Yes it's for playing the différents parts at guitar (there is no guitar in the song) And it's à good exercice to play fills when he dont sing. But i'm agree with you, the lyrics are here. Sorry 😉
Why do guitarists always want to equate good playing with difficulty and pain. Does it always have to be killer, face melting, and finger twisting? Is a good solo always a demonstration of athletic gimmicks and speed?
@@Guitarmalade Look at the voice leading between C7 & A7, if you can. More common tones between them than Bb7#11 to A7. It resolves with contrary motion and supports the melody as well. You might not be into harmonic improvisation, it's more of a piano thing.
Danke einfach nur Supi 😊❤❤❤Gruß Michael
Thank you very much, totally useful
Excellent!
In bars 17 & 18 try B7,C7 (G natural is in the melody), B7, C/Bb
Then on bars 19 & 20 A7 to B7+.
I was also lucky to do a cover of this great song!
Have you seen this lesson ?
ruclips.net/video/8jIqgwiHlDI/видео.html
@@avosgrattes2531 I saw it right now, its very good and comfortable for understanding ))
This isn't a backing track, there is singing throughout. Where am I supposed to rip a face melting solo?
Yes it's for playing the différents parts at guitar (there is no guitar in the song)
And it's à good exercice to play fills when he dont sing.
But i'm agree with you, the lyrics are here.
Sorry 😉
Why do guitarists always want to equate good playing with difficulty and pain. Does it always have to be killer, face melting, and finger twisting? Is a good solo always a demonstration of athletic gimmicks and speed?
@@ThomasGilmore-fi6gbwhatever floats your boat
@@Guitarmalade Look at the voice leading between C7 & A7, if you can. More common tones between them than Bb7#11 to A7. It resolves with contrary motion and supports the melody as well. You might not be into harmonic improvisation, it's more of a piano thing.