What Is False Color? | Understanding & Setting Proper Exposure
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- Опубликовано: 2 авг 2024
- False color is the easiest way to know how well your shot is exposed. If you've never seen or used it before, it can be quite intimidating. In this quick tutorial video, take the guess work out of false colors and know exactly how to get the best looking shot every time.
GEAR in this episode:
Feelworld F6 Plus bhpho.to/2Gp0UBR
Atomos Ninja Inferno bhpho.to/3aU6tFJ
SWIT CM-S75F bhpho.to/2IIaWiC
Sony-L (NPF-975) Battery: bhpho.to/2QbEpFG
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// #falsecolor #properexposure #fieldmonitor //
*This video is not sponsored and all opinions are my own. Some of the links listed above are affiliate links that I earn a small percentage from qualifying purchases. Any affiliate links you use helps me create new content and costs nothing extra to you.
My name is Garrett. I am a full-time commercial producer, part-time film professor, and avid whiskey enthusiast living in Metro Detroit. I began on RUclips to help bridge the technical and financial gap filmmakers face by giving away the same content I talk about in my classrooms. Learn tricks of the trade, discover new gear, stay up with filmmaking trends, dive into how I pull off cinematic looks, and so much more. 
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Am I the only one that thinks false color looks a lot like "predator vision"?
What if I told you...
That the original 'Predator-vision' was the catalyst for digital camera companies to help technicians (and later, users) obtain better image quality based on the sensor's parameters...
me too😁
Clear, concise and to the point. So many others on RUclips could learn so much from you. Thank you.
Great video, straight to the point and now I have a better understaning of how useful this feature is. Thanks!
great short piece of content, just what i was looking for,
Well explained thanks. Haven’t heard IRE in a while I just remember this abbreviation when I was a Betamax technician 😂
Super clear, straight to the point, just what I needed! Thank you so much from Wales UK..
i love how you talk! it is very clear! good job!
Thank you for the explanation. As always professional and enjoyable. I consider this channel very underrated, hopefully not for a long time. Please keep making videos! 😍
I really appreciate that Mateusz. Thanks!
amazing info sir, keep it up. Easy and simple. thank you!
Super helpful. Thank you RUclips University and all the Professors. I have the Canon C70 with it's screen set to false color right under my Ninja5 with a true image. Awesomenessness.
Well explained - short and on point. Thank you very much!
Wow! Thank you so much. I get it now, this is the best explanation I've seen.
Predator vision to the rescue
GREAT video. Very helpful!! Thanks Garrett!!
Always happy to help!
This video helped me level up with false Color on my new FeelWorld monitor. Thanks!
Thanks for explaining this. Well Done!
Hey Garret. I thought you presented the idea of false colours and how they relate to exposure very succinct and right to the point, which I really appreciated. All the best from Canada!
First time here, and yea! This channel is totally underrated!
Nice video ! Clear and to the point. Subscribed
Thank you for this great tutorial!
Hey, thanks for the video. Great explanation!
Thanks for simplifying this!
This video was SO HELPFUL!!! Thank you!!
I'm so glad!
Great explanation Thank You. No waffle or gimmicks. Thank you from Cork Ireland.
Super informative & quick!
I like your vibe! great one, thanks.
Appreciate you! Thanks 🤙
This an excellent, concise, explanation.
Thank you.
You're very welcome!
Great video, thanks for this!!
Glad you liked it!
Great Work!
GO BLUE!!!! Thanks for this.
Go blue!
Great explanation especially using the monitors along with the video.
My gosh this is so helpful. Thank you!
You're so welcome!
Thanks! Just what i needed.
I'm happy to help!
Very useful! Small, short crips! Good one!
Short and sweet 👌
Really good video
Thanks Kanz!
I only just figured out how to turn on false color on my Andycine A6+. Thank you so much for this
Well done, thank you.
Very clear and good to understand.
Glad you think so!
Very helpful! THX!
Thank you!
Great information
Great breakdown
a supporting comment. wish you growth man
A grateful reply. I really appreciate it!
Very help full Thank you very much :) I use the atomos shinobi with my gh5
This explanation was so easy to understand! Thank you so much for being to clear about it all and not rushing through
It’s been a while since I seen a video I like the video a lot thanks
Appreciate that man!
Good job well explained.
Thanks Randall!
Thank you :) i really like your look (:
big thanks to you!
thank you for this video
Of course!
Thank you bro 🙌🏾🙌🏾🙌🏾🙌🏾🙌🏾🙌🏾
Happy to help dude! 🤙
Nice video bro .I really like it
Happy to help!
You’ve got your hat on back-to-front! lol
Awesome. Subbed.
Green to pink that is. Thanks~
When I watch videos like this, I always look at the shot of the creator to determine whether or not I trust them. You’re exposed perfectly and your skin looks great. Clearly you know what you’re doing (because you look great in it) this is a really valuable, simple, and straightforward video. Thanks for sharing
Sounds like a solid litmus test. Appreciate the vote of confidence 🫡
Very good knowledge I like your Video Teach style.
Glad you found it helpful!
Thank you.
this was mega helpful!!! great video! also which computer monitor do you primarily use for color correction and grading? thank you!
Thank you
great info thanks, and ah Go State. Go Green.
We both know what you're trying to say is, GO BLUE!
Great videos Garrett. Although with my F6 Plus arriving tomorrow, the difference in brightness between these monitors has got my worried! :/
If you're inside, you shouldn't have any issues. exterior shooting will require the sun-hood, perhaps even a more robust sun-hood than it comes with. How have you liked using it so far?
Thanks Garrett, This was helpful. I own a FEELWORLD 2200 nit Touchscreen Monitor LUT7. I'll love to know if I should turn on the LUT on the monitor first before turning on the false colour? or I should work directly with the log footage
💙💙💙
Woah dude. Great video. Why dont u have more subs?
Trust me Ramy, I’m working on it 😂
Super helpful
I like the simplicity of your explanation made it much easier for me to understand.
Cool video! I like the look! What focal length and camera position did you use?
Hey Delane! This is 20mm (APSC) set about a foot below eye level and three/four feet away from my face.
Feelworld's key makes more sense to me. Purple / Violet light is higher frequency (ultraviolet) than red (infrared). So, if you were arranging them in ascending order by frequency, you'd have red on the far left and purple on the far right.
Oh I agree! IRE has been around for awhile, and like most thing in filmmaking... We do it one way because that's the way it's always been done. 😂
Great video Garrett... So, I'm shooting with a GH5 and FD lenses into a Ninja V, for that "Cinematic Look". My questions are, if I'm shooting V-log and applying a LUT in the Ninja... are the IRE values still reliable? And if I'm using a 70 IRE value for Caucasian skin-tone, what value should I be using for African American skin-tone? In my old stills days I would open up a stop for dark skinned subjects.
Solid questions! I don’t have a Ninja V so I’m not exactly sure how the false color is setup in that device. Generally one of two things happens. There will either be a specific false color for the log type you’re shooting in or false color will be setup for “final look”. If the Ninja V is like my Ninja Flame, I would turn your view LUT on and pull your IRE from that. As you know, exposing for skin tone is always practice. If 70 IRE is the sweet spot for your setup, that’s where I’d expose for each skin tone type. If you have shots that have both talent present, I’d split the difference going slightly over for light skin and slightly under for dark skin. If the scene is lit well, you shouldn’t lose much detail in either direction.
Do you keep your monitor in false color or do you only use it to establish correct exposure then return to natural colors?
The delay on those monitors are really talking all my attention 🤣 I’m scared at this point since I just ordered ones of those today lol
LOL don’t let the delay in the video scare you. Digital Delay is funny when you’re feeding at the same video info. They’re fast monitors.
Michigan! High five!
Go Blue!
Hi Garrett! I would like to know if atomos is measuring the log or the lut data? I have found out that my swit monitor is showing the values of the log footage and ignoring the applied lut. This doesn't make sensw for me, so I'm looking for an alternative. Would appreciate any info about the atomos. Thx
Log, I believe. I seem to remember watching a video on it. The most important thing is the exposure you are actually capturing, therefore monitors show log rater than LUT.
are there any mirrorless cameras that have false color view mode built in their lcd's? so that there is no need for a separate monitor for specifically the false color view..
The only cameras I know of that have false color built in are cinema cameras. Mirrorless cameras still cater to photo first, video second. Because of that, they don’t put all the available cinematography tools inside.
I have a question. If recording SLOG 3 but using a Monitor LUT (not baking it in), when I activate the LUT on the Atomos Shinobi, do I now use false colors to expose for the LUT? How does that work?
It depends on the monitor honestly. Generally, if you’re using a particular log, you’ll either need to understand the contrast ratio of that format, or use a rec.709 lut to get full contrast. The SmallHD monitors have EL Zone loaded into them which is a new and insanely good form of false color that’s specifically tuned to the log and camera. It’s pretty amazing
HOW am I just finding this channel??!! 🤦🏽♂️
Welcome Dee! Happy to have you here 🤙
Hello guys great video! But there is something I didn't understand (maybe cause of my English level) around 2:48 you say the sweet spot is between 60 and 75 IRE but just after you talk about 50?? 🤔
50 IRE is neutral grey and 60 is about where you want your skin tones to live.
Do the levels roughly equate to the Zone System used in stills photography? So Zone 6 to 7 for caucasian skin depending on scene? Sounds like your percentage range.
Found elsewhere:
Ansel Adams Zone System is logarithmic - in stops. This system is more linear (or subject to Gamma?)
What monitor you recommend for overall editing-recording-color correction? Thx
Field monitors / on camera monitors rarely make good editing / grading monitors. Mainly because of their overall size. You can most computer to give you an decently accurate grade if you have a calibrator. X-Rite makes great color calibrators that you can use to get the best color. For field monitors, my go-to is SmallHD if you can afford it. If that’s out of your price range, Feelworld makes the best entry level monitors IMHO.
like it
Is the 60-75 IRE rule true for darker skin tones as well?
~65 IRE is the sweet spot for exposure of all skin tones and complexions. You alter the scene lighting to adjust for the contrast ratio. So yes, absolutely!
Brother make one video blackmagic desing how adjust the fall's color
Oh, tuning false color might make a great video!
@@garrettsammons I mean how to tune false color bmpcc 4k cinema camera
HELP!! I use Davinci 17. I'm cutting a film and I want several shots to be dark and moody (meaning deep black). Should I worry about the "PURPLE" appearing when I activate the "false color" or not? When I raise the exposure to eliminate the purple, the image is too grey for my taste. What should I do?? Please Help!
In the color grade, you can and should do whatever you want! These tools are for when you’re filming on set.
Doesn’t IRE for skin tones change based on the camera and gamma curve used? On the latest Sony offerings, 70 IRE for example is way hot for Caucasian skin tones. I find 55 ire to be much more pleasing for slog3.
Disregard...when you turned the first light off you backed up my point, I much preferred your skin in that shot than the opening one. Personal preference I guess. Good video nonetheless!
I dont understand what if any the advantage is over histograms, zebras etc?
Great question! Zebras help with over exposure, but doesn’t help with skin-tone or shadow exposure. Histograms help with overall image exposure, but doesn’t give a detailed reading of exposure elements within the frame. False color allows you to get accurate exposure readings of every element within your frame, so you can know what needs adjusting within the frame to get the exact look you want.
@@garrettsammons ok, and thanks for the swift reply.
For that alone (along with great info), new sub gained!
Why was the Atomos showing your arms as being over exposed?
Oh good eye! I think it’s because the color-grade on the video enhanced the saturation of the key, making the pink look more like red. It definitely was showing the correct false color IRL, but I think it popped too hard in the final video.
@@garrettsammons That is what I thought or imagined. I know and use False color all the time but never get bored watching videos about it. Like your content. Thanks!
Thanks man!
Does false color work on a log image?
It’s depends on the monitor your have. Some. Knights have a series of calibrations for log profiles (the SWIT does) while others don’t. If they don’t, overlaying a standard Rec.709 preview LUT and just pull your IRE readings from that.
Go blue brother
Go Blue!
Dwight Schrute wants to know your location...
As well as some whiskey recommendations...
(He likes ryes, single malts, and full-bodied bourbons, and LOVES [absolutely fucking loves, mind you] smokey Islay scotches.)
you fail to explain how to use false color to expose a subject or talent. Neither expanding on how the color chart reflects exposing for skin tones etc... youve literally described what it is..
You’re absolutely right. Perhaps I’ll make a follow-up video showcasing how false color is used in an on-set environment. The purpose of this video is simply to explain what it is for folks who have never come across it or used it before.
Thank you
You're welcome