i always appreciated Pepe's touch with certain pievces of music. He would burn hot and cold in concerts sometimes but in the world of serious classical guitarists, he had one hell of a machinegun picado to liven up a piece. you always can tell when he is playing because of that.
I think Romero's comment that flamenco is sombre in Spain and became different elsewhere is a good point that is rarely made. It is really nice to hear him talk about his father, one of the greats. An anthology of his solo performances would be a really good idea for a cd release.
I am finding this series of conversations hosted by Benjamin such an inspiration! A wonderful resource indeed, thank you!
i always appreciated Pepe's touch with certain pievces of music. He would burn hot and cold in concerts sometimes but in the world of serious classical guitarists, he had one hell of a machinegun picado to liven up a piece. you always can tell when he is playing because of that.
I think Romero's comment that flamenco is sombre in Spain and became different elsewhere is a good point that is rarely made. It is really nice to hear him talk about his father, one of the greats. An anthology of his solo performances would be a really good idea for a cd release.
Owen McGee I totally agree.
Wonderful!! Thank you, maestro
What a legend!!
loved his album in the 80s, particularly his tarrega performances, incredible technique and sound from his contreras double top at that time.
Great stuff.
Romero; the 1st family of the classical guitar.
So cute
Very cool interview! ❤️❤️❤️My musical grandparents😘❤️🎶❤️. #ianosullivansstudent