Sharp dialog and decent plotting make this another of the better entries in the Bulldog Drummond series. This time, John Howard as Hugh Drummond is entangled in a murder and diamond theft in Switzerland and tracking the heavies back to England. Nice locations, some train and airplane travel, explosions, and a bullwhip vs sword fight make for a nice adventure. Barrymore as Nielson doesn't have much to do, nor do Phyllis or even Algy, but faithful Tenny is on hand, of course (even riding a motorcycle!). For those keeping score, in this one, Drummond starts out in Switzerland about to marry Phyllis, and for once Algy isn't worried about anything. Also interesting is how this little potboiler was well ahead of its time with the invention of artificial diamonds and corporate conspiracies to suppress rival technology.
This is the twelfth Bulldog Drummond film, the third starring John Howard as Drummond, and the second based on Sapper's novel 'The Third Round' (the first version of which was the silent film of 1925 'Bulldog Drummond's Third Round' starring Jack Buchanan, of which one print is said to survive in an archive). This one is tauter and more dramatic than most because it was edited by Ed Dymtryk. John Hogan also did a fine job of directing, with many dramatic angles and more closeups than were seen in the previous Drummond film by another director. There is interesting second unit material of London. The budget for this film was fairly ambitious, more so than in later efforts. Louise Campbell and Nydia Westman, the two irritating women, are kept under control and their roles minimized, to my great relief, and to the improvement of the drama. The lead billing once again is given to John Barrymore, who plays the Commissioner, but in this film, he acts up a storm and has many strong scenes, unlike the previous offering, 'Bulldog Drummond's Revenge', in which he sleep-walked through the story. So in this one, he really earned his fee for a change. The wonderful character actress Zeffie Tilbury here plays an amusing housekeeper who puts policemen in their place with the best East End cockney applomb, and takes no nonsense. Hogan, having just directed her in 'Scandal Street' (1938), evidently was responsible for introducing Elizabeth Patterson to the series, as a hysterical Aunt Blanche. Porter Hall puts in another of his villainous appearances, to excellent effect. (Villains are always so much more menacing when they speak quietly, as he does.) There are some amazing laboratory scenes in this film, reminiscent of Tesla, with surging electric currents and so forth, and one half expects a Frankenstein monster to appear. The story is about the manufacture of artificial diamonds, of the need to protect the diamond industry and, as Barrymore admits, to protect the Empire, from the threat of being able to make diamonds 'become as cheap as pebbles' and 'to be larger than the crown jewels'. Naturally, there is scope for villains galore with such a scenario. There is lots of action, plenty of train, car and motorbike chases, climbing up walls, and in this one, E. E. Clive as Tenny the gentleman's gentleman has the most energetic and active of all his Drummond roles, and hijacks a truck at gunpoint, hanging upside down from the roof. But most ingenious of all is the cute trained penguin who has more scenes than Louise Campbell and is a finer bird. Watch him hop and squawk, dear little thing. He also discovers a corpse under the table, which was a fine feathered deed worthy of this fast-moving film, which does not disappoint any stout Drummondonian.
This entry begins with another wedding about to take place. One of the gifts is a huge diamond, brought by Algy, and created by his father in law. It turns out that he has a process for making diamonds for as cheap as a shilling each. This, of course, would upset the balance of trade and the diamond industry would be destroyed. He still wants credit for his findings, but it brings a whole host of bad people into the mix. The best scene is Tenny riding a motorcycle and crawling onto a moving car. He, of course, is the best character in all of the movies I've seen, and once again is called on to fix things. There are murders. There are notes destroyed. The whole state of the world's economy is never really taken care of. Ours is not to worry about such things, I guess. There are several cases of mistaken identity which makes this a lot of fun.
Once again Bulldog Drummond is planning to marry his fiancée Phylllis. Once again, he gets sidetracked. This time by a mystery involving synthetic diamonds and, of course, murder. This would be the third and final Bulldog Drummond film for both John Barrymore and Louise Campbell. Barrymore would be replaced by H.B. Warner and Campbell by Heather Angel, who returned to the role she played in Bulldog Drummond Escapes. The reason for Barrymore leaving is his alcoholism, which was affecting his performance. Reportedly he had trouble reading lines even when they were written for him on cue cards. You can definitely see something is off with him here. He shouts all his lines, for one thing. I'm not sure of the reason for Campbell's departure. This was the biggest role of her short career and I think she was very good. But I admit Angel was better so I'm not terribly upset over the replacement. The rest of the cast of regulars that would continue on with the series (John Howard, Reginald Denny, E.E. Clive) are fine. Clive has some of the movie's best scenes. There's a nice supporting cast that includes Halliwell Hobbes and Porter Hall. As with most of the entries in the Paramount series, this is a middling B detective flick with a short runtime. This one passes the hour mark (barely) but the last couple didn't even do that. I don't mind the runtime. It works fine for this type of picture. It's not like Paramount was doing anything innovative or unique with this series, after all. It's just this one is pretty dull. Still, if you're fan of the series you will want to see it. If nothing else, see it for the scene with the cool old-school sci-fi laboratory.
Murder and robbery drag the adventurous Drummond away from his wedding and he pursues the villains behind diamond counterfeiting, and finds himself in trouble. Slightly weaker entry to the ones I had seen, mainly because Phylis, Algy and Tenny aren't in the focus much, and also the plot can be confusing. It also meanders a little. Still it's entertaining; there's a good stunt Tenny does as he transfers himself from his bycycle to a van and a rousing scene of Drummond fencing with a man with a whip.
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Sharp dialog and decent plotting make this another of the better entries in the Bulldog Drummond series. This time, John Howard as Hugh Drummond is entangled in a murder and diamond theft in Switzerland and tracking the heavies back to England. Nice locations, some train and airplane travel, explosions, and a bullwhip vs sword fight make for a nice adventure. Barrymore as Nielson doesn't have much to do, nor do Phyllis or even Algy, but faithful Tenny is on hand, of course (even riding a motorcycle!). For those keeping score, in this one, Drummond starts out in Switzerland about to marry Phyllis, and for once Algy isn't worried about anything.
Also interesting is how this little potboiler was well ahead of its time with the invention of artificial diamonds and corporate conspiracies to suppress rival technology.
This is the twelfth Bulldog Drummond film, the third starring John Howard as Drummond, and the second based on Sapper's novel 'The Third Round' (the first version of which was the silent film of 1925 'Bulldog Drummond's Third Round' starring Jack Buchanan, of which one print is said to survive in an archive). This one is tauter and more dramatic than most because it was edited by Ed Dymtryk. John Hogan also did a fine job of directing, with many dramatic angles and more closeups than were seen in the previous Drummond film by another director. There is interesting second unit material of London. The budget for this film was fairly ambitious, more so than in later efforts. Louise Campbell and Nydia Westman, the two irritating women, are kept under control and their roles minimized, to my great relief, and to the improvement of the drama. The lead billing once again is given to John Barrymore, who plays the Commissioner, but in this film, he acts up a storm and has many strong scenes, unlike the previous offering, 'Bulldog Drummond's Revenge', in which he sleep-walked through the story. So in this one, he really earned his fee for a change. The wonderful character actress Zeffie Tilbury here plays an amusing housekeeper who puts policemen in their place with the best East End cockney applomb, and takes no nonsense. Hogan, having just directed her in 'Scandal Street' (1938), evidently was responsible for introducing Elizabeth Patterson to the series, as a hysterical Aunt Blanche. Porter Hall puts in another of his villainous appearances, to excellent effect. (Villains are always so much more menacing when they speak quietly, as he does.) There are some amazing laboratory scenes in this film, reminiscent of Tesla, with surging electric currents and so forth, and one half expects a Frankenstein monster to appear. The story is about the manufacture of artificial diamonds, of the need to protect the diamond industry and, as Barrymore admits, to protect the Empire, from the threat of being able to make diamonds 'become as cheap as pebbles' and 'to be larger than the crown jewels'. Naturally, there is scope for villains galore with such a scenario. There is lots of action, plenty of train, car and motorbike chases, climbing up walls, and in this one, E. E. Clive as Tenny the gentleman's gentleman has the most energetic and active of all his Drummond roles, and hijacks a truck at gunpoint, hanging upside down from the roof. But most ingenious of all is the cute trained penguin who has more scenes than Louise Campbell and is a finer bird. Watch him hop and squawk, dear little thing. He also discovers a corpse under the table, which was a fine feathered deed worthy of this fast-moving film, which does not disappoint any stout Drummondonian.
This entry begins with another wedding about to take place. One of the gifts is a huge diamond, brought by Algy, and created by his father in law. It turns out that he has a process for making diamonds for as cheap as a shilling each. This, of course, would upset the balance of trade and the diamond industry would be destroyed. He still wants credit for his findings, but it brings a whole host of bad people into the mix. The best scene is Tenny riding a motorcycle and crawling onto a moving car. He, of course, is the best character in all of the movies I've seen, and once again is called on to fix things. There are murders. There are notes destroyed. The whole state of the world's economy is never really taken care of. Ours is not to worry about such things, I guess. There are several cases of mistaken identity which makes this a lot of fun.
Constable McThane was David CLYDE.
Constable Sacker was CLYDE Cook.
😾😿🙀😽😼😻😹😸😺
I knew this was going to be a good movie when I saw that it was approved with certificate #1946.🙄
Once again Bulldog Drummond is planning to marry his fiancée Phylllis. Once again, he gets sidetracked. This time by a mystery involving synthetic diamonds and, of course, murder. This would be the third and final Bulldog Drummond film for both John Barrymore and Louise Campbell. Barrymore would be replaced by H.B. Warner and Campbell by Heather Angel, who returned to the role she played in Bulldog Drummond Escapes. The reason for Barrymore leaving is his alcoholism, which was affecting his performance. Reportedly he had trouble reading lines even when they were written for him on cue cards. You can definitely see something is off with him here. He shouts all his lines, for one thing. I'm not sure of the reason for Campbell's departure. This was the biggest role of her short career and I think she was very good. But I admit Angel was better so I'm not terribly upset over the replacement. The rest of the cast of regulars that would continue on with the series (John Howard, Reginald Denny, E.E. Clive) are fine. Clive has some of the movie's best scenes. There's a nice supporting cast that includes Halliwell Hobbes and Porter Hall.
As with most of the entries in the Paramount series, this is a middling B detective flick with a short runtime. This one passes the hour mark (barely) but the last couple didn't even do that. I don't mind the runtime. It works fine for this type of picture. It's not like Paramount was doing anything innovative or unique with this series, after all. It's just this one is pretty dull. Still, if you're fan of the series you will want to see it. If nothing else, see it for the scene with the cool old-school sci-fi laboratory.
Murder and robbery drag the adventurous Drummond away from his wedding and he pursues the villains behind diamond counterfeiting, and finds himself in trouble.
Slightly weaker entry to the ones I had seen, mainly because Phylis, Algy and Tenny aren't in the focus much, and also the plot can be confusing. It also meanders a little. Still it's entertaining; there's a good stunt Tenny does as he transfers himself from his bycycle to a van and a rousing scene of Drummond fencing with a man with a whip.