i am serbian, and this is first time that i am meeting this music, and i can say that this is abnormaly good spiritual music, i been enjoying like never before, sound like Yuval ron.. thx nasser
جمال على جمال نحن مدينون لك يا نصير لأنك عرفتنا على مديات روحية عالية في مقام الرست بروحية فريدة و هوية مميزة فتقاسيمك لم تألفها الأذن من قبل و هذا ما يعطيها القدرة على مفاجئة مسامعنا و شدها .
The oud has its own tuning. This man is capable of playing the oud like an Andalusian guitar from the Ummayyad period of Arab hegemony over Spain. I have heard one recording before from the Oxfam Arabia CD, probably the one most beautiful piece of "guitar" music I have ever heard. "Min Ashur Ila Ishbiliya". Listen to that before you die. Thank you Naseer for your utter brilliance.
Wow the ending really captured me...the music of the East is so rich and pure...honestly the most simple and yet most deep art I have met, and will ever meet...
Allah ya Prince Naseer! Your soul is a mix of wonder, magic, ecstasy, blues, moving colors, original art, pride, culture, and majesty. Your dexterity yet did not resist the manifestation of your powerful soul...all to testify to your true artist legend
wat's dis dat wrenches my heart dry of happiness?.. wat's dis dat flow down my cheeks?.. wat's dis feelin dat's resonates in my soul... could dis b wat wat u sae sadness? beautiful taqsim of wind n soul.. clasped together by d harmony of rast...
During the last century, Iraq has "produced" four of the very top oud players ever: the Bashir family (Jamil, his brother Munir, and Omar, son of Bashir); and finally Nasseer Shamma. All are devine when playing oud. Bravo! .
لكثرِ ما سمعت موسيقى صار يقرفني الطرب والثبات في العزف وخشونة العود ، في بداية الأمر كنت مثلك احب التطريب الذي يعتمد على الصعودوالنزول فقط مع خشونة مؤذية للإذن ، أنا مدين لمنير بشير وجميل بشير ونصير شمة في الكثير ، ما هذا الصفاء في صوت العود وكأن العود بلبل مسجون واطلقوا سراحه لواحة خضراء ... انصحك بأن تسمع العود كثيراً وتترك خشونة السنباطي وفريد وهذا العويل المكرر وتستمع لمؤلفات موسيقية لهؤلاء الكبار .. معلومة ما يقوم به السنباطي وفريد وعبادي طريقة عادية يمكن لأي عازف مبتدأ ان يعزف مثلهم والراست بشكل عام جميل كلحن والا لا يمكن سماع صراخ العود الخشن من اصابعهم بصراحة !
The pick you are talking about used to be a feather of a bird in the early ages of the instrument. Noadwas a long pick similiar to the feather is commonly used nowadays. Salam.
I studied with Naseer. his Ouds are made either by Iraqi Maker: Ya'rub Jobaili or the Egyptian maker: Mohammed Ali. I can't tell which oud is this. I guess it's the one by Ya'rub cause I remember it was louder than average ouds and this one is.
@tonydven Both this taqsim and indian ragas are improvised pieces based upon a certain scale or collection of notes and phrases. But there is really no way of determining which came "first", as both traditions have been developing essentially for the entirety of their respective civilizations' existence, going back thousands of years, and they have both influenced each other at some point.
'EXCESSIVE TECHNIQUE' . The Oud, (unlike the guitar for example) was not built to sustain such powerful tweaking , bending and chord rhythm playing, so some of the notes he hits are off key. I've always loved the Iraqi school of playing (Muhyiddine Haidar) , and I love Naseer's playing, I just wished he'd stay away from excessive fret neck acrobatics.
noobi core it’s shameful such Ustaz like Nasseer that he would resort to these meaningless acrobatics, at the end he commits himself to off key notes, a good instrumentalist should Never hit an off key note. Impressive performance over substance, it’s an issue,which reminds me of Al Demiola . Simon Shaheen is the model , I say it with most modesty
Guest Speaker حبيبي انتو الخليج ليش تردون بس الطرب? اكو ثلاث مدارس مدرسه الشرقي وهو الي يعزفها عبادي واحمد فتحي وغيره ومدرسه العود التركي ومدرسه العود العراقي الي يعزفها حسن وهو التكنيك يابه متى تفهمون وتفرقون بين الطرب او الاحساس? وبين التكنيك?
Guest Speaker والله مواقفك، يا جماعة هذا مقام راست ، اذا باغي تعرف شنوا يعني راست اسمع سيمون شاهين و تفهم و بصراحة أنا لم يعجبني العزف اطلاقا و بكل حيادية عزف تحت المتوسط
The oud has its own tuning. This man is capable of playing the oud like an Andalusian guitar from the Ummayyad period of Arab hegemony over Spain. I have heard one recording before from the Oxfam Arabia CD, probably the one most beautiful piece of "guitar" music I have ever heard. "Min Ashur Ila Ishbiliya". Listen to that before you die. Thank you Naseer for your utter brilliance.
i am serbian, and this is first time that i am meeting this music, and i can say that this is abnormaly good spiritual music, i been enjoying like never before, sound like Yuval ron.. thx nasser
جمال على جمال
نحن مدينون لك يا نصير لأنك عرفتنا على مديات روحية عالية في مقام الرست
بروحية فريدة و هوية مميزة
فتقاسيمك لم تألفها الأذن من قبل
و هذا ما يعطيها القدرة على مفاجئة مسامعنا و شدها .
The oud has its own tuning. This man is capable of playing the oud like an Andalusian guitar from the Ummayyad period of Arab hegemony over Spain. I have heard one recording before from the Oxfam Arabia CD, probably the one most beautiful piece of "guitar" music I have ever heard. "Min Ashur Ila Ishbiliya". Listen to that before you die. Thank you Naseer for your utter brilliance.
Wow the ending really captured me...the music of the East is so rich and pure...honestly the most simple and yet most deep art I have met, and will ever meet...
7:43 ... The best part in the whole piece! The identity of Rast is so clear there! I love Rast, best Maqam for me!
I love listening to naseer Shama and munir basheer playing. They are peerless and unique musicians
Allah ya Prince Naseer! Your soul is a mix of wonder, magic, ecstasy, blues, moving colors, original art, pride, culture, and majesty. Your dexterity yet did not resist the manifestation of your powerful soul...all to testify to your true artist legend
wat's dis dat wrenches my heart dry of happiness?..
wat's dis dat flow down my cheeks?..
wat's dis feelin dat's resonates in my soul...
could dis b wat wat u sae sadness?
beautiful taqsim of wind n soul..
clasped together by d harmony of rast...
صوت العود رهيب لم اسمع مثل نغم العود العراقي ابدا ..وكذلك نصير افضل عازف بالعالم
He's spectacular, bewitching, divine, glamorous, charming,,,,, a stunning Oud player from Iraq.... I love Naseer shamma :)
living legend, had the honors of meeting him a couple of times, he even played at my village... a beautiful person and an incredible human being
تبارك الله أحسن الخالقين.بلا منازع ...حفظك الله و رعاك
فعلا هذا المقام مقام الملوك
مقام الرست يوحي بالخيلاء والعظمة كأنك وانت تسمعه ملك فكيف يشعر نصير شكة ؟
الله عليك ياملك 👍
Oud is so nice to listen to,this musician is just so dynamically emotional,and the musical sense is so close to Byzantine:)....a Devine listening.
حياك الله أستاذ نصير شمه قمة الإبداع
his oud is just....it's brilliant
greatest oud player nowadays without a doubt
will not find the most beautiful and the finest from music Iraqi
Tarab Tarab Tarab
yeslamoooo edenak ya naseer
that was amazing, the part from 4:30 to 5:45 really touched my heart.
yes,from Iraq
تسلم اناملك ... ما اجمل عزفك 👐🏻👐🏻🙏🏻
During the last century, Iraq has "produced" four of the very top oud players ever: the Bashir family (Jamil, his brother Munir, and Omar, son of Bashir); and finally Nasseer Shamma.
All are devine when playing oud. Bravo!
.
عزف جميل, حسيت أني راكب هايلكس وسط مزرعة في الديرة
عزف غير طبيعي
WOW Its Awesome
bhanik habibi
عزف روعه 🌹🌹🌹🌹🌹🌹
ردااائة في توصيل الاحساس.. اي نعم مدرسة عراقية يعني تكنيك... ولكن هذا مقام راست يعني نغم وطرب وسلطنة.. رحِم الله السنباطي واطال في عمر خليفته سيمون
لكثرِ ما سمعت موسيقى صار يقرفني الطرب والثبات في العزف وخشونة العود ، في بداية الأمر كنت مثلك احب التطريب الذي يعتمد على الصعودوالنزول فقط مع خشونة مؤذية للإذن ، أنا مدين لمنير بشير وجميل بشير ونصير شمة في الكثير ، ما هذا الصفاء في صوت العود وكأن العود بلبل مسجون واطلقوا سراحه لواحة خضراء ... انصحك بأن تسمع العود كثيراً وتترك خشونة السنباطي وفريد وهذا العويل المكرر وتستمع لمؤلفات موسيقية لهؤلاء الكبار .. معلومة ما يقوم به السنباطي وفريد وعبادي طريقة عادية يمكن لأي عازف مبتدأ ان يعزف مثلهم والراست بشكل عام جميل كلحن والا لا يمكن سماع صراخ العود الخشن من اصابعهم بصراحة !
beautiful taksim
Ya salam
I don't really know if there are any similarities between them but Taqsim means improvised, the track you've just listened to is totally improvised.
The pick you are talking about used to be a feather of a bird in the early ages of the instrument. Noadwas a long pick similiar to the feather is commonly used nowadays. Salam.
I studied with Naseer. his Ouds are made either by Iraqi Maker: Ya'rub Jobaili or the Egyptian maker: Mohammed Ali. I can't tell which oud is this. I guess it's the one by Ya'rub cause I remember it was louder than average ouds and this one is.
painfully beautiful :'(
روعة.
nasser I love you!!!
مالك ومال التطريب ي نصير
allahu akbar.
Waw, so good taste to play. 5 / 5 *****
süpermiş gerçekten:):)
in the oud realm, pick means any plastic peice can do the job. yes, it is usually taller and slimer than the guitar pick.
عزف خالي من روح الرست تكنيك بدون روح
بس منير بشير هو الملك الاسطوري
in the oud realm , a pick is just a plastic peice that does the job, yes normally it is taller and slimer than the guitar pick
amazing woooooow
I can see a pick in shamma's right hand but it looks more like a small narrow stick than a pick as I think of a guitar pick. Is this correct?
@tonydven Both this taqsim and indian ragas are improvised pieces based upon a certain scale or collection of notes and phrases. But there is really no way of determining which came "first", as both traditions have been developing essentially for the entirety of their respective civilizations' existence, going back thousands of years, and they have both influenced each other at some point.
@TheKnowledgefreak from up to down ( F - C - D - G - C - F ) ..
but his oud is half tone less than normal ,, means F is actually E .
he is from Iraq ^____^
Why do I hear such a similarity between this piece and Indian ragas'. Which is older?
if anyone can help me please .... if anyone knows who is the maker of this oud....
Answer at how gives beauty to the oud"
Waw, so good taste to play, really.
I am sorry but The Lord of the Oud is only one : Mr. JOHN BERBERIAN, Mashallàh !!
Professor Ben Pachter brought me here
'EXCESSIVE TECHNIQUE' . The Oud, (unlike the guitar for example) was not built to sustain such powerful tweaking , bending and chord rhythm playing, so some of the notes he hits are off key. I've always loved the Iraqi school of playing (Muhyiddine Haidar) , and I love Naseer's playing, I just wished he'd stay away from excessive fret neck acrobatics.
noobi core it’s shameful such Ustaz like Nasseer that he would resort to these meaningless acrobatics, at the end he commits himself to off key notes, a good instrumentalist should Never hit an off key note. Impressive performance over substance, it’s an issue,which reminds me of Al Demiola . Simon Shaheen is the model , I say it with most modesty
بارع تعزف بمشاعرك قبل أصابعك
oh thanks i know^----^
عزف سيء جدا فقط ميكروفون جيد وأوتار غالية و عزف يخلو من الطرب
Guest Speaker اعزف ربعه بس
شاطر تنظر بس
من كل عقلك تتكلم ؟ هذا نصير شمه ياعم
Guest Speaker , it's just your opinion :D
Guest Speaker
حبيبي انتو الخليج ليش تردون بس الطرب?
اكو ثلاث مدارس
مدرسه الشرقي وهو الي يعزفها عبادي واحمد فتحي وغيره
ومدرسه العود التركي
ومدرسه العود العراقي الي يعزفها حسن وهو التكنيك يابه متى تفهمون وتفرقون بين الطرب او الاحساس? وبين التكنيك?
Guest Speaker والله مواقفك، يا جماعة هذا مقام راست ، اذا باغي تعرف شنوا يعني راست اسمع سيمون شاهين و تفهم و بصراحة أنا لم يعجبني العزف اطلاقا و بكل حيادية عزف تحت المتوسط
He's spectacular, bewitching, divine, glamorous, charming,,,,, a stunning Oud player from Iraq.... I love Naseer shamma :)
The oud has its own tuning. This man is capable of playing the oud like an Andalusian guitar from the Ummayyad period of Arab hegemony over Spain. I have heard one recording before from the Oxfam Arabia CD, probably the one most beautiful piece of "guitar" music I have ever heard. "Min Ashur Ila Ishbiliya". Listen to that before you die. Thank you Naseer for your utter brilliance.
will not find the most beautiful and the finest from music Iraqi