Johann Georg Tschortsch (c.1680-1737) - Requiem Concertantibus 4. Vocibus (1731)
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- Опубликовано: 28 сен 2024
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Composer: Johann Georg Tschortsch (c.1680-1737)
Work: Requiem (c-moll) Concertantibus 4. Vocibus (1731)
Performers: Jörg Wаschinski (soprano); William Purеfoy (alto); Bernhard Schnеidеr (tenor); Rаlf Ernst (bass);
Kammerchor Des Fеrdinаndеums; Aurа Musicаle Budаpеst; Josеf Wеtzingеr (conductor)
Painting: Anonym (18th Century) - Gottfried von Bouillon betet bei der Belagerung Jerusalem 1099 für den Erfolg der Christlichen Waffen
HD image: flic.kr/p/2oDaxs1
Further info: www.discogs.co...
Listen free: No available
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Johann Georg Tschortsch
(Schwaz, c.1680 - Schwaz, 26 March 1737)
Austrian composer. Almost nothing is known about his early years and his extant music is the most valuable source about his outstanding skills. He came from a family of musicians who held the office of parish organist in the Tyrolean town of Schwaz for several generations. He probably received early music lessons as a choirboy in Innsbruck. Also there he probably attended the Jesuit high school where his name is mentioned in the school performances. In 1704 he was ordained a priest and he spent the following years with his family in Schwaz and as chaplain to Count Fieger at Friedberg Castle near his hometown. In 1729 he was finally awarded the Fugger benefit at the Schwaz parish church, a post he held until his death on March 26, 1737. As a composer, he wrote at least three collections of church music printed in Augsburg. His extensive compositional skills are first and foremost based on his unusual talent; his great knowledge and the sovereignty of its use is of course also deduced from his musical ambience. His work as a choirboy in the Innsbruck court orchestra must have given him fundamental experience, where he not only got to know the variety of church music genres and forms, but also received continuous music lessons and thus experienced practice and theory in an ideal way and at a high level. As an example of his mastery, his music can be currently found in archives and libraries in Austria, Germany, Switzerland, Hungary, the Czech Republic, Slovakia, Croatia, England and the USA.
⚘❤⚘❤⚘❤VIELEN DANK, Herr Pau NG für ein sehr, sehr PRACHTVOLLE GÖTTLICHE Requiem !!! ~🕊~ Der beste Auftritt. 💙 Göttliche Stimmen! ~☄~💐🌹💐🌹🥂🍾🎭❤🇦🇹👑🍃Ich wünsche Ihnen den Glücklichsten Sonntag!☀️🍃
1000 mercis de me faire, une fois de plus, découvrir ce compositeur! Magnifique requiem!👍🙏
❤❤❤❤❤
Composição magnífica!
molto bello e commovente il Requiem iniziale, severo e appropriato il Kyrie; il resto si muove su una sintassi di derivazione classica polifonica estremamente apprezzabile (altro che certi Requiem da teatro, specie quelli ottocenteschi, che di religioso non hanno nulla! e servono solo per le ugole dei solisti da melodramma).
Breve, Pau, breve.
Amazing
Vraiment magnifique, merci
Hermoso.