I was unable to fit the composer's note in the description, so here it is: "My Second Cello Concerto is organized into four movements, each on bearing an inscription from a poet and a brief commentary alluding to the sonorous, expressive and formal climate within which the movement unfolds. I believe this to be sufficient for the listener to become acquainted with my work. But, for the record, I must point out that the unifying element throughout the first movement is a famous cello theme by a great composer of the past century, whose identity should be discovered by the listener; that the "Scherzo sfuggevole" must be performed in the strictest pianissimo; that in the third movement on hears the coqui [tree frog], that minute and musical nocturnal creature from Puerto Rico; and that in the last movement appear the Quechuan rhythms of the Karnavalito, of Inca origin"
ooh, do I hear some of the cello sonata in the second movement? ... and third? interesting oh looks like he's taking a lot more material from the cello sonata. Neat. I won't complain; that's a great piece too
I was unable to fit the composer's note in the description, so here it is:
"My Second Cello Concerto is organized into four movements, each on bearing an inscription from a poet and a brief commentary alluding to the sonorous, expressive and formal climate within which the movement unfolds. I believe this to be sufficient for the listener to become acquainted with my work. But, for the record, I must point out that the unifying element throughout the first movement is a famous cello theme by a great composer of the past century, whose identity should be discovered by the listener; that the "Scherzo sfuggevole" must be performed in the strictest pianissimo; that in the third movement on hears the coqui [tree frog], that minute and musical nocturnal creature from Puerto Rico; and that in the last movement appear the Quechuan rhythms of the Karnavalito, of Inca origin"
A very strange, oniric, blackened work. Hypnotizing, both complex and free flowing. That’s a shock
The way he orchestrated the last movement omg that is amazing
That and the end of the first movement, simply mind blowing
He is my favorite composer. Thank you so much. Added in my twilight track.
he is also my favorite composer, next video is another piece by him!
@@zgart Oh yeah, What's next?? Could you tell about me?
@@EJOh just uploaded it: panambi
based Ginastera
ooh, do I hear some of the cello sonata in the second movement?
... and third? interesting
oh looks like he's taking a lot more material from the cello sonata. Neat. I won't complain; that's a great piece too
26:49 the Simpsons?
quite good...
It's definitely evolving.
33:12 What instrument is the second line of percussion??
Sonagli
@@zgart Oh sleigh bells, thanks!