Nadine Sierra - Scena della pazzia (con glassarmonica) - Lucia di Lammermoor
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- Опубликовано: 2 окт 2024
- Teatro La Fenice - Stagione 2016/ 2017
Gaetano Donizetti, ' Lucia di Lammermoor'
'Eccola' (The Mad Scene)
Nadine Sierra, Lucia di Lammermoor
Orchestra e Coro del Teatro La Fenice
Riccardo Frizza, Direttore
Maestro del Coro
Claudio Marino Moretti
Regia, Francesco Micheli
Scene, Nicolas Bovey
Costumi, Alessio Rosati
Light designer, Fabio Barettin
what a fabulous vocally musical and expressive performance. I have Sung this role and this area many a time. It is the hardest of ALL the literature. To pull this off at such a young age is marvelous. You have such a wonderful career ahead of you Nadine. Keep up the great work.
Bravissima!!! L'amo!!
Que hermosura de actuación, canto y voz. Gracias Nadine, por esos 15 minutos de espiritualidad 👏👏👏👏👏
quelle belle voix , un plaisir de l entendre...!
Brava!!!!!!!!!!!!!!!!!!!!!!!!!!!
Brava!!!!
Lisette Oropesa Esperando tu versión del Real en Facebook live del sábado. Seguro será magnifica!
you are such a wonderful soprano
@@fionakaiser9870 is
usted es la mejor soprano en el mundo,mucha felicidad y exitos
The two modern queens.
Cole and Kendrick of opera
Блестящее исполнение! Браво❤
Quelle Merveille. !!!!!!
J'y étais.....Sublime !
Sorry, but I am not at all keen on this, I find the voice hard, correct but hard, and why are the guests sitting in rows looking as if they are at a conference and waiting for the annual photograph, and poor Lucia on the table amongst the wine glasses.
A wonderful production. Minus the flute cadenza and too many interpolated high notes, Lucia begins to reveal its' dark beauty. This was a seminal opera in 19th century literature(Madame Bovary). We are finally beginning to give this masterpiece the respect it truly deserves. The mad scene was truly moving and one begins to understand why, at the premiere, sobs were heard in the audience.
Bravissima!
Brava 🎼🌷🌷🌷🌷🎼
B R A V A. This is how it's done, how it's acted, how it's sung. Like a young Freni.
For a 26-27 yo, this is pretty spectacular considering this was only her second crack at this role. This is live theater and people are always on their A-game. She shows a maturity beyond her years and a level of restraint. I can’t wait to see what she will does with this role as she grows. I have a sneaking suspicion that she is going to grow into a medium-full sized lyric but that just my opinion. Brava to Miss Sierra! The future of opera looks bright!
Lucia, Mimi, Gilda, Violetta, Adina, la Sonnambula, Manon, Juliette, la Contessa, Ilia, Norina, Zerlina, Pamina, ....tu est toujours merveilleuse ! Nadine, mon idole !
Meravellosa interpretació veu sublim.
Great perfomance !! regnava del silenzio ??
I like her Lucia, it’s not my favorite (my favorite Lucia would be Joan Sutherland) but I do feel that she has potential. I’m not a singer (I’m a flutist) but I do feel like that in a few years, her voice will grow like Anna Netrebko’s did.
Ewwwww comparing her voice to Netrbko hell no.... Netrebko is definitely the worst soprano of all time.
Nadine the best of today.
Bella, sexy, simpatica.....orrenda in questo ruolo. Ma non esiste un direttore musicale in questo teatro? Se si spendono soldi statali essi vanno spesi bene, scegliendo la voce giusta per l'opera giusta. Non basta avere un bel sorriso per cimentarsi in Lucia.
Questa signora non è in grado di eseguire le agilità, inoltre non è in grado di eseguire correttamente le puntature.
Ahahahah ma lei è serio? Perché se è così significa che di canto lirico e tecnica vocale non capisce nulla.
@@vincensmirra7521 beh...tutto si può dire meno che sia un soprano di coloratura. Direi lirico e stop. Non adatta alla parte, come spesso accade nei nostri poveri teatri.
@@bacamor5255 mi dispiace ma lei evidentemente non sa cosa significa essere un soprano di coloratura...
@@vincensmirra7521 non penso :-), lo so anche troppo bene....e da troppi anni purtroppo.
@@bacamor5255 si vede che in tanti anni non ha capito nulla...
Una voce bellissima in una interpretazione eccellente, pari alla sua splendida figura.
Once again, Nadine shows us what a great singer she is! Her voice is as rich and powerful as ever, and her coloratura work is dazzling. I was glad to see Ms. Sierra sing barefoot again(she has such lovely feet!), and she was a vision of beauty in her white bridal gown(which showed no trace of fake blood, thank Heavens). 15:44
Mais quelle merveille !! Nadine, vous êtes parmi les plus grandes ... Quel frisson ...
Stupid direction. I think it distracts you from the singing. And it shows lack of respect for the singer. Can you imagine anyone, ANYONE, asking Callas to climb on tables in order to enhance her performance?
ALL REGGISEUR BELIEVE OWNERS OF THE TRUTH, CRITICIZING THEM IS ALMOST A HEREGY.
I don't there was a director stupid enough to risk their lives doing that to Callas
What's the problem with climbing on tables? In a scene like this it works! Watch 2006 Bastille's Lucia with Dessay, She runs, dances, rolls on the floor, climb a scaffold...
Staging having nothing to do with anything but .. ‘oh that’s very clever’ Callas on a table? Sutherland? Caballe? She needs to find her roles and stick to them. At least for now. Netrebko? Please.
@@LordoftheTrapdoors You may roll around and under tables. Go to Cirque de Sol.
So many comments on her being boring. I think the staging is to blame. She’s actually doing wonderfully with what she’s been given here. Everything, the lighting, the costumes, the set, the ensemble, and the over direction is incredibly bland, at least out of context. Also, this is a gorgeous, dark, and full voice, rarely heard with most Lucias.
Straordinaria voce e straordinaria presenza scenica; degna erede delle grandi voci sopranili del passato!!!
She has a voice to be one of the greats! She isn't yet, but wow. Her timbre is dreamy. Wish her all the best.
allegra vedere che progressa e molto!
Natalia Pappe
qua a Zurigo Lucia di questa bravissima ragazza era semplicemente meravigliosa !
davanti agli occhi miei Nadine si trasformò in soli tre reputazioni in una grandissima attrice !
incredibile ma vero !
enorme Santi , l'ultimo direttore d'orchestra che conosce veramente lo strumento ''voce lirica'' .
il vecchio
It is a glass harp 🎼🌷🌷🌷🌷🎼
hát nem....nem lesz kedvencem..
la sua voce bella , chiara e comprensibile.mi trasmette sempre emozione e commozione. BRAVA Nadine.
É perfeita. Maravilhosas voz e interpretação.
Bravo, Nadine! Excellent performance of Lucia di Lammermoor! You are really the best Opera singer! Bravo!
Una delicia.
I've heard a hell of a lot worse!!!!...... she's talented IMO.... just hope she is patient and doesn't choose roles that are inadvisable at this stage in her career....
I, for one, hope Nadine never sings Wagner. His music would probably wreck her voice.
Awesome artist. I give her a lot of credit for staying on pitch at the end when her only tonal reference is the glass harmonica, which lags constantly behind her runs. Excellent full and round E flat at the end. Kudos.
this is not a Glass Armonica - could be Verrophone or Glasses......
It is a glass harp 🎼🌷🌷🌷🌷🎼
Eb
Una interpretazione sublime. Bravissima Nadine Sierra. E grazie allo staff della Fenice di condividere questi belli momenti!!!
Radu Zaplitnii ci proveremo con un taglio per problemi organizzativi a realizzare questa scena al conservatorio a Reggio Calabria, Io son il tenore 1 del coro, è troppo bella l'opera in genere.
È la seconda opera vista a teatro con mio nonno, avevo 8anni e ancora ricordo le scene anna
@@alberto7694 !
meravigliiosa,talento unico!!!! la nuova Divina della Lirica
Sublime interprétation de Nadine SIERRA !
Tutti gi abbellimenti del finale del brano non sono stati scritti da Donizetti, ma sono stati aggiunti molti anni dopo
É impressionante considerando que este seria um dos suas primeiras atuações porque Nadine Sierra irá fazer muito melhor!🇵🇹
Straordinario abbinamento. Brava e brava la Regia
Not crazy about the bizarre staging (although when she first enters, ringing the glass in her hand is cool). LOVE Marine's performance though! VERY solid and round tones, which Lucia needs. I like that she's neither overly dark voiced, and yet not a "tweetie bird" either. Nice full, rich, warm tones, with brilliant coloratura and strong high range. Brava!
You kinda described a spinto voice quality, the staging reminds me of The Wiz when the get to the city …lmao 😂
Ouaaaaa bravissimaaaaaas Sierra tu sei straordinaria, bravo
Grazie, Nadine per questa superba interpretazione. Tutte le volte che ti ascolto provo una profonda emozione.
Maravilhosa.... Brava....
Un placer escucharla !!!!
Finally! I found it . Best version.
... wouaouh
Nice voice, nice timbre but not enough colour, too monochrome and the vibrato needs to be controlled. It is too distracting and spoils the melodic line. It looks a very silly production
Wow, superbe , et quelle maitrise !
Can you imagine Joan Sutherland, the greatest Lucia of the XX century, doing this?
A New star is born ( for me ) Fantastic!
There is a wobble due to the tone being pushed Listen to Lily Pons
MARAVILHOSA, NADINE!
PERFEITA! BRAVO 🌹
Wonderful performance! Mesmerizing!! Brava, brava!
un incanto!!! la migliore!!!!😍😍😍😍
una straordinaria interpretazione della "pazzia " dalla "Lucia". bellissima voce
She is wonderful!!
Perché mettete pollice verso? Io sono un vedovo della Callas ma evviva per i nuovi soprano. Ti amerò per sempre Maria
Bravissima.
thank you with all my heart ❤️
Very nice.
Nadine Sierra needs to be singing at the Kennedy Center!
BELLA< BELLA< BELLA Nadine - just magnificent!!!!!!!! BRAVA BRAVA BRAVA!!!
the best 🥰
Carina, ma non troppo.
How do they manage to get the stage sound so equal? She is facing upstage but still the sound is as clear as when she is facing stage front. Do they have microphones suspended from the stage roof? Wonderful technique both vocally and sound management wise.
These days they often place microphones on the singers to help with that. In their wig or down their cleavage. Personally, I don't care for this, moving them so close doesn't allow the recording to show how the voice "blooms" in the theatre. Personally, I'd rather have a more "live" sound, even if it means less consistent sound balance.
@@nathandavis3002 Those must be small microphones to have them so inconspicuously placed live on set. I don’t think she was wearing a wig. They are expert stage management companies. It would be interesting to see how their management position their microphones. From a novice perspective such as mine is it simply seems impossible for a voice to be picked up so clearly from such a position. Amazingly sincere productions. Truly heartfelt. Wonderful. It must be exhausting for them all.
Interessante
Just superb...especially with the glass harmonica. The final Eb is amazing!! BRAVA!!
Unfortunately it is not a glass armonica - could be verrophone or verrophone and glasses.......
What a pleasure to listen to that perfect voice💚
She's pretty good.
Grazie.
Praised for her vocal beauty, seamless technique, and abundant musicality, Nadine Sierra is being hailed as one of the most promising, young talents in opera today. She was named the Richard Tucker Award Winner in 2017 and was awarded the 2018 Beverly Sills Artist Award by the Metropolitan Opera. Having made a string of successful debuts at the Met, Teatro alla Scala, Opéra national de Paris, and Staatsoper Berlin, she has become a fixture at many of the top houses around the world. On August 24th, 2018, her debut album, There’s a Place for Us, was released under the Deutsche Grammophon/Universal Music labels.
uf, imposible escucharlo viendo esa horrenda dirección y escenografía.
Brava!!!
cant actually believe she was only 27-28 years old. amazing talent !!!!!!!
καλῶς!
Pour moi l’air d’opéra le plus beau jamais composé, avec une interprétation magistrale et le son de l’harmonica de verre qui rajoute à la beauté ! Sublime !
Beautiful and talented Nadine Sierra!!!!!!!
I like how she pretends to play the glass harmonica!
La puesta en escena es terrible, ella es hermosa y sexy, pero siento que no transmitió lo que se espera en esta escena, se le siente en momento muy forzada la coloratura, su interpretación no me gustó, sin negar que tiene bonita voz.
Too beautiful for words !
Very nice.I would like to listen to her when she is older.♫♪ ॐ¸¸.•*¨*•♫♪
Tempo is way too slow.
Perfetta
Brava
Bravissima,ma forse non ancora pronta per il ruolo di Lucia di Lammermoor.
Oh-my-God.
Macché bellezza! Bravissima!!!!
14:11
This is definitely a performance for Eflat lovers. How about the written notes? The voice is beautiful, but I find her coloratura not at ease; a bit rough, with aspirated "h"...only sometimes. Also, there's an uncontrolled vibrato here and there. The diction is not too bad, but there's little meaning behind her words, she needs to work more on the text and on intonation. I've also listened to "spargi d'amaro"; same things..great Eflat, but let's worry about the written notes. I hope she's working on these issues because she's a very promising young singer with a beautiful voice and great potential.
Venturia I think her Lucia is growing on her. I was at her Lucia debut in San Francisco and this is a huge improvement.
Venturia , I wish all viewers could comment like you!
I wish I had her talent
I'd like to know his or her credentials for making such comments.
I was always curious about this flute cadenza. The version sung by Sutherland seemed to be unique. Callas, Sierra and others all used/use the 'standard' version if I can call it that. The Sutherland version seems more virtuosic. Which version is the 'original' and how did the version sung by Sutherland come about?
There is no "original" version. Donizetti left that up to each soprano and did not compose a cadenza. The "Traditional" you elude to is the Marchesi (sp?) penning (*also further promoted in the Leibling cadenzas/book). It's always at its best when each soprano imprints her take upon it ... I do lean to appreciating the traditional
Sutherland maybe a better singer, but she is dead.
On top Joan Sutherland is super ugly that I avoid seeing her face.
This is the original version. A lot of people use the version with flute (in particular Joan Sutherland and Anna Netrebko)
❤❤❤
Stupenda!! Meravigliosa!!!
She has obviously a very beautiful voice in general with a rich resonant sound. I believe she is a soubrette not a real coloratura nor a lyric soprano yet - this instrument is extremely light and bright! It would not hurt for her to add more body to her sound together with a decent amount of squillo. I am not saying to sing louder but with more squillo and ring! Also if she is trully passionate about Bel Canto as she says, she most have pure chest voice too and it needs to be resonant and develop to the max. She has no chest voice! Look up coloratura soprano Tetrazzini, her chest voice was bigger than any mezzo soprano today. I’m not making up lies so chest voice is absolutely necessary for any voice, especially for Italian Bel Canto, hola!!!!!
Hi.
I recorded the two videos in February 2017 at Bethlehem Lutheran Church in
Encinitas, California.
Kasondra Kazanjian is her name.
ruclips.net/user/results?search_query=kevizian
there are pitch problems but she is very young (around 30 years old)
and will improve with the
guidance of a good voice teacher
i65.tinypic.com/28txkbt.jpg
-------------------------------
ruclips.net/video/RKj_2EctF1U/видео.html
Sunday, October 28, 2018
Encinitas Library
"Ain't It a Pretty Night"
+++++++++++++++++++++++++++++
I found her on RUclips
Tatiana Carlos (maiden name Tatiana Nogueira)
ruclips.net/video/T2ntkW-fiaM/видео.html
Wonderful spinto voice. Gorgeous tone. She is Brazilian. Like a Rolls
Royce. She graduated in 2016 from a Brazilian music school. There are
issues with her loose vibrato. She is currently in Provo, Utah studying
for her master's degree in vocal performance at Brigham Young
University. Tatiana is around 26/27 years old.
ruclips.net/video/T2ntkW-fiaM/видео.html
BRAVA!
Grandiose! Bravo .
uhm.... no...