Not Behringer specifically… But yes, I do use analog compressors. LA 2A, 1176, Tube Tech, SSL… It really depends on what I’m compressing and how I want it to feel.
Thanks for the informative video brotha. Are u familiar with the compressor on the Analog Heat? Do you have any thoughts on it? Imma go ahead and sub now!
Thanks for watching! 🙏🏽 Yeah that thing is really versatile. Takes it a little step further than just compression. Besides the compression types, there’s EQ, Saturation, EFX. You can actually do a lot to the signal.
@@thatcostasound agreed. do you like the compressor on it? and would you say its best used as a bus mastering type or better used for front end of synths and stuff? or general purpose? My terminology probably isnt the best. Im a relative newb. Thanks for the response.
Well compression is mainly for controlling dynamics but it can also make something sound more aggressive depending how it’s used. I actually put a maximizer on synths a lot of the time, since limiting is another form of compression. A maximizer can also adds a little color and get the synth to pop out the track.
If you know how to use a synth then you know how to use a compressor, ADSR. If the compressor doesn’t have attack or release then it’s a color box/leveler, if it does then you are shaping the sound.
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Great video
Thanks for watching!
Appreciate the video!
Thanks for watching! 🙏🏽
Do you ever use analog compressors like the Behringer UV1?
Not Behringer specifically… But yes, I do use analog compressors. LA 2A, 1176, Tube Tech, SSL… It really depends on what I’m compressing and how I want it to feel.
Thanks for the informative video brotha. Are u familiar with the compressor on the Analog Heat? Do you have any thoughts on it? Imma go ahead and sub now!
Thanks for watching! 🙏🏽 Yeah that thing is really versatile. Takes it a little step further than just compression. Besides the compression types, there’s EQ, Saturation, EFX. You can actually do a lot to the signal.
@@thatcostasound agreed. do you like the compressor on it? and would you say its best used as a bus mastering type or better used for front end of synths and stuff? or general purpose? My terminology probably isnt the best. Im a relative newb. Thanks for the response.
@@sawssman965 Overall I would say it’s general purpose but I think you’ll find yourself using it on bus processing rather than individual channels.
@@thatcostasound thanks bro. I'll be tuning in 4 sure.
When need synths compression?
Well compression is mainly for controlling dynamics but it can also make something sound more aggressive depending how it’s used. I actually put a maximizer on synths a lot of the time, since limiting is another form of compression. A maximizer can also adds a little color and get the synth to pop out the track.
Thank you. Which are advisable hardware maximazers for synths?
@@kisho2679I usually do this in the box. Waves has the L3 I like to use for synths.
great video, amazing info straight to point loved dat , and i hope u make less flashy stuff when talking its disturbing for some eyes
Thanks for watching and thanks for the feedback! 😎🙏🏽
cool
great job
Thanks for watching! 🙏🏽
If you know how to use a synth then you know how to use a compressor, ADSR. If the compressor doesn’t have attack or release then it’s a color box/leveler, if it does then you are shaping the sound.
Right.. Thanks for watching! 🙏🏽
@@thatcostasound RUclips algorithm has been better lately as in recommending new or not so popular users. It’s been interesting.
Yes, we’re a new and growing community but RUclips algorithm has been great 🙏🏽