Hey, thanks! Unfortunately video production is going to slow down in the coming months, mostly due to the academic year beginning, and also needing to buckle down and work on my book. But things will pick up from time to time.
Hey Eli! This video helped me out a bit today. I recently got a Bela Pepper, a eurorack breakout for a Linux board. The first tool I made was a quantizer for a CV out by modifying the second to last example a little bit. Works great! It's super cool having a piece of hardware like this for supercollider work.
Very useful! i was wondering, is there a way i can use a defined scale like the ones used in this tutorial but change between Just Intonation and ET? i want to be able to maintain the same scale but just change the tuning temperament.
Maybe, but my interpretation is that you're basically talking about two different scales, with different pitch values. In terms of code, switching between ET and JI is essentially equivalent to switching between major and minor. So, I would recommend you create two different scales, in two separate Buffers. ~et = Scale.major.tuning_(\et12) ~just = Scale.major.tuning_(\just); An alternative (perhaps) would be to capture the semitone difference between these two scales, store this information in another Buffer, and somehow use it in the musical parts of your code: ~et.semitones - ~just.semitones; It's not hard to represent this musical information with Scale objects, but you'll need to write some synthesis code that correctly "changes" between these temperaments according to how you want things to sound.
Holy crap, you're shredding nowadays. Production quality, rapid delivery/high density of information. Fantastic. Thank you!
Hey, thanks! Unfortunately video production is going to slow down in the coming months, mostly due to the academic year beginning, and also needing to buckle down and work on my book. But things will pick up from time to time.
Hey Eli! This video helped me out a bit today. I recently got a Bela Pepper, a eurorack breakout for a Linux board. The first tool I made was a quantizer for a CV out by modifying the second to last example a little bit. Works great! It's super cool having a piece of hardware like this for supercollider work.
Wonderful example at the end of the video!
i just love these tutorials
Thanks!
example at the end - just wow
Wonderful, thanks for sharing your knowledge!
Great little tutorial, thanks!
Very helpful! Thank you!
Very useful! i was wondering, is there a way i can use a defined scale like the ones used in this tutorial but change between Just Intonation and ET? i want to be able to maintain the same scale but just change the tuning temperament.
Maybe, but my interpretation is that you're basically talking about two different scales, with different pitch values. In terms of code, switching between ET and JI is essentially equivalent to switching between major and minor. So, I would recommend you create two different scales, in two separate Buffers.
~et = Scale.major.tuning_(\et12)
~just = Scale.major.tuning_(\just);
An alternative (perhaps) would be to capture the semitone difference between these two scales, store this information in another Buffer, and somehow use it in the musical parts of your code:
~et.semitones - ~just.semitones;
It's not hard to represent this musical information with Scale objects, but you'll need to write some synthesis code that correctly "changes" between these temperaments according to how you want things to sound.
ADHD size tutorials. Perfect