Giuseppe Sabattini est un des plus grands ténors de l’histoire. Si vous en doutez, écoutez vite son interprétation de « salut demeure chasse et pure» le grand de Faust (concert au Japon).. Vous entendrez le plus extraordinaire contre ut que vous n’avez jamais entendu. Tout ce concert au Japon est d’ailleurs une pure merveille. Pour moi, Sabattini est le plus grand. Quelle sensibilité, quelle musicalité, quelle maîtrise vocale ! Il n’a pas eu hélas le succès qu’il méritait. Il a en effet choisi de privilégier sa qualité de vie et sa vie familiale plutôt que de passer sa vie dans les avions et les chambres d’hôtels impersonnelles pour aller chanter aux 4 coins du monde. Il a quand même fait une merveilleuse carrière. Bravissimo !
Il miglior Werther italiano degli ultimi trent'anni. Molto bello il gesto di stringersi il libro di poesia sul petto.Poetico ed originale.Grande tecnica Fascino ,e splendido velluto vocale.
Exelente... Interpretación.. Aunque mucho caudal... Para un personaje tan sencible... Pero mucho mejor que muchos.. Que se dan el gusto de la cantar.. Esta aria.. Pero la opera completa muy pocos... Pero nadie como el gran Maestro Alfredo Kraus.
@@pauldeanify it’s true… we live in times that other factors are far more important to achieve success and international recognition. If we could pick the top 10 of the tenors that are currently active and send them back in time of the golden era of Pertile, Schipa or Mc. Cormack, the modern top 10 wouldn’t be singing even in their shower.
@@HammondDER many great singers of the past where using falsetto in some parts of an aria and it was considered to be a part of the technique in a sense. However there where others that would never use falsetto at all.. However, falsetto is one thing and head cavities resonance is another. A good tenor should be able to go up to C5 with full voice and the sound should be of same quality from the bottom to the top. That doesn’t mean that there are no changes in terms of resonance and sound production (I mean the process). There is definitely passagio area.
Giuseppe Sabattini est un des plus grands ténors de l’histoire. Si vous en doutez, écoutez vite son interprétation de « salut demeure chasse et pure» le grand de Faust (concert au Japon).. Vous entendrez le plus extraordinaire contre ut que vous n’avez jamais entendu. Tout ce concert au Japon est d’ailleurs une pure merveille. Pour moi, Sabattini est le plus grand. Quelle sensibilité, quelle musicalité, quelle maîtrise vocale ! Il n’a pas eu hélas le succès qu’il méritait. Il a en effet choisi de privilégier sa qualité de vie et sa vie familiale plutôt que de passer sa vie dans les avions et les chambres d’hôtels impersonnelles pour aller chanter aux 4 coins du monde. Il a quand même fait une merveilleuse carrière. Bravissimo !
Il miglior Werther italiano degli ultimi trent'anni. Molto bello il gesto di stringersi il libro di poesia sul petto.Poetico ed originale.Grande tecnica Fascino ,e splendido velluto vocale.
Io ero lì in una delle recite, uno dei migliori Werther che abbia mai ascoltato
Bravo 👋👋👋
Quelle splendeur !!!!
Bravo tenorazo.....bravo
One of my favorite tenor arias sung by one of my favorite tenors. Bravo!
Grandissimo!!!!
Incisione del 1991! Grande interpretazione, acuti fantastici e anche smorzati!
Braaaaaaaavo
c'est magnifique !
Mi fa tremare l’anima…❤
belíssima interpretação.
Exceptional!
eccezionale
Exelente... Interpretación.. Aunque mucho caudal... Para un personaje tan sencible... Pero mucho mejor que muchos.. Que se dan el gusto de la cantar.. Esta aria.. Pero la opera completa muy pocos...
Pero nadie como el gran Maestro Alfredo Kraus.
Extraordinarrio
ПОТРЯСАЮЩЕЕ ИСПОЛНЕНИЕ!АБСОЛЮТНОЕ УМЕНИЕ ФРАЗИРОВАТЬ ЗВУК, СЦЕНИЧЕСКОЕ ОБОЯНИЕ,КРАСАВЕЦ! BRAVISSIMO, BRAVISSIMO!❤❤❤❤❤❤🇷🇺🇷🇺🇷🇺🇷🇺🇷🇺
Where has this guy disappeared too?? Fabulous technique! What complete control. Not bad looking for a tenor either. Nothing out there like this now..
A great sound great tenor .Now this is what a tenor should sound like.Forget Kauffman ,Boccelli or Alagna,all pretenders to the tenor throne.
Знаменитая ария Вертера в очень тонком исполнении! Bravissimo, bravissimo!! 🇷🇺🇷🇺🇷🇺
@@pauldeanify it’s true… we live in times that other factors are far more important to achieve success and international recognition. If we could pick the top 10 of the tenors that are currently active and send them back in time of the golden era of Pertile, Schipa or Mc. Cormack, the modern top 10 wouldn’t be singing even in their shower.
@@alexninko very true my friend
He turned to conducting at age 50. He had announced that years before and stuck to it.
😊
,, 🌹🌹🌹🌹🌹🌹❤️❤️❤️
APPLAUSI MERITATISSIMI.
Headvoice teqnique for singing after G. Lousy technique, IMHO
You have no idea what you are talking about. Always the same bullshit from wannabe failed singers.
Hi there! Can you explain what do you mean? What is head voice technique exactly? Can you describe more analytically this term that you mentioned?
@@alexninko To be short, this type of voice emission is falsetto-based
@@HammondDER I’m a bit confused now… so when you say head voice you mean falsetto? And how should one sing above G in your opinion?
@@HammondDER many great singers of the past where using falsetto in some parts of an aria and it was considered to be a part of the technique in a sense. However there where others that would never use falsetto at all.. However, falsetto is one thing and head cavities resonance is another. A good tenor should be able to go up to C5 with full voice and the sound should be of same quality from the bottom to the top. That doesn’t mean that there are no changes in terms of resonance and sound production (I mean the process). There is definitely passagio area.