Unfortunately, upon initial testing, it seems like the Deity sync app doesn’t do just LTC conversion and expects you do only do syncing in app. So for our *current* use case, it’s not very helpful
4:45 how to get this DaVinci Resolve Layout/dark mode, really looks great! Regarding timecode: I have a Zoom f2-bt and the Atomos Connect module with Atomos Ninja. Thought I am fine, but seems that I still need the UltraSync Blue... I dont know, but all the timecode solution in the low budget market are still kind of beta... Hopefully products like the Tascam FR-AV2 will change this in the near future
FWIW, the Tentacle Sync E DOES have a scratch mic built in so when using with prosumer stuff with no TC input, you at least get scratch mic on one channel. Kind of lame that Deity didn't copy them and do the same thing. I've used the Deity and I own three Sync E and two Track Es. The Deity has the screens, which is nice, the Tentacles don't but functionally, either is a good choice. I just invested in Tentacle years ago well before the TC-1's introduction.
So you’ve got a tough situation with the F3. It doesn’t have dedicated timecode and only two inputs, so if you want to do the LTC method like discussed in the video, you’ll have to give up one of the only two audio channels you have. (Not impossible, but not ideal)
This is the closest I could find! If this doesn’t work, my best suggestion is to round up a few variants like this and see which. Avoid any TRRS cables though, only TRS a.co/d/011IfmML
Perhaps user error, but I haven’t found the method for getting it to consistently engage. Also as I shoot for other folks, I like to have a mic track from a legit mic to make it somewhat easier for them (it’s already a process to have to explain it to them)
Deity has released their own sync app, but its also good to know that the syncing works on both apps
Unfortunately, upon initial testing, it seems like the Deity sync app doesn’t do just LTC conversion and expects you do only do syncing in app. So for our *current* use case, it’s not very helpful
Thanks for the vid
We’re always here to inform 🫡
Good info, Thx.
We try 🫡
4:45 how to get this DaVinci Resolve Layout/dark mode, really looks great!
Regarding timecode: I have a Zoom f2-bt and the Atomos Connect module with Atomos Ninja. Thought I am fine, but seems that I still need the UltraSync Blue...
I dont know, but all the timecode solution in the low budget market are still kind of beta... Hopefully products like the Tascam FR-AV2 will change this in the near future
FWIW, the Tentacle Sync E DOES have a scratch mic built in so when using with prosumer stuff with no TC input, you at least get scratch mic on one channel. Kind of lame that Deity didn't copy them and do the same thing. I've used the Deity and I own three Sync E and two Track Es. The Deity has the screens, which is nice, the Tentacles don't but functionally, either is a good choice. I just invested in Tentacle years ago well before the TC-1's introduction.
It does have a mic on the unit
Make a video to show how to use it with zoom f3
So you’ve got a tough situation with the F3. It doesn’t have dedicated timecode and only two inputs, so if you want to do the LTC method like discussed in the video, you’ll have to give up one of the only two audio channels you have. (Not impossible, but not ideal)
Ultrasync blue works with F3. Mic track M4 has timecode and same preamp as in F3. Tascam has a new F3 like recorder with timecode too.
What splitter cable did you use in the camera?
This is the closest I could find! If this doesn’t work, my best suggestion is to round up a few variants like this and see which. Avoid any TRRS cables though, only TRS
a.co/d/011IfmML
There’s no need for the cable other than does have a mic on the unit
Perhaps user error, but I haven’t found the method for getting it to consistently engage. Also as I shoot for other folks, I like to have a mic track from a legit mic to make it somewhat easier for them (it’s already a process to have to explain it to them)