Wow, thank you so much. I love your videos. Your videos contain a lot of valuable information on how to use eurorack in super complex ways. I think it is one of the few channels that watching the video I use to re-listen to parts or pause to understand well everything you attach. I love it
Sounds really nice in stereo. The unique restrictions and opportunities that eurorack presents makes revisiting these musical techniques so satisfying.
Love this. I'm also very inspired by Part's techniques. I sometimes set up a mult from a single sequencer (or turing machine) into two quantizers (or Disting's dual quantizer), one quantizing the M to a fitting scale or sometimes a (minor) pentatonic and the other to the corresponding triad to generate a "automatic" T voice. In this way one can generate a tintinabuli-like "duet" using a dual oscillator like the Klavis Twin Waves or similar.
Oh, so liked and subscribed! I have the Hillier and Shenton books. I had no idea that someone went and put what's essentially is a tintinnabuli mode in a module. I have an Electrosmith patch.Init() module, I should write a tintinnabuli mode for that. I think it was Fratres that I heard first, and later found Fur Alina. Now I think I have most of what he's written. His composition techniques are quite interesting. I really liked his latest CD, Tractus. Please, keep up the music!
Thanks so much for subscribing! Yes, I love the Hillier and Shenton books - my editions are now well-thumbed! Good luck with the tintinnabuli project on the patch.init module - I'd love to see the results!
Excellent, comfortable vibration. It's a very beautiful and pleasant sound. I think this is a legitimate application of electronic music that has been cultivated in the history.
Interesting take on Arvo Pärt. I don’t want to get sucked into the financial black hole of modular gear so I’ll just say I like what you did with it here. Thanks.
This whole mime of modular being too expensive is really tired. It really has nothing to do with this excellent video. Sorry if you can't afford it. There's a thing called, setting money aside, that makes modular accessible.
@@rogermiller6332 Omri Cohen is an awesome RUclips instructor and is a master of VCV. Some videos are quite complex but he has a whole group of instructional videos for newbies.
That’s good to know. In common with (I guess) many EX users I tend to use two or three of the single algorithms and seldom explore others. I don’t have a Pluck (any more), but I do have a Rings clone,and I’m always open to new ideas. Thank you!
Yes, I reckon a lot of people just use SD sample player - but even for that one algo, it's a great value module! Have fun with your Rings clone (I should probably get one of those!)
I think the idea of interpolating repeated notes (as almost a kind of drone) was a good idea, and works really well here. It reminded me of the interpolated repeated notes that are added in some variations in Chaozhou xianshi, a genre of traditional ensemble music from the Teochew cultural region of southern China, which can be heard here (especially in the pipa lute and yangqin hammered dulcimer parts) starting at 5 minutes and 41 seconds (this is a variation of the same melody that appears earlier in the video without the repeated notes): ruclips.net/video/-SXp1JROq70/видео.htmlm41s
Thanks so much for this. I look forward to exploring this music further - I'm intrigued to learn how the variations are constructed in it. And yes, I agree that the repeated notes of the T-voice in Arvo Part's music are drone-like. Ie. drones are not necessarily continuous, sustained notes. Cheers!
So glad to hear someone from the modular community playing Arvo Pärt. This is truly beautiful, thank you ❤
Hi Paola, thank you for watching!
Wow, thank you so much. I love your videos. Your videos contain a lot of valuable information on how to use eurorack in super complex ways. I think it is one of the few channels that watching the video I use to re-listen to parts or pause to understand well everything you attach. I love it
Thanks Hessencemusic, that's really wonderful to hear. I'm a big fan of your videos, too!
Sounds really nice in stereo. The unique restrictions and opportunities that eurorack presents makes revisiting these musical techniques so satisfying.
Thanks - and yes, I agree, modular is inherently minimalist (except when you have a whole wall of modules!)
WOW 👏👏👏 your series Minimalism is just outstanding and this is another gem you brought to the world
Thanks OndraJams, that's very kind!
finally good music on modular
Glad you liked it!
That sounded amazing, but I need to watch this several times to digest it!
Thanks for watching! There is a lot of text on this one - hopefully not overwhelming...
Love this. I'm also very inspired by Part's techniques. I sometimes set up a mult from a single sequencer (or turing machine) into two quantizers (or Disting's dual quantizer), one quantizing the M to a fitting scale or sometimes a (minor) pentatonic and the other to the corresponding triad to generate a "automatic" T voice. In this way one can generate a tintinabuli-like "duet" using a dual oscillator like the Klavis Twin Waves or similar.
Thanks Lars, that's a great idea - and a reminder that you don't need a Disting EX to do quasi-tintinnabuli.
Oh, so liked and subscribed! I have the Hillier and Shenton books. I had no idea that someone went and put what's essentially is a tintinnabuli mode in a module. I have an Electrosmith patch.Init() module, I should write a tintinnabuli mode for that. I think it was Fratres that I heard first, and later found Fur Alina. Now I think I have most of what he's written. His composition techniques are quite interesting. I really liked his latest CD, Tractus. Please, keep up the music!
Thanks so much for subscribing! Yes, I love the Hillier and Shenton books - my editions are now well-thumbed! Good luck with the tintinnabuli project on the patch.init module - I'd love to see the results!
Excellent, comfortable vibration.
It's a very beautiful and pleasant sound.
I think this is a legitimate application of electronic music that has been cultivated in the history.
Thanks for watching and commenting!
Loving this series - really inspiring stuff! And a beautiful-sounding composition here 🔥
Absolutely lovely & transcendent
Thanks so much, lexusmaxus!
Another great, inspiring video. Well done.
Thanks, glad you enjoyed it!
Interesting take on Arvo Pärt. I don’t want to get sucked into the financial black hole of modular gear so I’ll just say I like what you did with it here. Thanks.
Fair enough - and thanks for watching!
Perhaps it would work for free virtual modular software like Cardinal and VCV?
This whole mime of modular being too expensive is really tired. It really has nothing to do with this excellent video. Sorry if you can't afford it. There's a thing called, setting money aside, that makes modular accessible.
I just started using VCV Rack 2. So far (on the learning curve) it’s going well and working as well as physical synths.
@@rogermiller6332 Omri Cohen is an awesome RUclips instructor and is a master of VCV. Some videos are quite complex but he has a whole group of instructional videos for newbies.
Beautiful and so well done!!!
In the perfect style of Arvo Part !!!!
Much appreciated!
thank you for the fantastic patch notes
Cheers, Cody, I'm glad they made sense!
Beautiful
Awesome work on this, totally mesmerizing !
Thanks marti, that's great to hear!
That’s good to know. In common with (I guess) many EX users I tend to use two or three of the single algorithms and seldom explore others. I don’t have a Pluck (any more), but I do have a Rings clone,and I’m always open to new ideas. Thank you!
Yes, I reckon a lot of people just use SD sample player - but even for that one algo, it's a great value module! Have fun with your Rings clone (I should probably get one of those!)
Sounds really great 🙌👍👍👏👏👏
Much appreciated! 🙏
👍Nice historic explication! Subscribed...
💙⚪❤
Thanks for watching and subscribing!
Fascinating 😊
Thanks Probbie! 👊
Great work.❤ 🔥
Thanks Justin🙏
Really nice!
Thanks Matt!
the music theory is beyond me, but I don't care since the second piece sounds wonderful
Thanks! That's the beauty of Arvo Part's music - it sounds good to our ears even if we don't know what exactly is going on with the tintinnabuli
❤❤❤❤❤❤
🙏🙏🙏🙏🙏🙏🙏🙏🙏
Excellent 👌❤
Thank you so much 😀
Bravo.
Thanks Robert!
Simply beautiful.
You might have reduced the reverb just a bit more.
I can't resist the 'verb, man!
any plans to release this music? I would totally pay for a much longer version of the second piece in high quality audio
Cheers Guy! Yes, I'm planning to put some of these up on bandcamp, hopefully soon - thanks for your support!
@@electrummodularmusic good news!
Nice to hear someone being musically constructive with modular than the usual bleepy knob twisting.
Thanks Jonathan, much appreciated!
I think the idea of interpolating repeated notes (as almost a kind of drone) was a good idea, and works really well here. It reminded me of the interpolated repeated notes that are added in some variations in Chaozhou xianshi, a genre of traditional ensemble music from the Teochew cultural region of southern China, which can be heard here (especially in the pipa lute and yangqin hammered dulcimer parts) starting at 5 minutes and 41 seconds (this is a variation of the same melody that appears earlier in the video without the repeated notes):
ruclips.net/video/-SXp1JROq70/видео.htmlm41s
Thanks so much for this. I look forward to exploring this music further - I'm intrigued to learn how the variations are constructed in it. And yes, I agree that the repeated notes of the T-voice in Arvo Part's music are drone-like. Ie. drones are not necessarily continuous, sustained notes. Cheers!
Part → Pärt
Damn, where's autocorrect when you need it!