No pedals were used during this video. Just guitar and amplifier. From my last video where I show the bridge pickup pole piece heights, I've raised the black bobbins by 1 full turn on the mounting screws and lowered each adjustable pole piece by the same amount. 1 full turn down on the screws. The amplifier valves start warming up fairly quickly but it's the other electrical components that take a long time to warm up. The amp had be on and played for a few hours at the time of the recording. It takes a lot of experience and listening ability to set the amp controls and the guitar tone control. They're approximately half way and you tune around there. You can't actually replicate the timbers in this guitar. It's 80% Australian Woods 🪵. The body is made of Victorian Ash, eucalyptus tree wood. The neck is Australian Blackwood which is a wattle tree timber. The fingerboard is made from a timber called gombiera (don't know what country that's from but it's a lightweight ebony type of timber) The inlays are full thickness mother of pearl shell 🐚 2 different types. I didn't buy the factory cut squares. These inlays were cut out of full shells and it took over 40 hours to complete. The P.A.F.s are early 1990's models. This guitar has been strung up for 30 years. It's a 1 and only guitar, in the world 🌎. It's got timber binding, not plastic. So don't replicate my guitar's sound, you go for your Les Paul and DiMarzio P.A.F. pickup sound.
Home made guitars with aftermarket pickups and unpopular Marshall amplifiers are more than capable of producing world-class music at a fraction of the cost of the mainstream products.
The standard of playing fell from the practice in pushing the video record button on the camera. You are what you do and if you practice at a lower standard then that's all you end up playing and recording.
No pedals were used during this video.
Just guitar and amplifier.
From my last video where I show the bridge pickup pole piece heights, I've raised the black bobbins by 1 full turn on the mounting screws and lowered each adjustable pole piece by the same amount.
1 full turn down on the screws.
The amplifier valves start warming up fairly quickly but it's the other electrical components that take a long time to warm up.
The amp had be on and played for a few hours at the time of the recording.
It takes a lot of experience and listening ability to set the amp controls and the guitar tone control.
They're approximately half way and you tune around there.
You can't actually replicate the timbers in this guitar.
It's 80% Australian Woods 🪵.
The body is made of Victorian Ash, eucalyptus tree wood.
The neck is Australian Blackwood which is a wattle tree timber.
The fingerboard is made from a timber called gombiera (don't know what country that's from but it's a lightweight ebony type of timber)
The inlays are full thickness mother of pearl shell 🐚 2 different types.
I didn't buy the factory cut squares.
These inlays were cut out of full shells and it took over 40 hours to complete.
The P.A.F.s are early 1990's models.
This guitar has been strung up for 30 years.
It's a 1 and only guitar, in the world 🌎.
It's got timber binding, not plastic.
So don't replicate my guitar's sound, you go for your Les Paul and DiMarzio P.A.F. pickup sound.
Home made guitars with aftermarket pickups and unpopular Marshall amplifiers are more than capable of producing world-class music at a fraction of the cost of the mainstream products.
The standard of playing fell from the practice in pushing the video record button on the camera.
You are what you do and if you practice at a lower standard then that's all you end up playing and recording.