Compound Melodies for Better Bebop
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- Опубликовано: 17 май 2024
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Pianist, educator, and amateur NBA referee, Jeremy Siskind describes how Charlie Parker and other bebop musicians utilize the technique of "Compound Melody" in order to create interesting, flowing, connected melodies. Видеоклипы
Always great teacher.
No you are! 5x better at least in terms of subscriber numbers 😂
@@JeremySiskind He's just been doing it longer.
Thanks for this lesson: this is a really interesting concept. I bought your package of four books a few weeks back and am having a lot of fun with them. A compound number is a number that is not prime.
you’re thinking of composite numbers, and while this is an ok intuition about composite numbers, it is slightly wrong as 1 is neither prime nor composite. composite numbers, more rigorously defined are natural numbers with at least one divisor other than 1 and itself.
@@remicou8420 Yes, you are right. Composite is correct, but compound is the word of the day, so I repurposed it. By the way, 1 was considered to be prime by some mathematicians even into the early 20th century.
Very cool ideas.
Many thanks, Walker. Happy practicing!
Fantastic lesson! So interesting. Are you thinking mainly chord tones for your compound melodies?
I think compound melodies can use the scales associated with the chords, but they should probably end up on chord tones.
Suggestion: get a boom mic stand.
Thanks, Richard.
@@JeremySiskind I imagine you don’t want to have to mix or edit, but the piano would sound much better close mic’d. It usually sounds somewhat distant.
Then you could mic yourself with a lavelier mic, and put both into a small mixer.
I suppose if you really wanted to up those production values, you could light yourself better, too. Lighting also makes a big difference in video quality.
Compound number: 5 feet and 2 inches; or 5 lbs and 2 ounces; or 1 pickup note and 32 bars.
Bye Bye blackbird ….
Thanks for watching, Flober!