With this oscilloscope view, one can see how genius Rob Hubbard was able to push the limits, changing frequencies, waveforms and cycle ratios on the fly to achieve greatest sounds.
@@jonnyj. It may have been an impressive piece of music for its date but JT is right, nothing you listed is impressive in its own right and most SID music players had those features besides the simplest ones of all. They had to, otherwise all you'd hear is buzz, beep and hiss.
@@jaykennedy2995 Only amongst the best, did you hear some of the American C64 tracks of the same era, (EDIT! with a few exceptions) most were absolute rubbish. "buzz, beep and hiss." along with awful music.
With this oscilloscope view, one can see how genius Rob Hubbard was able to push the limits, changing frequencies, waveforms and cycle ratios on the fly to achieve greatest sounds.
That's what every sid musician out there does.
@@juomariturmio Every sid musician? Hell no. In 1985? Especially not. With this many unique waveforms? Fuck no...
@@jonnyj.
It may have been an impressive piece of music for its date but JT is right, nothing you listed is impressive in its own right and most SID music players had those features besides the simplest ones of all. They had to, otherwise all you'd hear is buzz, beep and hiss.
@@jaykennedy2995 Only amongst the best, did you hear some of the American C64 tracks of the same era, (EDIT! with a few exceptions) most were absolute rubbish. "buzz, beep and hiss." along with awful music.
Back in the 80's I let this loop long enough it would go out of sync and decent into psychedelic chaos :D