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3:40 *To save money on US copyright registration filing fees,* screenwriters can register ONE work via the $45 on-line “Single Application” (aka *One Work By One Author)* vs. the $65 “Standard Application.” To qualify for the *One Work By One Author* application, only ONE work can be registered by ONE author who’s the SAME copyright claimant, that’s NOT a-work-for-hire project (no corporation or LLC work), and that does NOT include any third-party media (including AI, un-/licensed creative media/contributions). The screenwriter MUST have created the ENTIRE work him/herself! Otherwise, register the one work via the Standard Application. To save money, authors/creatives can also “group-register” from two to ten *UN-published* works within the same administrative class (performing arts - screenplays) and submit them via one registration application for a single filing fee of $85 using the “Group Registration of Unpublished Works” (GRUW). Just do NOT include any PUBLISHED screenplays with the GRUW application.
@@augustmoon0004 Sorry, my mistake for not identifying which category to register screenplays. Use “Works of The *Performing Arts”.* OPTIONAL: In the “Certification” section of the on-line registration application (near the bottom), you can provide a short *“Note to Copyright Office”.* For example, you can include the following message: “I am registering one unpublished screenplay.” If you’re unsure about filling out a certain section of the registration application, you can include that in the NOTE section (or you can call or email the Copyright Office with questions). Keep in mind that you’re limited to no more than 1,995 characters & space in the NOTE section.
5:45 If your screenplay includes any appreciable amount of AI, un-/licensed material, and other things you didn’t author, you should disclose that information in the “Limitation of Claims” section of the application.
@@Storylosopher working on figuring out how we're gonna shoot my first narrative short film (was wondering if you should copyright a short film script or if thats too extra lmao) and some more things on the way, but this made me way more secure with having my feature screenplay sitting around before a movie's made so its a win!.
Great video! Have you should include a discussion of how to upload the actual document to the copyright office. That apparently happens after you pay the fee.
@@TaxGmusic After you’ve completed filling-out your on-line copyright registration application and payment of your filing fee, you’ll come to a new screen to upload your work to the US Copyright Office. Like attaching a photograph to an email, you’re attaching (uploading) a jpeg, PDF, WORD, or another acceptable file of your screenplay into the Copyright Office database (the on-screen instructions should be clear).
I'm enjoying your channel. Thanks for all the great info! I have an interesting situation. I co-authored my friend's memoir. He was freezing people back in the sixties and seventies as a pioneer in the field of cryonics. He got in over his head and did a lot of crazy (and unethical things) to keep them frozen. The book was published and my friend got a book to film deal with Mandate/Steve Zaillian. It languished in Zaillian's hands for ten years. Meanwhile, my friend passed away, and is now frozen, BTW. After the last option ended I shopped it and got a deal with Errol Morris. Errol was going to direct the film when it was with Mandate. Zallian took over and wanted to direct it himself. Anyway, back then Errol had Zach Helm pen the screenplay. Errol hated it. Recently, since Errol got the optio, he hired another writer. He hated that screenplay too. They were missing the point. Wanting to get the damn thing done, I revised a couple scenes in an attempt to get Errol to accept the latest version with me making some changes. To my shock and something akin to horror, he asked me to write a new screenplay. Mind you, I've never written a screenplay before. There is a huge learning curve that I'm working my way through, and in the end, I think it's going to work out. On the business end, my friend's wife owns the book and the rights. She's giving me 10% of what she gets from the film. I get 25% of the book. As part of the deal to get my small percentage, I'm under contract with Errol as a technical advisor. I did have an entertainment attorney set all this up. It's convoluted enough, but now I'm doing the screenplay. We haven't talked about compensation. Errol is an honorable man, but if he ends up accepting and using the screenplay, the subject will have to come up. I don't even have any idea of how much to ask for. I keep thinking that I'm going to wake up and all this was a crazy dream, but then I see my keyboard mocking me and I'm reminded that it's real. I'm a retired TV repairman being thrust into a world that I'm unfamiliar with. What do you think of this odd scenario? I'd love to hear your input. Thanks!
Wow! What a ride. As for what to ask for, writers often work on the basis of drafts being delivered. $X for this draft, $X for a polish of that draft. Regardless, compensation needs to be written into a contract reviewed by your lawyer BEFORE you start writing the script. The chain of title also sounds complicated since you were one of the original co-authors but other scripts have also been written in the past based on your source material. Again, your entertainment lawyer should help straighten that out.
Thanks for posting this video. I bought your course and it's helping me a lot. I'm looking to get into screenplay writing and your course and videos are helping point me in the right direction.
Thanks for the great video :) I do have a question though: I haven't seen anywhere that you upload your screenplay or anything with a copyright attached. If that's not the case, how do I know that someone won't just change the title and claim the rest as their work? I thought you would save the screenplay as a PDF or some other standardized format so that you could have security on the content.
There’s nothing stopping you from registering a screenplay that’s not quite finished. If, later on, you want to add new material to the original, un-finished screenplay, you’ll have to complete another registration application (you’re going to create a “derivative work,” and that must be registered with the Standard Application).
@@NickyP1 One more thing: You might have a close & trusted friend who reviews your screenplays. Otherwise, register your screenplay BEFORE you start “shopping” them around (to attorneys, editors, publishers, agents, studios, Hollywood attorneys, etc.) or entering them in contests. Register your works BEFORE you start selling, licensing, or sharing them with others.
That went really fast so I probably missed it....was there a place to upload the screenplay or is that not required? And if it is required, what if a couple years later, you haven't sold the screenplay so you do some revisions to try to make it better. Do you have to re-do the copyright then even though it's the same basic story that's just been tweaked? Thanks!
Right, so after you enter your payment info, there should be a spot to upload the PDF. If you're doing minor revisions, it's probably not necessary, but for a major rewrite it would be advisable to copyright if you're shopping it around.
@randomspirit wrote, “…haven't sold the screenplay so you do some revisions to try to make it better. Do you have to re-do the copyright then even though it's the same basic story that's just been tweaked?” If you previously registered your screenplay with the US Copyright Office and you’ve made “substantive” changes/additions/deletions to that original work, then you should register the updates as a “derivative” work using the $65 on-line Standard Application.
In my screenplay I have a reference to a song by its title, as well as a small excerpt from a newspaper from 1983. Do I need to credit them in my copyright submission?
Good question! I don't think you'd need to. That likely falls under fair use since you're just referencing something in pop culture. And as long as the script itself isn't based on the article, just pulling a bit from it is likely fine. However, you'd need to get the newspaper's permission prior to filming to ensure chain of title. You could easily make a fake newspaper and have a similar but fictional excerpt if you're worried.
Awesome video! Question how do you know you didn’t accidentally copyright ideas in a screen play that’s already been previously copyrighted? I want to copyright my screenplay but I’m nervous and that
If you wrote it, then you've copyrighted it in the basic sense. As long as they're your execution of a set of ideas, then it's fine. Remember, you can't copyright ideas, on the execution of those ideas.
For each new draft you’re registering with the US Copyright Office, you’re creating a “derivative” of your original work. You’ll have to use the $65 on-line Standard Application to register any derivative works.
@robert3892 wrote, “If you write a script with a theme involving for example Star Trek can you still copyright *[register]* it as Paramount Pictures owns the copyrights *[and likely its trademarks]* to Star Trek?” Yes, you would be able to register your Star Trek story version with the USCO, as it could be a parody, a derivative (unlicensed adaptation), or another type of work (fan-fiction). Since your script contains an appreciable amount of content authored & owned by Paramount Pictures (and perhaps other third-parties), you’ll have to disclose that information in the “Limitation of Claims” section of your application. Unless your script is a “TRUE” parody of Star Trek or fits within the scope of copyright’s Fair Use (and you’ll need a copyright attorney to make that determination), you won’t likely be able to license and/or sell it, other than to Paramount.
There’s no set timeframe on processing copyright claims - it just varies. If there are no issues with your on-line application & deposit, you may receive your Certificate of Registration via US Mail in a few weeks or a couple of months or so.
Is the Library of Congress and US Copyright Office the same thing? [Same place] Some people have told me to copyright my screenplay with the Library of Congress. I'm confused. Thanks.
The US Copyright Office (USCO) is part of the Library of Congress (LOC). You’re actually registering your copyright claims with the USCO, rather than the LOC.
So I understand all of this of how to copyright in your script now. Thank you. Now. for part two, This script has been made into a comic. How would I go about copywriting that or is it generally the same principle?
Now… one more thing I have 20 pages of my comic done should I look into copy righting after I edit my script to Match the changes. ie after it is all done and edited. in the comic as they are not quite 1-1 as I am allowing alibiing/adding of scenes right now
@@WeaponsRemorse They don't have to match exactly. Treat them as separate entities since legally they are. One may be an adaptqtion of the other, but you still copyright them separately. Still, note on the comic copyright that it's based upon your screenplay.
Hello! Thank you for this video. I am copyrighting a television pilot screenplay, but I was also wondering if I should copyright the pitch deck/bible to the television series and, if so, what that would be listed as.
I have a question. I'm from and live in the United Kingdom but I have written a feature screenplay set in the US, with the intention to sell it to a US film studio one day. There is no copyright office in the UK. Technically you are the owner the minute you take an idea and write it down. I do believe it is possible to register foreign works with the US Copyright Office but I'm unsure if it's necessary. What would your advice be?
I think you're correct-you don't have to be a US resident to file a US copyright. However, I'd double check on their website. If you're not going to be sending or shopping the script around yet, I wouldn't bother with copyrighting it yet.
@jimbogreen8481 wrote, “I'm from and live in the United Kingdom but I have written a feature screenplay set in the US, with the intention to sell it to a US film studio one day. There is no copyright office in the UK. Technically you are the owner the minute you take an idea and write it down. I do believe it is possible to register foreign works with the US Copyright Office but I'm unsure if it's necessary. What would your advice be?” Both US and international writers who are shopping-around, licensing, selling, sharing, or distributing their works to prospective US investors, studios, publishers, agents, etc. are *ENCOURAGED* to “timely” (quickly) register (protect) their works with the US Copyright Office. The UK, USA, and most all countries are members of the Berne Convention (international copyright treaty). In short, UK and other international creatives do not have to register their copyright claims with the USCO to have legal standing to pursue US-based copyright infringers. However, they will miss many legal benefits if their works were not timely registered, including having presumptive legal proof (via prima-facie evidence) of a valid copyright (copyright creation & copyright ownership claims) + the ability to pursue statutory damages ($750 to $150,000) and possibly attorney fees against US-based infringers. As a general rule, and unless the copyright owner’s “actual damages” and/or the US infringer’s “disgorged profits” (from a work not registered) are SUBSTANTIAL and PROVABLE, the writer’s attorney fees & legal costs will typically exceed any money receive via an out-of-court settlement or post-trial, making it un-economical to pursue US copyright infringers. Joshua Kaufman is a Washington, DC copyright attorney/litigator. His short RUclips video addresses the economics of not timely registering your works: ruclips.net/video/cBOKkrleY3Y/видео.html I have to believe that a *Certificate of Registration* issued by the US Copyright Office could be used to help prove your copyright ownership claims in the UK and other Berne countries. I also have to believe that a court outside the United States would respect & honor official documents issued by the US Copyright Office, an official US government entity. So, timely registering your works can provide you and other Berne authors with many legal dividends!
@@cnlicnli Thanks for your reply. I did officially copyright it with the US copyright office. That was the 4th draft that I would occasionally send out for feedback purposes. That's why I did it. I'm now on my 9th draft and it won't be long until I'm satisfied with it to shop around. The story is still the same. However, a lot of scenes have been altered but the result of those scenes still remain the same. Would it be advisable to copyright it again? Or would it not be necessary? Thanks
@@jimbogreen8481wrote, “The story is still the same. However, a lot of scenes have been altered but the result of those scenes still remain the same. Would it be advisable to copyright [register] it again? Or would it not be necessary?” Hi Jim: It’s hard for me to make that call, as I’m unfamiliar with your work. As a general rule, if you’ve made “substantive” changes/deletions/additions to your original, registered work and and/or to their following derivative forms, then they should be registered before they get shopped around or entered into contests. To register a derivative work, use the $65 Standard Application. You’ll have to identify changes from the original to the updated work in your application. You can include these changes in the “Limitation of Claim” section of your application. You do not have to be super-detailed; an overview of new material included would be acceptable. If you require additional space, you can attach a separate WORD or PDF document that lists your name & information with the changes, and upload it separately with your electronic script - just label that file document as “Note To Copyright Office.”
Awesome video. do I load the script i am copyrighting anywhere? I did the whole thing and after paying I realized... what are they going to protect if i didn't load the actual work. i feel like i am misssing a piece of this puzzle edit: the next page tells you how to upload. L
The copyright site is so buggy I can't even create a user log in that I can log into. I do not believe I will be able to register my script at all. Is there any other way to register without having to create a log in?
I was using Firefox. It worked in Chrome. I couldn't have done this without your vid. Thank you!! I almost did not upload the script because you didn't cover that part. lol. Lucky I saw that I had to.
Yes, I spent an hour and half and still couldn't get it to accept my information. When it finally did and I was about to finish it said, "Timed Out" and locked me out. I almost threw the computer through the wall. Tried again the next morning and it still took me three tries and nearly an hour, but it finally accepted the information and allowed the script upload.
I just found this. How would I know if my idea has already gotten a copyright? I get it, you can't copyright the idea, just the execution. So, for both of the movies you mentioned, you couldn't 1) copy them exactly, for example, TITLE, Part 2, or 2) reference the same characters, correct? For my idea, it's possible/probably there's already been an execution of something similar to it. For that matter, it's possible that my characters are similar to characters already seen in TV or movies. Is there any research here or do they just hand out the copyright? If disputed I assume judgement would lean towards the "original" writer? THANKS
@jackzfun wrote, “Is there any research here or do they just hand out the copyright? It’s possible for one or more authors to INDEPENDENTLY create a work that is similar or near identical to each other. As long as you didn’t steal the work, your work is granted an automatic copyright, and so would the competing writer. The US Copyright Office typically does not review past registration claims. As long as you filled out your registration application correctly (and there are no issues with your deposit - what you’re registering) + you pay the filing fee of either $45 or $65 + your work fits within the scope of copyright subject matter (most all works quite easily qualify), you have a copyright claim simply by creating the work. The next step is to immediately register your work with the USCO. @jackzfun wrote, “If disputed I assume judgement would lean towards the "original" writer?” Copyright infringement can occur when the infringer had ACCESS to your work AND their copied work is SUBSTANTIALLY similar to yours, notwithstanding those elements (ideas) not copyrightable. My Western screenplay would not infringe on yours if both of ours included similar plots & themes & situations with cowboys, bank robbers, saloon, horses, gunfights, etc. To be different, make your Western take place underground or underwater or during the Ice Age. A federal court will adjudicate the infringement status of a work, and not the US Copyright Office. @jackzfun,”For my idea, it's possible/probably there's already been an execution of something similar to it. For that matter, it's possible that my characters are similar to characters already seen in TV or movies.” You must clearly *“distinguish”* your work from others: The more uniqueness & creativity you include, the STRONGER your copyright claim. You gotta add TONS of out-side-the-box creativity to make your screenplay stand out! Otherwise, why would Hollywood even consider your work? BTW, Someone else just posted a similar question. Search the comment sections and for my reply (handle *cnlicnli*) to read it.
You can register unfinished screenplays. If you registered a completed screenplay, but then months or years later, you wanted to update it with new materials, you should register those changes with the US Copyright Office as a “derivative” work. You’ll have to register the derivative work via the $65 on-line *Standard Application.* In the Standard Application, you’ll have to “disclaim” your original screenplay and identify any NEW creative material you’ve added.
It’s best to register completed works. However, authors can register un-finished works. Authors can then submit another registration (likely a “derivative” work) to finalize the finished work using the Standard Application.
Im stuck on the special handling screen. It's giving me the following: ERROR - To request Special Handling, all fields must be completed. It doesn't want you to checkbox anything to continue past it.
"Special Handling" means you’re requesting the US Copyright Office to expedite your copyright registration application (it will get processed in about a week or two). This service will cost you an additional $800 (plus the $45/$65 filing fee). Special Handling ONLY applies if you have a pending copyright infringement lawsuit, contract or publication deadlines, or US customs issues. Otherwise, leave all those fields blank. If that’s not working, you’ll have to call or email the USCO for technical assistance.
@Lp-ze1tg wrote, “I am situated in Canada. Will copyright my script work?” As of March 2024, it’s CAN$63 to register one creative work with the CIPO (Canadian Intellectual Property Office). Surprisingly, the CIPO does NOT require NOR will they accept your work (script). The CIPO does NOT examine NOR perform any due-diligence of your copyright application. Everything just seems to get rubber-stamped. On the other hand, the US Copyright Office (USCO) actually vets your registration application & deposit to help assure it meets the minimum requirements for a registered copyright. The US copyright registration system is the gold standard. Ideally, register your script with the CIPO and the USCO - That’s your STRONGEST legal protection. If you have limited funds, just register with the USCO. It’s US$45 to register one work. You can also register up to ten un-published scripts in one application for a total filing fee of US$85 You might be able to use your issued US copyright “Certificate of Registration” (that the USCO will mail you) to prove your copyright creation & validity in a Canadian court.
Hi Carl Rogers: To be clear, you’re actually *“REGISTERING”* rather than “copyrighting” your work of authorship with the US Copyright Office. Once you’ve created a screenplay that’s original to you (i.e., you didn’t steal it from another source; it was created independently) + you included a sufficient amount of creative expression + your work fits within the scope of copyright subject matter, you’ve got an automatic copyright claim: You work is copyright-protected upon that affixation/creation. The next step is to timely *(quickly)* “register” the work with the USCO, and certainly BEFORE the work gets shopped around, entered in contest, etc.
Thank you for this video, but i have a question: I haven't finished my episodic, but I have a few episodes completed. What would you suggest I do? I want to register it with the WGA but submit the first episode. Would I have to copyright the fight episode and the synopsis? Or, should I finish the entire season, register it with the WGA and then get it copy written?
Search for my handle *cnlicnl* in the comment sections. I posted information on the different types of registration applications and their filing fees.
The time to process your copyright registration varies. If there are no issues with your on-line registration application and its deposit (the screenplay you're registering), it can take three/four weeks to a couple of months to receive your issued copyright “Certificate of Registration” in the mail, while it can take MONTHS if you register via the paper application. If you don’t receive your Certificate in three/four months, you should contact the US Copyright Office for an update.
I just wrote a season of a show with 12 episodes. Can I get a copywrite for a document that has the entire season, all 12 episodes on it. It would save me a lot of money.
I'm guessing you can't do it that way. From the US Copyright website: You may register up to 10 unpublished works on the same application, but YOU MUST SELECT the new application for a “Group of Unpublished Works.” I'd suggest copyrighting the treatment or show bible which includes the basic story of each episode (along with maybe also copyrighting the pilot) if you want to save money. Most of the time people will want the show bible and the pilot before wanting the rest of the episodes.
@@Storylosopher Thank you. ChatGPT is saying that I can do it all as 1 work. I do know chatGPT isn't perfect, and it's cut off date is 2021 or whatever. I am not sure if anything has changed since then.
I've written a detailed screenplay for an existing franchise with the characters involved in the previous movies. Anything I should know/follow in the process of registering? Thanks for the video. Very helpful
You should get a license to incorporate characters you didn’t create or own. If your use of third-party characters falls within the scope of copyright’s Fair Use, then you won’t need permission. HOWEVER, you better have a copyright/IP/entertainment attorney look over your screenplay before shopping it around, as studios can drown you in litigation.
@@Storylosopher wrote, “The official copyright [registration] is for chain of title.” TIMELY registered works of authorship afford authors/creatives with MANY additional statutory benefits, including: 1) Creation of a *public record* (“chain of title”) where the public, licensees, copyright infringer attorneys, and others can search the USCO’s on-line Public Catalog database to locate the work, author, etc. This public record can defeat “innocent copyright infringer” defensive claims. 2) Granted *presumptive proof* (via prima-facie evidence) of a valid copyright & ownership claims. The infringer will have the legal burden to disprove the author’s registered copyright and facts stated within. 3) Have immediate *legal standing* to pursue non-Fair Use infringers in federal court (or via the Copyright Claims Board). 4) Can pursue actual damages and the infringer’s disgorged profits OR *statutory damages* from $750 to $30K and up to $150K for willful infringement *AND attorney fees & legal costs* (at the federal court’s discretion). 5) *US Customs & Border Protection* (part of the Department of Homeland Security) can intercept unlicensed/infringing works from entering the United States. 6) Importantly, the ability to encourage (PUSH!) US-based, non-Fair Use copyright infringers to *settle the infringement dispute out of court.* If the infringer doesn’t settle and the copyright plaintiff (author) prevails post-trial/appeal/s, the infringer can be liable for statutory damages AND the author’s attorney fees & costs.
@@Storylosopher I am reading "The Marxification of Education" which I'm fascinated with bc James Lindsey is a great writer as I read his "race Marxism" but instead of getting me to side with him - I agreed with Marxism. I read Erich Fromm 30 years ago, all of his books and his big books are "escape from freedom and The Sane Society" I thought his logic was great. I don't get this hatred for Marxism when Fromm taught at the Frankfort School and thus is considered a Marxist. I don't get it. Lindsey also doesn't think Alchemism or esoteric evolution is possible - strange bc that's exactly what I do and I can prove it. There were so many great books oh wait ur asking about the screenwriter books. Well there's John Tuby - I think that's his name - there was the Cat books, Robert McKee, Story. But I was engaged with the Write Bros Dramatica - for a long time but then I began to read other books. When I said I'm going "Rogue" what I meant is that I'm just writing- nor concerned with any rules. I have studied and studied and now I gotta get this out there. I have already made all the connections- with people in a cryptic - Scorsese, Stiller, Cruise, DeNiro. I'm known about Hollywood bc I'm Jesus Christ and have been infiltrating various people for 30 years. I finish the script find out who represents Scorsese giv'em my deal and I'm in - just like that. But that's 40 years work. Here's an example - December 22, I but decide to return a mother board "Rog Maximus XIII Z590 Hero - the sun appears to stop on that day, on Dec. 24 the sun is in alignment with the Star Sirius and the 3 stars in the Orion Belt known as the 3 kings - as in The 3 kings follow the star to rhe east, Sirius to find the sun/son - that is the day I saw ur video on FINAL DRAFT - get it - final draft and on Dec. 25 the sun/son roses. I have so many numbers which is why it took so long to create this story. Hey if Scorsese by some mistaken assessment on my part isn't interested - I'll ask you if ur interested. Thanks for asking- and the advice. I just watched "the disaster artist" that was hysterical. Hey can I see one of ur movies- where should I look. Thx
@@katiespade1647 I'm also a fan of Truby's book; I even did a review of it on the channel. Some of my shorts and my reel are also on this channel if you'd like to watch them! My most popular is an adaptation of an Edgar Allan Poe poem from 10 years ago.
I don't think you need to, but make sure to read the rules of the film festival to ensure that "all copyrights remain with the writer" or other similar language. You don't want a sketchy festival to have chain of title on your script.
@Rub-rw6rr wrote, “Do you need to Copyright *[register]* your screenplay when join a film festival?” *YES, Absolutely!* You gotta get your screenplay IMMEDIATELY registered with the US Copyright Office before it gets submitted to film festivals or shopped around for a buyer. Don’t delay!
This is very interesting and detailed, thank you. However, I'm British, currently living in Canada. I have a what I consider to be a killer treatment, but wish to protected it before inflicting it on someone. This is not a screenplay. Does the described process therefore include treatments? To add to the complication, the treatment is based on an internationally famous fictional character. Where would be my best place to copyright something that serves me internationally, please? In this context, what, then, is the ultimate definition of intellectual property? Thank you.
🎬Watch my masterclass to see how to launch your screenwriting career WITHOUT moving to LA! 4 Case Studies on HOW They Broke In: storylosopher.mykajabi.com/launch-screenwriting-career
3:40 *To save money on US copyright registration filing fees,* screenwriters can register ONE work via the $45 on-line “Single Application” (aka *One Work By One Author)* vs. the $65 “Standard Application.”
To qualify for the *One Work By One Author* application, only ONE work can be registered by ONE author who’s the SAME copyright claimant, that’s NOT a-work-for-hire project (no corporation or LLC work), and that does NOT include any third-party media (including AI, un-/licensed creative media/contributions). The screenwriter MUST have created the ENTIRE work him/herself! Otherwise, register the one work via the Standard Application.
To save money, authors/creatives can also “group-register” from two to ten *UN-published* works within the same administrative class (performing arts - screenplays) and submit them via one registration application for a single filing fee of $85 using the “Group Registration of Unpublished Works” (GRUW). Just do NOT include any PUBLISHED screenplays with the GRUW application.
There's no "screenplay" listed under type of work. What do you pick? Manuscript?
@@augustmoon0004 Sorry, my mistake for not identifying which category to register screenplays. Use “Works of The *Performing Arts”.*
OPTIONAL: In the “Certification” section of the on-line registration application (near the bottom), you can provide a short *“Note to Copyright Office”.* For example, you can include the following message:
“I am registering one unpublished screenplay.”
If you’re unsure about filling out a certain section of the registration application, you can include that in the NOTE section (or you can call or email the Copyright Office with questions). Keep in mind that you’re limited to no more than 1,995 characters & space in the NOTE section.
Thank you so much!
5:45 If your screenplay includes any appreciable amount of AI, un-/licensed material, and other things you didn’t author, you should disclose that information in the “Limitation of Claims” section of the application.
Hey, thanks for the walk through. I noticed, at no point in this did you actually upload the screenplay. Where in the process does that happen?
It happens after you pay.
years ago i myself researched and took notes. Think enough of u to share your vid on social media.
Thanks!
@@Storylosopher facebook was receptive!
thank you man, copyrighted my first screenplay today.
You bet! What's next?
@@Storylosopher working on figuring out how we're gonna shoot my first narrative short film (was wondering if you should copyright a short film script or if thats too extra lmao) and some more things on the way, but this made me way more secure with having my feature screenplay sitting around before a movie's made so its a win!.
Have you got ur registration ID no ?
Great video! Have you should include a discussion of how to upload the actual document to the copyright office. That apparently happens after you pay the fee.
Yes, as stated in the video description, you upload your PDF after you pay.
@@Storylosopherhow do u upload pdf?
@@TaxGmusic After you’ve completed filling-out your on-line copyright registration application and payment of your filing fee, you’ll come to a new screen to upload your work to the US Copyright Office. Like attaching a photograph to an email, you’re attaching (uploading) a jpeg, PDF, WORD, or another acceptable file of your screenplay into the Copyright Office database (the on-screen instructions should be clear).
This was super helpful. Appreciate the info shared. Thanks mate.
saved me some time thankyou
I'm enjoying your channel. Thanks for all the great info! I have an interesting situation. I co-authored my friend's memoir. He was freezing people back in the sixties and seventies as a pioneer in the field of cryonics. He got in over his head and did a lot of crazy (and unethical things) to keep them frozen. The book was published and my friend got a book to film deal with Mandate/Steve Zaillian. It languished in Zaillian's hands for ten years. Meanwhile, my friend passed away, and is now frozen, BTW. After the last option ended I shopped it and got a deal with Errol Morris. Errol was going to direct the film when it was with Mandate. Zallian took over and wanted to direct it himself. Anyway, back then Errol had Zach Helm pen the screenplay. Errol hated it. Recently, since Errol got the optio, he hired another writer. He hated that screenplay too. They were missing the point. Wanting to get the damn thing done, I revised a couple scenes in an attempt to get Errol to accept the latest version with me making some changes. To my shock and something akin to horror, he asked me to write a new screenplay. Mind you, I've never written a screenplay before. There is a huge learning curve that I'm working my way through, and in the end, I think it's going to work out. On the business end, my friend's wife owns the book and the rights. She's giving me 10% of what she gets from the film. I get 25% of the book. As part of the deal to get my small percentage, I'm under contract with Errol as a technical advisor. I did have an entertainment attorney set all this up. It's convoluted enough, but now I'm doing the screenplay. We haven't talked about compensation. Errol is an honorable man, but if he ends up accepting and using the screenplay, the subject will have to come up. I don't even have any idea of how much to ask for. I keep thinking that I'm going to wake up and all this was a crazy dream, but then I see my keyboard mocking me and I'm reminded that it's real. I'm a retired TV repairman being thrust into a world that I'm unfamiliar with. What do you think of this odd scenario? I'd love to hear your input. Thanks!
Wow! What a ride. As for what to ask for, writers often work on the basis of drafts being delivered. $X for this draft, $X for a polish of that draft. Regardless, compensation needs to be written into a contract reviewed by your lawyer BEFORE you start writing the script.
The chain of title also sounds complicated since you were one of the original co-authors but other scripts have also been written in the past based on your source material. Again, your entertainment lawyer should help straighten that out.
Thank u thank u soooooooooo much❤
Thanks for posting this video. I bought your course and it's helping me a lot. I'm looking to get into screenplay writing and your course and videos are helping point me in the right direction.
You're welcome! If you have any other topics you'd like me to address, let me know. :)
Thank you Carl.
This is quite helpful.
You're very welcome
Thanks, this was a Huge help!
Great video. Thank you sir
You bet!
Thanks for the great video :) I do have a question though: I haven't seen anywhere that you upload your screenplay or anything with a copyright attached. If that's not the case, how do I know that someone won't just change the title and claim the rest as their work? I thought you would save the screenplay as a PDF or some other standardized format so that you could have security on the content.
As I’ve mentioned in the description, you upload a PDF after submitting payment.
@@Storylosopher Oh I´m sorry. Then I missed that at the beginning. Thanks for your answer and the clarification.
@@fabianphilipp4795 No worries. I'm kicking myself for having left it out!
Thank you sir! Greatly appreciated ✊🏽
No problem 👍
0:00 I've never been so personally attacked in my life.
You're welcome? lol
Can I copyright before the screen play writing is completed? How would the additional information that was added after the copyright get treated?
Wait until you're done to copyright.
There’s nothing stopping you from registering a screenplay that’s not quite finished.
If, later on, you want to add new material to the original, un-finished screenplay, you’ll have to complete another registration application (you’re going to create a “derivative work,” and that must be registered with the Standard Application).
@@cnlicnli much appreciated. Thanks for this info.
@@NickyP1 One more thing: You might have a close & trusted friend who reviews your screenplays. Otherwise, register your screenplay BEFORE you start “shopping” them around (to attorneys, editors, publishers, agents, studios, Hollywood attorneys, etc.) or entering them in contests.
Register your works BEFORE you start selling, licensing, or sharing them with others.
@cnlicnli oh yeah, that definitely has been the plan from the jump. Thanks 💯💪🏾
That went really fast so I probably missed it....was there a place to upload the screenplay or is that not required? And if it is required, what if a couple years later, you haven't sold the screenplay so you do some revisions to try to make it better. Do you have to re-do the copyright then even though it's the same basic story that's just been tweaked? Thanks!
Right, so after you enter your payment info, there should be a spot to upload the PDF. If you're doing minor revisions, it's probably not necessary, but for a major rewrite it would be advisable to copyright if you're shopping it around.
@@Storylosopher Okay, great! Thanks! :)
@@randomspirit Of course!
@randomspirit wrote, “…haven't sold the screenplay so you do some revisions to try to make it better. Do you have to re-do the copyright then even though it's the same basic story that's just been tweaked?”
If you previously registered your screenplay with the US Copyright Office and you’ve made “substantive” changes/additions/deletions to that original work, then you should register the updates as a “derivative” work using the $65 on-line Standard Application.
If I wanted to write a stageplay script does that fall under the same category? Also, what is the actual cost? Thanks for the video!
Yes, the same category. The actual cost (as of the last time I checked) is $65.
In my screenplay I have a reference to a song by its title, as well as a small excerpt from a newspaper from 1983. Do I need to credit them in my copyright submission?
Good question! I don't think you'd need to. That likely falls under fair use since you're just referencing something in pop culture. And as long as the script itself isn't based on the article, just pulling a bit from it is likely fine. However, you'd need to get the newspaper's permission prior to filming to ensure chain of title. You could easily make a fake newspaper and have a similar but fictional excerpt if you're worried.
Thanks
No problem
Awesome video! Question how do you know you didn’t accidentally copyright ideas in a screen play that’s already been previously copyrighted? I want to copyright my screenplay but I’m nervous and that
If you wrote it, then you've copyrighted it in the basic sense. As long as they're your execution of a set of ideas, then it's fine. Remember, you can't copyright ideas, on the execution of those ideas.
For subsequent drafts do I need to re-register the script? How does that work?
For each new draft you’re registering with the US Copyright Office, you’re creating a “derivative” of your original work. You’ll have to use the $65 on-line Standard Application to register any derivative works.
If you write a script with a theme involving for example Star Trek can you still copyright it as Paramount Pictures owns the copyrights to Star Trek?
@robert3892 wrote, “If you write a script with a theme involving for example Star Trek can you still copyright *[register]* it as Paramount Pictures owns the copyrights *[and likely its trademarks]* to Star Trek?”
Yes, you would be able to register your Star Trek story version with the USCO, as it could be a parody, a derivative (unlicensed adaptation), or another type of work (fan-fiction).
Since your script contains an appreciable amount of content authored & owned by Paramount Pictures (and perhaps other third-parties), you’ll have to disclose that information in the “Limitation of Claims” section of your application.
Unless your script is a “TRUE” parody of Star Trek or fits within the scope of copyright’s Fair Use (and you’ll need a copyright attorney to make that determination), you won’t likely be able to license and/or sell it, other than to Paramount.
Do u receive a certificate or paper work in the mail or an email ?
There’s no set timeframe on processing copyright claims - it just varies. If there are no issues with your on-line application & deposit, you may receive your Certificate of Registration via US Mail in a few weeks or a couple of months or so.
Is the Library of Congress and US Copyright Office the same thing? [Same place] Some people have told me to copyright my screenplay with the Library of Congress. I'm confused. Thanks.
The USCO is part of the LOC. Register with the USCO.
@@Storylosopher Thank you.
The US Copyright Office (USCO) is part of the Library of Congress (LOC). You’re actually registering your copyright claims with the USCO, rather than the LOC.
Did I miss the part in the video that you upload the screenplay to the copyright page? Do you upload it or ? Thank you.
As noted in the comments, the upload occurs after you submit payment.
So I understand all of this of how to copyright in your script now. Thank you. Now. for part two, This script has been made into a comic. How would I go about copywriting that or is it generally the same principle?
It's likely the same principle, except you'd file the copyright under a different category.
@@Storylosopher I see thank you for the reply
Now… one more thing I have 20 pages of my comic done should I look into copy righting after I edit my script to Match the changes. ie after it is all done and edited. in the comic as they are not quite 1-1 as I am allowing alibiing/adding of scenes right now
@@WeaponsRemorse They don't have to match exactly. Treat them as separate entities since legally they are. One may be an adaptqtion of the other, but you still copyright them separately. Still, note on the comic copyright that it's based upon your screenplay.
Hello! Thank you for this video. I am copyrighting a television pilot screenplay, but I was also wondering if I should copyright the pitch deck/bible to the television series and, if so, what that would be listed as.
Probably not needed. The show bible or pitch decks aren't the same type of documents, so I don't think you'd need to formally copyright them.
And thanks I just copyrighted My first screen play 💯
I have a question. I'm from and live in the United Kingdom but I have written a feature screenplay set in the US, with the intention to sell it to a US film studio one day.
There is no copyright office in the UK. Technically you are the owner the minute you take an idea and write it down.
I do believe it is possible to register foreign works with the US Copyright Office but I'm unsure if it's necessary.
What would your advice be?
I think you're correct-you don't have to be a US resident to file a US copyright. However, I'd double check on their website. If you're not going to be sending or shopping the script around yet, I wouldn't bother with copyrighting it yet.
@jimbogreen8481 wrote, “I'm from and live in the United Kingdom but I have written a feature screenplay set in the US, with the intention to sell it to a US film studio one day. There is no copyright office in the UK. Technically you are the owner the minute you take an idea and write it down. I do believe it is possible to register foreign works with the US Copyright Office but I'm unsure if it's necessary. What would your advice be?”
Both US and international writers who are shopping-around, licensing, selling, sharing, or distributing their works to prospective US investors, studios, publishers, agents, etc. are *ENCOURAGED* to “timely” (quickly) register (protect) their works with the US Copyright Office.
The UK, USA, and most all countries are members of the Berne Convention (international copyright treaty). In short, UK and other international creatives do not have to register their copyright claims with the USCO to have legal standing to pursue US-based copyright infringers. However, they will miss many legal benefits if their works were not timely registered, including having presumptive legal proof (via prima-facie evidence) of a valid copyright (copyright creation & copyright ownership claims) + the ability to pursue statutory damages ($750 to $150,000) and possibly attorney fees against US-based infringers.
As a general rule, and unless the copyright owner’s “actual damages” and/or the US infringer’s “disgorged profits” (from a work not registered) are SUBSTANTIAL and PROVABLE, the writer’s attorney fees & legal costs will typically exceed any money receive via an out-of-court settlement or post-trial, making it un-economical to pursue US copyright infringers.
Joshua Kaufman is a Washington, DC copyright attorney/litigator. His short RUclips video addresses the economics of not timely registering your works: ruclips.net/video/cBOKkrleY3Y/видео.html
I have to believe that a *Certificate of Registration* issued by the US Copyright Office could be used to help prove your copyright ownership claims in the UK and other Berne countries. I also have to believe that a court outside the United States would respect & honor official documents issued by the US Copyright Office, an official US government entity.
So, timely registering your works can provide you and other Berne authors with many legal dividends!
@@cnlicnli Thanks for your reply. I did officially copyright it with the US copyright office. That was the 4th draft that I would occasionally send out for feedback purposes. That's why I did it.
I'm now on my 9th draft and it won't be long until I'm satisfied with it to shop around. The story is still the same. However, a lot of scenes have been altered but the result of those scenes still remain the same. Would it be advisable to copyright it again? Or would it not be necessary?
Thanks
@@jimbogreen8481wrote, “The story is still the same. However, a lot of scenes have been altered but the result of those scenes still remain the same. Would it be advisable to copyright [register] it again? Or would it not be necessary?”
Hi Jim: It’s hard for me to make that call, as I’m unfamiliar with your work. As a general rule, if you’ve made “substantive” changes/deletions/additions to your original, registered work and and/or to their following derivative forms, then they should be registered before they get shopped around or entered into contests.
To register a derivative work, use the $65 Standard Application. You’ll have to identify changes from the original to the updated work in your application. You can include these changes in the “Limitation of Claim” section of your application. You do not have to be super-detailed; an overview of new material included would be acceptable.
If you require additional space, you can attach a separate WORD or PDF document that lists your name & information with the changes, and upload it separately with your electronic script - just label that file document as “Note To Copyright Office.”
Awesome video. do I load the script i am copyrighting anywhere? I did the whole thing and after paying I realized... what are they going to protect if i didn't load the actual work. i feel like i am misssing a piece of this puzzle
edit: the next page tells you how to upload. L
Yeah, it's a SUPER old website with a bad UX. Another reason I wanted to make this walk-through!
@Clint Clarkson Yes, it should. If not, sign out and back in and see if the option shows up. If not, contact the Copyright Office for support.
if writing a series can/should I inculde bibles/tratments/future eiposde scripts etcc in the copyright claim or only the pilot script?
Probably just the scripts themselves-if you're going to do it at all.
The copyright site is so buggy I can't even create a user log in that I can log into. I do not believe I will be able to register my script at all. Is there any other way to register without having to create a log in?
I was using Firefox. It worked in Chrome. I couldn't have done this without your vid. Thank you!! I almost did not upload the script because you didn't cover that part. lol. Lucky I saw that I had to.
Good catch! You're welcome. Glad you tried a different browser.
Yes, I spent an hour and half and still couldn't get it to accept my information. When it finally did and I was about to finish it said, "Timed Out" and locked me out. I almost threw the computer through the wall. Tried again the next morning and it still took me three tries and nearly an hour, but it finally accepted the information and allowed the script upload.
You mentioned what not to put on the title page(after getting copyrighted) What should one put instead?
TITLE and "written by ______"
I just found this. How would I know if my idea has already gotten a copyright? I get it, you can't copyright the idea, just the execution. So, for both of the movies you mentioned, you couldn't 1) copy them exactly, for example, TITLE, Part 2, or 2) reference the same characters, correct? For my idea, it's possible/probably there's already been an execution of something similar to it. For that matter, it's possible that my characters are similar to characters already seen in TV or movies. Is there any research here or do they just hand out the copyright? If disputed I assume judgement would lean towards the "original" writer? THANKS
@jackzfun wrote, “Is there any research here or do they just hand out the copyright?
It’s possible for one or more authors to INDEPENDENTLY create a work that is similar or near identical to each other. As long as you didn’t steal the work, your work is granted an automatic copyright, and so would the competing writer.
The US Copyright Office typically does not review past registration claims. As long as you filled out your registration application correctly (and there are no issues with your deposit - what you’re registering) + you pay the filing fee of either $45 or $65 + your work fits within the scope of copyright subject matter (most all works quite easily qualify), you have a copyright claim simply by creating the work. The next step is to immediately register your work with the USCO.
@jackzfun wrote, “If disputed I assume judgement would lean towards the "original" writer?”
Copyright infringement can occur when the infringer had ACCESS to your work AND their copied work is SUBSTANTIALLY similar to yours, notwithstanding those elements (ideas) not copyrightable. My Western screenplay would not infringe on yours if both of ours included similar plots & themes & situations with cowboys, bank robbers, saloon, horses, gunfights, etc. To be different, make your Western take place underground or underwater or during the Ice Age. A federal court will adjudicate the infringement status of a work, and not the US Copyright Office.
@jackzfun,”For my idea, it's possible/probably there's already been an execution of something similar to it. For that matter, it's possible that my characters are similar to characters already seen in TV or movies.”
You must clearly *“distinguish”* your work from others: The more uniqueness & creativity you include, the STRONGER your copyright claim. You gotta add TONS of out-side-the-box creativity to make your screenplay stand out! Otherwise, why would Hollywood even consider your work?
BTW, Someone else just posted a similar question. Search the comment sections and for my reply (handle *cnlicnli*) to read it.
@@cnlicnli Outstanding info, thank you very much. I see that question from cnlicnli now!
dumb question but...are we uploading the screenplay during this process? I don't see a section to do that.
As mentioned in the comments, you upload after your payment information.
Do i need to wait until i complete the screenplay? Does it allow you to upload an updated copy of the screenplay?
You can register unfinished screenplays.
If you registered a completed screenplay, but then months or years later, you wanted to update it with new materials, you should register those changes with the US Copyright Office as a “derivative” work. You’ll have to register the derivative work via the $65 on-line *Standard Application.*
In the Standard Application, you’ll have to “disclaim” your original screenplay and identify any NEW creative material you’ve added.
@@cnlicnli Super helpful and very much appreciative thanks!
Question: I followed all the steps you did, but at what point are we actually uploading the actual screenplay? Are we only filling out an app?
You upload after you submit payment.
@@Storylosopher Thank you!!
Hiya! Does the work need to be completed before registering?
Definitely.
It’s best to register completed works.
However, authors can register un-finished works. Authors can then submit another registration (likely a “derivative” work) to finalize the finished work using the Standard Application.
Im stuck on the special handling screen. It's giving me the following:
ERROR - To request Special Handling, all fields must be completed.
It doesn't want you to checkbox anything to continue past it.
"Special Handling" means you’re requesting the US Copyright Office to expedite your copyright registration application (it will get processed in about a week or two). This service will cost you an additional $800 (plus the $45/$65 filing fee).
Special Handling ONLY applies if you have a pending copyright infringement lawsuit, contract or publication deadlines, or US customs issues. Otherwise, leave all those fields blank. If that’s not working, you’ll have to call or email the USCO for technical assistance.
Yeah, you likely don't need special handling.
I am situated in Canada.
Will copyright my script work?
Because you live in Canada, I'd follow Canadian copyright law.
@Lp-ze1tg wrote, “I am situated in Canada. Will copyright my script work?”
As of March 2024, it’s CAN$63 to register one creative work with the CIPO (Canadian Intellectual Property Office). Surprisingly, the CIPO does NOT require NOR will they accept your work (script). The CIPO does NOT examine NOR perform any due-diligence of your copyright application. Everything just seems to get rubber-stamped.
On the other hand, the US Copyright Office (USCO) actually vets your registration application & deposit to help assure it meets the minimum requirements for a registered copyright. The US copyright registration system is the gold standard.
Ideally, register your script with the CIPO and the USCO - That’s your STRONGEST legal protection.
If you have limited funds, just register with the USCO. It’s US$45 to register one work. You can also register up to ten un-published scripts in one application for a total filing fee of US$85
You might be able to use your issued US copyright “Certificate of Registration” (that the USCO will mail you) to prove your copyright creation & validity in a Canadian court.
I registered as dramatic work, should I resubmit?
I'm not sure about the protocol. Did the FAQs give you any hints?
is it samer process for script
A screenplay is the same as a script.
Hi Carl Rogers: To be clear, you’re actually *“REGISTERING”* rather than “copyrighting” your work of authorship with the US Copyright Office.
Once you’ve created a screenplay that’s original to you (i.e., you didn’t steal it from another source; it was created independently) + you included a sufficient amount of creative expression + your work fits within the scope of copyright subject matter, you’ve got an automatic copyright claim: You work is copyright-protected upon that affixation/creation.
The next step is to timely *(quickly)* “register” the work with the USCO, and certainly BEFORE the work gets shopped around, entered in contest, etc.
Thank you for this video, but i have a question: I haven't finished my episodic, but I have a few episodes completed. What would you suggest I do? I want to register it with the WGA but submit the first episode. Would I have to copyright the fight episode and the synopsis? Or, should I finish the entire season, register it with the WGA and then get it copy written?
Why bother registering it with the WGA at all?
I thought I had to register it with the WGA as well as copyright it@@Storylosopher
No, WGA registration is not required and is not legally recognized as a form of copyright.@@rachelleleconte2614
How much did it cost to register one screenplay is it the same price if I register two screenplays at the same time?
I think it's around $65. You can register more than one script at a time but they are still $65 each.
@@Storylosopher Thanks!
Search for my handle *cnlicnl* in the comment sections. I posted information on the different types of registration applications and their filing fees.
I have registered my screenplay . But how many days after registration will i receive my copyright registration no ID ? Please guide me .
The time to process your copyright registration varies. If there are no issues with your on-line registration application and its deposit (the screenplay you're registering), it can take three/four weeks to a couple of months to receive your issued copyright “Certificate of Registration” in the mail, while it can take MONTHS if you register via the paper application.
If you don’t receive your Certificate in three/four months, you should contact the US Copyright Office for an update.
I just wrote a season of a show with 12 episodes. Can I get a copywrite for a document that has the entire season, all 12 episodes on it. It would save me a lot of money.
I'm guessing you can't do it that way. From the US Copyright website:
You may register up to 10 unpublished works on the same application, but YOU MUST SELECT the new application for a “Group of Unpublished Works.”
I'd suggest copyrighting the treatment or show bible which includes the basic story of each episode (along with maybe also copyrighting the pilot) if you want to save money. Most of the time people will want the show bible and the pilot before wanting the rest of the episodes.
@@Storylosopher Thank you. ChatGPT is saying that I can do it all as 1 work. I do know chatGPT isn't perfect, and it's cut off date is 2021 or whatever. I am not sure if anything has changed since then.
@@mulkytool Yeah, it's better to check on the Copyright Office's official website. ChatGPT is factually unreliable.
@@Storylosopher Right on, I appreciate the help. I have made the whole first season, but have not really made a show bible yet.
That would be good to do! @@mulkytool
HEY SO IF I HAVE A COMPLETED MOVIE WRITTEN 50 PAGES LONG, IS THAT CONSIDERED 1 WORK OR MULTIPLE?
It's one work of authorship.
Sir, I hate to bother You. How many titles can I copyright on a single PA form?
I've written a detailed screenplay for an existing franchise with the characters involved in the previous movies. Anything I should know/follow in the process of registering? Thanks for the video. Very helpful
If they're existing characters (not in public domain), then you won't be able to copyright it.
You should get a license to incorporate characters you didn’t create or own.
If your use of third-party characters falls within the scope of copyright’s Fair Use, then you won’t need permission. HOWEVER, you better have a copyright/IP/entertainment attorney look over your screenplay before shopping it around, as studios can drown you in litigation.
Can i sell screenplay before get an id from copyright? Please someone guide me
Yes, you can sell, license, or share your (un-)published screenplay/s without officially registering it with the US Copyright Office.
As I said in the video, you have technically copyrighted it once you create it. The official copyright is for chain of title.
@@Storylosopher wrote, “The official copyright [registration] is for chain of title.”
TIMELY registered works of authorship afford authors/creatives with MANY additional statutory benefits, including:
1) Creation of a *public record* (“chain of title”) where the public, licensees, copyright infringer attorneys, and others can search the USCO’s on-line Public Catalog database to locate the work, author, etc. This public record can defeat “innocent copyright infringer” defensive claims.
2) Granted *presumptive proof* (via prima-facie evidence) of a valid copyright & ownership claims. The infringer will have the legal burden to disprove the author’s registered copyright and facts stated within.
3) Have immediate *legal standing* to pursue non-Fair Use infringers in federal court (or via the Copyright Claims Board).
4) Can pursue actual damages and the infringer’s disgorged profits OR *statutory damages* from $750 to $30K and up to $150K for willful infringement *AND attorney fees & legal costs* (at the federal court’s discretion).
5) *US Customs & Border Protection* (part of the Department of Homeland Security) can intercept unlicensed/infringing works from entering the United States.
6) Importantly, the ability to encourage (PUSH!) US-based, non-Fair Use copyright infringers to *settle the infringement dispute out of court.* If the infringer doesn’t settle and the copyright plaintiff (author) prevails post-trial/appeal/s, the infringer can be liable for statutory damages AND the author’s attorney fees & costs.
@@Storylosopher Thanks for replying! Your advice/tips have been super helpful, and I really enjoy your videos!
Thanks, i read a ton of books on scriptwriting. Im going rogue.
Which ones did you like the best?
@@Storylosopher I am reading "The Marxification of Education" which I'm fascinated with bc James Lindsey is a great writer as I read his "race Marxism" but instead of getting me to side with him - I agreed with Marxism. I read Erich Fromm 30 years ago, all of his books and his big books are "escape from freedom and The Sane Society" I thought his logic was great. I don't get this hatred for Marxism when Fromm taught at the Frankfort School and thus is considered a Marxist. I don't get it. Lindsey also doesn't think Alchemism or esoteric evolution is possible - strange bc that's exactly what I do and I can prove it. There were so many great books oh wait ur asking about the screenwriter books. Well there's John Tuby - I think that's his name - there was the Cat books, Robert McKee, Story. But I was engaged with the Write Bros Dramatica - for a long time but then I began to read other books. When I said I'm going "Rogue" what I meant is that I'm just writing- nor concerned with any rules. I have studied and studied and now I gotta get this out there. I have already made all the connections- with people in a cryptic - Scorsese, Stiller, Cruise, DeNiro. I'm known about Hollywood bc I'm Jesus Christ and have been infiltrating various people for 30 years. I finish the script find out who represents Scorsese giv'em my deal and I'm in - just like that. But that's 40 years work. Here's an example - December 22, I but decide to return a mother board "Rog Maximus XIII Z590 Hero - the sun appears to stop on that day, on Dec. 24 the sun is in alignment with the Star Sirius and the 3 stars in the Orion Belt known as the 3 kings - as in The 3 kings follow the star to rhe east, Sirius to find the sun/son - that is the day I saw ur video on FINAL DRAFT - get it - final draft and on Dec. 25 the sun/son roses. I have so many numbers which is why it took so long to create this story. Hey if Scorsese by some mistaken assessment on my part isn't interested - I'll ask you if ur interested. Thanks for asking- and the advice. I just watched "the disaster artist" that was hysterical. Hey can I see one of ur movies- where should I look. Thx
@@katiespade1647 I'm also a fan of Truby's book; I even did a review of it on the channel. Some of my shorts and my reel are also on this channel if you'd like to watch them! My most popular is an adaptation of an Edgar Allan Poe poem from 10 years ago.
A person doesn't actually submit the screenplay itself via an upload? Maybe I missed something.
Never mind - found your response to the same question from someone else.
@@stevejarrettvt Yes, it's also in the video description. It happens after you pay. :)
How much did it cost? 😢
It changes every few years. I'm not sure what it's at now.
Wait, so you don't have to upload a pdf or anything?
Nevermind I saw your answer in another comment. Anyone wondering, you upload the script after you pay.
Do you need to Copyright your screenplay when join a film festival?
I don't think you need to, but make sure to read the rules of the film festival to ensure that "all copyrights remain with the writer" or other similar language. You don't want a sketchy festival to have chain of title on your script.
@Rub-rw6rr wrote, “Do you need to Copyright *[register]* your screenplay when join a film festival?”
*YES, Absolutely!* You gotta get your screenplay IMMEDIATELY registered with the US Copyright Office before it gets submitted to film festivals or shopped around for a buyer. Don’t delay!
"I'm gonna settle this topic once and for all"... 30 seconds later... "Go talk to a lawyer".
General advice: follow what I say.
Specific, case-by-case questions: talk to an actual entertainment lawyer.
Hello, I'm from Iraq. can i do like you?
Yes, if you plan on using the script with the USA.
@@Storylosopher thank you so much
This is very interesting and detailed, thank you. However, I'm British, currently living in Canada. I have a what I consider to be a killer treatment, but wish to protected it before inflicting it on someone. This is not a screenplay. Does the described process therefore include treatments? To add to the complication, the treatment is based on an internationally famous fictional character.
Where would be my best place to copyright something that serves me internationally, please? In this context, what, then, is the ultimate definition of intellectual property? Thank you.