Strauss - Rosenkavalier (Fabio Luisi, Sächsische Staatskapelle Dresden)

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  • Опубликовано: 19 окт 2024
  • From the Semperoper Dresden, 2008
    Directed for stage by Uwe Eric Laufenberg with a top-notch cast led by Anne Schwanewilms as the Marschallin, Kurt Rydl as Ochs and Anke Vondung as Octavian. English and French subtitles available in the player.
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    Anne Schwanewilms - The Marschallin
    Kurt Rydl - Baron Ochs auf Lerchenau
    Hans-Joachim Ketelsen - Herr von Faninal
    Anke Vondung - Octavian, Count Rofrano
    Maki Mori - Sophie
    Sabine Brohm - Marianne
    Oliver Ringelhahn - Valzacchi, an intriguer
    Elisabeth Wilke - Annina
    Chorus Masters:
    Matthias Brauer
    Ulrich Paetzholdt
    Sächsische Staatskapelle Dresden
    Fabio Luisi - conductor
    Richard Strauss - Rosenkavalier
    1:34 Act. I
    1:18:19 Act. II
    2:20:39 Act. III
    Richard Strauss (1864-1949) has, of course, always been a very special favorite at the Dresden Opera because many of his works were premiered there, most famously his Rosenkavalier in 1911. As if the world knew that this was to be the last important opera premiere before civilization broke down in the First World War, the premiere was turned into an event of enormous proportions, with special trains bringing the audience to Dresden to witness the latest cooperation between Strauss and his preferred librettist Hugo von Hofmannsthal (1874-1929).
    Der Rosenkavalier, despite its nostalgic setting in eighteenth-century Vienna, deals with a variety of issues current in the early 20th century. Two of the most obvious were the status of women and the pending collapse of the ruling hierarchy. The authors described the work as a “Comedy for Music” and the criticism - as in all great social comedies - lies just beneath the surface. With the readings by Ruth Berghaus in Frankfurt and Herbert Wernicke in Salzburg in the 1990s, the piece has definitely lost any sweet rococo icing with which post-war stagings might have covered it. Director Uwe Eric Laufenberg, who premiered the present version in 2000, puts himself in that great tradition: with the action taking place after the Second World War, he works out some of the more timeless issues of the work: bittersweet pathos, satirical social criticism, and sexual farce as well as multilayered, comic wit and psychological characterization.
    The top-notch cast is led by Anne Schwanewilms as the Marschallin, Kurt Rydl as Ochs and Anke Vondung as Octavian - all three play roles that have become cornerstones of their repertoire. The orchestra of the Semperoper in Dresden plays the work, which has been a centerpiece of their repertoire ever since its premiere, from the original scores and under the experienced baton of their musical director Fabio Luisi.
    The recording took place during a tour of the Semperoper company to Japan in November 2007 where they staged this Rosenkavalier to enormous success.

Комментарии • 57

  • @camilomarks5616
    @camilomarks5616 16 дней назад +1

    This is the hundreth time I see this gorgeous, rich, glorious production and I never ever have got tired of watching it, especially the superb role of the Marschalling sung by the magnificent and superb soprano Anne Schwanewilms. FOR EVER AND EVER MY WARMEST CONGRATULATIONS

  • @Wuxotu
    @Wuxotu 4 года назад +37

    I hope this stays online for ever.

    • @sassonelmare
      @sassonelmare 17 дней назад

      It s awful

    • @Wuxotu
      @Wuxotu 15 дней назад

      @@sassonelmare well I’m glad I can have my own opinion.

  • @AvivJacob
    @AvivJacob 3 года назад +9

    Maki Mori timbre is so good. Crisp and delight to ear

  • @Hailstormand
    @Hailstormand 4 года назад +15

    It's you I love.
    Ah, Strauss. You know how to pull at the heartstrings.

  • @ernstalbert3699
    @ernstalbert3699 3 года назад +5

    Bravi tutti! Herzlichen Glückwunsch nach Dresden für diese Interpretation!

  • @christianutkeschiler6636
    @christianutkeschiler6636 3 года назад +10

    Although I am not a fan of the staging, and some of the "interpretations"/changes in the directions, this is the one that has touched me the most in terms of the expressions of the 3 protagonists. So many moments brought tears to my eyes. Especially from Anne Schwanewilms! What an actor, what insight!

    • @NothingFunnyAboutTheseCarpets
      @NothingFunnyAboutTheseCarpets Год назад +1

      Yes absolutely!!! She is incredible I have only watched the first act so far. Her facial expression, body language and her singing are sooo detailed and complex, she looks so real! And the monologue :,)

  • @zimskasalamabg
    @zimskasalamabg 4 года назад +16

    english subtitles are precious. this libretto is one of the best ewer written.

  • @Trumpyfilip
    @Trumpyfilip 8 месяцев назад +1

    Ahhhh amazing and the orchestra 😍

  • @gabrielnavarrodelage
    @gabrielnavarrodelage 2 года назад +4

    Maravillosa. Qué delicadeza tan exquisita y sublime. Un ¡BRAVO! para todos desde España.

  • @Streicher17
    @Streicher17 2 месяца назад

    Großartig! Bravissimo! Tolle Stimmen! Ein absolutes Meisterwerk!

  • @kubrick1000
    @kubrick1000 4 года назад +28

    1:24:35 presentation of the rose,
    3:12:50 final trio

  • @wisjoh1
    @wisjoh1 2 года назад +1

    so sweet and lovely and beautiful ...... Presentation of the Rose !🌹Both are wonderful.

  • @marikokageyama6825
    @marikokageyama6825 3 года назад +7

    Ich liebe ihren Octavian sooo sehr. Für mich ist sie wirklich bester Octavian. Warum kann sie so schön singen? Nur wenn sie singt, hab ich Gänsehaut.

  • @camilomarks5616
    @camilomarks5616 2 месяца назад

    Una extraordinaria y superlativa producción, sin la fanfarria de teatros como el Met, Covent Garden o Paría, con maravillosos intérpretes, especially Anne Schwanewilms as the Marschalin. CONGRATULATIONS

  • @honda412000
    @honda412000 Год назад +3

    I'm not an opera enthusiast but I have a strong "thing" for Der Rosenkavalier. It's the only opera I've repeatedly heard/seen along my long life so I can´t avoid seeing all the videos posted in RUclips. This one is good, specially the 1st act. But most of the others I've seen are not so good. Goes from mediocre singing, bad acting, ridiculous sets and costumes, you name it. After seeing (heard) this version I bow to Anne Schwanewilms and specially to Anke Vondung that makes an almost perfect Octavian. But I couldn't avoid comparing this version with the Carlos Kleiber one filmed in 1994 that still win hands down! Sophie von Otter, Felicity Lott and Kurt Moll are unbeatable, the sets and the acting are magnificent and I think that we will never see nothing with this quality level in the future, if we have one. If you are interested try to find a DVD (what is that, some will ask!) or some other video/sound support with this production, You won't regret the effort.

  • @박재영-g6w
    @박재영-g6w 2 года назад +1

    Great Performances, thanks for sharing !!!!

  • @hyperion700
    @hyperion700 4 года назад +8

    Rydl, one of the best Ochs of all time

  • @AliceinWonderland-ace
    @AliceinWonderland-ace 3 месяца назад

    That’s fantastic…😭😭😭This masterpiece!!

  • @alessandrogerlo
    @alessandrogerlo 10 месяцев назад +4

    Timpani excerpt: 3:03:35

  • @richardwhite4832
    @richardwhite4832 6 месяцев назад

    Incredible! A wonderful experience.

  • @AliceinWonderland-ace
    @AliceinWonderland-ace 2 месяца назад

    Masterpiece of opera😻😻😻😻😻Octavian is fantastic and charming 🎉

  • @EJLeeDDS
    @EJLeeDDS 4 года назад +4

    It's so beautiful.

  • @sotakunaii
    @sotakunaii 3 года назад +6

    I would love to have German subtitles, too!
    Ich hätte sehr gerne auch deutsche Untertitel! =)
    Einfach umwerfende Oper!

  • @sauliuslaurinaitis7105
    @sauliuslaurinaitis7105 4 месяца назад

    Bravo , sehr wundervoll

  • @logojimmy
    @logojimmy 4 года назад +6

    The scene of the rose is the best one I have ever seen beats that even Karajan’s

  • @arjaygee
    @arjaygee 4 года назад +2

    Lovely!

  • @yuriguccione7385
    @yuriguccione7385 Год назад +4

    39:03 flute solo

  • @mauromariani3175
    @mauromariani3175 Год назад +1

    Der Rosenkavalier, suite, TrV 227d
    00:01:39 - 00:04:41 Debut
    01:23:23 - 01:24:42 Chiffre 12
    01:26:24 - 01:30:45 5 avant chiffre 18
    01:52:06 - 01:52:50 Chiffre 26
    02:12:39 - 02:13:38 4 apres chiffre 30
    02:13:55 - 02:16:33 Chiffre 34
    02:17:09 - 02:18:33 Chiffre 44
    01:19:03 - 01:19:27 Chiffre 48
    03:12:52 - 03:18:47 Chiffre 49
    03:19:25 - 03:19:50 Chiffre 61
    03:23:32 - 03:23:49 4 avant chiffre 62
    03:24:25 - 03:24:41 Chiffre 62
    03:03:36 - 03:05:13 6 apres chiffre 62

  • @tims3387
    @tims3387 4 года назад +9

    Did anyone else notice someone (I assume the conductor) humming along at 3:18:22 or is it just me? :D

    • @sotakunaii
      @sotakunaii 3 года назад

      that's hilarious! :D

  • @benjamin91025
    @benjamin91025 7 месяцев назад

    48:34 it’s incredible how Rydl’s low notes have improved

  • @dariocaporuscio8701
    @dariocaporuscio8701 3 года назад +4

    39:08 45:05 2:21:27

  • @gwenaelherve5675
    @gwenaelherve5675 3 года назад

    Excellente réalisation !
    Acte II : 1:18:21

  • @quattro3049
    @quattro3049 Год назад +5

    < 1. Aufzug >
    4:09 Ziffer 11
    4:46 Ziffer 12
    6:38 Ziffer 18
    6:57 Ziffer 19
    9:00 Ziffer 27
    9:46 Ziffer 30 Allegro
    10:32 Ziffer 37
    14:58 Ziffer 59
    17:54 Ziffer 81
    18:12 Ziffer 83
    21:05 Ziffer 102
    25:41 Ziffer 122
    28:20 Ziffer 135 schnelles Walz
    29:29 Ziffer 143
    30:28 Ziffer 149 Presto
    41:38 Ziffer 238
    43:37 Ziffer 246
    45:28 Ziffer 253
    49:53 Ziffer 271 Heiter bewegt.
    51:39 Ziffer 277
    56:26 Ziffer 289
    57:41 Ziffer 296
    58:39 Ziffer 300
    1:01:01 Ziffer 307
    1:05:11 Ziffer 317
    < 2. Aufzug >
    1:18:44
    1:20:39 Ziffer 9
    1:23:05 Ziffer 19
    1:23:39 Ziffer 22
    1:24:18 Ziffer 25
    1:28:53 Ziffer 33
    1:31:16 Ziffer 39 Leicht bewegt
    1:32:54 Ziffer 48
    1:33:38 Ziffer 53
    1:35:06 Ziffer 62 Moderato mosso
    1:37:22 Ziffer 71
    1:44:53 Ziffer 98
    1:48:26 Ziffer 115
    1:52:06 Ziffer 129
    1:52:43 Ziffer 133
    1:53:30 Ziffer 135
    < 3. Aufzug >
    2:21:04
    2:38:55 Ziffer 110

  • @elena_fhorn
    @elena_fhorn Год назад

    39:45 4. Horn solo (w. 1. and 3., celli)

  • @fabianfrankenstein7294
    @fabianfrankenstein7294 Год назад

    48:49 / 55:03 / 1:00:58
    2:21:05 / 2:35:52

  • @jlakes100
    @jlakes100 4 года назад +1

    Start at 0:00

    • @yea2080
      @yea2080 4 года назад +9

      No way

  • @BadaKang-r7s
    @BadaKang-r7s Год назад +1

    3:03:28

  • @cbchakiren
    @cbchakiren Год назад

    1:46:10
    1:56:20
    1:58:10

  • @juvenilemonument217
    @juvenilemonument217 2 месяца назад

    1:24:30

  • @1968KWT
    @1968KWT Год назад

    What does the soprano playing the Marschallin do between the end of Act 1 and her appearance at the end of Act 3?

  • @onigbajamo
    @onigbajamo Год назад

    48:48

  • @neo5982
    @neo5982 Год назад

    あらい

  • @austriaco4132
    @austriaco4132 3 года назад +1

    Was für eine optisch hässliche Inszenierung

  • @yuriguccione7385
    @yuriguccione7385 Год назад +1

    45:01 flute solo

  • @jameskastle599
    @jameskastle599 Год назад

    3:16:15