purposely detuned his D string on his guitar so his Aunt Mimi could tell which guitar was his. My source is Jack Douglas who asked him about it during the recording of Double fantasy as told in the Lennon NYC documentary
Does not get any fkin better!!,!,
Best band EVER
Christine Woodruff idk
Christine Woodruff it's close
Bellissimo foto grazie
Covered by Jimi Hendrix for the BBC, so I put this and that in my Hendrix playlist. Thanks for the upload!
This song just trip my day!
Man if they hadn't clammed take 1 it might've been even better than the final version!
My favorite Beatles song...
They came to Walnut Ridge, Arkansas at the airport back in September 1964! ☺
Courtney Lakey I think I read that somewhere...
Courtney Lakey. You can the photograf
Courtney Lakey
That's only a few miles from where I live
"ok put your tea down" 😆
I love Paul Bass it sounds very funky
so great
Superb.
This as a ringtone always draws looks.
Awesome!
Los mejores de todos los tiempos...
Probably the most recognizable hook from the 60s (except for satisfaction...)
I agree
AND Brown Sugar
Bruce Welch & John Lennon two great rhythm guitarists.
I would think you would know it's the late BOB WELCH. YOU HALF WIT
@Cameron White Well Mr Asshole you don't know your guitarists then. God you must be in a really bad place to make that comment you silly little man.
@@cameronwhite8062Bruce Welch is rhythm guitar with The Shadows who were great influence on Beatles
riff is solid A/F!!!!😍😍😍
Similar to Gilmour writing the music while Waters wrote the lyrics it sounds like Harrison had a major role in this song. One of several he deserved songwriting credit for.
All hail Richard Starkey!
From take one this was a brilliant song
Wow......just occurred to me that the end of the bridge borrows a bit from the construction of the "ahh' section of Twist and Shout. BUILD!!
It's the official instrumental wow
But without the overdub things
Amazing bell sound opening hook..if beatles counted off 1234 ?..Beatles mimicking rocking Motown Supremes...Thank you .for sharing
Genius ❤❤❤❤
1 2 3 4 Daytripper, YEAH
Only the Beatles people...onnly the Beatles! The BEST Band in the world. By the way John's half sister Julia was in the studio when the Beatles recorded Day Tripper. She said that in her book.
hm, I didn't know that, that they used to see each other in his Beatles years
Play it George!!
Es incrible la cantidad de canciones que hicieron en tan poco tiempo y el 90 por ciento secillamente asombrosas.
Geez, they were so fucking cool.😎
It was always you and still & always will be
02:08 - 02:13 Lennon inventing rapper-gang signs. 🤣
Great riff... love the [John's 'jangling'] guitar in the background.
Is there anyone else who hears this *very familiar-sounding* riff on Nazareth's "Hair Of The Dog"?. It might be in a different key; though, though the "structure" of song is fairly similar.
Amen brother
The Baddest Band Ever!
3:14 wth is that sound😂
Is a voice saying TWO!, but rather distorted by the volume
"Come on, put yer tea down!"
God Ringo has the drum part down pat already in Take 1
My favorite sound in paul mccartney because paul give married for me i love this song
Have the vocal tracks been removed? Or were they just trying to get the instrumental part down? 😊
On Day Tripper they recorded the basic track without vocals, then overdubbed ‘em right after. Take 3 was the keeper.
@@davidkieltyka9 Thanks... 😉
😎💝🥰. showwwww.👍💘
Fantastic basic track. How could anyone ( imbeciles ) not appreciate this ?
Yes Paul played bass. He said it took a bit to sing ,and play it live “,but took a bit” from Paul means like work on it for a half hour. Guy was steeped with natural musicality.
I wish Ringo hadn't bowed to royalty
yeah he should have given that fuggin queen bitch the finger on live tv ! I hate the fuggin queen !
cool
far out man
They should had added more distortion on that riff make it sound heavier would have been awesome 👏🏻
Mr LennonAxl that’s what makes it so unique, it’s so snappy. Satisfaction from the Stones takes care of the heavier stuff
I've thought about that before...you know they probably tried it several ways with different effects...so much we'll never know that didn't get recorded...no doubt they did try that..they thrived in the studio
Distortion doesn’t automatically equal heavy ..
yeah right get lost dude
The Candlestick park audio of this is pretty crunchy. During their 1966 tours they cranked their amps so loud that it created natural distortion. Pretty sure George had purchased one of the first fuzz pedals back in 1964 but was waiting for the right time to use it. Or the "men in jackets" were against it, but don't quote me on that.
0:12 Take #1
2:51 Take #2
At 01:12 the guitars missed a note. 😰
John is the greatest rhythm guitarist ever
John is the greatest nuf said
I never knew there was a category for rhythm guitarists. Who are the other candidates you're comparing him to?
@@howie9751 Bruce Welch The Shadows, Chris Dreja The Yardbirds, Jimmy Page The Yardbirds, Dave Crosby The Byrds, Ray Davies The Kinks and Brian Jones The Stones.
@@joeoconnor5400 I know the other rhythm guitarists. Are you saying Lennon's better than them?
was George using a es 345 around this time?
Oliver Aguilar he played a strat on this song
Oliver Aguilar but yea I think so
Dominic Rossi cool. I think in the promo he had an es 345, but it was probably more of a prop
He used a gretsch countryman
@Bengt Handlebars i know iv just realised, that was when i knew nothing about guitars/ beatles thanks for correcting
So what’s the deal with that riff? Because clapton plays the exact same thing note for note on the beano album
Which came after Day Tripper. That's the deal.
The 'Beano' album came after Day Tripper. That's the deal with the riff.
HA! Guitar is quite out of tune. Which brings me to a memory, circa Xmas 1974. I had been playing for about 6 months, and my best friend and I would record live jams. We did this, and then, upon playback, my friend pointed out how out of tune my guitar was. It took me a couple of listens, but when I heard it, I couldn't stop laughing. Must've been pretty red-faced, too. Thereafter, I would de-tune the E string, and play the riff, and we'd both crack up.
Preacher At Arrakeen that was a shite boring story
Had to be there. And of course, being a gobshite, you wouldn't have got the invite! :-p
Ha! Who cares? You boob
The best man
I just finished listening to the rubber soul conspiracy guy, Williams. He believes the Beatles did not play their instruments and merely sang to pre-recorded backing tracks. Don't these two takes pretty much destroy Williams argument/theory. And honestly, George Martin would not have outtakes lying around from session musicians....only the official take for the Beatles to sing over. According to Williams time was tight so George Martin wouldn't allow them to mess around with an out-take.
There are hundreds of outtakes that exist of The Beatles recording backing tracks for various albums together with studio chatter. The Get Back documentary has 9 hours where you see them working on songs
I wish the didn’t add to tambourines to this song .
Band played till they got it good enough. No Pro Tools snowflakes. Tune by ear.
Bigger than Jesus.
😝👌🙌
Now that is the Real Paul McCartney and not his look alike today. That picture reveals a smaller face.
You just believe absolutely anything anybody tells you, do you?
Fools and faces.....
Get help.
Now? We have RAP music. (groan)
I never cared for that song. Give me "I'm Only Sleeping" with its backwards guitar effect.
This is not a beatles music..
Amazing bell sound opening hook..if beatles counted off 1234 ?..Beatles mimicking rocking Motown Supremes...Thank you .for sharing