I use some of your rythms for traditional dancing lessons, leads by a great Burkina dancer, Jérôme Kabore. Your vidéos are real golden mines, thanks a loooooooot for this precious legacy 👍🏻
Nice demonstration and lesson. Kakilambe can be somehow tricky to comprehend when it comes to understanding the correct pulsation. It can be easily rhythmicaly missinterpreted and percieved as 3/4 straight rhythm: /b-tt/s-bt/-ts-/, instead as type two ternary flow (4/3): /b-t/ts-/bt-/st-/. At least that's how it was in my case. :-)
yes thats right, thats a disadvantage 'outsiders' have of understanding and assimilating which after is overcome turns into an advantage of birds-eye view of the whole thing.
there are over 51 different songs that call out kalilambe ... the one you are laying down is common to mama d its a 6/8 or 12/8 but the other one is a 4/4 comon to west african we were taught in the cultural center in san deigo
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Thank you, I like your videos. Is helping me over this cruel time. Greatings from Germany
glad to know 🙏 like music everything has cycles, stay strong 💪
great !!!
Great as Always, very well explained as Always. One love
I use some of your rythms for traditional dancing lessons, leads by a great Burkina dancer, Jérôme Kabore. Your vidéos are real golden mines, thanks a loooooooot for this precious legacy 👍🏻
Thank you 🙏👊 more great things coming!
Nice demonstration and lesson. Kakilambe can be somehow tricky to comprehend when it comes to understanding the correct pulsation. It can be easily rhythmicaly missinterpreted and percieved as 3/4 straight rhythm: /b-tt/s-bt/-ts-/, instead as type two ternary flow (4/3): /b-t/ts-/bt-/st-/. At least that's how it was in my case. :-)
yes thats right, thats a disadvantage 'outsiders' have of understanding and assimilating which after is overcome turns into an advantage of birds-eye view of the whole thing.
there are over 51 different songs that call out kalilambe ... the one you are laying down is common to mama d its a 6/8 or 12/8 but the other one is a 4/4 comon to west african we were taught in the cultural center in san deigo